6 8The coiled, leather-covered basket used bydesert dwellers for milking camels is lightweightand unbreakable, typifying the requirement forportability that underlies all Bedouin craftsmanshipYoung girls from a Bedouin family worktogether to braid the ends of a rugwoven by their mother.desert and display the weavers' ingenuity indepicting the world around them. Sources ofinspiration for designs include spindles and otherDATE PALMS AND SOUKS:OASIS TOWNS OF THE INTERIORweaving tools, kohl containers, combs, goats,Oasis town settlements bring litelizards, hud tracks, and the camel itself; mostand au unexpectedtableau of green to alandscape thathave been passed down from mother to daughterfor untold centuries. Other designs, such asscissorsand helicopters, are evidence of creativeinvention by new generations of weavers andisotherwise desolate and brown. The largestof these towns are characterized by elaboratesystems of defense that incorporate vvatchtowers,perimeter walls, fortified gates, and massive,illustrate the dynamic nature of crafts as avehicletor expression.multi-towered fortresses. These protect inhabitantsand the sources of water vitalto settlementOn the fringes of the desert are bustlingand the extensive cultivation of date palms.oasis towns where Bedouin lifestyleoverlapsThe date palm is, without question, thewith that of settled communities. Despitetheir allegiance to the desert, Oman's Bedouincommunities do, of necessity, maintain stronglinks to these towns. They make periodic visitsmost versatile of Oman's natural resources,and tor good reason it is known throughoutthe Arab world asthe "tree of life." Beyondits obvious value as a provider of food,to sellshelter, and fuel, it is the greatest source otlivestock, tribal rugs and trappings, desertpalmbasketry and other Bedouin products, andcraft material in the country. It has usefulapplications in seafaring, fishing, tanning.to purchase the work of market-based silverandcoppersmiths, silkweavers, embroiderersherding, trading, and general housekeeping.and other town-dwelling artisans, main ofwhom cater specifically to a Bedouin clientele.Virtually every part of the date palm isutilized by artisans. Leaflets are plaited intoSMITHSONIAN FOLKLIFE FESTIVAL
long strips and joined to make mats, baskets, and food covers.Fibrous material found at the base ot fronds is plied into rope andused to cushion loads on donkeys and camels. The central ribsof fronds are made into clothing fumigators or bird traps, or arelashed together to form panels for constructing dwellings, workshops,and livestock enclosures. Date stalks are split and made intorigid containers, while the dates themselves are added to indigodye vats and leather tanning solutions. Sharp spines projectingfrom the sides of fronds are used as needles by embroiderers. Trunksections are hollowed out to make cattle troughs, mortars, andbeehives, or cut lengthwise into quarters and used as ceiling beams.Any surplus material can be used by potters for tiring pottery.A focus of most oasis towns is the souk (marketplace), whichserves as a base for both the production and marketing of crafts.Carpenters, silversmiths, coppersmiths, and blacksmiths typically havepermanent workshops within the souk itself, while leather crattersset up temporary sunshades under whichthey work and offer leather goods for sale.The indigo dyers of Bahla, among the lastin the Arab world to use natural indigo,continue to work in traditional workshopswith large dyeing vats set into earthenfloors and dyed fabric drying on the rooftops.Souk-based crafts are characterizedby a high degree ot specialization andare typically learned through apprenticeship.Those artisans who work outside thesouk — potters, basket makers, weavers ofcamel and donkey trappings, and rose-waterproducers—sell their finished goods inthe souk directly or through middlemen.Artisanal communities in oasis townsdepend upon and support each other. Forinstance, leather tanners and indigo dyersuse earthenware vats made by potters.Large copper cauldrons are used formaking halwa, which is packaged in palmbaskets, and also tor distilling rose water,which is collected in other copper vesselsand poured from highly ornate silversprinklers. The workshops of carpenters,silversmiths, and potters abound withpalm-frond mats and hand-forged irontools, creating webs ot exchange amongcraftspeople that help maintain the viabilityof traditional artisanry in oasis towns.The date palm is,without question,the most versatileof Oman's naturalresources, and forgood reason itisknown throughoutthe Arab world as,,the "tree oí liíe.[69]OMAN DESERT, OASIS, AND SEA
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Smithsonianolklife Festival\Food Cu
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The annual Smithsonian Folklite Fes
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—CONTENTSThe Festival's Timely Ap
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—THE FESTIVAL'S TIMELY APPEALLAWR
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COMMERCE FOR CULTUREFrom the Festiv
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[ii]The food concession for the Mel
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oMiiitbioni.indotal SoundL04.A 1 Sl
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1WELCOME TO THE 2005 FOLKLIFE FESTI
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1'IenIpanderetas;JCJ Band. Washingt
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Ralph Rinzlersongs are "made" (or c
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I >cmseI VhorahII MiI lameEne Nance
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|i 2forIIBartlevy1 )oerr;IIParadeSP
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II AerialIIII1Washington and Jeffer
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Stack, Bill Stafford, loni Stafford
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SMITHSONIAN FOLKLIFE FESTIVAL 20051
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SMITHSONIAN FOLKLIFE FESTIVAL 2005B
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Smithsonian Folklife FestivalSMITHS