—4-"The essentialpiece isto capturepeople's interestm stories and art,the cultural expressionsthat comefrom the heartand the headsof the people."Rita CanttiNational Forest, is glad to have what he desenlies as superiorequipment on the cutting edge of technology. "I don'tgo to work ever without a bullet-proof vest on. We carrysemi-automatic weapons, handcuffs, pepper spray, baton, radio,and pretty much anything else you can stick on aJefibelt."Bryden, the lead law enforcement officer on Alaska'sChugach National Forest, finds one- of his greatest assets to behis canine (K-9) partner. Flash, a Chesapeake Bav Retriever thathas completed rigorous training and wears its own Forest Servicebadge. Like main' employees, Bryden dreamed of working for theForest Service from a young age.'Tretty much, I'm doing what Iplanned on doing my entire life. When Iwas knee high to a gopher,1 planned on working 111 natural resource law enforcement."< ¿•'«TOflanBj SEEKING INSPIRATIONFROM THE FORESTSFor centuries, artistshave been captivatedby the beauty of the mountains, lakes,streams, woods, and wildlife found 111 ourforests and grasslands Clifford Pinchot,the firstChief of the Forest Service,was inspired to the conservation causethrough the 19th-century paintings ofthe Hudson River School that showedscarred mountains 111 the Northeastdevastated by logging and farming.Jim Denney, DistrictFacilities Manageratinthe McKenzie River Ranger StationOregon's Willamette National Forest,is a contemporary artist who shares thesame spirit asthe Hudson River SchoolRita Cantu works for theForest Service as an interpreterand environmental educator,but she is also a storyteller,songwriter, and singer whoplays more than a dozeninstrumentspainters in depicting the changes thathave taken place 111 the landscape. Oneinteresting historical coincidence, according to I )ennev, is that"111 the mid- 19th century, there was a merchant 111 New York whocollected works by the Hudson River painters. Cine painting calledHuma Mountain by Sanford Clifford depicted a clear-cut with a littlecahm in the middle of it. The merchant who bought the paintingwas James Pinchot, and he named Ins son after that painterCliffordPinchot, who became the father of the Forest Service."Traditional artists and crafters have long had aclose relationshipto forests and the materials that they provide. Forest Service archaeologistshave discovered baskets made from spruce roots that are asold asthe earliest civilizations on the North American continent.Weavers today stillmake baskets out of roots, vines, and branches.SMITHSONIAN FOLKLIFE FESTIVAL
4.1>Working for the Forest Service since 1966, Jim Hammer uses pack animals to haul his equipment ashe constructs and preserves trails in Washington's Okanogan and Wenatchee National Forests.Other crafters collect wood, antlers, beeswax,quills, acorns, flowers, twigs, bark, moss, andpine resin to create their arts, crafts, and householdobjects. Woodworkers use forest productsfor a variety of items that run the gamut frompiece is to capture people's interest in stonesand art, the cultural expressions that comefrom the heart and the heads of the people."COOKING AND CAMPINGintricately carved figurines to musical instrumentsand canoes. For instance, Nathan Jackson,a Tlingit woodcarver from Ketchikan, Alaska,has received the prestigious National HeritageFellowship from the National Endowment forthe Arts for his totem poles, clan crests, masks,canoes, and carved doors, all made withinthe traditions of the Tlingit people. When hecarves something, it is intended ro be used, notleft on display. For example, "A canoe is justa boat." he explains, "but it gets you to thinkabout what our people used to do, and howthey put good material to good use. Then thiscanoe becomes an extension of our culture."Forest Service employee Rita Cantú fromSome art isedible, such as pies, jams, andmedicine that have been made from wildfoods and herbs. From the earliest days of tentcamping, cooks have enjoyed making mealson open fires. The love for camp cooking hasnot disappeared, and the National Museumof Forest Service History recently published acookbook with traditional Dutch oven recipesthat have been used in the field by rangers andfire tower lookouts (see Suggested Reading).Jim Hammer, Trails Coordinator on theMethow Ranger District in Washington State,recalls the typical breakfasts (with distinctivenames) that might be eaten by the crew. "If youArizona works with the Conservation andwere with an old packer, like old BillImes, you'dthe Arts program to connect communitiesto nature through the arts. The program usesartists, dancers, writers, musicians, storytellers,have spotted dog [i.e., oatmeal] along with whateverelse you had. And with a couple of the oldpackers, the only variety you'd ever have fromand poets to tellthe story of the growth ofbacon, eggs, and hotcakes was eggs, bacon, andconservation policy in the United States. "It'snot enough just to manage our resourceswherever they might be, separate from thecommunities," Cantu maintains. "The essentialhotcakes. It all the animals were in and breakfastwas ready, we'd have one old boy that'd hollerout, 'The dog's gut a spotl'That meant breakfastwas ready and you'd better be getting up."FOREST SERVICE, CULTURE, AND COMMUNITY
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theRELATED EVENTS[96]Nuestra Músic
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IIDónalas Anderson,Washington, D.C
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'IEd LiíDmi, Studio City, Californ
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ISudhir Seth, Bethesda, MarylandA g
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1 if 1 DumberHoneyBeehive Beeproduc
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1"''NewI >onI Lui\IDon Bustos,Espa
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Kristen Marline, Flagstaff,Arizona;
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Stack, Bill Stafford, loni Stafford
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Smithsonian Folklife FestivalSMITHS