Pornography: Men Possessing Women, by: Andrea ... - Feminish

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Nehrich, Richard B., Jr.; Glenn I. Voran; and Norman F. Desscl.Atomic Light: Lasers— What They Are and How They Work. NewYork: Sterling Publishing Co., 1967.Neruda, Pablo. Memoirs. Translated by Hardie St. Martin. NewYork: Penguin Books, 1978.Nicole, Christopher. The Secret Memoirs of Lord Byron. Philadelphia:J. B. Lippincott Co., 1978.Nin, Anais. Delta of Venus. New York: Harcourt Brace Jovanovich,1977.--------- . In Favor of the Sensitive Man and Other Essays. New York:Harcourt Brace Jovanovich, 1976.--------- . Little Birds. New York: Harcourt Brace Jovanovich, 1979.--------- . The Novel of the Future. New York: Macmillan PublishingCo., Collier Books, 1976.Noakes, Jeremy, and Geoffrey Pridham, eds. Documents on Nazism1919-1945. New York: Viking Press, 1975.Noonan, John T ., Jr., ed. The Morality of Abortion. Cambridge:Harvard University Press, 1970.North, Maurice. The Outer Fringe of Sex. London: Odyssey Press,1970.Nystrom-Hamilton, Louise. Ellen Key: Her Life and Work.Translated by A. E. B. Fries. New York: G. P. Putnam’s Sons,1913.Oakley, Ann. Sex, Gender and Society. New York: Harper & Row,Colophon Books, 1972.--------- . The Sociology of Housework. New York: Pantheon Books,1974.--------- . Woman's Work: The Housewife, Past and Present. New York:Random House, Vintage Books, 1976.O ’Donnell, Thomas J. The Confessions of T. E. Lawrence. Athens,Ohio: Ohio University Press, 1979.O ’Faolain, Julia, and Lauro Martines, eds. Not in God's Image:Women in History from the Greeks to the Victorians. New York:Harper & Row, Torchbooks, 1973.O ’Neill, Nena. The Marriage Premise. New York: M. Evans & Co.,1977.Oppenheimer, Martin. The Urban Guerrilla. Chicago: QuadrangleBooks, 1970.Owings, Chloe. Women Police. New York: Frederick H. Hitchcock,1925.Packard, Vance. The Sexual Wilderness. New York: David McKayCo., 1968.
Pankhurst, Emmeline. My Own Story. New York: Hearst’s InternationalLibrary Co., 1914.Pankhurst, Sylvia. The Suffragette Movement. London: Virago, 1978.Parker, Gail, ed. The Oven Birds: American Women on Womanhood1820-1920. Garden City, N . Y.: Doubleday & Co., AnchorBooks, 1972.Patai, Raphael. Sex and Family in the Bible and the Middle East.Garden City, N . Y.: Doubleday & Co., 1959.Paulhan, Jean. “The Marquis de Sade and His Accomplice. ” InJustine; Philosophy in the Bedroom; Eugenie de Franval, and OtherWritings. Donatien-Alphonse-Fran^ois de Sade. Translated byRichard Seaver and Austryn Wainhouse, pp. 3-36. New York:Grove Press, 1966.Paz, Octavio. The Labyrinth of Solitude. Translated by LysanderKemp. New York: Grove Press, 1961.--------- . The Other Mexico: Critique of the Pyramid. Translated byLysander Kemp. New York: Grove Press, 1972.Peck, Mary Gray. Carrie Chapman Catt: A Biography. New York: H.W. Wilson Co., 1944.Peckham, Morse. A rt and Pornography: An Experiment in Explanation.New York: Basic Books, 1969.Peters, H. F. Zarathustras Sister: The Case of Elisabeth and FriedrichNietzsche. New York: Crown Publishers, 1977.Petronius, Arbiter. The Satyricon. Translated by J. M. Mitchell.London: George Routledge & Sons, 1923.Pietropinto, Anthony, and Jacqueline Simenauer. Husbands andWives: A Nationwide Survey of Marriage. New York: Times Books,1979.Pinzer, Maimie. The Maimie Papers. Edited by Ruth Rosen and SueDavidson. Old W estbury, N . Y.: Feminist Press in cooperationwith Schlesinger Library of Radcliffe College, 1977.Poe, Edgar Allan. Literary Criticism of Edgar Allan Poe. Edited byRobert L. Hough. Lincoln: University of Nebraska Press, 1965.--------- . Tales of Mystery and Imagination. N . p.: Spencer Press,1936.Pomeroy, Wardell B. Dr. Kinsey and the Institute for Sex Research.New York: H arper & Row, Publishers, 1972.Portugds, Paul. The Visionary Poetics of Allen Ginsberg. Santa Barbara,Calif.: Ross-Erikson, Publishers, 1978.Praz, Mario. The Romantic Agony. Translated by Angus Davidson.London: Oxford University Press, 1954.President’s Commission on Obscenity and Pornography. The Report
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P L U M EP u b l i s h e d b y t h
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F or Jo h n S toltenbergIn M em ory
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C o n t e n t sIntroductionxiiiPref
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sires; and I appealed to them, whet
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who has been bought and sold. She m
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esist; they disappear when the dang
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When he arrived, he informed me tha
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mom’s. [He came after her with a
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word to make it denote a story, pro
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T he burden of proof will be on tho
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new social truth emerged, one that
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“we”? What is the “freedom
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is mine, ” Therese Stanton wrote
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who were the same, never of those w
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the pictures. Instead, some of us u
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us—let us be dumb and die. ”181
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eciprocity, whereas pornography inv
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or scrutiny, that there is an equat
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culture, though it is smothered in
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women evil; he exterminates nine mi
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was to extend in time, to be not on
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adult, impervious to the ambivalenc
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culture, he is a giant, enlarged by
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the dead center of the car hood and
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hunter, think of seals clubbed to d
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in the larger culture, also indicat
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eventually come from the shower. Th
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limited framework of male sexual va
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the greatest and best test of mascu
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another female’s cunt. ” The hu
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studio. Narrator wonders whether he
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sleep. Rod wakes to find Larry assf
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Lesbians are in each vignette. In t
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distinctly pinkish. One of her hand
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Men and BoysJust so docs Miller ret
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The boy will be a witness as the fa
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Body, philosopher Norman O. Brown,
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penis signifies humanity. Though th
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Throughout male culture, the penis
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aggression of the aggressor and use
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does not exist; rape of the sacred
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male who cannot change his devalued
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Male perceptions of women are askew
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The solution, as Dinnerstein sees i
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other century. There are only the o
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3The Marquis de Sade ( 1 7 4 0 —1
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most of the women and girls he abus
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Sade took Keller to his private hou
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another order was issued for his ar
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sporadically). O n Sade’s release
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perhaps fourteen years old, essenti
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With his usual perception about him
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power of the biographers to define
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esistance from “puritanical” or
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had the authority to spend her mone
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degree, is authentic because a man
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collection of Sade’s work, point
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sexuality. The shared victim result
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Sade himself, in a footnote to Juli
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A daughter’s turning on her mothe
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Sade’s work in exciting the imagi
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is movable property— cattle, wive
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The whole world outside man himself
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image of her while being an externa
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falling off a log for her. It is ea
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leave her alone. The moment we leav
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Brain is absolutely clear that “[
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sterile word for the phenomenon tha
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significantly determine the quality
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in the realm of female beauty, the
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The prostitute is seen as the antit
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ment. It can also be seen as the cu
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in other words, ” writes Becker,
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Ullerstam, in The Erotic Minorities
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Mother, whore, beauty, abomination,
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own. H er race is ambiguous. From h
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weapon in her hand. Still, the olde
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W ith both the male and the female,
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is propaganda, whether used for soc
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it that way. ” ’7 The weak are
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means that it also generates incred
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the poisonous materials which are u
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Willy linked the experience of blac
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This cautious statement avoids the
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are not really distinct because the
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maintained; otherwise— especially
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variable. It is determined more by
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aised slightly off the floor. The p
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ut she belongs to the Anglo boyfrie
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something important for his complic
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value to possession of the woman. T
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confusing. She is without purpose.
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sex. Force is sex. The woman who wa
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United States, expressed the weary
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head. They parked near the corpse a
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made her lock herself in the wardro
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her robe or back or head while he w
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sat him in a wooden armchair. Simon
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among intellectuals: he writes of h
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ing, or even alerting, conscience.
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followers conclude that women have
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y the human female never matched hi
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programs for combating what is call
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obvious sort of commercialized pros
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When the mates discover them in coi
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scientists, that lip was just looki
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means that force was not used in co
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encouragement was nothing of the so
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vs. adults, ” the sexual act was
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In a study specifically of force us
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T he porne was the cheapest (in the
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the porneia as the technology widen
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why rape is absurd and incomprehens
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ecommendation that legal persecutio
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confined to the cultural level of a
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In the introduction to Black Fashio
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her between her black loins. She sc
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Robert Grey does not want to hurt h
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Page 246 and 247: hymen [laughs] so he can’t take i
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Page 250 and 251: ers as whores— completes the pict
Page 252 and 253: And inside this system, women are p
Page 254 and 255: Women Against Sexist Violence in Po
Page 256 and 257: 3. John Stoltenberg, “Eroticism a
Page 258 and 259: 26. Gorer, Life and Ideas, p. 37.27
Page 260 and 261: 18. Otto Weininger, Sex and Charact
Page 262 and 263: 58. Ibid., p. 14.59. Herbert Marcus
Page 264 and 265: 43. Ibid., p. 120.44. Ibid., p. 63.
Page 266 and 267: 9. John Wolfenden, Report of the Co
Page 268 and 269: Addams, Jane. A New Conscience and
Page 270 and 271: Symons. New York: Albert & Charles
Page 272 and 273: York: W. VV. Norton & Co., 1978.Bur
Page 274 and 275: Cooke, Joanne; Charlotte Bunch-Week
Page 276 and 277: Didion, Joan. The White Album. New
Page 278 and 279: Fedder, Ruth. A Girl Grows Up. New
Page 280 and 281: Fuchs, Estelle. The Second Season:
Page 282 and 283: Goffman, Erving. Relations in Publi
Page 284 and 285: York: Random House, Vintage Books,
Page 286 and 287: Ivinskaya, Olga. A Captive of Time.
Page 288 and 289: Youth. New York: W. W. Norton & Co.
Page 290 and 291: Lewis, Oscar. Tbe Children of Sanch
Page 292 and 293: --------- . A Woman's Life. Transla
Page 296 and 297: of the Commission on Obscenity and
Page 298 and 299: New York: New York University Press
Page 300 and 301: Shiloh, Ailon, ed. Studies in Human
Page 302 and 303: Strindberg, August. Inferno and Fro
Page 304 and 305: Wald, Karen. Children of Che. Palo
Page 306 and 307: A r t ic l e s , I n t e r v ie w s
Page 308 and 309: --------- . “The Lie. ” New Wom
Page 310 and 311: Kristol, Irving. “T he Shadow of
Page 312 and 313: “Playboy Gives First Amendment Aw
Page 314 and 315: IndexAbortionconstraints on rights
Page 316 and 317: Christ, 53Civilization, as tamer of
Page 318 and 319: FreedomBrown’s definition of, 52a
Page 320 and 321: Lerner, Max, 208-9Lesbiansin / Love
Page 322 and 323: and women as instruments,109-13“O
Page 324 and 325: Women, ” 160-64Brain on, 112celeb
Page 326 and 327: Snuff artist, Sade as, 92Snuff film
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