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Pokrivčáková, S. et al. (2015). Teaching Foreign Languages <strong>to</strong> <strong>Learners</strong> <strong>with</strong> <strong>Special</strong> <strong>Educational</strong> <strong>Needs</strong>:<br />

e-textbook for foreign language teachers. Nitra: Constantine the Philosopher University. 128 p.<br />

ISBN 978-80-558-0941-0<br />

Tánczos, Mónis and Wiwczaroski (2010) suggest that in “language teaching, however,<br />

<strong>to</strong>uching and movement are rarely applied for fixing the input. The question arises then how<br />

these two sensory modalities could be exploited more often in the language classroom”. They<br />

(ibid) suggest using:<br />

project work - as it provides the variety and multitude of stimuli; making projects is one of<br />

the most effective methods of acquiring and expanding <strong>to</strong>pic-related vocabulary,<br />

role-play in language teaching; role plays involve students’ emotions, what leads <strong>to</strong> better,<br />

deeper and longer lasting fixing of information,<br />

mimics, gestures and movements in a playful way,<br />

cards for the acquisition of words and grammatical items as these provide learners <strong>with</strong> a<br />

large amount of tactile-kinaesthetic input; other object can be used for the same purpose,<br />

such as wood boxes of different sizes, <strong>to</strong>ys, but<strong>to</strong>ns, letters made of wood or plastic, etc.<br />

It has been already mentioned that it is important that teachers<br />

materials, <strong>to</strong>pics, structures should be linked <strong>to</strong> student’s prior knowledge,<br />

structure and order materials logically where the relationship is clear,<br />

progress from the simple <strong>to</strong>wards the more complex materials ,<br />

progress from the receptive <strong>to</strong> the productive activities,<br />

present and explain learning strategies.<br />

Kormos and Smith (2012, p. 129) enumerate the basic principles of the MSL approach and<br />

namely: multi-sensory, carefully structured, cumulative, frequent revision, explicit explanation<br />

of linguistic structures, ample practice, drills and learning strategy training. They highlight that<br />

“The main differences between teaching languages <strong>to</strong> learners <strong>with</strong> an SpLD and students <strong>with</strong><br />

no learning difficulties lies in the importance of explicit teaching of linguistic structures,<br />

slower pace of progress and frequent revision”.<br />

Mind mapping<br />

One of the strengths of dyslexics is that they see the overall picture. This is why teachers are<br />

suggested <strong>to</strong> provide an overall plan of the lessons.<br />

Mind mapping is a simple and effective <strong>to</strong>ol that can be used <strong>to</strong> help learners <strong>to</strong> understand<br />

the relationships and also e.g. structure of learning and goals. Michalko (in: Buzan, 2012) 3<br />

describes mind map as “the whole-brain alternative <strong>to</strong> linear thinking. [It] reaches out in all<br />

directions and catches thoughts from any angle”. Mind maps help <strong>to</strong> visualise, connect,<br />

structure, classify thoughts and relations among them. Mind maps can make use of not only<br />

written text (generally less text <strong>to</strong> process), but also images, colours, shapes, different symbols<br />

that help proceed, understand and remember information. There are less or more professional<br />

<strong>to</strong>ols available that are freeware or those based on commercial basis. Buzan (2011) formulates 7<br />

steps <strong>to</strong> making a mind map:<br />

1. “Start in the CENTRE of a blank page turned sideways. Why? Because starting in the centre<br />

gives your Brain freedom <strong>to</strong> spread out in all directions and <strong>to</strong> express itself more freely and<br />

naturally.<br />

2. Use an IMAGE or PICTURE for your central idea. Why? Because an image is worth a thousand<br />

words and helps you use your Imagination. A central image is more interesting, keeps you<br />

focussed, helps you concentrate, and gives your Brain more of a buzz!<br />

3. Use COLOURS throughout. Why? Because colours are as exciting <strong>to</strong> your Brain as are images.<br />

Colour adds extra vibrancy and life <strong>to</strong> your Mind Map, adds tremendous energy <strong>to</strong> your Creative<br />

Thinking, and is fun!<br />

4. CONNECT your MAIN BRANCHES <strong>to</strong> the central image and connect your second- and thirdlevel<br />

branches <strong>to</strong> the first and second levels, etc. Why? Because your Brain works<br />

3 Buzans’s book The Ultimate book of mind maps. Unlock your creativity, boost your memory, change your life<br />

is available online and can be downloaded free of charge.<br />

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