70]COASTAL CRAFTSMANSHIPAND GLOBAL CONNECTIONSOman's seafaring heritage is legendary, andboat building— perhaps more than any othercraft industry—has had a fundamental impacton the course ot Omani history. The earliestwritten reference to the country, recorded onAkkadian clay tablets dating to 2520 BCE, pertainsto maritime trade and the emergence of Oman(then known as "Magan") as one ot the world'sfirstseafaring nations. Based on the export ofcopper from the north and frankincense fromthe south, earl} trade activity was a major catalysttor advances in boat-building technology.From these early times, Oman's boat-buildingindustry grew as part of a regional developmentot seafaring capability throughout the Gulf, theArabian Sea, and the Indian Ocean, a developmentcharacterized by transfers of technologyand trade in wood and other raw materials.Oman's early boat-building traditionshave been perpetuated inMusandam. wherethe sterns and bows ot double-ended vesselscontinue to lie stitched together with palmfiberrope and decorated with goatskinsand cowry shells. Boat yards in the coastalentrepot of Sur also remain active, withtraditional boat builders receiving commissionsfor vessels with the elegant transomsfavored by local fishermen. Virtually all of thetools and equipment used are of extremelyancient lineage. Among the most importantot these are the adze and the bow-drill.Oman's port cities have a history rich inseafaring tradition. For centuries, dhows set sailfrom Sur, Suhar, and Muscat fully laden withmerchandise from Oman—dried fish, dates,limes, copper, frankincense, horses, skins, honey,and pomegranates—as well as Gulf pearls andYemeni coffee. In the [8th century, more than(in percent of the total Gulf trade and halfthe produce ofYemen passed through Omaniports. In return, traders brought commoditiesthat were 111 short supply m Oman: wood,spices, rice, precious metals, silks, textiles,iron, horn, and tine porcelain ware. Theyalso brought new ideas and technologies.At a boat yard in Al-Ashkharah, a bow-drill is employed to fit ribsto the planked hull of a shu'i commissioned by a local fisherman.SMITHSONIAN FOLKLIFE FESTIVAL
[7i]A Bahía blacksmith, assisted by his sons, employs hot-forging techniques to make a steel knife blade.Many of the materials were importedto supply coastal cratt industries. Bronzeand iron contributed to the development otmetalworking — particularly tool making andweaponry production—while the gradual adoptionof silver and gold as regional currenciesencouraged the development of refined decorativetechniques tor weaponry and jewelry. Finehardwood brought a degree of sophisticationto the boat-building industry and permitted avolume of production that would have beenimpossible on the basis ot indigenous woodalone. The precious value of wood encouragedbeen gateways for new ideas, materials, andtechnologies, which have not only enriched thecratt heritage of coastal communities but alsofiltered inland via overland trade routes. At thesame time, Omani artisans, employing indigenousmaterials, techniques, and designs, havebrought their own interpretations and customsto the practice ot their crafts. The result is acaptivating synthesis, within which are discernibleArab, Asian, and East African influences.The resulting whole is a vibrant and uniquecratt culture that is resoundingly Omani.The souk in the capital city and port otthe development ot woodcarvmg into afineMuscat has a broader role than those in theart form that maintains its pride of place indoors, windows, and other decorative featuresof monumental and vernacular architecture.Embroiderers and pit-loom weavers benefitedfrom the import ot silk and other threads thatadd color and diversity to local costume.Towns such as Suhar, Muscat, Sur, andSalalah along Oman's coastline emerged as majorentrepots that boast a rich mixture of people,adecidedly cosmopolitan air, and a lively andvaried collection ot cratt traditions. They haveinterior. Although a center ot traditional craftsproduction, the souk also gathers cratt productsfrom all over the country—Bahla pottery,basketry from the Batinah, Sun embroidery andpit-loom weaving, tribal rugs and trappings, andNizwa copper and silverwork. All find an outletin the capital-area marketplace. Local women sellincense in the heart ot the souk, their mixturesspread before them to entice customers. Handembroideredqimmahs (men's caps), made inthe privacy ot the home or courtyard, are alsoOMAN DESERT, OASIS, AND SEA
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Smithsonianolklife Festival\Food Cu
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The annual Smithsonian Folklite Fes
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—CONTENTSThe Festival's Timely Ap
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—THE FESTIVAL'S TIMELY APPEALLAWR
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COMMERCE FOR CULTUREFrom the Festiv
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[ii]The food concession for the Mel
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oMiiitbioni.indotal SoundL04.A 1 Sl
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1WELCOME TO THE 2005 FOLKLIFE FESTI
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Workers harvest artichokes at Ocean
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Ralph Rinzlersongs are "made" (or c
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I >cmseI VhorahII MiI lameEne Nance
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|i 2forIIBartlevy1 )oerr;IIParadeSP
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II AerialIIII1Washington and Jeffer
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Stack, Bill Stafford, loni Stafford
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Smithsonian Folklife FestivalSMITHS