Pornography: Men Possessing Women, by: Andrea ... - Feminish

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New York: New York University Press, 1968.Rubin, Lillian Breslow. Worlds of Pain. New York: Basic Books,1976.Rugoff, Milton. Prudery and Passion: Sexuality in Victorian America.New York: G. P. Putnam’s Sons, 1971.Rukeyser, Muriel. The Traces of Thomas Hariot. New York: RandomHouse, 1971.Rushdoony, Rousas J. The Politics of Pornography. New Rochelle,N . Y.: Arlington House Publishers, 1974.Ruskin, John. Sesame and Lilies. Philadelphia: Rodgers Co., 1871.Russell, Diana E. H ., and Nicole Van de Ven, eds. Crimes AgainstWomen: Proceedings of the International Tribunal. Millbrae, Calif.:Les Femmes Publishing, 1976.Sade, Donatien-Alphonse-Frangois de. Adelaide of Brunswick.Translated by Hobart Ryland. Washington, D . C.: ScarecrowPress, 1954.--------- . Crimes of Passion. Edited and translated by Wade Baskin.New York: Philosophical Library, 1965.--------- . Juliette. Translated by Austryn Wainhouse. New York:Grove Press, 1976.--------- . Juliette or, Vice Amply Rewarded. Abridged. Translated byPieralessandro Casavini. New York: Lancer Books, 1965.---------Justine; Philosophy in the Bedroom; Eugenie de Franval, andOther Writings. Translated by Richard Seaver and AustrynWainhouse. New York: Grove Press, 1966.--------- . The 120 Days of Sodom and Other Writings. Translated byAustryn Wainhouse and Richard Seaver. New York: GrovePress, 1967.--------- . Selected Letters. Edited by Margaret Crosland. Translatedby W. J. Strachan. New York: October House, 1966.Salisbury, Charlotte Y. China Diary. New York: Walker & Co.,1973.Sand, George. Indiana. Translated by George Burnham Ives.Chicago: Cassandra Editions, 1978.--------- . My Life. Edited and translated by Dan Hofstadter. NewYork: Harper & Row, Publishers, 1979.Sandford, Jeremy. Prostitutes. London: Abacus, 1977.Sanger, Margaret. Margaret Sanger: An Autobiography. New York:Dover Publications, 1971.Sanger, William W. The History of Prostitution. New York: MedicalPublishing Co., 1906.
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P L U M EP u b l i s h e d b y t h
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F or Jo h n S toltenbergIn M em ory
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C o n t e n t sIntroductionxiiiPref
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sires; and I appealed to them, whet
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who has been bought and sold. She m
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esist; they disappear when the dang
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When he arrived, he informed me tha
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mom’s. [He came after her with a
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word to make it denote a story, pro
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T he burden of proof will be on tho
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new social truth emerged, one that
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“we”? What is the “freedom
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is mine, ” Therese Stanton wrote
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who were the same, never of those w
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the pictures. Instead, some of us u
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us—let us be dumb and die. ”181
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eciprocity, whereas pornography inv
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or scrutiny, that there is an equat
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culture, though it is smothered in
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women evil; he exterminates nine mi
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was to extend in time, to be not on
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adult, impervious to the ambivalenc
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culture, he is a giant, enlarged by
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the dead center of the car hood and
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hunter, think of seals clubbed to d
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in the larger culture, also indicat
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eventually come from the shower. Th
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limited framework of male sexual va
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the greatest and best test of mascu
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another female’s cunt. ” The hu
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studio. Narrator wonders whether he
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sleep. Rod wakes to find Larry assf
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Lesbians are in each vignette. In t
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distinctly pinkish. One of her hand
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Men and BoysJust so docs Miller ret
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The boy will be a witness as the fa
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Body, philosopher Norman O. Brown,
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penis signifies humanity. Though th
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Throughout male culture, the penis
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aggression of the aggressor and use
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does not exist; rape of the sacred
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male who cannot change his devalued
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Male perceptions of women are askew
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The solution, as Dinnerstein sees i
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other century. There are only the o
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3The Marquis de Sade ( 1 7 4 0 —1
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most of the women and girls he abus
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Sade took Keller to his private hou
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another order was issued for his ar
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sporadically). O n Sade’s release
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perhaps fourteen years old, essenti
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With his usual perception about him
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power of the biographers to define
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esistance from “puritanical” or
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had the authority to spend her mone
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degree, is authentic because a man
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collection of Sade’s work, point
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sexuality. The shared victim result
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Sade himself, in a footnote to Juli
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A daughter’s turning on her mothe
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Sade’s work in exciting the imagi
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is movable property— cattle, wive
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The whole world outside man himself
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image of her while being an externa
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falling off a log for her. It is ea
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leave her alone. The moment we leav
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Brain is absolutely clear that “[
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sterile word for the phenomenon tha
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significantly determine the quality
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in the realm of female beauty, the
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The prostitute is seen as the antit
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ment. It can also be seen as the cu
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in other words, ” writes Becker,
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Ullerstam, in The Erotic Minorities
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Mother, whore, beauty, abomination,
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own. H er race is ambiguous. From h
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weapon in her hand. Still, the olde
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W ith both the male and the female,
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is propaganda, whether used for soc
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it that way. ” ’7 The weak are
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means that it also generates incred
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the poisonous materials which are u
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Willy linked the experience of blac
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This cautious statement avoids the
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are not really distinct because the
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maintained; otherwise— especially
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variable. It is determined more by
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aised slightly off the floor. The p
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ut she belongs to the Anglo boyfrie
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something important for his complic
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value to possession of the woman. T
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confusing. She is without purpose.
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sex. Force is sex. The woman who wa
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United States, expressed the weary
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head. They parked near the corpse a
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made her lock herself in the wardro
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her robe or back or head while he w
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sat him in a wooden armchair. Simon
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among intellectuals: he writes of h
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ing, or even alerting, conscience.
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followers conclude that women have
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y the human female never matched hi
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programs for combating what is call
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obvious sort of commercialized pros
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When the mates discover them in coi
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scientists, that lip was just looki
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means that force was not used in co
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encouragement was nothing of the so
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vs. adults, ” the sexual act was
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In a study specifically of force us
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T he porne was the cheapest (in the
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the porneia as the technology widen
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why rape is absurd and incomprehens
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ecommendation that legal persecutio
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confined to the cultural level of a
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In the introduction to Black Fashio
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her between her black loins. She sc
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Robert Grey does not want to hurt h
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use of her sex is the use of her sk
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hymen [laughs] so he can’t take i
Page 248 and 249: enlarged uterus displaces the rest
Page 250 and 251: ers as whores— completes the pict
Page 252 and 253: And inside this system, women are p
Page 254 and 255: Women Against Sexist Violence in Po
Page 256 and 257: 3. John Stoltenberg, “Eroticism a
Page 258 and 259: 26. Gorer, Life and Ideas, p. 37.27
Page 260 and 261: 18. Otto Weininger, Sex and Charact
Page 262 and 263: 58. Ibid., p. 14.59. Herbert Marcus
Page 264 and 265: 43. Ibid., p. 120.44. Ibid., p. 63.
Page 266 and 267: 9. John Wolfenden, Report of the Co
Page 268 and 269: Addams, Jane. A New Conscience and
Page 270 and 271: Symons. New York: Albert & Charles
Page 272 and 273: York: W. VV. Norton & Co., 1978.Bur
Page 274 and 275: Cooke, Joanne; Charlotte Bunch-Week
Page 276 and 277: Didion, Joan. The White Album. New
Page 278 and 279: Fedder, Ruth. A Girl Grows Up. New
Page 280 and 281: Fuchs, Estelle. The Second Season:
Page 282 and 283: Goffman, Erving. Relations in Publi
Page 284 and 285: York: Random House, Vintage Books,
Page 286 and 287: Ivinskaya, Olga. A Captive of Time.
Page 288 and 289: Youth. New York: W. W. Norton & Co.
Page 290 and 291: Lewis, Oscar. Tbe Children of Sanch
Page 292 and 293: --------- . A Woman's Life. Transla
Page 294 and 295: Nehrich, Richard B., Jr.; Glenn I.
Page 296 and 297: of the Commission on Obscenity and
Page 300 and 301: Shiloh, Ailon, ed. Studies in Human
Page 302 and 303: Strindberg, August. Inferno and Fro
Page 304 and 305: Wald, Karen. Children of Che. Palo
Page 306 and 307: A r t ic l e s , I n t e r v ie w s
Page 308 and 309: --------- . “The Lie. ” New Wom
Page 310 and 311: Kristol, Irving. “T he Shadow of
Page 312 and 313: “Playboy Gives First Amendment Aw
Page 314 and 315: IndexAbortionconstraints on rights
Page 316 and 317: Christ, 53Civilization, as tamer of
Page 318 and 319: FreedomBrown’s definition of, 52a
Page 320 and 321: Lerner, Max, 208-9Lesbiansin / Love
Page 322 and 323: and women as instruments,109-13“O
Page 324 and 325: Women, ” 160-64Brain on, 112celeb
Page 326 and 327: Snuff artist, Sade as, 92Snuff film
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