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<strong>CIM09</strong> 26-29 octobre 2009Nardone, P. L. The Experience of Improvisation in Music: A Phenomenological Psychological Analysis. PhD diss.,Saybrook Institute.Nicholls, T. 2005. It Does Too Matter: Aesthetic Value(s), Avant-Garde Art, and Problems of Theory Choice. PhDdiss., McGill University.Ostertag, B. 2002. Human Bodies, Computer Music. Computer Music Journal 12: 11-14.Pennycook, B. 1997. Live Electroacoustic Music: Old Problems, New Solutions. Journal of New Music Research26(1): 70-95.Pinch, T. J. and Bijsterveld, K. 2003. Should One Applaud?: Breaches and Boundaries in the Reception of NewTechnology in Music. Technology and Culture 44: 536-59.Rothenberg, D. 1996. Sudden Music: Improvising Across the Electronic Abyss. Contemporary Music Review 13(2)23-46.Sterne, J. 2003. Bourdieu, Technique and Technology. Cultural Studies 17(3/4): 367-89.Straw, W. 1991. Systems of Articulation, Logics of Change: Communities and Scenes in Popular Music.Cultural Studies 5(3): 368-88.Tagg, P. 1987. Musicology and the Semiotics of Popular Music. Semiotica 66(1): 279-98.Timothy D. T. 2001. Strange Sounds: Music, Technology, and Culture. New York,Turner, T. 2003. The Resonance of the Cubicle: Laptop Performance in Post-digital Musics.Contemporary Music Review 22 (4): 81-92.Wang, G. and Cook, P. R. 2004. On-the-fly Programming: Using Code as an Expressive Musical Instrument.Proceedings of the 2004 <strong>Conference</strong> on New Interfaces for Musical Expression (NIME04), Hamamatsu,Japan: 138-43.Zadel, M and Scavone, G. 2006. Laptop Performance: Techniques, Tools, and a New Interface Design.Proceedings of the International Computer Music <strong>Conference</strong>: 643–48.BIOGRAPHIESMelvin BackstromCurrent position: PhD student, McGill University (Montreal, Canada)Main research discipline MusicologyMain research areas Musical improvisation, popular music, jazz, ontology of musicRelevant qualifications Combined Honours Bachelor of Arts in Music and Philosophy(2005, University of Alberta)Thesis title: “A Critique of Adorno’s Theory of Popular Music:On Improvisation and the Realization of Difference.”Contact melvin.backstrom@mail.mcgill.caElisa NegrettoCurrent position Doctoral student, Univerisity of Padua (Italy)Main research disciplines Philosophy, music cognitionMain research areas Musical expectations, music comprehension, temporal structure of human perception,improvisation social practice.Relevant qualification Master of philosophy (mag.phil.) in Philosophy and Public Ethics(2006, University of Padua). Thesis title: “The Universals of Music Perception” (in Italian).Contact elisa.negretto@virgilio.it12 <strong>CIM09</strong>
26-29 octobre 2009 <strong>CIM09</strong><strong>CIM09</strong> 13
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Kotta K.,110Lagrée,38Lähdeoja,112
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