CIM09 - 5th Conference on Interdisciplinary Musicology - Université ...

Des instruments pour l’enfant, ou des instruments de musique tout simplement ?..........................................104E-Motion at the Instrument: An Essay in Visualization of Emotional States of a Performer .........................106The impact of psychological preparation on the vocal performance.................................................................108Effects of Instrument on Tonal Structure (Pitch Content) of Selected Worksby Johannes Brahms, Camille Saint-Saëns, Paul Hindemith, and Dmitri Shostakovich .................................110La guitare électrique comme instrument augmenté et outil de création musicale............................................112Entre l’Orient et l’Occident, « Transformations et survivances du luth monoxyle ».......................................116Peut-on envisager une organologie des traitements sonores temps réel,instruments virtuels de l’informatique musicale ?..............................................................................................118Investigating the history of the piano action using scientific calculus:The case of an Érard grand piano from 1802......................................................................................................122Violin playing techniques and settings in early 20th century ............................................................................124Étude perceptive et dynamique de la guitare électrique.....................................................................................126Piano Performance as Choreographic Practice in the Moving Image...............................................................130The musical instrument as a natural extension of the musician.........................................................................132“Sound and timing must be perfect.” Production aspects of the human beatboxing........................................134Bodies as (Critical) Instruments: Biomusic and its Discontents........................................................................136Digitizing Panamanian Mejorana Music: New MIDI Instruments for Composers..........................................138La cithare chinoise qin, contextes de jeu et enregistrement...............................................................................140Rabeca reborn: the revival of the Brazilian fiddle and the Historical Performance of Music.........................144Modernist representations of the guitar and the instrument’s classical revival in the 1920s...........................146Traditional Orchestral Japanese Music: The Correlation between Time and Timbre......................................148Le sampleur : de la machine à l’instrument ........................................................................................................150Investigating instrumental repertoire following the technique of parataxis: A case study ..............................152Drawing a parallel between the gaida (bagpipe) and the Zonarádikos line dance through Statistics.............154The player and the instrument: Analysis of bowing gestures in violin and viola performance.......................156Balance – brillance – nostalgie : des inventions d’instruments d’orchestre vers 1880....................................158Design and make a novel music instrument “Sorahi” .......................................................................................162Design and make a novel music instrument “Bam-Saz (Bass Satour)”.............................................................164The influence of the ‘full-Böehm’ system instrumenton the development of a Brazilian clarinet repertoire ........................................................................................166Changing Baglama Performance in Urban Culture of Turkey ..........................................................................168Sensorimotor synchronization in IF, a 5-year-old drummer prodigy................................................................170The Cretan lyre: an ethnomusicological and music acoustics approach ...........................................................172The nonlinear membrane of Chinese flutes: its impacts on timbre and performance techniques ...................176