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29 October – 4 November<br />

2012<br />

55th International <strong>Leipzig</strong> Festival<br />

for Documentary and Animated Film<br />

<strong>DOK</strong><br />

MArKet<br />

CAtALOgue<br />

2012<br />

306 Films from 66 Countries


Dok leipzig<br />

Dok<br />

Market<br />

catalogue<br />

2012


imprint<br />

Publisher<br />

leipziger Dok-filmwochen gmbH<br />

katharinenstraße 17<br />

04109 leipzig, germany<br />

www.dok-leipzig.de<br />

editorial staff<br />

Diana arnold<br />

katharina Bergfeld<br />

Proofreader<br />

patrick Burkholder<br />

design<br />

Hug & eberlein<br />

www.hug-eberlein.de<br />

Print<br />

Druckerei Wagner<br />

Verlag und Werbung gmbH<br />

www.druckereiwagnergmbh.de<br />

isBn 978-3-932214-30-1<br />

table of contents<br />

general<br />

inforMation<br />

p. 5<br />

greetings<br />

p. 11<br />

filMs a-Z<br />

p. 23<br />

Dok leipZig teaM<br />

p. 330<br />

inDexes<br />

p. 333


general<br />

inforMation<br />

p. 5 – 10<br />

5


location<br />

festival centre, 2nd floor<br />

Museum der Bildenden künste<br />

katharinenstrasse 10<br />

04109 leipzig<br />

oPening hours<br />

sun 28 oct 14:00 – 18:00<br />

Mon 29 oct until sat 3 nov<br />

10:00 – 22:00<br />

sun 4 nov 10:00 – 14:00<br />

doK marKet is organised by doK leipzig with the<br />

support of the media Programme of the european<br />

union, the mitteldeutsche medienförderung<br />

(mdm) and the federal government commissioner<br />

for culture and the media (bKm).<br />

general information<br />

Digital Dok Market<br />

Viewing facilities<br />

The digital <strong>DOK</strong> Market consists of a video library<br />

with 30 viewing stations. It is open to all accredited guests<br />

with special market badge.<br />

reservations<br />

Decision makers are welcome to book one of the viewing<br />

booths in advance. Please contact us by mail or talk to<br />

the staff at the <strong>DOK</strong> Market desk during the festival week.<br />

procedure<br />

On your festival accreditation you will find your personal<br />

log-in code. This code enables you to view films in the<br />

<strong>DOK</strong> Market during the entire festival week. For details,<br />

please see the instructions displayed in every booth.<br />

If you have any questions, please contact our <strong>DOK</strong> Market<br />

staff. After you have screened a film, the computer<br />

will prompt you for a brief comment. We will forward these<br />

comments to the film makers in a <strong>DOK</strong> Market report.<br />

Moreover, you will receive a report showing the viewed<br />

films and your comments.<br />

Dok Market catalogue<br />

All documentary films available in the <strong>DOK</strong> Market will<br />

be promoted through the Market catalogue. The films<br />

are listed in alphabetical order by English title. Different<br />

indexes at the back help to find the films you are<br />

interested in.<br />

Please note that all animated films of the festival are also<br />

digitised. Descriptions can be found in the <strong>DOK</strong> <strong>Leipzig</strong><br />

Festival catalogue or as hand outs.<br />

location<br />

pfeffermühle café<br />

oPening hours<br />

tue 30 oct 17:00 – 18:00<br />

Wed 31 oct – sat 3 nov<br />

10:00 – 11:00<br />

tuesday, 30 october<br />

get together: cinemachile in<br />

cooperation with chileDoc<br />

18:30 – 19:30, festival centre<br />

trillerpfeiffenterrasse<br />

Dok lounge: MDr-treff<br />

22:00 – 1:30, ring-café<br />

Wednesday, 31 october<br />

reception: goethe-institute<br />

12:00 – 13:00, festival centre<br />

trillerpfeiffenterrasse<br />

get together: Hff konrad Wolf<br />

18:30 – 19:30, festival centre<br />

trillerpfeiffenterrasse<br />

Dok lounge:<br />

DokVille meets Dok leipzig<br />

22:00 – 3:00, ring-café<br />

thursday, 1 november<br />

get together: swiss films<br />

18:30 – 19:30, festival centre<br />

trillerpfeiffenterrasse<br />

Dok lounge: arte party<br />

22:00 – 3:00, Moritzbastei<br />

friday, 2 november<br />

get together: eu-osHa<br />

18:30 – 19:30, festival centre<br />

trillerpfeiffenterrasse<br />

general information<br />

Daily industry Highlights<br />

Dok industry talks<br />

Talks with industry experts and producers/filmmakers,<br />

covering topics such as distribution and marketing<br />

options for your film, as well as general introductions into<br />

film marketing, different markets and the who’s who<br />

of the international industry. All <strong>DOK</strong> Market and festival<br />

participants are warmly welcome to exchange experiences.<br />

All accredited guests are welcome.<br />

get togethers and Dok lounges<br />

<strong>DOK</strong> <strong>Leipzig</strong>’s evening events and the social highlight<br />

for accredited guests. This is where professional<br />

festivalgoers catch up over a drink and sometimes a bite<br />

to eat. Get Togethers take place during the blue hour<br />

between 18:30 to 19:30 h in the Festival Centre, 2nd floor.<br />

<strong>DOK</strong> Lounges are evening receptions that offer<br />

drinks and finger food, sitting and smoking areas as well<br />

as some background music. Both venues are open to<br />

everybody with a festival accreditation and are organised<br />

by <strong>DOK</strong> <strong>Leipzig</strong> in cooperation with its partners.<br />

All accredited guests are welcome.<br />

further events<br />

All offers of <strong>DOK</strong> Industry and <strong>DOK</strong> Training are listed<br />

in the blue Pocket Guide found in your festival bag.<br />

6 7


Dok leipzig<br />

official programme<br />

films which premiered after<br />

1 october 2011, many of<br />

them world, international<br />

or german premieres<br />

Dok leipzig<br />

special programmes<br />

general information<br />

Dok Market sections<br />

<strong>DOK</strong> International Competition<br />

The champion’s league of documentary film. Our selection<br />

is not determined by subject matter but by the highest<br />

standards of adequate form and narrative structure.<br />

<strong>DOK</strong> German Competition<br />

Strong stories made in Germany, fresh new works, most of<br />

them world premieres.<br />

<strong>DOK</strong> Young Cinema Competition<br />

A section to discover the best new talents and films which<br />

explore the boundaries of what documentary is today.<br />

<strong>DOK</strong> International Short Competition<br />

Sometimes it does not take more than five minutes to show<br />

us the world and to make us laugh or weep.<br />

<strong>DOK</strong> International Programme<br />

Hot political issues, strong emotions and captivating<br />

stories from all over the world. Films for a broad audience<br />

in the best sense of the word.<br />

Animadoc<br />

A speciality of <strong>DOK</strong> <strong>Leipzig</strong> – this is where documentary<br />

and animation merge, where real stories and fates<br />

are conveyed with the means of outstanding artistic and<br />

creative animation film making.<br />

Focus Latin America<br />

The best in current documentary production from<br />

Spanish-speaking Latin America – an opportunity<br />

to discover a new and exciting generation of filmmakers.<br />

Doc Alliance<br />

Six key European documentary film festivals have joined<br />

forces and nominated one outstanding debut documentary<br />

each. A jury of European film critics has chosen three<br />

and one will be awarded with the Doc Alliance Award at<br />

<strong>DOK</strong> <strong>Leipzig</strong>’s opening ceremony. Discover the films here.<br />

Best of TV –POV<br />

<strong>DOK</strong> <strong>Leipzig</strong> honours 25 years of POV with a selection<br />

of great documentaries dealing with the fragility of<br />

democracy.<br />

Dok leipzig<br />

guests present<br />

Dok industry<br />

films exclusively<br />

available at the<br />

digital Dok Market<br />

general information<br />

Dok Market sections<br />

Documentary Campus Masterschool<br />

Every year European producers and directors develop<br />

documentaries for an international audience in the<br />

framework of the Documentary Campus Masterschool<br />

– one of Europe’s best and long-running vocational<br />

training programmes. Two new, finished films are included<br />

in the <strong>DOK</strong> Market.<br />

FilmFestival Cottbus<br />

An outstanding, Eastern-European film awarded at the<br />

FilmFestival Cottbus last year.<br />

Focus Saxony<br />

Local and home-grown – three documentaries that have<br />

been made by filmmakers from Saxony.<br />

<strong>Leipzig</strong> Screening<br />

A showcase of four, brand new and outstanding German<br />

films, giving a glance of the contemporary documentary<br />

film landscape in Germany.<br />

<strong>DOK</strong> Market<br />

In addition to the above mentioned sections, the <strong>DOK</strong><br />

Market features films suitable for international audiences,<br />

promoting local and personal stories with cosmopolitan<br />

appeal and general sales potential. Those films have been<br />

recommended by our Festival selection committee<br />

or submitted by renowned international sales companies.<br />

Partner films<br />

In the framework of our <strong>DOK</strong> Festival and <strong>DOK</strong> Market<br />

exchange programme six different documentary<br />

institutions offer a fine selection of current films from their<br />

country and/or their programme:<br />

– ChileDoc, Chile<br />

– EastSilver & Institute of Documentary Film,<br />

Czech Republic<br />

– Hot Docs, Canada<br />

– Krakow Film Foundation & Polish Docs, Poland<br />

– StoryDoc, Greece<br />

– Visions du Réel & Swiss Films, Switzerland<br />

– <strong>DOK</strong>.Incubator, International training initiative<br />

for projects in post-production<br />

In the back of this catalogue, you will find an index of all<br />

market films sorted by those sections.<br />

8 9


ground floor<br />

second floor<br />

10<br />

Entrance Brühl<br />

general information<br />

festival centre<br />

in the Museum of fine arts<br />

lockers<br />

museum caissier<br />

museum<br />

book shop<br />

Entrance Katharinenstraße<br />

<strong>DOK</strong><br />

Get Together<br />

Entrance Reichsstraße<br />

<strong>DOK</strong><br />

Industry<br />

Lounge<br />

Pfe�ermühle, Kretschmanns Hof<br />

<strong>DOK</strong> Industry Talks,<br />

<strong>Leipzig</strong> Screening,<br />

<strong>DOK</strong>.Incubator Preview<br />

<strong>DOK</strong><br />

Guest Counter<br />

museum coffee shop<br />

lift<br />

lift<br />

<strong>DOK</strong><br />

Market<br />

Entrance Böttchergäßchen<br />

greetings<br />

p. 11 – 22<br />

11


greeting<br />

Dok leipzig<br />

The production process of a film is long and challenging<br />

for everybody involved. Film makers and producers<br />

struggle for developing, financing and realising their<br />

vision whilst financiers and supporters take risks and have<br />

to trust one another until the very end. To bring<br />

the film to its audience, to find international distribution<br />

and recognition is also<br />

Welcome to the<br />

demanding. Even though<br />

the huge world-wide<br />

55th International <strong>Leipzig</strong><br />

film and TV market might<br />

Festival for Documentary<br />

seem anonymous, people<br />

are standing behind<br />

and Animated Film<br />

it who are interested in<br />

and to our <strong>DOK</strong> Market!<br />

meeting the team behind<br />

the films and hearing<br />

a film’s heartbeat. To get to know each other is a key tool to<br />

enter the Film Industry and succeed. To be here at<br />

<strong>DOK</strong> <strong>Leipzig</strong> is a marketing tool which film professionals<br />

should capitalize on and enjoy.<br />

The <strong>DOK</strong> Market team is glad to welcome you to its 8th<br />

edition. We showcase all documentary and animated<br />

films from the official festival programme plus 175<br />

further brand new documentaries recommended by the<br />

selection committee or our partner organisations.<br />

We are happy to continue our partnership with Switzerland<br />

(Vision du réel and Swiss Films), Czech Republic<br />

(East Silver and Institute of Documentary Film), Chile<br />

(Chile Doc) and Poland (Krakow Film Foundation).<br />

This year we entered into new partnerships with Greece<br />

(StoryDoc) and Canada (Hot Docs). Moreover we are<br />

proud to present the first results of our new training<br />

initiative, <strong>DOK</strong>.Incubator, which supports documentaries<br />

in post-production.<br />

All presented films have been produced within the last<br />

year 2011 – 2012 and they reflect the philosophy of<br />

<strong>DOK</strong> <strong>Leipzig</strong>: They have a unique access to their subject,<br />

they prove the critical point of view of the director and<br />

they stand out for their aesthetic quality. The <strong>DOK</strong> Market<br />

is the place to discover new creative documentaries with<br />

international appeal. Here you have the opportunity<br />

to quickly get an overview of the festival’s programme<br />

and the current developments in documentary and<br />

animated film making – whenever your schedule in <strong>Leipzig</strong><br />

allows you to watch films. Our digital library is open for<br />

accredited guests with a Market badge during the<br />

whole week of the festival. Decision makers are welcome<br />

to book one of the 30 viewing booths in advance.<br />

12 13<br />

greeting<br />

Dok leipzig<br />

Four of the most outstanding and recent German<br />

documentary productions have been selected for an<br />

exclusive screening on the big screen: The <strong>Leipzig</strong> Screenings<br />

for International Buyers and Distributors take place on<br />

Monday.<br />

Since <strong>DOK</strong> <strong>Leipzig</strong> is a partner of the online distribution<br />

platform www.dafilms.com many of the best films of<br />

the festival programme will be available to all web users<br />

and documentary lovers after they have completed the<br />

festival circuit.<br />

The <strong>DOK</strong> Market in <strong>Leipzig</strong> is meant to be a personal<br />

networking place in a friendly atmosphere where you go to<br />

meet and discover films, talents, old and new partners<br />

and, of course, friends. Our aim is to help producers pro-<br />

moting their films to national and international<br />

industry representatives and to present a fine selection<br />

of documentary vintage 2011–2012.<br />

We also invite you to take advantage of the broad <strong>DOK</strong><br />

Industry and <strong>DOK</strong> Training offers in order to listen<br />

and discuss, to network and get inspired, to refresh your<br />

mind: Get Togethers, <strong>DOK</strong> Industry Talks, <strong>DOK</strong> Summits<br />

and Panels, Case Studies, the Wild At Heart Think-Tank and<br />

many more. Please check our Pocket Guide with detailed<br />

information about the different events.<br />

We want to say Thanks to our partners and supporters<br />

who enable us to get the <strong>DOK</strong> Market and our<br />

<strong>DOK</strong> Industry offers going. The <strong>DOK</strong> Market is mainly<br />

organised with the support of the Mitteldeutsche<br />

Medienförderung (MDM), the MEDIA Programme of<br />

the European Union and the Federal Government<br />

Commissioner for Culture and the Media (BKM). We are<br />

especially grateful to Dr. Hans-Werner Schmidt,<br />

Jörg Dittmer and the staff of the Museum of Fine Arts<br />

for accommodating <strong>DOK</strong> <strong>Leipzig</strong> and the <strong>DOK</strong> Market<br />

again this year in their wonderful locale.<br />

Have a fruitful time in <strong>Leipzig</strong> and enjoy many thrilling<br />

encounters in our <strong>DOK</strong> Market and at the <strong>DOK</strong><br />

Industry events. We are looking forward to a great festival<br />

week! All The Best,<br />

claas Danielsen<br />

festival Director<br />

katharina Bergfeld<br />

Dok Market coordinator


greeting<br />

MDM<br />

On behalf of the Mitteldeutsche Medienförderung (MDM),<br />

I bid you a warm welcome to the 55th International <strong>Leipzig</strong><br />

Festival for Documentary and Animated Film and to the<br />

2012 edition of the <strong>DOK</strong> <strong>Leipzig</strong> industry and training<br />

section. It is a very great pleasure to be among the funding<br />

partners to this extraordinary event which will once<br />

again prove to be one of the<br />

most prestigious and<br />

important meeting points<br />

in the world of documentary<br />

filmmaking.<br />

Following the steps of the<br />

<strong>DOK</strong> <strong>Leipzig</strong> film festival<br />

with its long tradition,<br />

the <strong>DOK</strong> industry segments<br />

have become an excellent and well established service<br />

platform delivering a rich variety of offers: high-quality<br />

international projects, excellent business contacts and<br />

an interesting framework programme in a nice, exclusive<br />

and concentrated atmosphere.<br />

During the next days you will find yourself in the company<br />

of 1400 selected international filmmakers, producers,<br />

financiers, distributors and commissioning editors. They<br />

all come here to find new ideas or new partners for<br />

their upcoming films or media projects. To meet your needs<br />

the <strong>DOK</strong> <strong>Leipzig</strong> team has again developed an extensive<br />

line-up of events – including the <strong>DOK</strong> Market, the<br />

International Co-Production Meeting, case studies and<br />

sessions on current international trends and financing<br />

strategies, to be discussed by renowned experts, as well as<br />

numerous opportunities for networking and learning.<br />

Having introduced its innovative training offers last year<br />

with the successful <strong>DOK</strong> Net Lab as well as the Cross<br />

Media workshops, <strong>DOK</strong> <strong>Leipzig</strong> has implemented another<br />

new training opportunity this year – at <strong>DOK</strong>.Incubator<br />

you can take a first look at brand new projects from Europe’s<br />

promising filmmakers.<br />

I wish all of you many good and fruitful meetings with<br />

reliable and enjoyable partners.<br />

The <strong>DOK</strong> Industry<br />

segments have become an excellent<br />

and well established<br />

service platform delivering a rich<br />

variety of offers.<br />

Manfred schmidt<br />

executive Director<br />

Mitteldeutsche Medienförderung gmbH<br />

Nowadays, big film festivals like <strong>DOK</strong> <strong>Leipzig</strong> no longer<br />

just function as a glittering platform for films to be<br />

presented or as an important meeting point for film and<br />

media professionals from all over the world. Their role<br />

as creative hub for knowledge transfer and information as<br />

well as for the sustainable support of film projects is<br />

be coming more and more important. In times of continuous<br />

shifts film festivals serve as change indicators<br />

and strengthen and support the development, production<br />

and distribution of creative documentary films.<br />

Therefore, <strong>DOK</strong> <strong>Leipzig</strong> has decided to extend its<br />

activities out through the year and is launching, together<br />

with us, the six-month training initiative <strong>DOK</strong>.Incubator.<br />

As times are challenging for the documentary market<br />

production companies are<br />

being forced to completely<br />

shift their way of thinking,<br />

film producing and<br />

distributing to make the<br />

genre viable.<br />

<strong>DOK</strong>.Incubator supports film<br />

makers and producers<br />

with projects in the rough<br />

cut stage – a time when usually crucial decisions about<br />

the future quality and success of the films are taken under<br />

extreme time and money pressures. Three workshop<br />

modules help them to fully discover the potential of their<br />

films, to further develop and focus the storytelling and<br />

dramaturgy and inspire them regarding creative ways for<br />

marketing and distribution of their projects.<br />

Our aim is to maximize the potential of the film by pro-<br />

viding creative input, plan a powerful film release and<br />

a target distribution strategy as well as inspiring producers<br />

and film makers to use new media tools, social networks<br />

and alternative financing models.<br />

On Wednesday morning, 31 October 2012, you are warmly<br />

invited to experience the results of our training pro-<br />

gramme at the first <strong>DOK</strong>.Incubator Preview. Eight producers<br />

and directors will present their brand new films in front<br />

of industry professionals and potential partners and<br />

will be looking forward to your inspiring feedback. Please<br />

come, enjoy and support!<br />

We are looking forward to welcoming you.<br />

andrea prenghyová<br />

Head of Dok.incubator<br />

14 15<br />

greeting<br />

Dok.incubator<br />

Production companies<br />

are being forced to completely shift<br />

their way of thinking, film<br />

producing and distributing to make<br />

the genre viable.


greeting<br />

east silver<br />

We are presenting<br />

the East Silver selection of<br />

documentary films<br />

from Central and Eastern Europe<br />

in the <strong>DOK</strong> Market.<br />

It is a great honour for us to continue our cooperation<br />

with <strong>DOK</strong> <strong>Leipzig</strong> by presenting the East Silver selection<br />

of documentary films from Central and Eastern Europe<br />

in the <strong>DOK</strong> Market.<br />

In 2012 East Silver is bringing three remarkable films to the<br />

festival program. Private Universe by Helena Třeštíková and<br />

Rudolf Šmíd’s docu-animation Chronicle of Oldřich S. are<br />

both Czech representatives.<br />

They are based on the<br />

narrative technique caught<br />

in private family chronicles,<br />

showing not only the life<br />

of ordinary families but also<br />

how the Czech society<br />

has changed in the last four<br />

decades.<br />

The third selected doc Mama Illegal is directed by Austrian<br />

filmmaker Ed Moschitz. It shows sad stories of three<br />

women from a small town in Moldavia, living now in Austria<br />

as cleaning women. On top of their hard job they live<br />

a life in illegality without documents, far away from their<br />

children and families for years.<br />

Another ten documentaries can be found at the <strong>DOK</strong><br />

Market. They are all part of the East Silver Market, which<br />

serves as a meeting point for the key industry professionals<br />

interested in exceptional, hand-picked creative East<br />

European documentaries. The best East European films<br />

of the East Silver Market are nominated in three<br />

categories (short, mid-length, and feature) for the Silver<br />

Eye Award which brings financial prizes and festival<br />

services all year round.<br />

The East Silver Caravan documentary showcase travels<br />

with a selection of the best creative documentaries from<br />

Central and Eastern Europe, in order to reach a wide<br />

international audience. We cooperate with 90 of the most<br />

prestigious film festivals and markets around the world.<br />

East Silver is organized by The Institute of Documentary<br />

Film. The main partner of the project is Jihlava International<br />

Documentary Film Festival.<br />

We wish you an inspiring festival and a successful market<br />

in <strong>Leipzig</strong>! Sincerely,<br />

Miriam ryndová (ex Šimková)<br />

east silver Manager<br />

16 17<br />

greeting<br />

krakow film foundation<br />

As it is every year, it is a great pleasure for me to present the<br />

newest Polish documentaries and animated films to<br />

<strong>DOK</strong> <strong>Leipzig</strong> guests as well as to the wonderful audiences<br />

again. The presence of Polish films at this year’s festival is<br />

a development of the continuous and growing cooperation<br />

between <strong>DOK</strong> <strong>Leipzig</strong> and the Krakow Film Foundation.<br />

Every year, thanks to the organizers, we have a unique<br />

opportunity to present within the framework of the <strong>DOK</strong><br />

Market, a carefully chosen set of the newest Polish<br />

documentary films. We are also more than happy that a<br />

great number of Polish films were chosen to be screened in<br />

this year’s Festival Programme. We strongly recommend<br />

the winner of this year’s Krakow Film Festival – Entangled,<br />

awarded with the Golden Hobby Horse for the director<br />

Lidia Duda as well as with the Best Cinematography Award<br />

for DoP Wojciech Staroń,<br />

already known to the <strong>DOK</strong><br />

<strong>Leipzig</strong> audience for his<br />

own documentary Argentinian<br />

Lesson, awarded with<br />

the Silver Dove last year.<br />

The film will be presented<br />

in the International<br />

Competition. I can also highly recommend the debut film<br />

from Wajda School graduate – Radka Franczak – Losing<br />

Sonia, screened here in the International Young Talent<br />

Competition – Generation <strong>DOK</strong>.<br />

Worth mentioning are also the four animated short films<br />

made by young filmmakers screened within the framework<br />

of the Anima Competition: What Happens When Children<br />

Don’t Eat Soup by Paweł Prewencki (Animadoc), Paper Box,<br />

by Zbigniew Czapla and Emperor’s Toys by Tomasz Godfryd,<br />

Jarosław Moździerz, Joanna Rusinek, Joanna Wójcik,<br />

Grzegorz Wierzchowski and New German Animation:<br />

Afternoon by Polish filmmaker Izabela Plucińska.<br />

As in other years, the participants of this year’s Krakow<br />

Film Market can watch films recommended by the<br />

organizers of <strong>DOK</strong> <strong>Leipzig</strong>, just as the viewers attending<br />

the <strong>DOK</strong> Market are more than welcome to see some<br />

of the projects promoted under Polish Docs in the digital<br />

video-library. I sincerely believe that our proposal is<br />

interesting to all film professionals (and not only) those<br />

visiting <strong>DOK</strong> <strong>Leipzig</strong> this year.<br />

I wish organizers, guests and viewers an exciting and<br />

fruitful Festival and Market,<br />

We are more than happy<br />

that a great number of Polish films<br />

were chosen to be screened<br />

in this year’s Festival Programme.<br />

katarzyna Wilk<br />

krakow film foundation<br />

polish Docs coordinator


greeting<br />

chiledoc<br />

Solidarity and film<br />

have been<br />

our touchstones.<br />

We are proud of our friends and thrilled to be members<br />

of <strong>DOK</strong> <strong>Leipzig</strong> for the third, consecutive year. The history<br />

of our documentary filmmakers’ relationship with the<br />

festival is a long one, built over decades, where solidarity<br />

and film have been our touchstones.<br />

We believe that the alliance we have today is part of that<br />

tradition, and the result of a relationship based on<br />

trust, collaboration, affection and a common interest to<br />

seek new alliances and expand documentary filmmaking<br />

horizons.<br />

Chiledoc is an organization whose objective is to internationalize<br />

the documentary productions of our country.<br />

In the last ten years, we have experienced constant<br />

growth and, therefore, we<br />

need to consolidate and<br />

create new networks. For this<br />

purpose, we have the support<br />

of the Chilean Council for<br />

the Arts and the Audiovisual<br />

Industry (CAIA), the<br />

Documentary Filmmakers Association of Chile (ADOC),<br />

many festivals and other national and international<br />

organizations, such as our partners in Germany, Dok<br />

<strong>Leipzig</strong>. It’s because of them that we are able to continue<br />

to project ourselves into the future. As a result of this<br />

collective endeavor we are very happy to coordinate, along<br />

with Cinemachile, this delegation of talented producers<br />

and directors, so they can attend and share their best<br />

projects. Our presence year after year has become stronger<br />

and this union consolidates the associative work that<br />

makes us a solid sector and boosts our films’ potential.<br />

The selected films for the festival competition, the Latin<br />

American section and those commercially available,<br />

offer a diverse array and strong images of our documentary<br />

cinema, which has been widely awarded and noted in<br />

the last years, due to its cinematographic language and<br />

subject matter. Our essence and idiosyncrasy can be clearly<br />

seen, marked by earthquakes and tsunamis, where lives<br />

and landscapes change constantly, where we fight our<br />

villains constantly and where we try to pursue our ideals.<br />

Today we can share with you this programming that<br />

reflects part of our spirit. We greet our colleagues and<br />

organizers of this version of Dok <strong>Leipzig</strong>, and we offer our<br />

warmest wishes for this to be an unforgettable festival.<br />

paola castillo & flor rubina<br />

co-directors chiledoc<br />

18 19<br />

greeting<br />

cinemachile<br />

<strong>DOK</strong> <strong>Leipzig</strong> is a space<br />

that offers a unique gathering<br />

between professionals<br />

from around the world.<br />

CinemaChile participation in this year’s <strong>DOK</strong> <strong>Leipzig</strong> is a<br />

source of great satisfaction.<br />

Firstly, to confirm that in Chile collective efforts outweigh<br />

individual ones. This is reflected in the partnership work<br />

that we are developing with our dear friends at Chiledoc.<br />

With them we share the interest in supporting the<br />

internationalization of Chilean documentary, making our<br />

directors and producers known around the world<br />

and encouraging co-production associations with foreign<br />

partners. This common interest to both organizations<br />

is complemented by the support provided by the Arts and<br />

the Audiovisual Industry Council (CAIA) and ProChile,<br />

both public entities that have consistently supported<br />

the Chilean audiovisual sector in its efforts to develop<br />

internationally.<br />

Our presence at <strong>DOK</strong> <strong>Leipzig</strong> is also the result of the<br />

systematic work between two of the most important<br />

associations in the country: APCT and ADOC, of which we<br />

are pleased and proud. The other major source of satisfaction<br />

is strengthening ties with <strong>DOK</strong> <strong>Leipzig</strong>, who by<br />

now we also recognize as partners and friends. In this third<br />

year of continuous participation in the festival, we are<br />

pleased to have documentaries in the Latin American<br />

section (Special Program), with projects in development<br />

and a number of films on the market. To complement<br />

this remarkable presence,<br />

we hope to draw attention to<br />

the Chilean documentary<br />

production through our 2012<br />

CinemaChile catalogue.<br />

For us <strong>DOK</strong> <strong>Leipzig</strong> is a<br />

space that offers a unique<br />

gathering between professionals<br />

from around the world, which is also a pleasant<br />

and inspiring experience that facilitates the development<br />

of more and better documentary projects of impact<br />

and significance. We wish a memorable festival to the<br />

organizers and all colleagues present in this new edition<br />

of <strong>DOK</strong> <strong>Leipzig</strong>!<br />

constanza arena<br />

cinemachile


greeting<br />

Hot Docs<br />

Hot Docs is North America’s largest documentary film<br />

festival and market event. This year we featured<br />

a diverse array of new Canadian documentaries. For the<br />

first time ever, we have compiled a selection of some<br />

of the highlights from this<br />

For the first time ever,<br />

we have compiled<br />

a selection of some of the highlights<br />

from this year’s festival.<br />

year’s festival.<br />

We have enclosed these<br />

films in order to promote<br />

Canadian documentary<br />

films and to generate<br />

an international interest in<br />

this diverse filmmaking<br />

community. Over 165,000 people attended Hot Docs this<br />

year, and each of these films attracted significant media<br />

and public interest, and scored very highly in our audience<br />

ratings. We are proud to present these films at <strong>DOK</strong><br />

Market <strong>Leipzig</strong>: Over My Dead Body by Brigitte Poupart,<br />

Buzkashi by Najeeb Mirza, The Final Member by Jonah<br />

Bekhor and Zach Mat, Herman’s House by Angad Bhalla,<br />

Indie Game: The Movie by James Swirsky and Lisanne Pajot,<br />

The World Before Her by Nisha Pahuja, Fists of Pride<br />

by Helene Choquette, Peace Out by Charles Wilkinson.<br />

All the best from Hot Docs and enjoy <strong>DOK</strong> Market<br />

<strong>Leipzig</strong>,<br />

chris McDonald<br />

executive Director<br />

Hot Docs<br />

StoryDoc is happy to be promoted as a <strong>DOK</strong> <strong>Leipzig</strong><br />

partner for the first time this year.<br />

StoryDoc is a non-profit international educational institute<br />

for documentaries based in Athens, Greece. StoryDoc<br />

specializes in providing professional development training<br />

to film makers, media producers and journalists. StoryDoc<br />

training sessions focus on concept/idea development,<br />

film structure, script development, production of professional<br />

trailers, preparation for participation in pitching<br />

forums, know-how and negotiations for international<br />

co-productions as well as an introduction to and promotion<br />

in the international television market. Since 2005,<br />

StoryDoc has been successfully organizing residential<br />

workshops, e-training, pitching and coaching sessions.<br />

So far, StoryDoc has organized 20 international workshops<br />

with a significant track record in producing results –<br />

documentary films.<br />

The workshops turn to filmmakers, media producers and<br />

journalists specializing in international affairs and<br />

investigative reports from<br />

all over Europe and the<br />

Middle East. Its activity is<br />

to train and provide<br />

consulting and marketing<br />

services through educational<br />

and professional<br />

training programs. This is<br />

accomplished through an<br />

annual e-training program<br />

which includes one to<br />

one advising and residential workshops where participants<br />

are assigned a personal tutor with whom they work<br />

together to develop and improve their project.<br />

Participants/Projects are selected after an international<br />

open/public call. StoryDoc offers significant opportunities<br />

to develop a complete production package and a professional<br />

trailer which can be presented to the prestigious<br />

international pitching forums. The last workshop/pitching<br />

of the year attracts decision makers from the television,<br />

media and film industries, international commissioning<br />

editors, film funds, directors, producers and distributors.<br />

MEDIA PROGRAM by the EU is one of our significant<br />

supporters. We are based in Athens, Greece.<br />

We wish all visitors and professionals a successful festival<br />

week and <strong>DOK</strong> Market. With kind regards,<br />

chara lampidou<br />

event/coordinator Manager<br />

storyDoc<br />

20 21<br />

greeting<br />

storyDoc<br />

The StoryDoc workshops<br />

turn to filmmakers, media producers<br />

and journalists specializing in<br />

international affairs and<br />

investigative reports from all over<br />

Europe and the Middle East.


22<br />

greeting<br />

Visions du réel<br />

A common interest<br />

in the creative documentary in<br />

all its diversity has<br />

led to an intense collaboration.<br />

For several years, the international film festival Visions du<br />

Réel, Nyon and the promotion agency Swiss Films have<br />

been presenting some of the newest and most interesting<br />

Swiss films at <strong>Leipzig</strong>’s <strong>DOK</strong> Market. A common<br />

interest in, and commitment to, the creative documentary<br />

in all its diversity has led to an intense and successful<br />

collaboration with <strong>DOK</strong><br />

<strong>Leipzig</strong>.<br />

The Swiss films presented<br />

here are part of the well<br />

known independent<br />

documentary film tradition<br />

in Switzerland, which<br />

is a result of a long history of<br />

support adopted by the state and the country’s regions,<br />

as well as by the public television broadcasters.<br />

Coming from all parts of Switzerland, the films share an<br />

aesthetic and ethic commitment in all their exciting<br />

diversity of genres, approaches, points of view and styles<br />

of writing and all have an individual fingerprint. They<br />

are made by experienced as well as new directors and<br />

producers. They explore collective memories or individual<br />

destinies, tell spectacular stories or impress by intimate<br />

narrative. Many of them got great responses by press<br />

and public in international film festivals and are going to<br />

be distributed worldwide and released in cinemas.<br />

Most of the films have been shown at the 2012 Visions du<br />

Réel in Nyon. You may notice that we are convinced<br />

that documentary filmmaking not only deals with subjects,<br />

but also and above all, with form and aesthetics. We invite<br />

you to join Visions du Réel’s next edition between<br />

19 and 26 April 2013. You will discover outstanding world<br />

and international premieres in the festival programme<br />

and attend inspiring encounters with film makers from all<br />

over the world. Within the large programme of the<br />

Doc Outlook International Market, you will find around<br />

350 selected films at the Media Library and may attend<br />

the Pitching du Réel, Docs in Progress, Focus Talk and Rough<br />

Cut Lab to discuss current subjects at the panels.<br />

See you soon,<br />

gudula Meinzolt<br />

Head of Doc outlook-international Market<br />

Visions du réel<br />

filMs a – Z<br />

p. 24 – 329<br />

23


film id<br />

2712<br />

11 iMages<br />

of a HuMan<br />

by Markku lehmuskallio, anastasia lapsui<br />

section<br />

Dok international<br />

competition<br />

The film is examining a man through the figures he<br />

has carved and painted on the rock. Cave paintings are<br />

mirrors through which ancient people are watching<br />

us as we are actually watching them. Do we understand<br />

each other ? Do we see ourselves in the stone age paintings<br />

? The film is a journey into the past and, at the same<br />

time, a portrait of a man, right here and right now.<br />

genre<br />

ethnology / religion<br />

History / politics / current affairs<br />

facts<br />

finland, 2012<br />

colour, Dcp<br />

75 min<br />

original title<br />

Yksitoista ihmisen kuvaa<br />

original language<br />

finnish<br />

Produced by<br />

Markku lehmuskallio<br />

giron filmi oy, finland<br />

in co-Production With<br />

erkki astala<br />

Yle, finland<br />

involved broadcasters<br />

Yle, finland<br />

sales contact<br />

Marja pallassalo<br />

the finnish film foundation<br />

kanavakatu 12<br />

Helsinki, finland<br />

marja.pallassalo@ses.fi<br />

www.ses.fi<br />

section<br />

Dok Market<br />

1712 Battle<br />

of tHe Baltic<br />

by florian Dedio<br />

In 1712, the Great Northern War had been devastating<br />

Northern Europe for twelve years. Sweden, the predominant<br />

power in Northern Europe, was challenged<br />

by an alliance of Denmark and Russia. Sweden had a<br />

mighty army stationed on the German island of Ruegen.<br />

But this army needed supplies, so Sweden sent over<br />

100 supply ships, escorted by its mighty battle fleet. This<br />

huge fleet was spotted along the way. Denmark sent<br />

its own warships – and the two fleets clashed somewhere<br />

north of the island of Ruegen. But where exactly this<br />

battle took place, how many ships were sunk, and how<br />

important it was has remained unknown for 300 years. In<br />

2011, a team of archaeologists and historians scoured<br />

the Baltic Sea’s murky waters and the naval archives of<br />

Sweden and Denmark. Using state-of-the-art technology,<br />

they uncovered several wrecks from the battle, as well<br />

as previously-lost documents, describing what a<br />

debacle for Sweden this battle turned out to be. The film<br />

accom panies the ongoing excavation and the scientists<br />

at work. Key moments are re-enacted, using the very few<br />

authentic sailing vessels from the 18th century in existence<br />

today. Combined with archaeological footage, both<br />

above and underwater, and digital reconstructions of<br />

the wrecks found, the film reveals the secrets of one of the<br />

biggest navel battles of the Baltic.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

germany, Denmark,<br />

sweden, 2012<br />

colour, HDcam<br />

52 min<br />

original title<br />

1712 Battle of the Baltic<br />

original language<br />

english<br />

sales contact<br />

Bettina oebel<br />

looks Distribution gmbH<br />

escherstraße 22<br />

30159 Hannover, germany<br />

oebel@looksfilm.tv<br />

www.looksfilm.tv<br />

24 25<br />

film id<br />

3144


film id<br />

635<br />

section<br />

Dok international<br />

competition short<br />

24 Buckets, 7 Mice,<br />

18 Years<br />

by Marius iacob<br />

A unique way of life that repeats itself every day, slowly<br />

transformed Imre and Piroska in some museum<br />

ex hibits. In a quiet and isolated world we meet a couple<br />

whose existence begins to depend on the inter action<br />

with a different world and the absurd within. Their line<br />

of work turned them into a sort of local attraction,<br />

and vacationing foreigners are brought to see ‘the bears’<br />

and photograph themselves with them. Their life<br />

stands still, like in a museum diorama, from which they<br />

are trying to break through.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

romania, 2012<br />

colour, DigiBeta<br />

30 min<br />

original title<br />

24 galeti, 7 soareci, 18 ani<br />

original language<br />

romanian<br />

Produced by<br />

pintilie adina<br />

Manekino film, romania<br />

www.manekinofilm.ro<br />

Public screenings<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

5 / 2012 krakow iff, poland<br />

8 / 2012 sarajevo iff, Bosnia<br />

sales contact<br />

Marius iacob<br />

Manekino film<br />

Banu Manta 18<br />

011226 Bucharest, romania<br />

marius.iacob@manekinofilm.ro<br />

www.manekinofilm.ro<br />

section<br />

Dok.incubator<br />

300 tons of golD<br />

by tibor kocsis<br />

The film follows the fight of a farmer, Eugen David, for<br />

the survival of his beautiful village and his happy<br />

life in the mountains of Romania. A Canadian company<br />

wants to open Europe’s largest opencast goldmine<br />

here. They plan to relocate the people and destroy four<br />

mountains along with part of Rosia Montana itself, a<br />

2,000-year-old settlement, with its historical monuments<br />

and unique, ancient galleries. The local population<br />

is made up of unemployed miners who support the plan<br />

while Eugen and his family are not willing to accept<br />

the local landscape being turned into something more<br />

similar to the surface of the moon. In their opinion,<br />

the planned construction of a cyanide mine and tailing<br />

pond will quite possibly create the biggest ecological<br />

time bomb Europe has ever seen. The plan splits the<br />

once peaceful community in two. Brothers and friends<br />

become enemies. Politicians come and go, but no one<br />

has passed a decision on the gigantic project so far.<br />

Eugen, the most powerful landholder, refuses to leave his<br />

home. He wants to protect his land, the churches and<br />

the cemeteries. In a fight against the Gold Corporation,<br />

our hero brings the battle from his farm all the way<br />

to Brussels.<br />

As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />

still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

Hungary, 2012<br />

colour, HDcam<br />

90 min<br />

original title<br />

300 tonna arany<br />

original language<br />

romanian<br />

Produced by<br />

tibor kocsis<br />

flora film international,<br />

Hungary<br />

www.florafilm.hu<br />

involved broadcasters<br />

nrk, norway<br />

sales contact<br />

tibor kocsis<br />

flora film international<br />

Madách imre út 8<br />

1075 Budapest, Hungary<br />

florafilm@florafilm.hu<br />

www.florafilm.hu<br />

26 27<br />

film id<br />

3341


film id<br />

2356<br />

section<br />

Dok Market<br />

tHe 5tH season<br />

by gunther Merz<br />

‘We are sometimes the people in the meadows, sometimes<br />

the people under the meadow …’ With this poem<br />

by Ernst Jandl, the seniors of the ensemble 5th season<br />

occupy every place in Stuttgart with their flashmob action.<br />

‘Living offside ? Thanks ! No need !’ The players face<br />

a parted response from the audience: in addition to<br />

enthusiasm and encouragement – rejection and lack of<br />

understanding. Moving beyond the offside age re-<br />

quires a lot: at her performances Marijke lays her shyness<br />

aside. Joseph, who forgets his pain while playing, or<br />

Manne who after his stroke, again finds the way back to<br />

the theatre group. They all come together to use their<br />

still remaining time.<br />

genre<br />

arts / culture / Music<br />

science<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

54 min<br />

original title<br />

Die 5te Jahreszeit<br />

original language<br />

german<br />

Produced by<br />

gunther Merz, germany<br />

www.merzfilm.de<br />

sales contact<br />

gunther Merz<br />

richard-sorge-str. 66<br />

10249 Berlin, germany<br />

gunther.merz@yahoo.com<br />

www.merzfilm.de<br />

74M2<br />

by paola castillo<br />

Iselsa and Catty chose, along with 150 families, to<br />

be part of a social experiment: to be inserted in a middle<br />

class neighbourhood in Valparaiso. As community<br />

leaders and friends they have worked together on the<br />

project and to be integrated in a neighbourhood<br />

that rejected them because they are considered potential<br />

delinquents. The documentary observes, over<br />

seven years, the struggle to obtain their homes, the inte-<br />

gration to the neighbourhood and the challenge to<br />

overcome their deep inherited disagreements through<br />

this process. If they don’t, the neighbourhood they<br />

have fought for will be put at risk.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

chile, usa, 2012<br />

colour, HDcam<br />

67 min<br />

original title<br />

74m2<br />

original language<br />

spanish<br />

Produced by<br />

paola castillo<br />

errante productions, chile<br />

www.errante.cl<br />

in co-Production With<br />

christi collier<br />

itVs, usa<br />

involved broadcasters<br />

Yle, finland<br />

Public screenings<br />

10 / 2012 Valdivia, chile<br />

sales contact<br />

paola castillo<br />

errante productions<br />

Holanda 3634 Ñuñoa<br />

cp 7790767 santiago,<br />

chile<br />

pcastillo@errante.cl<br />

www.errante.cl<br />

28 29<br />

film id<br />

3230<br />

section<br />

chileDoc


film id<br />

3044<br />

section<br />

Dok Market<br />

aBout face:<br />

superMoDels, tHen<br />

anD noW<br />

by timothy greenfield-sanders<br />

Portrait photographer Timothy Greenfield-Sanders’s<br />

lush new film is an intimate view of women whose<br />

images have defined our sense of beauty over the past<br />

five decades. An uncensored look at many of the<br />

biggest names in modeling, About Face reveals the stories<br />

behind the magazine covers displaying these multi-<br />

cultural pioneers. Each woman is candidly interviewed<br />

in the studio and shares her experiences, ideas on<br />

longevity, and philosophy of life in the fashion industry.<br />

Archival footage and interviews with designer Calvin<br />

Klein and agency head Eileen Ford round out this<br />

chronicle. About Face is a step back in time to a glamorous,<br />

yet complicated era when drugs were rampant and<br />

women were routinely harassed and mistreated. The<br />

divergent attitudes among the women about everything<br />

from the business of modeling, to aging and plastic<br />

surgery, are fascinating and priceless. About Face cele-<br />

brates the raw intelligence and staying power of these<br />

timeless icons.<br />

genre<br />

portrait<br />

facts<br />

usa, 2012<br />

colour, HDcam<br />

72 min<br />

original title<br />

about face: supermodels,<br />

then and now<br />

original language<br />

english<br />

Produced by<br />

timothy greenfield-sanders<br />

autlook filmsales, austria<br />

involved broadcasters<br />

HBo, usa<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

aDDiction<br />

by torsten königs, christoph tölle<br />

section<br />

Dok Market<br />

‘All men seek happiness. This is the motive of every<br />

action of every man, even of those who hang themselves.’<br />

(Blaise Pascal) Four people in Berlin. Their life is<br />

all about addiction. In Addiction we follow them around<br />

in their daily lives. Through them we get to know<br />

directly what it really means to be an addict. The film tells<br />

their stories strictly from their point of view. We as the<br />

viewers are present when their bodies ask for more, we<br />

watch how the heroin is bought, we observe preparation,<br />

consumption, having a high and suffering from the<br />

withdrawal symptoms. We see what the addiction has<br />

caused them to become and how they nevertheless<br />

want to live their lives. Four people, four heavy addicts,<br />

show their world to us and we are allowed to participate<br />

in their activities, their thoughts and their feelings.<br />

One would like to look the other way – and watch them<br />

closely at the same time. The film is not simply a<br />

document. Instead, it treats the topic in an essayistic<br />

manner. Does ‘addiction’ only mean an ‘illness’ – or<br />

doesn’t it also mean the quite general, human search for<br />

happiness which makes ‘addicts’ out of some of us ?<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, HD Videofile<br />

83 min<br />

original title<br />

sucht<br />

original language<br />

german<br />

Produced by<br />

christoph tölle, germany<br />

www.christoph-toelle.de<br />

in co-Production With<br />

torsten königs<br />

koenigsklub, germany<br />

sales contact<br />

christoph tölle<br />

Danckelmannstr. 48<br />

14059 Berlin, germany<br />

christoph-toelle@t-online.de<br />

www.christoph-toelle.de<br />

30 31<br />

film id<br />

2143


film id<br />

1752<br />

section<br />

focus saxony<br />

ag geige<br />

– an aMateur filM<br />

by carsten gebhardt<br />

Artist collective or avant-garde band – it is still uncertain<br />

how to describe the group of four young people from<br />

Karl-Marx-Stadt, who in the late 80s seized the unlikely<br />

opportunity by the state-operated (and state-con-<br />

trolled) youth radio station DT64 not only to be noticed<br />

favourably due to submitted cassettes featuring self-pro-<br />

duced music, but also to be broadcasted. Just a short<br />

time later the band was touring the country, their music<br />

was produced professionally by this very radio station,<br />

and only a couple of weeks before the German reuni-<br />

fication, they surprisingly found themselves in the recording<br />

studios of the nation’s sole record combine. And<br />

yet, all four of them weren’t even musicians, but autodidacts.<br />

Their gigs were rather performances than<br />

concerts: the oddly artificial costuming, the use of self-<br />

produced and over-painted films and videos, the lyrics,<br />

from strangely absurd to poetic. And a music which under<br />

the dictate of the omnipresent economic scarcity was<br />

produced with the aid of tape recordings and randomly<br />

gathered equipment and characterized by electronic<br />

sounds and samples. The film shows live recordings, still<br />

existing video material and tries to follow up the artistic<br />

intention and the peculiarities of the period by interview-<br />

ing and conversing with all the protagonists.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

80 min<br />

original title<br />

ag geige – ein amateurfilm<br />

original language<br />

german<br />

Produced by<br />

carsten gebhardt, germany<br />

www.carstengebhardt.eu<br />

sales contact<br />

carsten gebhardt<br />

Weststraße 44<br />

09112 chemnitz, germany<br />

dienstag@voxxx.de<br />

www.carstengebhardt.eu<br />

all HappY<br />

Mornings<br />

by omer Yefman<br />

section<br />

Dok Market<br />

A personal journey into bisexual being, the film exposes<br />

a piece of the passionate, wild world found by the<br />

filmmaker in documenting his relationship with Chen,<br />

a rising rock star. Facing the pressure all around him,<br />

Yefman tries to find a way to feel complete without hav-<br />

ing to explain and without feeing guilty. Alongside<br />

the personal dilemma is his singular family – his brother<br />

Gil, who keeps pushing the limits of gender, his sis-<br />

ter Rona, a photographer who lives in New York, and their<br />

grand childless parents, who are longing for the conti-<br />

nuity of their family tree. Like the men he talks to confi-<br />

dentially, they present him with the main conflicts in<br />

his life. As the inevitable crisis looms, a new factor emerges<br />

and illuminates things in a new light.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

israel, 2012<br />

colour, B / W, DigiBeta<br />

60 min<br />

original title<br />

kol Habkarim Ha’smechim<br />

original language<br />

Hebrew<br />

Produced by<br />

ari Davidovich<br />

HyperMedia, israel<br />

www.hypermedia.co.il<br />

involved broadcasters<br />

noga communication<br />

channel 8, israel<br />

Public screenings<br />

5 / 2012 Docaviv iff, israel<br />

6 / 2012 tlVfest, israel<br />

sales contact<br />

ari Davidovich<br />

HyperMedia<br />

27c Dubnov st’<br />

64957 tel aviv, israel<br />

ari@hypermedia.co.il<br />

www.hypermedia.co.il<br />

32 33<br />

film id<br />

1958


film id<br />

3236<br />

section<br />

Dok Market<br />

aMeer got His gun<br />

by naomi levari<br />

Ameer is about to enlist in the army. As opposed to the<br />

majority of eighteen-year-old boys in Israel, for whom<br />

army service is mandatory, Ameer is exempt from<br />

military service under the assumption that his enlistment<br />

may endanger Israel’s security. That is because<br />

Ameer is a Muslim Arab. And yet, Ameer has decided to<br />

volunteer. All alone, he sets out on a journey to civic<br />

and self-definition, while carefully navigating the thin<br />

line between Jewish and Arab societies. Ameer, an<br />

eternal optimist, wishes to be both a proud Arab and an<br />

enthusiastic Israeli, while his only enemy is reality.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

israel, 2011<br />

colour, DigiBeta<br />

58 min<br />

original title<br />

Bnei and not B'nei<br />

original language<br />

arabic, Hebrew<br />

Produced by<br />

saar Yogev<br />

Black sheep film productions<br />

israel<br />

www.bsheepfilms.com<br />

in co-Production With<br />

reshet channel 2, israel<br />

involved broadcasters<br />

reshet channel 2, israel<br />

Public screenings<br />

7 / 2011 Jerusalem iff, israel<br />

1 / 2012 fipa, france<br />

5 / 2012 london iff, united<br />

kingdom<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshine-berlin.de<br />

www.riseandshine-berlin.com<br />

section<br />

Dok Market<br />

aMong Men<br />

– gaY in<br />

east gerManY<br />

by ringo rösener, Markus stein<br />

Homosexuality was not an issue in the Socialist system.<br />

It was considered a ‘relic of decadent bourgeois morality’,<br />

and it was thought that it would automatically take<br />

care of itself. Section 175, the anti-homosexual provision<br />

of the German Criminal Code, which had been tightened<br />

by the Nazis during the Second World War, was<br />

retained in West Germany. In the East, it was returned<br />

to its pre-Nazi version. Here one could initially live<br />

more freely – just not talk about it. In this film, six men<br />

tell their story about how gay men lived and loved in<br />

the GDR – and by no means are they always in agreement.<br />

Among Men tells the story of individuality in a uniform<br />

system.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, B / W, HDcam<br />

91 min<br />

original title<br />

unter Männern – schwul in der<br />

DDr<br />

original language<br />

german<br />

Produced by<br />

olaf Jacobs<br />

Hoferichter & Jacobs gmbH<br />

germany<br />

www.hoferichterjacobs.de<br />

in co-Production With<br />

Björn koll<br />

salzgeber & co. Medien gmbH<br />

germany<br />

www.salzgeber.de<br />

involved broadcasters<br />

MDr, germany<br />

Public screenings<br />

2 / 2012 Berlinale, germany<br />

5 / 2012 filmkunstfest MV,<br />

germany<br />

6 / 2012 out takes, new Zealand<br />

8 / 2012 gender Docufilm fest<br />

rome, italy<br />

sales contact<br />

olaf Jacobs<br />

Hoferichter & Jacobs gmbH<br />

scheffelstr. 31a<br />

04277 leipzig, germany<br />

o.jacobs@hoferichterjacobs.de<br />

www.hoferichterjacobs.de<br />

34 35<br />

film id<br />

3349


film id<br />

2888<br />

section<br />

Doc alliance<br />

tHe anaBasis<br />

of MaY anD fusako<br />

sHigenoBu, Masao<br />

aDacHi, anD 27 Years<br />

WitHout iMages<br />

by eric Baudelaire<br />

Who are May and Fusako Shigenobu ? Fusako leader of a<br />

small extreme left-wing group, the Japanese Red<br />

Army– has been hiding in Beirut for nigh on 30 years.<br />

May, her daughter, only discovered Japan at the age of<br />

27. And Masao Adachi ? A screenwriter and radical,<br />

activist filmmaker, committed to the armed struggle.<br />

Amongst other things, he is also the instigator of a<br />

‘theory of landscape’ fukeiron: through filming landscapes<br />

Adachi seeks to reveal the patterns of oppression.<br />

Anabasis ? This, ever since Xenophon, has been the<br />

name given to difficult or even circuitous homeward<br />

journeys. It is this complex, dark story, always full of<br />

tension that Eric Baudelaire has chosen to evoke using<br />

the documentary format. Shot in Super 8, and in the<br />

manner of fukeiron, contemporary views of Tokyo and<br />

Beirut are blended in with archive footage, TV clips<br />

and excerpts from films to spread out the backdrop for<br />

May and Adachi’s voices and memories. They speak<br />

of everyday life, of being a little girl in hiding, of exile,<br />

politics and cinema and the fascinating relationships<br />

between them. Jean-Pierre Rehm<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

france, 2011<br />

colour, B / W, HDcam<br />

66 min<br />

original title<br />

l’ anabase de May et fusako<br />

shigenobu, Masao adachi et 27<br />

années sans images<br />

original language<br />

english, french, Japanese<br />

Produced by<br />

eric Baudelaire, france<br />

sales contact<br />

eric Baudelaire<br />

41bis, Quai de la loire<br />

75019 paris, france<br />

info@baudelaire.net<br />

anatoMY<br />

of a Departure<br />

by oliver tataru<br />

section<br />

Dok international programme<br />

Anatomy of a Departure presents the director’s family,<br />

who once lived in Ceausescu’s oppressive Romania,<br />

a country with no illusions for a brighter future. With<br />

many difficulties, they immigrated to Germany, to<br />

seek the promise of freedom. Together with this family,<br />

we go back to a haunting decision, which once taken,<br />

successively destroyed the place they called home.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, HD Videofile<br />

73 min<br />

original title<br />

anatomie des Weggehens<br />

original language<br />

german<br />

Produced by<br />

David lindner<br />

filmallee, germany<br />

www.filmallee.com<br />

involved broadcasters<br />

Br, germany<br />

sales contact<br />

David lindner<br />

filmallee<br />

Bayerisches filmzentrum<br />

Bavariafilmplatz 7<br />

82031 München, grünwald,<br />

germany<br />

david@filmallee.com<br />

www.filmallee.com<br />

36 37<br />

film id<br />

441


film id<br />

3214<br />

section<br />

Dok Market<br />

anD italY took<br />

fligHt<br />

by stefano tealdi<br />

Mario Marangoni and Giancarlo Zanardo are making<br />

a one hundred year-old dream come true. They have<br />

re-constructed the first air machine designed by Gianni<br />

Caproni and will make it fly. It is a massive vehicle<br />

with hand sown wings and a unique (and unreliable)<br />

4 piston engine. In 1910, it only flew 250 metres, but<br />

this time it will fly for real and the builders will be in the<br />

pilot’s seat. Following its reconstruction, the film<br />

narrates the adventures of the Italian Gianni Caproni,<br />

the man that gave birth to the most important air<br />

industry in Europe, at least until the second world war.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

italy, 2012<br />

colour, HD Videofile<br />

52 min<br />

original title<br />

e l'italia Volo<br />

original language<br />

italian<br />

Produced by<br />

elena filippini<br />

stefilm international, italy<br />

www.stefilm.it<br />

in co-Production With<br />

rodolfo concer<br />

kr Movie, italy<br />

involved broadcasters<br />

tsi, switzerland<br />

Public screenings<br />

5 / 2012 trento ff, italy<br />

sales contact<br />

elena filippini<br />

stefilm international<br />

Via galliari 5b<br />

10125 torino, italy<br />

elena@stefilm.it<br />

www.stefilm.it<br />

section<br />

Dok german competition<br />

anD WHo taugHt<br />

You to DriVe<br />

by andrea thiele<br />

Three expats learning to drive realize that the great<br />

challenge is not the strange traffic rules (in their<br />

new countries), but rather their ingrained behavioural<br />

patterns. They all need a driving license somewhat<br />

urgently. While taking lessons and trying to pass their<br />

tests, they realize how their cultures are entirely in<br />

their way. Their confusion over driving on the right<br />

or left side of the road, waving hand-signals or clicking<br />

are just the beginning of their ‘comedy of errors’.<br />

The film follows three people who learn life lessons<br />

much bigger than driving. Mirela, an impatient, decisive<br />

German woman launches her international design<br />

business in India – where buying a coffee can take 2<br />

hours. Jake, a very relaxed citizen of the USA, seduced<br />

by the glory and mystery of Tokyo, discovers that<br />

his favourite word ‘whatever’ does not translate into<br />

Japanese. HyeWon, meekly asking permission from her<br />

husband before making any decision in Korea, learns<br />

to live by herself alone in Germany ! This movie celebrates<br />

cultural diversity and questions our underlying<br />

structures and values which shape and challenge us:<br />

A fun, funny and dramatic story of people losing their<br />

way, finding another way, and discovering who they<br />

really are.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

90 min<br />

original title<br />

and Who taught You to Drive<br />

original language<br />

english, german, Hindi,<br />

Japanese, korean<br />

Produced by<br />

stefan kloos<br />

kloos & co. Medien gmbH,<br />

germany<br />

www.kloosundco.de<br />

involved broadcasters<br />

Br, germany<br />

sales contact<br />

stefan kloos<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

stefan.kloos@kloosundco.de<br />

www.riseandshine-berlin.com<br />

38 39<br />

film id<br />

2870


film id<br />

280<br />

section<br />

Dok international<br />

competition<br />

anotHer nigHt<br />

on eartH<br />

by David Muñoz<br />

Egypt, a country under revolution. Cairo, a mega-city<br />

with the worst traffic in the world. In endless traffic<br />

jams, passengers and taxi drivers talk and debate about<br />

their present and future. And we discover the details<br />

that draw their lives.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

spain, 2012<br />

colour, DigiBeta<br />

52 min<br />

original title<br />

otra noche en la tierra<br />

original language<br />

arabic<br />

Produced by<br />

David Muñoz<br />

Hibrida, spain<br />

www.davidmunoz.es<br />

sales contact<br />

David Muñoz<br />

Hibrida<br />

Burgos 21<br />

pozuelo de alarcon<br />

28223 Madrid, spain<br />

hibrida@hibrida.es<br />

www.davidmunoz.es<br />

appassionata<br />

by christian labhart<br />

Pianist Alena Cherny has been living in Switzerland for<br />

15 years. She has a dream: she wants to donate a grand<br />

piano to the music school of her Ukrainian hometown,<br />

as a sign of gratitude for having been able to make<br />

her first steps in music there. The grand piano’s journey<br />

becomes a moving search for traces in the places of<br />

her childhood and youth. When Alena Cherny speaks<br />

and plays the piano, one can feel everything that shaped<br />

her, from the contrasts and catastrophes she experienced,<br />

to the beginnings she made and the farewells she<br />

had to take. A film about the migration of a strong woman;<br />

full of sorrow, anger, enthusiasm and love.<br />

facts<br />

switzerland, 2012<br />

colour, Dcp<br />

83 min<br />

original title<br />

appassionata<br />

original language<br />

english, german, russian,<br />

ukrainian<br />

Produced by<br />

paul riniker<br />

riniker communications<br />

gmbH, switzerland<br />

www.rinikercommunications.ch<br />

involved broadcasters<br />

srf, switzerland<br />

sales contact<br />

Bea cuttat<br />

look now<br />

gasometerstrasse 9<br />

8005 Zürich, switzerland<br />

info@looknow.ch<br />

www.looknow.ch<br />

40 41<br />

film id<br />

2156<br />

section<br />

Visions du réel & swiss films<br />

genre<br />

portrait


film id<br />

2484<br />

section<br />

Dok international programme<br />

arBeit HeiMat opel<br />

by ulrike franke, Michael loeken<br />

Arbeit Heimat Opel profiles six young people, aged<br />

16 to 19, who began their apprenticeships as industrial<br />

mechanics at the Opel plant in Bochum, Germany<br />

in 2009. While they must learn to cope with a new phase<br />

in their lives, the start of their professional careers and<br />

approaching departure from the security of their<br />

parental homes, Opel itself is being sucked deeper and<br />

deeper into the maelstrom of the international financial<br />

crisis and facing ever-increasing economic pressure.<br />

We follow Jerome, André, Sinan, Tim, Marius and Marcel,<br />

with all their hopes and fears, through this period<br />

of radical change; we are introduced to their dreams for<br />

the future as well as their worries. They stand at the<br />

threshold of a professional life whose future is already<br />

uncertain. At the same time, Arbeit Heimat Opel contrasts<br />

the everyday lives of the Plant II apprentices with<br />

GM and Opel’s fortunes on the world stage on two seem-<br />

ingly unrelated levels. Despite their distance both in<br />

physical and in media terms, the two levels repeatedly<br />

intersect and come into contact with one another,<br />

connecting global strategies with local and personal life<br />

plans – and vice versa.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

90 min<br />

original title<br />

arbeit Heimat opel<br />

original language<br />

german<br />

Produced by<br />

ulrike franke, Michael loeken<br />

filmproduktion loeken franke,<br />

germany<br />

www.loekenfranke.de<br />

involved broadcasters<br />

WDr, germany<br />

sales contact<br />

ulrike franke<br />

filmproduktion loeken franke<br />

alvenslebenstraße 10<br />

50668 köln, germany<br />

franke@loekenfranke.de<br />

www.loekenfranke.de<br />

section<br />

Dok international<br />

competition<br />

are You listening !<br />

by kamar ahmad simon<br />

When rain comes to dyke, village women rush to collect<br />

rainwater … but with the fresh breeze coming in, Rakhi<br />

(27) takes her refuge in rain ! By the coastal belts of<br />

Bangladesh, in a small village named ‘Sutarkhali’, Rakhi<br />

lives with her man Soumen (32) and their son Rahul<br />

(6). Fighting against all the odds of the woods, along with<br />

around a 100 families, they cultivated the land for gen-<br />

erations. On May 27, 2009 … when Rahul was only 4 years<br />

old, a tidal surge hit the coastal belts of Bangladesh.<br />

Saline water flooded the land, ruining the harvest, home<br />

and everything and forced almost a million to take re-<br />

fuge in an age-old dyke. For Rakhi, Soumen and Rahul …<br />

life was not the same anymore. Are You Listening ! is<br />

about Rakhi’s hope to ensure a dignified future for her<br />

son Rahul. It’s about her jobless husband Soumen’s<br />

frustration for failing to provide for his family, and about<br />

a community’s struggle to get back the land they have<br />

lost. Seasons change topography, even relations … Yet after<br />

the rain … They go out with spades and shovels to re-<br />

claim the life again, Are You Listening !<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

Bangladesh, 2012<br />

colour, HDcam<br />

90 min<br />

original title<br />

shunte ki pao !<br />

original language<br />

Bengali<br />

Produced by<br />

sara afreen<br />

Beginning production,<br />

Bangladesh<br />

www.beginningproduction.com<br />

sales contact<br />

sara afreen<br />

Beginning production<br />

flat 4a (old), House-tobu, plot 1,<br />

road 4, Banani DoHs<br />

1206 Dhaka, Bangladesh<br />

info@beginningproduction.com<br />

www.beginningproduction.com<br />

42 43<br />

film id<br />

2410


film id<br />

3172<br />

section<br />

Dok Market<br />

tHe art of YoDeling<br />

by eivind tolas<br />

A hipster goes yodel. We follow the philosophy student<br />

and yodeler Polkabjørn on his way to the ultimate<br />

yodel experiences and to success. He and his musical<br />

companion Kleine Heine take their yodel act from<br />

the narrow fjords of Norway to huge stadium concerts,<br />

the world’s leading throat expert, the Faroe Islands,<br />

Texas and Germany. We meet their enthusiastic manager,<br />

a male stripper and one of the biggest yodel fans on<br />

earth. Why are they doing this ? Do they really like it ?<br />

And, will Polkabjørn ever meet the Jodlerkönig, his<br />

big yodel hero ?<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

norway, 2012<br />

colour, Beta sp<br />

58 min<br />

original title<br />

the art of Yodeling<br />

original language<br />

english, norwegian<br />

Produced by<br />

Johnny Hilmvag<br />

flimmer film, norway<br />

Public screenings<br />

10 / 2012 Bergen, norway<br />

sales contact<br />

esther van Messel<br />

first Hand films<br />

neunbrunnenstrasse 50<br />

8050 Zürich, switzerland<br />

esther.van.messel@<br />

firsthandfilms.com<br />

www.firsthandfilms.com<br />

as You like it<br />

by paula oneț<br />

If you could pick only one photograph of yourself for<br />

the next generations to remember you, which one would<br />

you choose ? The film brings together stories from<br />

people facing their gravestone picture while still being<br />

alive and focuses on the image of the self as a threshold of<br />

the visible world they leave behind. As this is an eter-<br />

nal memory for the descendants, people seem to be very<br />

keen on finding ‘the right’ portrait. How would you<br />

recognize your 82-year-old grandparents if their grave-<br />

stone portrait shows them as 16-year-old adolescents ?<br />

The graveyard picture is also part of the collective<br />

memory of the society we live in. That’s why Sabina, a<br />

72-year-old widow, wants to replace her gravestone<br />

picture because she is ‘too red’ and she will be misjudged<br />

as an alcoholic. Making a gravestone picture is not an<br />

easy task nowadays, as the photo ceramic companies offer<br />

a variety of shapes and backgrounds, from colourful<br />

curtains to natural landscapes or ‘heaven-like’ sceneries.<br />

While the audience discovers the graveyard as a public<br />

photo album and a living social document, the characters<br />

fall into a psychological process of finding the perfect<br />

image to-be-remembered.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

romania, 2012<br />

colour, HD Videofile<br />

21 min<br />

original title<br />

După fel și cHip<br />

original language<br />

romanian<br />

sales contact<br />

paula oneț<br />

Mihai Viteazul, nr. 10, ap. 3<br />

445100 carei, romania<br />

paula_onet@yahoo.com<br />

44 45<br />

film id<br />

3235<br />

section<br />

storyDoc


film id<br />

400<br />

section<br />

animadoc<br />

tHe BasketBall<br />

gaMe<br />

by Hart snider<br />

In 1983, nine-year-old Hart attends Jewish summer camp<br />

for the first time. A haven for Hart and other Jewish<br />

kids, camp is suddenly disrupted by the announcement<br />

of a special visit: kids from a nearby town will be their<br />

guests at a cultural mixer. But this is not just any group<br />

of visitors – these kids have been taught anti-Sem-<br />

itism and Holocaust denial in school. The night before<br />

they arrive, Hart and his friends speculate about what<br />

tomorrow will bring. They fear the worst, imagining the<br />

visitors might burn the camp down, or maybe even<br />

try to kill them. Incorporating animation, documentary<br />

and personal memoir, The Basketball Game unfolds<br />

from filmmaker Hart Snider’s point of view. Snider uses<br />

humour and suspense to tell a poignant tale of hope and<br />

tolerance in the face of fear and stereotypes.<br />

genre<br />

ethnology / religion<br />

facts<br />

canada, 2012<br />

colour, HD Videofile<br />

5 min<br />

original title<br />

the Basketball game<br />

original language<br />

english<br />

Produced by<br />

tracey friesen<br />

national film Board of canada<br />

canada<br />

www.nfb.ca<br />

Public screenings<br />

3 / 2012 global Visions ff, canada<br />

4 / 2012 reel 2 real iff, canada<br />

4 / 2012 Viewfinders iff, canada<br />

sales contact<br />

Élise labbé<br />

national film Board of canada<br />

3155, cote-de-liesse road<br />

H4n 2n4 saint-laurent, canada<br />

festivals@nfb.ca<br />

www.nfb.ca<br />

BatterY Man<br />

by Dusan saponja, Dusan cavic<br />

section<br />

east silver & iDf<br />

Meet a man whose life was changed by electricity. An<br />

extraordinary person who can fry a hot dog with his bare<br />

hands in an attempt to become the first human laser !<br />

Slavisa Pajkic, aka Biba Struja (Electric Biba), is capable<br />

of conducting electricity and he can consciously<br />

control its power while discharging it. The central story<br />

of the movie is the inner and outer journey of a rural<br />

superhero in his attempt to discover what exactly hap-<br />

pens in his body, but also to enter Guinness Book of<br />

Records before he loses his power. Is he an illusionist or<br />

a real superhero ?<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

serbia, 2012<br />

colour, Beta sp<br />

54 min<br />

original title<br />

Biba struja<br />

original language<br />

serbian<br />

Produced by<br />

snezana penev<br />

ciklotron, serbia<br />

www.ciklotron.net<br />

involved broadcasters<br />

tV ontario, canada<br />

Dr tV, Denmark<br />

orf, austria<br />

ur, sweden<br />

knowledge network, canada<br />

Public screenings<br />

4 / 2012 Beldocs, serbia<br />

6 / 2012 iDfa, netherlands<br />

sales contact<br />

snezana penev<br />

ciklotron<br />

omladinskih brigada 196 / 43<br />

11070 Belgrade, serbia<br />

snezana.penev@ciklotron.net<br />

www.ciklotron.net<br />

46 47<br />

film id<br />

1805


film id<br />

2164<br />

section<br />

Dok Market<br />

Beautiful faces<br />

by russell Martin<br />

Beautiful Faces offers a compelling look at one of the<br />

world’s most remarkable hospitals, the disfigured young<br />

patients to whom it offers new lives, and the team<br />

of surgeons, physicians, and medical professionals who<br />

believe it’s the best place in the world to practice<br />

their unique, life-transforming craft. Beautiful Faces<br />

interweaves the stories of patients and their families who<br />

come to the reconstructive plastic surgery unit at<br />

Hospital Gea Gonzalez seeking physical transformations<br />

that will renew their own and their loved ones lives<br />

with the personal stories of the enormously talented med-<br />

ical professionals whose work is both their passion and<br />

their gift to humankind. Beautiful Faces ultimately<br />

demonstrates that, in many ways, the distinction between<br />

patients and caregivers is only an illusory one, and that<br />

much more than cutting, sawing and sewing, the essen-<br />

tial task of the hospital is the freeing of the human<br />

spirit. It is work that allows doctors and patients alike to<br />

look comfortably in the mirror and understand that<br />

they are vitally important members of the human family.<br />

genre<br />

Human interest<br />

science<br />

facts<br />

Mexico, usa, 2012<br />

colour, DigiBeta<br />

75 min<br />

original title<br />

Beautiful faces<br />

original language<br />

english, spanish<br />

Produced by<br />

alvera de leon<br />

alma y arte productions,<br />

united kingdom<br />

in co-Production With<br />

kazz Basma<br />

sideways film, united kingdom<br />

www.sidewaysfilm.com<br />

sales contact<br />

kazz Basma<br />

sideways film<br />

7 Bouverie Mews, Bouverie road.<br />

n16 0al london,<br />

united kingdom<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

section<br />

Dok Market<br />

Beer is cHeaper<br />

tHan tHerapY<br />

by simone de Vries<br />

‘I’m 22 years old and I must have killed 30 people. The<br />

same thing that you were given badges for over in<br />

Iraq, would have you considered a serial killer over here.<br />

That’s a very weird thought to have running around<br />

in your head when it’s dark, going to sleep or late at night.’<br />

There is no place for doubt, sadness and fear in the<br />

American army. Still, many soldiers struggle with these<br />

feelings. Beer is Cheaper than Therapy portrays<br />

what goes on behind the façade of heroism and the ‘John<br />

Wayne mentality’.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

netherlands, 2012<br />

colour, HDcam<br />

55 min / 78 min<br />

original title<br />

Beer is cheaper than therapy<br />

original language<br />

english<br />

Produced by<br />

frank van de engel<br />

Zeppers film, netherlands<br />

www.zeppers.nl<br />

involved broadcasters<br />

Vpro, netherlands<br />

Public screenings<br />

11 / 2011 iDfa, netherlands<br />

11 / 2011 Vpro, netherlands<br />

sales contact<br />

esther van Messel<br />

first Hand films<br />

neunbrunnenstrasse 50<br />

8050 Zürich, switzerland<br />

esther.van.messel@<br />

firsthandfilms.com<br />

www.firsthandfilms.com<br />

48 49<br />

film id<br />

1059


film id<br />

561<br />

BeerlanD<br />

by Matt sweetwood<br />

section<br />

Dok Young cinema<br />

competition<br />

and leipzig screening<br />

Matt Sweetwood – a Midwestern American in Germany<br />

– takes a humorous outside look at his complex<br />

new neighbours from a perspective he loves most but<br />

he knows the least about: beer. He believes that solving<br />

the mystery of the German beer culture may be the<br />

key to understanding German contradictions, misleading<br />

stereotypes, and insider drinking knowledge that<br />

Germans seem to share only among themselves. Germany<br />

is overrun with more beer styles, beer breweries, beers<br />

festivals, and beer history than Americans ever knew<br />

possible. Matt must learn to embrace people whose thick<br />

dialects he can hardly understand, and travel to parts<br />

of Germany far off the tourist path, light years from the<br />

famous Oktoberfest. Paving his own personal beer trail,<br />

he soon discovers a new side of Germany that is equally<br />

puzzling. This small country, divided by thousands<br />

of different traditions, rules and emotions, is seemingly<br />

tied together by beer. Finally, he finds his Germany,<br />

a place he called Beerland. It is a country filled with hun-<br />

dred heart-felt traditions and countless ways to enjoy<br />

beer. A home to German cosiness and cheesy folk songs,<br />

where friends are waiting to be discovered and world’s<br />

problems are easily solved.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, 2011<br />

colour, B / W, Dcp<br />

85 min<br />

original title<br />

Beerland<br />

original language<br />

english, german<br />

Produced by<br />

olaf Jacobs<br />

Hoferichter & Jacobs gmbH,<br />

germany<br />

www.hoferichterjacobs.de<br />

involved broadcasters<br />

Br, germany<br />

sales contact<br />

andrea seibert<br />

global screen<br />

sonnenstraße 21<br />

80331 München, germany<br />

andrea.seibert@globalscreen.de<br />

www.globalscreen.de<br />

section<br />

Dok Market<br />

tHe Bella Vista<br />

by alicia cano<br />

The Bella Vista is a story of a house starting as a football<br />

club, becoming a successful transvestite brothel only<br />

to be changed into a catholic chapel, all in a small conserv-<br />

ative village in Uruguay. In this playful documentary,<br />

two transvestites, one brothel’s Madam and a gaucho foot-<br />

ball player, will bring to life this battle for control<br />

over a single physical space, driven by the same motivation:<br />

passion.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

uruguay, germany, 2012<br />

colour, HDcam<br />

73 min / 52 min<br />

original title<br />

el Bella Vista<br />

original language<br />

spanish<br />

Produced by<br />

alicia cano, uruguay<br />

in co-Production With<br />

thomas Mauch<br />

filmproduktion thomas Mauch,<br />

germany<br />

sales contact<br />

Manuela Buono<br />

taskovski films<br />

7 granard Business centre<br />

Bunns lane<br />

nW7 2DQ london,<br />

united kingdom<br />

sales@taskovskifilms.com<br />

www.taskovskifilms.com<br />

50 51<br />

film id<br />

1040


film id<br />

3210<br />

section<br />

east silver & iDf<br />

Bells of Happiness<br />

by Marek sulik, Jana Bucka<br />

Mariena and Roman are cousins. They share one passion<br />

which has little to do with their everyday life –<br />

admiration of singer stars Karel Gott and Dara Rolins.<br />

They collect and exchange newspaper clips from<br />

tabloids, they rehearse together songs from the repertoire<br />

of their idols and borrow their identities under<br />

which they are known by their relatives and neighbours.<br />

In spite of all expectations, Mariena is Karel and Roman<br />

is Darinka (i.e. the girl is the male singer and the boy<br />

is the female singer). One day, they decide that they will<br />

sing their favourite hit ‘Zvonky šťastia’ and they will<br />

send it to Karel and Dara with their own video-clip on<br />

the DVD. For this project, they are accompanied by<br />

documentarists Marek Šulík and Jana Bučka. Thus, there<br />

arises a mutual play in which roles of protagonists and<br />

film-makers are exchanged, but also those of media stars<br />

and simple people from socially weaker classes.<br />

genre<br />

arts / culture / Music<br />

Human interest<br />

facts<br />

slovakia, 2012<br />

colour, Dcp<br />

62 min<br />

original title<br />

Zvonky šťastia<br />

original language<br />

slovak<br />

Produced by<br />

Jana Belisova<br />

oZ Zudro, slovakia<br />

www.zudro.sk<br />

Public screenings<br />

6 / 2012 artfilmfest, slovakia<br />

7 / 2012 karlovy Vary ff,<br />

czech republic<br />

sales contact<br />

Jana Belisova<br />

oZ Zudro<br />

Drazicka 20<br />

841 01 Bratislava, slovakia<br />

vasolibe@gmail.com<br />

www.zudro.sk<br />

section<br />

Dok Market<br />

BengHaZi:<br />

BeYonD<br />

tHe front line<br />

by natalia orozco<br />

On February 17th of 2011, the first images of the Libyan<br />

civil upheaval travelled across the world. After 42<br />

years under Gaddafi’s rule, the international community<br />

stood in awe at a country profoundly divided. On the<br />

one hand there were those loyal to the Regime and on the<br />

other an improvised and inexperienced opposition.<br />

The conflict escalated as protesters turned into armed<br />

rebels, confronting the Dictator’s army. But beyond<br />

the front line laid the most fascinating face of the Arab<br />

awakening. During an entire year the filmmakers<br />

portrayed the struggle of five civilian leaders that head-<br />

ed a different resistance: one of ideas. Among them are<br />

Libyan journalists whose colleagues were killed during<br />

the early days of the revolution; long-time political<br />

prisoners that saw freedom within their grasp. Courageous<br />

women that took to the streets in support for<br />

the rebels also became characters in our journey. Artists<br />

that challenged censorship and became the voice of<br />

the revolution. Through intimate portraits the film ex-<br />

plores the contradictions that coexist in the Libyans long-<br />

ing for justice and freedom. The moving stories allow<br />

us to travel across a society where uncertainty governs the<br />

future and hope promises peace.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

colombia, Mexico, france, 2012<br />

colour, DigiBeta<br />

52 min<br />

original title<br />

Benghazi: Beyond the front line<br />

original language<br />

arabic, english<br />

Produced by<br />

Jaime escallon<br />

lulo films, colombia<br />

www.lulofilms.com,<br />

ximena sotomayor<br />

lulo films, colombia<br />

www.lulofilms.com<br />

in co-Production With<br />

Jean-Michel rodrigo<br />

Mécanos productions, france<br />

involved broadcasters<br />

france Ô, france<br />

rcn, colombia<br />

tV5, france<br />

france 3 corse, france<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshine-berlin.de<br />

www.riseandshine-berlin.com<br />

52 53<br />

film id<br />

3240


film id<br />

3255<br />

section<br />

Dok Market<br />

Bert stern:<br />

original MaDMan<br />

by shannah laumeister<br />

Star photographer, original ‘Mad Man’ and cultural<br />

icon Bert Stern, who has made the world’s most gorgeous<br />

and sensual women his subject for the last 50 years<br />

(Marilyn Monroe, Audrey Hepburn, Sofia Loren, Eliza-<br />

beth Taylor, Claudia Cardinale, Brigitte Bardot,<br />

Twiggy, Stanley Kubrick’s Lolita, Kate Moss, Scarlett<br />

Johansson, etc.) now becomes the subject, revealing<br />

his untold, wild and spectacular life story to his long<br />

time-muse, including Bert’s infamous Last Sitting<br />

with Marilyn Monroe – which he shot six weeks before<br />

her tragic and untimely death.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

usa, 2011<br />

colour, HDcam<br />

87 min<br />

original title<br />

Bert stern: original Madman<br />

original language<br />

english<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

a Better life is<br />

elseWHere<br />

by rolando colla<br />

section<br />

Visions du réel & swiss films<br />

For eight years, Rolando Colla follows three people<br />

who are trying to change their lives: a lonely shepherd<br />

who has retreated into the mountains of Sarajevo;<br />

a Cuban psychiatrist and hard rock fan attempting to<br />

break out of the system and a Swiss single mother<br />

determined to emigrate. A long-term study of the way<br />

people wrestle endlessly with their dreams.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

switzerland, 2012<br />

colour, Dcp<br />

90 min<br />

original title<br />

Das Bessere leben ist anderswo<br />

original language<br />

Bosnian, spanish, swiss german<br />

Produced by<br />

elena peadrzzoli<br />

peacock film, switzerland<br />

www.peacock.ch<br />

in co-Production With<br />

almir sahinovic, Bosnia<br />

involved broadcasters<br />

srf, switzerland<br />

Public screenings<br />

10 / 2012 Busan iff, south korea<br />

10 / 2012 Hofer filmtage, germany<br />

sales contact<br />

elena peadrzzoli<br />

peacock film<br />

Mühlebachstrasse 113<br />

8008 Zürich, switzerland<br />

elena@peacock.ch<br />

www.peacock.ch<br />

54 55<br />

film id<br />

534


film id<br />

3292<br />

section<br />

Best of tV – poV<br />

Better tHis WorlD<br />

by kelly Duane de la Vega, katie galloway<br />

The story of Bradley Crowder and David McKay, who<br />

were accused of intending to firebomb the 2008<br />

Republican National Convention, is a dramatic tale of<br />

idealism, loyalty, crime and betrayal. Better This World<br />

follows the radicalization of these boyhood friends from<br />

Midland, Texas, under the tutelage of revolutionary<br />

activist Brandon Darby. The results: eight homemade<br />

bombs, multiple domestic terrorism charges and a<br />

high-stakes entrapment defence hinging on the actions<br />

of a controversial FBI informant. Better This World goes<br />

to the heart of the war on terror and its impact on civil<br />

liberties and political dissent in post-9 / 11 America.<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

usa, 2011<br />

colour, HD Videofile<br />

89 min<br />

original title<br />

Better this World<br />

original language<br />

english<br />

Produced by<br />

katie galloway<br />

loteria films, usa<br />

www.loteriafilms.com<br />

kelly Duane de la Vega<br />

loteria films, usa<br />

Mike nicholson, usa<br />

in co-Production With<br />

David layton, usa<br />

involved broadcasters<br />

american Documentary | poV,<br />

usa<br />

sales contact<br />

catherine le clef<br />

cat&Docs<br />

18 rue Quincampoix<br />

75004 paris, france<br />

cat@catndocs.com<br />

www.catndocs.com<br />

section<br />

Dok Market<br />

BetWeen tWo-spirit<br />

by laurence périgaud<br />

Becoming a woman at sixty. Chris feels neither a man<br />

nor a woman, but more like a ‘Two-Spirit’: in between<br />

both genders. Now turning sixty, this professor of<br />

management is taking the big plunge. One year in his /<br />

her life, from the operation in Thailand, through the<br />

apprenticeship of femininity back in Switzerland, to the<br />

coming out as a woman. A year in which Chris takes<br />

wing as a female to become Christa.<br />

genre<br />

ethnology / religion<br />

portrait<br />

facts<br />

switzerland, 2012<br />

colour, HDcam<br />

77 min<br />

original title<br />

entre il et ailes<br />

original language<br />

english, french, german,<br />

swiss german<br />

Produced by<br />

laurence périgaud, switzerland<br />

www.entreiletailes.com<br />

involved broadcasters<br />

tsr, switzerland<br />

Public screenings<br />

4 / 2012 Visions Du réel,<br />

switzerland<br />

sales contact<br />

stephan riguet<br />

andanafilms<br />

le Village<br />

07170 lussas, france<br />

contact@andanafilms.com<br />

www.andanafilms.com<br />

56 57<br />

film id<br />

638


film id<br />

2620<br />

section<br />

Dok german competition<br />

BeYonD WrieZen<br />

– a MoVie aBout<br />

life after serVing<br />

tiMe in Jail<br />

by Daniel abma<br />

A movie about life after serving time in jail. This docu-<br />

mentary tells the story about three delinquent<br />

adolescents Imo (22), Jano (17) and Marcel (25) three<br />

years after the day of their release from prison in<br />

Wriezen (Brandenburg, Germany). We see children<br />

being born, furniture torn to pieces, driving lessons<br />

on a pig-farm and drug deals on Berlin-Alexanderplatz.<br />

Beyond Wriezen (AT) observes life through the per-<br />

spective of the adolescents, and shows their hopes, pride,<br />

thoughts and fears.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

88 min<br />

original title<br />

nach Wriezen – ein film über das<br />

leben nach der Haft<br />

original language<br />

german<br />

Produced by<br />

Hff konrad Wolf, germany<br />

sales contact<br />

cristina Marx<br />

Hff konrad Wolf<br />

Marlene-Dietrich-allee 11<br />

14482 potsdam, germany<br />

distribution@hff-potsdam.de<br />

www.hff-potsdam.de<br />

Big BoYs gone<br />

Bananas !*<br />

by fredrik gertten<br />

section<br />

Dok international programme<br />

What is a big corporation capable of in order to protect<br />

its brand ? Swedish filmmaker Fredrik Gertten’s<br />

experienced this recently. His previous film Bananas !*<br />

(2009) recounts the lawsuit that 12 Nicaraguan<br />

plantation workers brought against the fruit giant Dole<br />

Food Company. The film was selected for competition<br />

by the Los Angeles Film Festival. Nothing wrong so<br />

far, right ? But then Gertten gets a strange message: the<br />

festival removes Bananas !* from competition. Then,<br />

a scathing article appears in the Los Angeles Business<br />

Journal about the film, and Gertten subsequently<br />

receives a letter from Dole’s attorney threatening him<br />

with legal action. What follows is an unparalleled<br />

thriller that has Gertten capturing the entire process –<br />

from DOLE attacking the producers with a defamation<br />

lawsuit, bullying scare tactics, to media-control<br />

and PR-spin. This personal film reveals precisely how<br />

a multinational will stop at nothing to get its way – freedom<br />

of speech is at stake. As Dole’s PR company puts<br />

it, ‘It is easier to cope with a bad conscience than a bad<br />

reputation.’<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

sweden, 2012<br />

colour, Dcp<br />

90 min<br />

original title<br />

Big Boys gone Bananas !*<br />

original language<br />

english, spanish, swedish<br />

Produced by<br />

Margarete Jangård<br />

Wg film, sweden<br />

www.wgfilm.com<br />

Public screenings<br />

11 / 2011 iDfa, netherlands<br />

sales contact<br />

peter Jäger<br />

autlook filmsales<br />

trappelgasse 4 / 17<br />

1040 Vienna, austria<br />

peter@autlookfilms.com<br />

www.autlookfilms.com<br />

58 59<br />

film id<br />

258


film id<br />

3256<br />

section<br />

Dok Market<br />

BirDers,<br />

tHe central park<br />

effect<br />

by Jeff kimball<br />

New York’s Central Park acts as a beacon to travel weary<br />

feathered fliers throughout the year. Dozens of different<br />

birds, and their calls, make an appearance here as<br />

the seasons cycle through. Bird numbers everywhere may<br />

be declining, but to anyone with binoculars, in Central<br />

Park the little fliers are still the best thing going. ‘Birders’,<br />

a colourful documentary about birds and birders<br />

in New York’s Central Park is a delight for everyone. Bird<br />

watchers will find affirmation and even explanation for<br />

their vocation. People who can’t tell a sparrow from a lark<br />

will just wonder at the sheer beauty of it all.<br />

genre<br />

Human interest<br />

facts<br />

usa, 2012<br />

colour<br />

58 min<br />

original title<br />

Birders, the central park effect<br />

original language<br />

english<br />

Produced by<br />

Jeff kimball<br />

alternate image productions inc.,<br />

usa<br />

Public screenings<br />

3 / 2012 sxsW, usa<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

514 8443358<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

Bitter seeDs<br />

by Micha x. peled<br />

section<br />

Dok Market<br />

Every 30 minutes, a farmer in India kills himself in<br />

despair because he can no longer provide for his family.<br />

How is it that a hardworking farmer and father arrives<br />

at a point in life where the most sensible course of<br />

action is to kill himself by drinking a bottle of pesticide ?<br />

It all makes horrible sense once you understand the<br />

forces at work: the tragic intersection of genetically<br />

modified agriculture, the global economy and a traditional<br />

culture. Micha Peled’s vivid, rich and deep new documentary<br />

Bitter Seeds takes us to an Indian village at the<br />

centre of the suicide crisis region. It follows Ram Krishna,<br />

a cotton farmer and his family over a season as they<br />

struggle to hold on to their land. It’s also the story of the<br />

neighbours’ daughter, Manjusha, who is determined<br />

to overcome village traditions and become a journalist.<br />

Ram Krishna’s plight becomes her first assignment.<br />

Bitter Seeds raises critical questions about the human cost<br />

of genetically modified agriculture and the future of<br />

how we grow things. This is the third film in Micha<br />

Peled’s globalization trilogy, following the award-winning<br />

Store Wars: When Wal Mart Comes to Town and ‘China Blue’.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

usa, 2011<br />

colour, HDcam<br />

57 min<br />

original title<br />

Bitter seeds<br />

original language<br />

english<br />

Produced by<br />

Micha x. peled<br />

teddy Bear films, usa<br />

involved broadcasters<br />

itVs, usa<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

60 61<br />

film id<br />

484


film id<br />

2068<br />

BlenDer<br />

by susann reck<br />

section<br />

Dok Market<br />

Blender is an autobiographical, inspired documentary<br />

film. In the 70s, my parents founded a mental hospital<br />

on top of a mountain in the German alps called<br />

Blender. Until today my siblings are working there and<br />

I´m the only one who left the place. The film Blender<br />

is about six inhabitants of the hospital, Friedlieb, Julius,<br />

Marie, Lars, Herr Kraus and Herr Stuhler. Four of<br />

them had to leave the place during the film. The reasons<br />

are typical for patients in mental hospitals: it´s about<br />

alcohol, death, multiple personalities and violence. The<br />

film tells the stories of my protagonists in a light way<br />

showing an apparently idyllic place, that changes more<br />

and more into sadness and drama. Their leaving is<br />

also the main connection to my childhood, where people<br />

were coming and going all the time and I didn´t know<br />

at all what was going on. The protagonists of my film are<br />

appealingly direct and undisguised, though they never<br />

lose dignity. All of them are fully aware of their situa-<br />

tions and act with their own internal logic. For the main<br />

part Blender is not about being foolish or different. The<br />

film unfolds multifaceted forms of human existences, all<br />

condemned to be lonely in life.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

120 min<br />

original title<br />

Blender<br />

original language<br />

german<br />

Produced by<br />

susann reck<br />

red island prod., germany<br />

www.susannreck.com<br />

sales contact<br />

susann reck<br />

red island prod.<br />

gustav-Müller-str.10<br />

10829 Berlin, germany<br />

susareck@t-online.de<br />

www.susannreck.com<br />

tHe BlockaDe<br />

by igor Bezinović<br />

section<br />

Dok international programme<br />

The Blockade is a unique view from within on the most<br />

massive, longest and politically most significant student<br />

protest in the country, since 1971, that started in April<br />

of 2009 at the Faculty of humanities and Social Sciences<br />

in Zagreb. The struggle against the commercialization<br />

of education and the blockade of teaching classes lasted<br />

for 34 days. The rebellion spread onto more than 20<br />

faculties across the country and the students became an<br />

active and relevant political subject. The director<br />

followed everything: from the exhilarating preparation<br />

meetings and blocking of classes to the first signs of<br />

exhaustion, through personal situations and discussions<br />

late at night, from the initial support of most faculty<br />

members to the moment they turned their back to<br />

the movement and the attempt to reach the missing minis-<br />

ter of education. This film shows that the blockade was<br />

not just physical and that it has a much broader meaning.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

croatia, 2012<br />

colour, DigiBeta<br />

92 min<br />

original title<br />

Blokada<br />

original language<br />

croatian<br />

Produced by<br />

nenad puhovski<br />

factum Documentary project<br />

croatia<br />

www.factum.com.hr<br />

in co-Production With<br />

oliver sertic<br />

restart Media centar, croatia<br />

www.restarted.hr<br />

Public screenings<br />

3 / 2012 ZagrebDox, croatia<br />

sales contact<br />

nenad puhovski<br />

factum Documentary project<br />

nova Ves 18<br />

10 000 Zagreb, croatia<br />

info@factum.com.hr<br />

www.factum.com.hr<br />

62 63<br />

film id<br />

1071


film id<br />

3257<br />

section<br />

Dok Market<br />

BorDerline, an un-<br />

setting JourneY<br />

along tHe WorlD’s<br />

longest un-<br />

DefenDeD BorDer<br />

by Daniel sekulich<br />

Borderline explores the aftermath of the 9 / 11 terrorist<br />

attacks as experienced by ordinary people living<br />

and working along the Canada-U. S. Border following<br />

filmmaker and journalist Daniel Sekulich as he<br />

treks across North America from the Atlantic to the<br />

Pacific on both sides of the international line. Via an<br />

assortment of characters along their journey they<br />

discover/describe how lives have been altered by 9 / 11.<br />

They encounter fishermen, farmers, military personnel,<br />

ranchers, shop owners, truckers, Native leaders, im-<br />

migrants, border officials, former RCMP officers and any-<br />

one else with a story to tell. It is a scenic, humorous<br />

and above all thought-provoking cross-country journey<br />

that reveals how its almost scary obsession with security<br />

has changed the United States since the September<br />

attacks and where this could lead us …<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

canada, 2012<br />

colour,<br />

52 min<br />

original title<br />

Borderline, an unsetting Journey<br />

along the World’s longest un-<br />

Defended Border<br />

original language<br />

english<br />

Produced by<br />

edward peill<br />

tell tale productions inc.<br />

www.telltale.tv<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

section<br />

Dok international<br />

competition short<br />

BoucHBennerscH<br />

otto / HoW to treat<br />

Differentness<br />

by Janina Jung<br />

Bouchbennersch Otto (born Otto Müller) was born<br />

in Emmerichenhain, Germany in 1907. He witnessed two<br />

world wars, was trained as a bookbinder and later<br />

became police-servant for the community, announced<br />

news in Emmerichenhain and the surrounding vil-<br />

lages with a bell. Everyone knew Otto, but no one knew<br />

who he really was. Otto was different. Unlike all<br />

the others. The documentary Bouchbennersch Otto looks<br />

behind the facade of a village and depicts how people<br />

treat each other.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, B / W, HDcam<br />

29 min<br />

original title<br />

Bouchbennersch otto / vom<br />

umgang mit andersartigkeit<br />

original language<br />

german<br />

Produced by<br />

ute Dilger<br />

kunsthochschule für Medien<br />

köln, germany<br />

www.khm.de<br />

sales contact<br />

Janina Jung<br />

kunsthochschule für Medien köln<br />

peter-Welter-platz 2<br />

50676 köln, germany<br />

janina_jung@yahoo.de<br />

www.khm.de / pm / projekte /<br />

projekt / paview/3555<br />

64 65<br />

film id<br />

2084


film id<br />

2174<br />

section<br />

Dok german competition<br />

BreatHing eartH<br />

– susuMu sHingu’s<br />

DreaM<br />

by thomas riedelsheimer<br />

75-year-old Japanese artist Susumu Shingu talks with<br />

nature through his sculptures. His lifelong dialogue with<br />

the wind and with water has given the world uniquely<br />

beautiful works of fluid, unpredictable and ever-changing<br />

movement. Susumu renders visible the veiled and<br />

the unseen and opens to us new perspectives. Thomas<br />

Riedelsheimer accompanies this quiet and unassuming<br />

man in pursuit of a dream, a quest to create an awareness<br />

of our planet, our breathing earth and our human<br />

values. Breathing Earth is a film about the wind, the<br />

philosophy of a wise person, about art, love and dreams.<br />

genre<br />

arts / culture / Music<br />

facts<br />

germany, united kingdom, 2012<br />

colour, Dcp<br />

93 min<br />

original title<br />

Breathing earth – susumu<br />

shingu’s Dream<br />

original language<br />

english, german, italian,<br />

Japanese<br />

Produced by<br />

stefan tolz<br />

filmpunkt gmbH, germany<br />

www.filmquadrat.de<br />

involved broadcasters<br />

WDr/arte, germany<br />

sales contact<br />

stefan tolz<br />

filmpunkt gmbH<br />

Worringer str. 22<br />

50968 köln, germany<br />

stefan@filmpunkt.com<br />

www.filmquadrat.de<br />

tHe Brussels<br />

Business<br />

by friedrich Moser, Matthieu lietaert<br />

section<br />

Dok Market<br />

Who runs the European Union ? A high-profile, political<br />

docu-thriller unveiling the EU´s untold story. In the<br />

early 90s, two young men discover the enormous influ-<br />

ence of lobbying in Brussels. Olivier Hoedeman becomes<br />

the EU’s leading lobby-watchdog. Pascal Kerneis becomes<br />

a high profile lobbyist for multinational industries<br />

and today claims to represent 50% of the GDP of the<br />

EU. With Olivier’s investigations and Pascal’s career the<br />

film takes us on a journey into the corridors of power<br />

of the biggest economy on earth – the European Union.<br />

Lobby groups, consultancies, think tanks and law firms<br />

teaming up with the EU’s political elite are the secretive<br />

networks that steer the life of 500 million Europeans.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

austria, Belgium, 2012<br />

colour, Dcp<br />

58 min / 85 min<br />

original title<br />

the Brussels Business<br />

original language<br />

english<br />

Produced by<br />

friedrich Moser<br />

Blue+green communication, italy<br />

www.blue-and-green.com<br />

in co-Production With<br />

stephen Visualantics, Belgium<br />

involved broadcasters<br />

orf, austria<br />

rtBf, Belgium<br />

ZDf / arte, germany<br />

Public screenings<br />

3 / 2012 Wien Burgkino, poland<br />

4 / 2012 Millenium iff, Belgium<br />

5 / 2012 krakow iff, poland<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshine-berlin.de<br />

www.riseandshine-berlin.com<br />

66 67<br />

film id<br />

1777


film id<br />

3170<br />

section<br />

Documentary campus<br />

Masterschool<br />

BurY MY Heart in<br />

DresDen<br />

by Bettina renner<br />

A Catholic cemetery in Dresden, Germany. In the<br />

middle of a meadow, a small grave. And at the foot of the<br />

grey and weathered gravestone, waving in the wind,<br />

a small American flag. The inscription chiselled into the<br />

old stone reveals who was laid to his final rest here<br />

in 1914: the Native American Edward Two-Two, a Sioux<br />

chief. How did a Sioux Indian end up in a place like<br />

Dresden so long ago ? And why was he buried there at<br />

his own request, so far from his native lands and contrary<br />

to all Indian traditions ? The film tries to find answers<br />

by tracing the extraordinary life story of the Indian chief<br />

Edward Two-Two at Pine Ridge Reservation in South<br />

Dakota.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, B / W, HDcam<br />

90 min<br />

original title<br />

Begrabt mein Herz in Dresden<br />

original language<br />

english, german<br />

Produced by<br />

Heino Deckert<br />

ma.ja.de filmproduktion,<br />

germany<br />

www.majade.de<br />

involved broadcasters<br />

MDr, germany<br />

sales contact<br />

Heino Deckert<br />

Deckert Distribution<br />

Marienplatz 1<br />

04103 leipzig, germany<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

BuZkasHi !<br />

by Mirza najeeb<br />

From the shadows of the majestic Pamir Mountains of<br />

Tajikistan comes a story of Azam, a shepherd and<br />

Buzkashi champion, who faces the pressures of mod-<br />

ernization in the sport and in his own personal life.<br />

Azam plays as an individual for honor and integrity, but<br />

his success is increasingly thwarted by organized<br />

alliances, or ‘mafias’, encouraged by his rival Khurshed,<br />

a member of Tajikistan’s nouveau riche. Khurshed be-<br />

lieves that team play is the future of the sport. Between<br />

challenges on the field and within his own family, Azam<br />

tries to find a place for himself in the new Tajikistan.<br />

genre<br />

Human interest<br />

facts<br />

canada, 2012<br />

colour, HDcam<br />

82 min<br />

original title<br />

Buzkashi !<br />

original language<br />

russian, tajik, uzbek<br />

Produced by<br />

Micheline shoebridge<br />

Buzkashi production, france<br />

in co-Production With<br />

Mirza najeeb<br />

Buzkashi production, france<br />

Public screenings<br />

4 / 2012 Hot Docs, canada<br />

sales contact<br />

Maëlle guenegues<br />

cat&Docs<br />

18 rue Quincampoix<br />

75004 paris, france<br />

maelle@catndocs.com<br />

www.catndocs.com<br />

68 69<br />

film id<br />

2782<br />

section<br />

Hot Docs


film id<br />

2925<br />

tHe calM<br />

by fernando Vílchez rodríguez<br />

section<br />

focus latin america<br />

A man who narrowly survived an earthquake caught<br />

in the din of the clearing up efforts and his agonising<br />

desire to find stability again.<br />

genre<br />

Human interest<br />

facts<br />

peru, 2011<br />

colour, DigiBeta<br />

20 min<br />

original title<br />

la calma<br />

original language<br />

spanish<br />

Produced by<br />

intro films s. r. l., peru<br />

www.introfilmsperu.com<br />

sales contact<br />

intro films s. r. l.<br />

av. del parque norte 1050<br />

of. 302, san Borja<br />

pe-41 lima, peru<br />

info@introfilmsperu.com<br />

www.introfilmsperu.com<br />

section<br />

Dok german competition<br />

caMp 14<br />

– total control<br />

Zone<br />

by Marc Wiese<br />

Shin Dong-Huyk was born November 19th 1983 as<br />

a political prisoner in a North Korean re-education camp.<br />

He was a child of two prisoners who have been married<br />

by order of the wardens. He spent his entire child-<br />

hood and youth in camp 14, in truth a death camp. Forced<br />

labour since he was six years old, hunger, beatings<br />

and torture. Always at the mercy of the wardens. He knew<br />

nothing of the world outside the barbed-wire fences.<br />

He thinks everybody is living that way. At the age of 23,<br />

with the help of an older prisoner, he succeeds in<br />

escaping. For months he journeys through North Korea<br />

and China and finally to South Korea, where he en-<br />

counters a world completely strange to him.<br />

genre<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

111 min<br />

original title<br />

camp 14 – total control Zone<br />

original language<br />

korean<br />

Produced by<br />

axel engstfeld<br />

engstfeld film gmbH, germany<br />

www.engstfeldfilm.de<br />

involved broadcasters<br />

WDr/ arte, germany<br />

Br, germany<br />

Public screenings<br />

8 / 2012 locarno, switzerland<br />

sales contact<br />

sonia Mehandjiyska<br />

global screen<br />

sonnenstraße 21<br />

80331 München, germany<br />

sonia.mehandjiyska@<br />

globalscreen.de<br />

www.globalscreen.de<br />

70 71<br />

film id<br />

446


film id<br />

2080<br />

section<br />

Dok international<br />

competition<br />

tHe captain<br />

anD His pirate<br />

by andy Wolff<br />

Imagine you are the captain of a container ship: You<br />

get hijacked by Somali pirates. After three weeks,<br />

suddenly, the pirates gather the hostages and say: ‘There<br />

is no ransom offer from your shipping company. We<br />

will execute you.’ The pirates drag you onto the deck;<br />

push you on your knees. One of them aims his gun<br />

at your head and shoots. The bullet hits the wall behind<br />

you. Drenched in cold sweat you fall unconscious and<br />

lie on the ship’s deck. Only a few weeks after his liberation<br />

this very captain tells me: ‘The pirates’ boss was human.<br />

There were times on board when he was the only<br />

one to back me up. There were even moments when I<br />

felt safe with him.’ The seizure of the Hansa Stavanger<br />

is one of the most notorious cases in modern piracy<br />

and the longest hostage taking at sea known in German<br />

history. My documentary is about the complex relationship<br />

arising between culprit and victim under a death<br />

threatening hostage situation. The film tells the intimate<br />

story of the friendship between Captain Kotiuk and<br />

the pirates Ahado in a drama lasting over four months.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

85 min<br />

original title<br />

Der kapitän und sein pirat<br />

original language<br />

german, somali<br />

Produced by<br />

andy Wolff<br />

Brockhaus & Wolff, germany<br />

www.brockhauswolff.com<br />

in co-Production With<br />

Marion Hänsel<br />

Man’s films productions, Belgium<br />

involved broadcasters<br />

WDr, germany<br />

sales contact<br />

Daniela elstner<br />

Doc & film international<br />

13 rue portefoin<br />

75003 paris, france<br />

d.elstner@docandfilm.com<br />

www.docandfilm.com<br />

section<br />

Visions du réel & swiss films<br />

captain<br />

tHoMas sankara<br />

by christophe cupelin<br />

On 4 August 1983, Thomas Sankara becomes the<br />

president of Upper Volta after a coup d’état. A year later,<br />

he definitively creates a turning point in the history<br />

and identity of his country, renaming it Burkina Faso,<br />

literally ‘Land of Upright Men’. He brings enormous<br />

hope to a great portion of African youth far beyond the<br />

boundaries of his country. By conducting a ‘democratic<br />

and popular’ revolution, he brings more progress to<br />

the people during the four years of his presidency than<br />

during half a century of French colonial rule. Blending<br />

together rare and meticulously assembled archives,<br />

director Christophe Cupelin offers a panoramic vision<br />

of the intellectual and political inheritance of this<br />

atypical head of state. Giving his documentary the en-<br />

ergy of a punk manifesto, between idealism and irony, he<br />

faithfully restitutes the originality of a president as<br />

striking in his action as in his words. In 2012, twenty five<br />

years after his tragic and still not officially elucidated<br />

death, the film offers an opportunity to see and listen to<br />

the voice of one of the most important African leaders<br />

of the 20th century.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

switzerland, 2012<br />

colour, B / W, DigiBeta<br />

101 min<br />

original title<br />

capitaine thomas sankara<br />

original language<br />

french<br />

Produced by<br />

christophe cupelin<br />

laïka films, switzerland<br />

www.laika.info<br />

Public screenings<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

sales contact<br />

christophe cupelin<br />

laïka films<br />

rue de la coulouvrenière 11<br />

case postal 5476<br />

1211 genève 11, switzerland<br />

christophe@laika.info<br />

www.laika.info<br />

72 73<br />

film id<br />

2622


film id<br />

3300<br />

section<br />

Dok Market<br />

tHe carBon rusH<br />

by amy Miller<br />

Who has not seen a recent request to offset carbon<br />

pollution but who knows what this all means …<br />

An up-close look at the insidious tango between govern-<br />

ment and big polluters and investigates whether or<br />

not carbon offsets are distracting us from what’s really<br />

required to tackle the climate crisis. We learn that<br />

the carbon market does little if anything to reduce<br />

greenhouse gases and that these offset projects are<br />

nothing more than schemes that provide false solutions.<br />

To date, there has been over three hundred billion<br />

dollars of carbon transactions worldwide. Instead of<br />

focusing resources to move away from a fossil fuel<br />

economy, massive international trading ventures have<br />

been established as the solution.<br />

genre<br />

Human interest<br />

facts<br />

usa, 2012<br />

colour, HDcam<br />

60 min<br />

original title<br />

the carbon rush<br />

original language<br />

english<br />

Produced by<br />

amy Miller<br />

carbon rush inc., canada<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

section<br />

Dok Market<br />

castles anD palaces<br />

of europe<br />

by Jeremy J. p. fekete, gero von Boehm<br />

No other part of the world boasts as many castles and<br />

palaces as Europe. Kings and Princes built their palaces<br />

and summer residences in the most beautiful and<br />

strategically located spots. In the miniseries Castles and<br />

Palaces of Europe. Following in the footsteps of Kings we<br />

introduce individuals who walk the tightrope between<br />

tradition and modern-day reality by living and work-<br />

ing in castles, châteaux and palaces or in their immediate<br />

vicinity. They will open doors that are normally closed<br />

to the outside world and reveal captivating stories.<br />

European history, regional traditions and ancient leg-<br />

ends will come alive as we meet people who spend much<br />

of their time within the ancient walls of these ‘stone<br />

giants’ or have fallen under their spell at some point in<br />

their lives.‘Castles and Palaces of Europe’ is a miniseries<br />

of 5 films. Each episode present three castles or other<br />

royal residences of a specific European region along with<br />

special features of their surroundings. A breath-taking<br />

aerial view leads us through the Loire Valley in<br />

France, to southern Germany, the southeast of England,<br />

the Piedmont in Italy and along Portugal’s coast.<br />

genre<br />

arts / culture / Music<br />

facts<br />

germany, france, italy, 2012<br />

colour, HDcam<br />

52 min / 5×52 min<br />

original title<br />

schlösserwelt europa<br />

original language<br />

english, french, german, italian,<br />

portuguese<br />

Produced by<br />

axelle Hourrier<br />

interscience film, germany<br />

www.intersciencefilm.de<br />

in co-Production With<br />

stefano tealdi<br />

stefilm international, italy<br />

www.stefilm.it<br />

isabel Machado<br />

c. r. i. M., portugal<br />

www.crim-productions.com<br />

involved broadcasters<br />

ZDf/ arte, germany<br />

sales contact<br />

axelle Hourrier<br />

interscience film<br />

Ziegelhäuser landstraße 23<br />

69120 Heidelberg, germany<br />

hourrier@intersciencefilm.de<br />

www.intersciencefilm.de<br />

74 75<br />

film id<br />

3165


film id<br />

977<br />

centrefolD<br />

by ellie land<br />

section<br />

animadoc<br />

Over the past decade, female genital cosmetic surgery<br />

has increased by a staggering 500%. Centrefold is a<br />

unique animated documentary that takes an innovative<br />

and balanced approach to this controversial topic.<br />

Created by award winning filmmaker Ellie Land and<br />

funded by the Wellcome Trust, the film follows three<br />

women, aged 24–41 through their different experiences<br />

of labiaplasty (surgery to trim or remove the labia).<br />

‘My labia was long, dark, stretchy, shriveled up and I was<br />

quite embarrassed about it. I’ve never thought that<br />

my genital area and labia was normal’ (Anonymous – explaining<br />

her reasons for having a labiaplasty). By documenting<br />

what is involved in the procedure and its<br />

varying outcomes, the film seeks to offer a non-judgemental<br />

view of labia surgery and to encourage informed<br />

discussion: Is labiaplasty anti-female ‘pornification’,<br />

or an empowering personal choice ? Centrefold provides<br />

the facts. You decide.<br />

genre<br />

Human interest<br />

science<br />

facts<br />

united kingdom, 2012<br />

colour, Dcp<br />

9 min<br />

original title<br />

centrefold<br />

original language<br />

english<br />

Produced by<br />

siobhan fenton<br />

lynchpin productions, united<br />

kingdom<br />

www.thecentrefoldproject.org<br />

Public screenings<br />

7 / 2012 rushes soho shorts, usa<br />

8 / 2012 scinema, australia<br />

9 / 2012 fantoche iff, germany<br />

10 / 2012 Doccartoon, italy<br />

sales contact<br />

siobhan fenton<br />

lynchpin productions<br />

79 greenbank road<br />

Dl36en Darlington,<br />

united kingdom<br />

siobhan@lynchpin.org<br />

www.thecentrefoldproject.org<br />

cHeck point<br />

by Hamed alizadeh<br />

section<br />

Dok Market<br />

Shipping containers line the side of the road. This<br />

is one of the main entry points into Kabul. At this police<br />

station, fifteen officers work, eat and sleep, machine<br />

gun in hand. They come from nearby villages but their<br />

lives are spent here, at this intersection. Day and<br />

night, they keep watch, search vehicles, check drivers’<br />

and passengers’ ID. Their job is neither free of risk<br />

nor inconvenience: terrorist attacks, angry motorists or<br />

criticism against the Afghan police force. They are<br />

accused of corruption, abuse of power, trafficking weap-<br />

ons and uniforms and raping women.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, DigiBeta<br />

74 min<br />

original title<br />

check point<br />

original language<br />

arabic, german<br />

Produced by<br />

stéphane Jourdain<br />

la Huit production, france<br />

www.lahuit.com<br />

Public screenings<br />

1 / 2012 festival des 3 continents,<br />

france<br />

3 / 2012 Visions du réel,<br />

switzerland<br />

sales contact<br />

Julien Beaunay<br />

la Huit production<br />

218 bis rue de charenton<br />

75012 paris, france<br />

distribution@lahuit.fr<br />

www.lahuit.com<br />

76 77<br />

film id<br />

1741


film id<br />

761<br />

section<br />

Visions du réel & swiss films<br />

cHronicle<br />

of a forgotten<br />

DeatH<br />

by pierre Morath<br />

Over the course of two and a half years, the man did not<br />

move from the couch of his Geneva apartment. For<br />

two and a half years, his neighbours and friends thought<br />

he was gone or in convalescence. His letterbox was<br />

full, his post returned. Electricity had eventually been<br />

cut off and the real estate agency was about to evict.<br />

When, finally, the police forced the door, they discovered<br />

a flat infested by vermin and in the middle, the de-<br />

composed body of Michel Christen, a 53 years-old Swiss<br />

man, well known in the neighbourhood. Of him only<br />

remained bones, hair and teeth. The investigation held<br />

in the film shows that his death dates back 28 months.<br />

But the date on the death certificate is the one of the day<br />

the body was found. This is the regulation … How<br />

could this man, who had a family and who was followedup<br />

by medical and social services, fall into oblivion in<br />

such a way ?<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

switzerland, 2012<br />

colour, HDcam<br />

62 min<br />

original title<br />

chronique d’une Mort oubliée<br />

original language<br />

french<br />

Produced by<br />

David rihs<br />

point prod, switzerland<br />

www.pointprod.ch<br />

in co-Production With<br />

irène challand<br />

tsr, switzerland<br />

www.tsr.ch<br />

Public screenings<br />

4 / 2012 Visions du réel, france<br />

sales contact<br />

David rihs<br />

point prod<br />

41B route des Jeunes<br />

1227 carouge, switzerland<br />

david.rihs@pointprod.ch<br />

www.pointprod.ch<br />

section<br />

Dok Market<br />

cHronicles<br />

of tHe last teMple<br />

by Davis simanis<br />

This documentary deals with faith, human aging,<br />

a struggle to fulfil your vision and above all – one<br />

particular building. In its poetical minimalism the film<br />

observes the construction of the new Latvian National<br />

Library, which has become a metaphor for a temple,<br />

a boiling-point for an entire nation. From an empty<br />

construction pit to the accomplished edifice, this visual<br />

symphony of cinematic images captures the whole<br />

process of creation. Besides two human characters, the<br />

chief architect and a jib crane operator are chosen<br />

to reveal the eternal conflict between the greatness of<br />

a conception and the inevitable sacrifice to realize it.<br />

genre<br />

arts / culture / Music<br />

author’s point of View<br />

facts<br />

latvia, 2012<br />

colour, Dcp<br />

58 min<br />

original title<br />

pedeja temple hronikas<br />

original language<br />

latvian, russian<br />

Produced by<br />

guntis trekteris<br />

ego Media, latvia<br />

www.egomedia.lv<br />

involved broadcasters<br />

ltV1 & ltV7, latvia<br />

sales contact<br />

guntis trekteris<br />

ego Media<br />

Baznicas iela 8–20<br />

lV 1010 riga, latvia<br />

guntis@egomedia.lv<br />

www.egomedia.lv<br />

78 79<br />

film id<br />

2274


film id<br />

585<br />

closeD sea<br />

by andrea segre, stefano liberti<br />

section<br />

Dok Market<br />

This documentary-film aims to tell the unknown<br />

side of the story about the migrations of who escaped<br />

from Libya during the war in 2011. Many of these<br />

migrants in fact, had been previously pushed back by<br />

Italy as a result of an agreement signed by Berlusconi<br />

and Gaddafi in 2009. We met them in Shousha refugee<br />

camp at the border between Libya and Tunisia, and<br />

in two reception camps for asylum seekers (C.A.R.A.) in<br />

southern Italy. They described what actually happened<br />

on the boats and what happened after their deportation<br />

to Libya. Their interviews constitute the main part<br />

of the documentary, along with a session of the European<br />

Court of Human Rights in Strasbourg, where one of<br />

our witnesses sued Italy.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

italy, 2012<br />

colour, DigiBeta<br />

62 min<br />

original title<br />

Mare chiuso<br />

original language<br />

amharic, somali<br />

Produced by<br />

andrea segre, italy<br />

giulia Moretti<br />

zalab, united kingdom<br />

Public screenings<br />

3 / 2012 cinema farnese, italy<br />

11 / 2012 festival cinema<br />

africano, asia e america latina,<br />

italy<br />

sales contact<br />

kazz Basma<br />

sideways film<br />

7 Bouverie Mews, Bouverie road.<br />

n16 0al london, united kingdom<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

section<br />

Dok international<br />

competition<br />

clouDY Mountains<br />

by Zhu Yu<br />

The southern foot of the mountains in Lop Nur in<br />

western China is rich in asbestos. The workers<br />

are making dusts while exploiting the asbestos. From<br />

far away, it looks like a cloud-making machine, puff-<br />

ing clouds into the air. The usage of big machines<br />

increased the asbestos mining capacity but the lack of<br />

relevant environmental protection facilities leads to<br />

a large amount of dust blotting out the sun. No matter<br />

inside or outside, workers only use scarves or masks<br />

to protect themselves. But actually, these textile<br />

products are easily susceptible to dust. The workers are<br />

suffering from the environmental pollution. Though<br />

people working in such a harsh environment live a<br />

hard and isolated life, they do not lose their joy of living,<br />

because they have found a way to make money, which<br />

gives them hope. However, they don’t really know<br />

or care about what consequences the environment here<br />

can bring to them. The movie describes the living<br />

state of a 17-year-old guy, who is stubborn, diligent, and<br />

naughty, his father, who experiences various hard-<br />

ships but is happy and likes kidding and various workers<br />

around them.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

china, 2012<br />

colour, HDcam<br />

85 min<br />

original title<br />

cloudy Mountains<br />

original language<br />

chinese<br />

Produced by<br />

Han lei<br />

Documentary channel<br />

(sMg), china<br />

www.dc.smg.cn<br />

involved broadcasters<br />

Documentary channel<br />

(sMg), china<br />

sales contact<br />

Han lei<br />

Documentary channel (sMg)<br />

no.298 Weihai rd.<br />

200041 shanghai, china<br />

luidy_xia@yahoo.com.cn<br />

www.dc.smg.cn<br />

80 81<br />

film id<br />

1501


film id<br />

703<br />

section<br />

Dok international<br />

competition<br />

coloMBianos<br />

by tora Mårtens<br />

Fernando’s life in Stockholm seems to be going<br />

nowhere. He is struggling with substance abuse and his<br />

despairing mother, Olga, wants him to go and spend<br />

time with his older brother Pablo in Colombia. Pablo has<br />

a plan on how to get Fernando clean in six months –<br />

but is Fernando ready to make a change ? The painful<br />

effects of co-dependency take their toll as the once-<br />

enthusiastic Pablo gradually loses faith in his mission.<br />

Colobianos won the Golden Starfish Award for Best<br />

Documentary Feature Film, Hamptons International<br />

Film Festival (USA) 2012.<br />

genre<br />

Human interest<br />

facts<br />

sweden, 2012<br />

colour, HDcam<br />

90 min<br />

original title<br />

colombianos<br />

original language<br />

spanish, swedish<br />

Produced by<br />

antonio russo Merenda<br />

Hysteria film aB, sweden<br />

www.hysteriafilm.se<br />

in co-Production With<br />

ulla simonen<br />

Made ow, finland<br />

www.made.fi<br />

involved broadcasters<br />

sVt, sweden<br />

Yle, finland<br />

Public screenings<br />

2 / 2012 göteborg iff, sweden<br />

3 / 2012 tempo ff, sweden<br />

4 / 2012 Hot Docs, canada<br />

10 / 2012 Hamptons iff, usa<br />

sales contact<br />

antonio russo Merenda<br />

Hysteria film aB<br />

Völundsgatan 10<br />

11321 stockholm, sweden<br />

antonio@hysteriafilm.se<br />

www.hysteriafilm.se<br />

section<br />

east silver & iDf<br />

colors of MatH<br />

by ekaterina eremenko<br />

To most people math appears abstract, mysterious.<br />

Complicated. Inaccessible. But math is nothing but a<br />

different language to express the world. Math can<br />

be sensual. Math can be tasted, it smells, it creates sound<br />

and colour. One can touch it – and be touched by it …<br />

genre<br />

Human interest<br />

science<br />

facts<br />

russia, germany, 2012<br />

colour, HDcam<br />

59 min<br />

original title<br />

colors of Math<br />

original language<br />

english, french, russian<br />

Produced by<br />

Yuri tschinkel<br />

courant institute of Mathematical<br />

sciences nYu, usa<br />

Public screenings<br />

6 / 2012 Moscow iff, russia<br />

sales contact<br />

ekaterina eremenko<br />

eefilms ekaterina eremenko films<br />

savignyplatz 1<br />

10623 Berlin, germany<br />

ee@eefilms.de<br />

www.eefilms.de<br />

82 83<br />

film id<br />

1619


film id<br />

2473<br />

section<br />

Dok international programme<br />

coMparing noW<br />

anD tHen<br />

by nina Wiesnagrotzki<br />

The short documentary Now ! (1965) of Santiago Alvarez<br />

on the struggle for civil rights of black people in the<br />

U. S. is a document of a revolutionary movement, which<br />

began with one specific desire: equality of human<br />

beings. It grew, inspirited people and finally took over.<br />

It was an essential initiating part of the ’68 revolt. Today,<br />

the rate of pictures in which you can see the ultimate<br />

ratio of governmental power is increasing once again. For<br />

this reason, the remake shows nearly equal pictures of<br />

the latest liberation movements and inhumanity world-<br />

wide. It is trying to translate the original message into<br />

current times. Where are the similarities, where are the<br />

differences ? Are we in a revolutionary situation today ?<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

germany, 2012<br />

colour, B / W,<br />

Beta sp<br />

5 min<br />

original title<br />

comparing now and then<br />

original language<br />

english<br />

Produced by<br />

nina Wiesnagrotzki, germany<br />

sales contact<br />

nina Wiesnagrotzki<br />

Duschweg 25<br />

22769 Hamburg, germany<br />

ninja-femail@gmx.de<br />

corta<br />

by felipe guerrero<br />

section<br />

focus latin america<br />

Corta is a film about the hypnotic extenuation generated<br />

by the body movements of sugar cane cutters in the<br />

Valle del Cauca (Colombia). Corta is a contemplation film<br />

of the gestures of hand labour while the surrounding<br />

plantations disappear, a pure cinematic experience about<br />

the natural and everyday ritual of a timeless world.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

colombia, argentina, france,<br />

2012<br />

colour, Dcp<br />

69 min<br />

original title<br />

corta<br />

original language<br />

spanish<br />

Produced by<br />

felipe guerrero<br />

mutokino, argentina<br />

www.paraisofilm.blogspot.com<br />

in co-Production With<br />

antoine segovia<br />

atopic, france<br />

www.playfilm.fr<br />

gema Juárez allen<br />

gema films, argentina<br />

www.gemafilms.com<br />

Public screenings<br />

1 / 2012 rotterdam iff,<br />

netherlands<br />

2 / 2012 ficci cartagena<br />

de indias, colombia<br />

4 / 2012 Bafici, argentina<br />

4 / 2012 Jeonju iff, south korea<br />

sales contact<br />

felipe guerrero<br />

mutokino<br />

la pampa 3098<br />

1428 Buenos aires, argentina<br />

mutokino@gmail.com<br />

www.paraisofilm.blogspot.com<br />

84 85<br />

film id<br />

75


film id<br />

2923<br />

section<br />

Dok Market<br />

crackle of tiMe<br />

– cHristopH<br />

scHlingensief anD<br />

His opera Village<br />

in Burkina faso<br />

by sibylle Dahrendorf<br />

An African Bayreuth ? An Opera in Africa ? Christoph<br />

Schlingensief, the German film, theatre and opera<br />

director had a vision for an opera village in Africa.<br />

Despite cancer, he made regular trips to Burkina Faso,<br />

such was his devotion and conviction. Crackle of Time<br />

tells the story of an impossible project: To build an opera<br />

village in Burkina Faso, a space combining art and life,<br />

with a school, theatre, hospital and living quarters. From<br />

the initial location search in May 2009, to the official<br />

opening of the school in October 2011, the documentary<br />

takes us up close to the man and his architect Francis<br />

Kéré. We get behind their vision and witness the<br />

struggles and hurdles to get the ‘opera village’ off the<br />

ground. Christoph Schlingensief died in August 2010.<br />

But his dream lives on. Last year Christoph Schlingensief<br />

was posthumously awarded the Golden Lion at<br />

the Venice Biennale for his stage installation, ‘fluxus<br />

oratorium – church of fear’ in the German pavilion.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

germany, austria, 2012<br />

colour, Dcp<br />

106 min<br />

original title<br />

knistern der Zeit – christoph<br />

schlingensief und sein operndorf<br />

in Burkina faso<br />

original language<br />

afrikaans, french, german<br />

Produced by<br />

Michael Bogar<br />

perfect shot films gmbH,<br />

germany<br />

www.perfectshotfilms.com<br />

Public screenings<br />

8 / 2012 Dokfest München<br />

germany<br />

sales contact<br />

frieder schlaich<br />

filmgalerie 451<br />

saarbrücker str. 24<br />

10405 Berlin, germany<br />

info@filmgalerie451.de<br />

www.filmgalerie451.de<br />

section<br />

Dok Market<br />

criMson Mask<br />

by Marco eisenbarth<br />

Crimson Mask is a feature length documentary that<br />

follows German ‘Ultra Violence Wrestler’ Thumbtack<br />

Jack a.k.a. Alexander Bedranowsky in and outside<br />

of the wrestling ring. It is more than just a review of this<br />

unique athlete’s career but an honest and surprising<br />

portrait of this seemingly insane and brutal character<br />

that is Thumbtack Jack, who mutilates himself and his<br />

opponents with barbed wire, thumbtacks, glass, syringes<br />

and even fire. Crimson Mask shows the man on the<br />

other side. From his career high touring the United States<br />

of America, over the feud with his arch enemy, Drake<br />

Younger to his very last ‘Death Match’ against his long<br />

time friend and mentor ‘Hate’, the filmmaker Marco<br />

Eisenbarth never leaves Thumbtack Jack’s side.<br />

But then an incident occurs that will change Alexander<br />

Bedranowsky’s life forever …<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

germany, usa, 2012<br />

colour, B / W, DigiBeta<br />

74 min<br />

original title<br />

crimson Mask<br />

Produced by<br />

Marco eisenbarth, germany<br />

www.ironbeardimages.de<br />

sales contact<br />

Marco eisenbarth<br />

andreasstraße 11<br />

65929 frankfurt, germany<br />

mail@ironbeardimages.de<br />

www.ironbeardimages.de<br />

86 87<br />

film id<br />

2035


film id<br />

3201<br />

section<br />

filmfestival cottbus<br />

crulic – tHe patH<br />

to BeYonD<br />

by Dr. anca Damian<br />

The true story of a man who got tangled up and perished<br />

in the red tape of European bureaucracy. A master-<br />

fully animated ballad about the decline of humanity.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

romania, poland, 2011<br />

colour<br />

73 min<br />

original title<br />

crulic – Drumul spre dincolo<br />

original language<br />

romanian<br />

Produced by<br />

Dr. anca Damian<br />

aparte film<br />

romania<br />

www.apartefilm.net<br />

Public screenings<br />

11 / 2011 filmfestival cottbus,<br />

germany<br />

sales contact<br />

loic Magneron<br />

Wide Management<br />

40 rue sainte anne<br />

75002 paris, france<br />

lm@widemanagement.com<br />

wwww.widemanagement.com<br />

section<br />

Dok Market<br />

cuBa – Mafia’s<br />

paraDise – tHe<br />

HistorY of a gangster<br />

DoMain<br />

by Bernhard pfletschinger<br />

In Havana, illegal dealings with gambling, prostitution,<br />

drug dealing, protection racketeering and money-<br />

laundering flourish whilst the Cuban people are increas-<br />

ingly exploited and sinking into poverty. The Mafia<br />

is also supported by its numerous contacts to corrupt<br />

U. S.-American politicians, intelligence services<br />

and industrialists. While these groups are working<br />

on Havana to become the Mafia’s capital city in the<br />

world, the rebels around Fidel Castro and Che Guevara<br />

land on the island’s east coast in December 1956.<br />

The poverty stricken people start to support them in<br />

short order and thus the rebels soon manage to gain<br />

victories against Batista’s army. And despite the Mafia,<br />

the U. S. intelligence services, the industrialists,<br />

bankers and their supporters continue their doings in<br />

Havana throughout 1958 as the revolutionists come<br />

into power in early 1959 and put an end to the criminal<br />

dealings.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

germany, 2011<br />

colour, HDcam<br />

48 min<br />

original title<br />

cuba – Mafia’s paradise<br />

– the History of a gangster<br />

Domain<br />

original language<br />

english, german<br />

sales contact<br />

andrea seibert<br />

global screen<br />

sonnenstraße 21<br />

80331 München, germany<br />

andrea.seibert@globalscreen.de<br />

www.globalscreen.de<br />

88 89<br />

film id<br />

3246


film id<br />

2293<br />

section<br />

Dok Market<br />

cult Witness<br />

by samuel stefan, nick oakley<br />

At the age of 19 Samuel Stefan, consumed by crisis, was<br />

drawn into a cult. It would be 10 years before he was<br />

able to escape. Using a technique called ‘love-bombing’,<br />

cults prey on the vulnerable, recruiting new members<br />

with love and warmth. After a period of brain-washing,<br />

members are forbidden to leave, enslaved through<br />

psychological control, and in Samuel’s case, even vio-<br />

lence. He was finally able to escape in the dead of night,<br />

pursued by other members and seeking help. Cult<br />

Witness is an intelligent exploration of how cults attract<br />

and manipulate their followers, sharing the disturb-<br />

ing firsthand experiences of Cult Witness director<br />

Samuel Stefan and six others who have freed themselves<br />

from cults. Analytical insights into the cult experience<br />

are provided by leadership expert Betty Sue Flowers;<br />

Benjamin Zablocki, chair of the Department of Sociology<br />

at Rutgers University; UCLA Professor Emeritus<br />

Bertram Raven, an expert on interpersonal influence<br />

and social power relationships; psychotherapist Miguel<br />

Perlado, who specializes in cult-related problems;<br />

and Urs Eschmann, a specialist in legal issues involving<br />

cults. Cult Witness unravels the hidden world of cults;<br />

the hold they have on their victims, the reasons peo-<br />

ple form and fall prey to them and what takes place within.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

switzerland, france, germany,<br />

usa, united kingdom, 2012<br />

colour, DigiBeta<br />

58 min<br />

original title<br />

cult Witness<br />

original language<br />

english<br />

Produced by<br />

samuel stefan, united kingdom<br />

sales contact<br />

kazz Basma<br />

sideways film<br />

7 Bouverie Mews, Bouverie road.<br />

n16 0al london, united kingdom<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

DaMascus,<br />

MY first kiss<br />

by lina al abed<br />

section<br />

Dok international programme<br />

Asmaa’ Kaftaro, the granddaughter of a former Mufti<br />

of Syria, says ‘I wasn’t aware what marriage is when I got<br />

married at the age of 16. When one of my girls men-<br />

struates, I celebrate the event … a full-blown celebration,<br />

and I think that would alleviate her anxiety’. Lina<br />

Chachati, a Christian 48 year-old lady and a daughter<br />

of a well-known liberal family that owns one of the<br />

biggest libraries in Syria, says ‘I still don’t know my body<br />

that well’. Questions and answers take us into the<br />

close and personal details of how two outstanding women<br />

and the filmmaker understand their relationship with<br />

their bodies and the society. Thoughts and feelings – what<br />

it means to be a woman in Syria.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

syria, lebanon, Qatar, 2012<br />

colour, HDcam<br />

42 min<br />

original title<br />

Dimashq Qublati al-ula<br />

original language<br />

arabic<br />

Produced by<br />

lina al abed<br />

sakaDo productions, lebanon<br />

Public screenings<br />

10 / 2011 Doha tribeca ff, Qatar<br />

sales contact<br />

sasha ayoub<br />

proaction film<br />

4-1340 – M. s. ghnayem str.<br />

Dummar easet 11118<br />

p. o. Box 60353<br />

00963 Damascus, syria<br />

sasha.ayoub@gmail.com<br />

90 91<br />

film id<br />

2532


film id<br />

3348<br />

section<br />

Dok.incubator<br />

Dance for Me<br />

by katrine philp<br />

In Denmark, the dance halls are bursting with dancers<br />

of high international standards. It is all about getting<br />

the right partner, when you want to go to the top. But in<br />

a small country like Denmark, this is not always as<br />

easy as it sounds. Mie (14) is an elite dancer. When her<br />

partner stops, the family decides to search for a new<br />

one abroad. Russian Egor (15) finds out that his mother<br />

has set up a tryout for him, and if it turns out well,<br />

Egor will stay with Mie in Denmark. Since May 2011 he<br />

has lived with Mie and her parents in Denmark. All<br />

eyes are on the young couple, the pressure is on and they<br />

are expected to make it to the top. Dance for Me is a<br />

film about a vulnerable young male dancer that has left<br />

everything behind for a new life in a totally strange<br />

family and completely different culture. With sensitivity<br />

and insight director Katrine Philp unravels the story<br />

with poetry and aesthetics. Dance for Me is a modern tale<br />

of migration and pursuit of success and it questions<br />

what you are willing to sacrifice to create the life you want.<br />

As this film is part of the <strong>DOK</strong>.Incubator workshop 2012<br />

and still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />

genre<br />

arts / culture / Music<br />

author’s point of View<br />

facts<br />

Denmark, 2012<br />

colour, HDcam<br />

75 min<br />

original title<br />

Dans for Mig<br />

original language<br />

Danish<br />

Produced by<br />

lise saxtrup<br />

klassefilm aps, Denmark<br />

www.klassefilm.dk<br />

sales contact<br />

stefan kloos<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

stefan.kloos@kloosundco.de<br />

www.riseandshine-berlin.com<br />

section<br />

Dok german competition<br />

Dancing alone<br />

by Biene pilavci<br />

A feature length documentary about the power of family<br />

and how it shapes us.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

95 min<br />

original title<br />

alleine tanzen<br />

original language<br />

german, turkish<br />

Produced by<br />

Max Milhahn<br />

telekult film- und Medien-<br />

produktion gmbH, germany<br />

www.telekult.de<br />

sales contact<br />

Max Milhahn<br />

telekult film- und<br />

Medienproduktion<br />

kremmener str. 6<br />

10435 Berlin, germany<br />

milhahn@telekult.de<br />

www.telekult.de<br />

92 93<br />

film id<br />

1511


film id<br />

3276<br />

section<br />

Dok Market<br />

DanuBe Hospital<br />

by nikolaus geyrhalter<br />

Danube Hospital, a portrait of one of Europe’s largest<br />

hospitals, shows the daily routines and work processes<br />

at a powerful and highly complex institution. By<br />

depicting a modern healthcare facility, Danube Hospital<br />

holds a mirror to our society to show how it deals with<br />

health and illness, life and death.<br />

genre<br />

Human interest<br />

science<br />

facts<br />

austria, 2012<br />

colour, HDcam<br />

75 min<br />

original title<br />

Donauspital<br />

original language<br />

german<br />

Produced by<br />

nikolaus geyrhalter,<br />

Wolfgang Widerhofer,<br />

Michael kitzberger,<br />

Markus glaser<br />

nikolaus geyrhalter<br />

filmproduktion, austria<br />

www.geyrhalterfilm.com<br />

sales contact<br />

andrea Hock<br />

autlook filmsales<br />

trappelgasse 4 / 17<br />

1040 Wien, austria<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

DaugHter<br />

by María paz gonzález<br />

section<br />

focus latin america<br />

Mother and daughter cross Chile in search of a relative<br />

they both don’t know. The mother hopes to find her<br />

sister while the daughter expects to find her real father.<br />

Along a 2,000 km road, they will be forced to confront<br />

their childhood expectations with a present which may<br />

prove to be even more uncertain and hostile than the<br />

fantasies involved in building their identities. Daughter<br />

is a journey where lies become reality and where the<br />

reality takes the shape of a film: that of a documentary<br />

road movie based on imaginary facts.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

chile, 2011<br />

colour, HDcam<br />

83 min / 58 min<br />

original title<br />

Hija<br />

original language<br />

spanish<br />

Produced by<br />

flor rubina<br />

chile Doc, chile<br />

www.hija.cl<br />

Public screenings<br />

6 / 2011 fiDocs, chile<br />

3 / 2012 thessaloniki, greece<br />

4 / 2012 Bafici, argentina<br />

9 / 2012 rejkjavik ff, iceland<br />

sales contact<br />

Manuela Buono<br />

taskovski films<br />

7 granard Business centre<br />

Bunns lane<br />

nW7 2DQ london,<br />

united kingdom<br />

sales@taskovskifilms.com<br />

www.taskovskifilms.com<br />

94 95<br />

film id<br />

1794


film id<br />

2306<br />

DeatH of a<br />

ceMeterY<br />

by Jeanie Dizon<br />

section<br />

Dok Market<br />

Manila North Cemetery in the Philippines is a place of<br />

rest for 3,000 people, all of whom are alive. When<br />

rich families first erected mausoleums for their dead in<br />

the 1800s, they needed caretakers to maintain them<br />

and guard any valuables buried within. In exchange for<br />

their work, the caretakers were allowed to live inside the<br />

mausoleums, and a cemetery community was born.<br />

Grave keepers grow gardens around tombs; chefs cook<br />

up hearty fare in pop-up restaurants alongside crypts;<br />

and children play basketball in between school and<br />

funerals. Manila North Cemetery has become a home to<br />

those without a home. But the graveyard is not always<br />

peaceful. One caretaker must face the task of burying<br />

his own relative in the cemetery, and another – only<br />

13 years old – must undergo an exorcism lest forever be<br />

possessed by the spirits he disturbed. Yet in a place<br />

where exhumations, ghosts, and witch doctors are part<br />

of daily routine, the biggest dangers residents face are<br />

universal to the human experience.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

philippines, usa, 2012<br />

colour, DigiBeta<br />

51 min<br />

original title<br />

Death of a cemetery<br />

original language<br />

english<br />

Produced by<br />

phil Britton<br />

empyreal productions,<br />

united kingdom<br />

in co-Production With<br />

Jeanie Dizon, united kingdom<br />

sales contact<br />

kazz Basma<br />

sideways film<br />

7 Bouverie Mews, Bouverie road.<br />

n16 0al london, united kingdom<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

DefenDing<br />

karaDZic<br />

by aleksandar nikolic<br />

section<br />

Dok.incubator<br />

How can you defend someone like Radovan Karadzic ?<br />

As one of the key members of his defence team, Marko is<br />

very much used to that question, but for him, each<br />

accused is innocent until proven guilty and the defence<br />

is an integral part of the judicial process. As a Serb<br />

who spent his youth protesting against the nationalist<br />

politics of his leaders, Marko knows that these trials<br />

can help his people come to terms with what was done<br />

in their name, but he also knows they can only do that if<br />

they are impeccably fair. Following Marko over the<br />

length of the trial, the film is detailing his struggles both<br />

externally and internally. How do you fight against<br />

the financial and political pressures on The Court ?<br />

How do you go against the media’s one-sided view of the<br />

conflict ? Is it possible to establish a truth that every-<br />

body agrees on ? Are you really helping with the recon-<br />

ciliation or are you making things worse ? Are you<br />

getting too close to the accused ? What is your job doing<br />

to your relationships with friends and family ? Ultimately,<br />

the film asks the question: ‘What does it do to a man<br />

to defend evil ?’<br />

As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />

still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, united kingdom, 2012<br />

colour, HDcam<br />

52 min / 80 min<br />

original title<br />

Defending karadzic<br />

original language<br />

english, serbian<br />

Produced by<br />

gregor streiber<br />

inselfilm produktion, germany<br />

www.inselfilm.info<br />

sales contact<br />

gregor streiber<br />

inselfilm produktion<br />

strausberger platz 18<br />

10243 Berlin, germany<br />

gregor@inselfilm.info<br />

www.inselfilm.info<br />

96 97<br />

film id<br />

2937


film id<br />

2486<br />

section<br />

storyDoc<br />

DeMokratia,<br />

tHe WaY<br />

of tHe cross<br />

by Marco gastine<br />

The 6th of May parliamentary election in Greece, held<br />

in the context of an unprecedented economic, social<br />

and moral crisis was an historical moment for Greece, a<br />

challenge for democracy. The campaign was a great<br />

opportunity to look very closely at Greek politics, largely<br />

responsible for the current situation of the country.<br />

Following the steps of candidates that tried to re-establish<br />

their contact with their voters was a unique opportu-<br />

nity to explore the current situation of a society deeply<br />

touched by the crisis. Through this everyday portrait<br />

of the practice of ‘public affairs’, we tried to raise the ques-<br />

tion of ‘living together’, so crucial today in the country<br />

that invented democracy. We followed the campaign of<br />

four candidates to parliament; belonging to four<br />

different parties that played a leading role in the election;<br />

having four different answers to the crucial dilemma<br />

that divides the country; being at four different steps<br />

in their political career; representing four different ways<br />

to do politics and, last but not least, being four very<br />

different persons, interesting enough to be the heroes of<br />

a character-driven documentary film.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

greece, 2012<br />

colour, DigiBeta<br />

91 min / 52 min<br />

original title<br />

Demokratia, o Dromos<br />

tou stavrou<br />

original language<br />

greek<br />

Produced by<br />

Marco gastine<br />

Minimal films, greece<br />

Public screenings<br />

8 / 2012 doclisboa, portugal<br />

sales contact<br />

Marco gastine<br />

Minimal films<br />

fotiou patriarchou 5<br />

11471 athen, greece<br />

fminimal@otenet.gr<br />

section<br />

east silver & iDf<br />

Disease of tHe<br />

tHirD poWer<br />

by Zuzana piussi<br />

A political documentary about black holes in the Slovak<br />

judiciary system and about the state of law in Slovakia.<br />

The film from the backstage of the Slovak judiciary<br />

system is also an essay about a peculiar form of power that<br />

effaces itself in order to adopt a new name later – justice.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

slovakia, 2012<br />

colour, DigiBeta<br />

52 min<br />

original title<br />

nemoc tretej moci<br />

original language<br />

slovak<br />

Produced by<br />

robert kirchhoff<br />

atelier.doc, slovakia<br />

www.atelierdoc.sk<br />

Public screenings<br />

7 / 2011 pohoda festival, slovakia<br />

11 / 2011 iff Bratislava, slovakia<br />

3 / 2012 one World iff,<br />

czech republic<br />

sales contact<br />

robert kirchhoff<br />

atelier.doc<br />

galandova 5<br />

811 06 Bratislava, slovakia<br />

rkirchhoff@gmail.com<br />

www.atelierdoc.sk<br />

98 99<br />

film id<br />

3213


film id<br />

2796<br />

section<br />

Dok international<br />

competition<br />

DocuMentarian<br />

by ivars Zviedris, inese klava<br />

Inta is a bruesque, crusty woman who lives alone on the<br />

edge of a picturesque marsh. One day her solitude<br />

is intruded upon by the arrival of a documentary film-<br />

maker. In his eyes Inta is an outstanding would-be<br />

film protagonist but the wild woman would rather put a<br />

curse on the importunate intruder than let herself<br />

be filmed. But the filmmaker’s persistance finally succeeds<br />

in melting the ice of Inta’s heart … just in order to break<br />

it soon afterwards.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

latvia, 2012<br />

colour, Dcp<br />

82 min<br />

original title<br />

Dokumentālists<br />

original language<br />

latvian<br />

Produced by<br />

aija Berzina<br />

Vfs films, latvia<br />

www.vfs.lv<br />

in co-Production With<br />

ivars Zviedris<br />

ansis epner’s film studio ‘aVe’,<br />

latvia<br />

involved broadcasters<br />

lnt, latvia<br />

sales contact<br />

aija Berzina<br />

Vfs films<br />

lapu street 17<br />

lV1002 riga, latvia<br />

aija@vfs.lv<br />

www.vfs.lv<br />

DoWneast<br />

by David redmon, ashley sabin<br />

section<br />

Dok international programme<br />

In 2010, the last sardine-canning factory in the United<br />

States – the Stinson / Bumble Bee Seafood cannery<br />

in Prospect Harbor, Maine – closed its doors, devastating<br />

the already economically depressed area and laying<br />

off 130 workers, some of whom had worked at the facility<br />

for 40 years or more. Enter Antonio Bussone, an Italian<br />

immigrant and owner of a Boston-based seafood<br />

company, who decides to buy the factory and convert it<br />

into a lobster-processing facility. Where others see<br />

the end of an era, Antonio sees opportunity: not only to<br />

build a new business, but also to bring exported jobs<br />

back to New England and revitalize a region. In a time<br />

when most U. S. industries have moved offshore,<br />

Antonio’s idea seems almost foolhardy, but it galvanizes<br />

the community and makes him into a local hero to<br />

some and a nemesis to others. Still, Antonio will have<br />

to overcome small-town politics, bank hurdles, and<br />

overwhelming financial odds to see his dream to fruition.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

portrait<br />

facts<br />

usa, 2012<br />

colour, HDcam<br />

78 min<br />

original title<br />

Downeast<br />

original language<br />

english, italian<br />

Produced by<br />

David redmon<br />

carnivalesque films, usa<br />

www.carnivalesquefilms.com<br />

Public screenings<br />

4 / 2012 tribeca, usa<br />

4 / 2012 Hot Docs, canada<br />

6 / 2012 silverDocs, usa<br />

sales contact<br />

David redmon<br />

carnivalesque films, usa<br />

mgmadeinchina@yahoo.com<br />

www.carnivalesquefilms.com<br />

100 101<br />

film id<br />

1659


film id<br />

1614<br />

section<br />

Dok international programme<br />

Dragan WenDe –<br />

HoW tHe traBant<br />

inVaDeD West-Berlin<br />

anD ruineD MY<br />

uncle’s kingDoM<br />

by Dragan von petrovic, lena Müller<br />

In this tragicomical documentary set between West-<br />

Berlin and former Yugoslavia, the young cameraman<br />

Vuk from Belgrade embarks on the trail of his eccentric<br />

uncle Dragan Wende who, 30 years earlier became<br />

the street king of West-Berlin’s 1970s hedonistic disco<br />

scene. Thanks to his Yugoslav passport, he could<br />

easily pass from West- to East-Berlin and profited from<br />

the Wall like few others. But in 1989, the Wall fell.<br />

Suddenly it was open to everyone and everything<br />

changed. 20 years later, Vuk’s uncle is an aged alcoholic<br />

who lives off social welfare and memories of his youth.<br />

He has not set foot in East Berlin ever since and seldom<br />

leaves his surreal West-Berlin. Vuk and his camera<br />

discover and confront his uncle’s bizarre and tragicomic<br />

world of veteran Yugo-immigrants, fallen millionaires<br />

and post-Wall-losers. We observe the survival strategies<br />

of a group of immigrants who once had it easy and<br />

who cannot help but wish for a return of The Wall – the<br />

Fall of which is held responsible for their financial<br />

hardship. Seen through his nephew’s eyes, a microcosm<br />

of underdogs and their survival strategies unfolds in<br />

this family tale about the ‘Losers of Change’ in a still-<br />

divided city.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, serbia, 2012<br />

colour, HDcam<br />

90 min<br />

original title<br />

Dragan Wende – West Berlin<br />

original language<br />

english, german, serbian<br />

Produced by<br />

lena Müller<br />

von.müller.film, germany<br />

www.von-muller-film.com<br />

in co-Production With<br />

rolf Bergmann<br />

rBB, germany<br />

involved broadcasters<br />

rBB, germany<br />

Public screenings<br />

4 / 2012 Hot Docs, canada<br />

sales contact<br />

lena Müller<br />

von.müller.film<br />

skalitzer str. 69<br />

10997 Berlin, germany<br />

lenamuller@gmail.com<br />

www.von-muller-film.com<br />

DraWing for<br />

MeMorY<br />

by andy glynne<br />

During the war in Afghanistan, Ali, now ten, fled his<br />

country with his grandmother, leaving behind his<br />

parents who were unable to leave. This film explores his<br />

pain of being separated from them, as well as living for<br />

years without knowing whether they were alive. Despite<br />

now having contact with them, they are still unable to<br />

be united, and Ali describes his hopes of one day seeing<br />

them again. This is part of a series using real-life<br />

stories of young refugees and asylum seekers, told by<br />

the children themselves.<br />

genre<br />

ethnology / religion<br />

History / politics / current affairs<br />

facts<br />

united kingdom, 2012<br />

colour, HD Videofile<br />

3 min<br />

original title<br />

Drawing for Memory<br />

original language<br />

english<br />

Produced by<br />

andy glynne<br />

Mosaic films, united kingdom<br />

www.mosaicfilms.com<br />

involved broadcasters<br />

BBc, united kingdom<br />

Public screenings<br />

6 / 2012 BBc two, united kingdom<br />

sales contact<br />

andy glynne<br />

Mosaic films<br />

4th floor shacklewell studios, 28<br />

shacklewell lane<br />

e8 2eZ london, united kingdom<br />

andy@mosaicfilms.com<br />

www.mosaicfilms.com<br />

102 103<br />

film id<br />

2296<br />

section<br />

animadoc


film id<br />

1775<br />

section<br />

animadoc<br />

DreaM JoBs<br />

by piyanan suntasiri, gail piyanan suntasiri<br />

Childhood dreams are fulfilled with fascinations and<br />

imaginations. Dream Jobs is about what people really<br />

wanted to be when they were younger. However, when<br />

time passes by, many of them start to forget … This<br />

film aims to remind people of their dreams, and encourage<br />

them not to give up.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

united kingdom, 2012<br />

colour, HD Videofile<br />

2 min<br />

original title<br />

Dream Jobs<br />

original language<br />

english<br />

Produced by<br />

gail piyanan suntasiri<br />

kingston university, thailand<br />

www.gailgailgail.com<br />

geoff grandfield<br />

kingston university,<br />

united kingdom<br />

www.geoffgrandfield.co.uk<br />

Public screenings<br />

6 / 2012 kingston university<br />

Degree show, united kingdom<br />

9 / 2012 D&aD new Blood,<br />

united kingdom<br />

sales contact<br />

gail piyanan suntasiri<br />

70 / 11 Mooban na-uthayan,<br />

uthayan road, thawee-Watthana<br />

District<br />

10170 Bangkok, thailand<br />

gailgailgail.piyanan@hotmail.com<br />

www.gailgailgail.com<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

DreaM of san Juan<br />

by Joaquin Del paso, Jan paweł trzaska<br />

A village in the Sierra Madre is inhabited by the last<br />

representatives of an ancient Mixteco culture. Deprived<br />

of their identity by modern civilization, they are<br />

facing an even bigger threat: a landslide that may destroy<br />

the village during torrential rains. The local leader<br />

tries to prevent the disaster. He wants to invite a geologist<br />

to the village, so that the approaching danger could<br />

be officially confirmed. But no help is coming and the<br />

inhabitants may just humbly wait for the disaster<br />

to happen.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

poland, 2012<br />

colour, HDcam<br />

44 min<br />

original title<br />

el el sueno de san Juan<br />

original language<br />

spanish<br />

Produced by<br />

piotr kempa,<br />

Jan paweł trzaska<br />

Delord sp. zo. o., poland<br />

Public screenings<br />

5 / 2012 krakow ff, poland<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

104 105<br />

film id<br />

2697


film id<br />

628<br />

section<br />

focus saxony<br />

Dress to iMpress<br />

by falk schuster<br />

A hedgehog and a bird run into each other, become<br />

friends and help each other with their problems.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, HD Videofile<br />

8 min<br />

original title<br />

kleider machen freunde<br />

original language<br />

german<br />

Produced by<br />

falk schuster, germany<br />

www.falkschuster.com<br />

Public screenings<br />

4 / 2012 filmfest Dresden,<br />

germany<br />

4 / 2012 kurzsüchtig leipzig,<br />

germany<br />

5 / 2012 Zlin, czech republic<br />

5 / 2012 Hamburg short ff,<br />

germany<br />

sales contact<br />

falk schuster<br />

ernst-könig straße 1<br />

06108 Halle / saale, germany<br />

falk.schuster@gmail.com<br />

www.falkschuster.com<br />

section<br />

Dok international programme<br />

DriVers WanteD<br />

by Joshua Z. Weinstein<br />

Drivers Wanted reveals the impossibly eclectic community<br />

inhabiting NYC’s most famous taxi garage. Located<br />

directly across from the UN, the garage is a refugee<br />

camp in the heart of NY, where drivers come for protec-<br />

tion from human rights abuses, racism and economic<br />

instability. The film follows Eric, a new immigrant from<br />

China who left because of his country’s one child policy.<br />

With dreams of his own business, and a wife and two<br />

young sons to support, he turns to a simple job: driving<br />

a taxicab. But the easy route proves to be a Herculean<br />

struggle for Eric, who can neither speak the language of<br />

his customers nor navigate the city’s 6,174 miles of<br />

streets. Along for Eric’s ride, we meet classic New York<br />

personalities, including the city’s oldest taxi driver, the<br />

rumoured inspiration behind Danny DeVito’s Louie<br />

DePalma, and a melting pot of immigrants with dreams<br />

of making it in America. Each day, a million New Yorkers<br />

depend on the anonymous faces behind the wheels,<br />

the men who tirelessly drive the city that doesn’t sleep.<br />

Drivers Wanted takes the viewer into the taxi seat to<br />

experience accidents, blizzards, and the late night streets<br />

of New York.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

usa, 2012<br />

colour, HDcam<br />

54 min<br />

original title<br />

Drivers Wanted<br />

original language<br />

chinese, english<br />

Produced by<br />

Jean tsien, usa<br />

Public screenings<br />

6 / 2012 silverdocs, usa<br />

sales contact<br />

Joshua Z. Weinstein<br />

Weinstein film production<br />

201 eastern parkway, 5r<br />

nY Brooklyn, usa<br />

fooefilm@gmail.com<br />

weinsteinfilm.com<br />

106 107<br />

film id<br />

2089


film id<br />

718<br />

DrougHt<br />

by everardo gonzález<br />

section<br />

focus latin america<br />

The desert cowboys of ‘Cuates de Australia’ face death<br />

every year, avoiding the drought that threatens the<br />

ranch. While the community is forced into an exodus,<br />

the Ejido is abandoned and eventually the desert<br />

animals take over the place. They wait for the first drops<br />

of rain in order to return.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

Mexico, 2011<br />

colour, HDcam<br />

84 min<br />

original title<br />

cuates de australia<br />

original language<br />

spanish<br />

Produced by<br />

Martha orozco<br />

cienega Docs s. a. de c. V.,<br />

Mexico<br />

Public screenings<br />

11 / 2011 iDfa, netherlands<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

4 / 2012 Hot Docs, canada<br />

6 / 2012 los angeles ff, usa<br />

sales contact<br />

Heino Deckert<br />

Deckert Distribution<br />

Marienplatz 1<br />

04103 leipzig, germany<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

section<br />

Dok Market<br />

DuBlin’s trap:<br />

anotHer siDe of<br />

tHe greek crisis<br />

by Bryan carter<br />

Through the story of an Afghan asylum seeker who won<br />

a historic victory at the European Court of Human<br />

Rights, this film shines a new light on the consequences<br />

of migration policies in the crisis-affected country of<br />

Greece. Dublin’s Trap gives an equal voice to politicians,<br />

intellectuals, activists, immigrants and extremists.<br />

This approach highlights how austerity measures, com-<br />

bined with an unprecedented influx of immigrants,<br />

foster racial tensions, increased nationalism, and a hu-<br />

manitarian crisis at Europe’s external borders. Further<br />

aggravating the situation is an uneven EU repatriation<br />

mechanism known as Dublin II.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

Belgium, 2012<br />

colour, HDcam<br />

51 min<br />

original title<br />

Dublin’s trap: another side of<br />

the greek crisis<br />

original language<br />

english, french, greek<br />

Produced by<br />

Jean-pierre Borloo<br />

association des Journalistes<br />

professionnels de<br />

Belgique, Belgium<br />

www.fondspourlejournalisme.be<br />

Public screenings<br />

11 / 2011 canal Z, Belgium<br />

3 / 2012 thessaloniki<br />

Documentary ff, greece<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

108 109<br />

film id<br />

486


film id<br />

2423<br />

section<br />

Dok Market<br />

Duck BeacH to<br />

eternitY<br />

by stephen frandsen, Hadleigh arnst, laura naylor<br />

Every Memorial Day weekend, nearly a thousand<br />

Mormon singles flock to Duck Beach, N. C., for a spring<br />

break gathering. They assemble in rental houses<br />

and host parties (without alcohol), hook up (without<br />

sex), and strut their stuff for three days on the beach.<br />

The weekend has been referred to in the media<br />

as, variously, the ‘Mormon Jersey Shore’ and ‘Mormon<br />

Singles Gone Mild.’ Duck Beach To Eternity follows<br />

four singles in their 20s and 30s who are all feeling the<br />

pressure of finding the right person. After all, at<br />

their age, according to Mormon culture, they should<br />

have been married years ago. The film explores the<br />

many distinctive aspects of Mormon single life – primarily<br />

the paramount pursuit of an eternal companion<br />

to fulfill their purpose on earth. The filmmakers handle<br />

the topic gracefully and treat their subjects respect-<br />

fully, with compelling and entertaining results. Duck<br />

Beach To Eternity deals with the complexities, contradictions,<br />

struggles, and confusion that are a part of being<br />

a single person of faith in modern America.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

usa, 2012<br />

colour, DigiBeta<br />

80 min<br />

original title<br />

Duck Beach to eternity<br />

original language<br />

english<br />

Produced by<br />

stephen frandsen,<br />

Hadleigh arnst,<br />

laura naylor<br />

Big iron productions, usa<br />

Public screenings<br />

6 / 2012 seattle iff, usa<br />

sales contact<br />

tim sparke<br />

Mercury Media<br />

7 Baseline studios<br />

Whitchurch road<br />

W11 4at london, united kingdom<br />

tsparke@mercurymedia.org<br />

www.mercurymedia.org<br />

section<br />

Dok Market<br />

eaMes:<br />

tHe arcHitect anD<br />

tHe painter<br />

by Jason cohn, Bill Jersey<br />

Charles and Ray Eames are widely considered America’s<br />

most important designers. Perhaps best remembered<br />

for their plywood and fibreglass furniture, they also cre-<br />

ated a bewildering variety of other products, from<br />

splints for wounded military, to photography, interiors,<br />

multi-media exhibits, graphics, games, films and toys.<br />

The ultimate documentary about Eames, it draws from<br />

a trove of archival material, films and photographs<br />

produced in mind-boggling volume by the hyper-creative<br />

forty years of their existence.<br />

genre<br />

arts / culture / Music<br />

Human interest<br />

facts<br />

usa, 2011<br />

colour, HDcam<br />

83 min<br />

original title<br />

eames: the architect and<br />

the painter<br />

original language<br />

english<br />

Produced by<br />

camille servan-schreiber<br />

catticus corporation, usa<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

110 111<br />

film id<br />

3258


film id<br />

813<br />

eartH<br />

by Victor asliuk<br />

section<br />

Dok international<br />

competition short<br />

There are places where the Second World War has not<br />

been finished yet. On the former battlefields, which<br />

are now covered with woods, thousands of soviet soldiers<br />

lie unburied. Every year some volunteers come here<br />

to search for these human remains. They do that so that<br />

they can bury them properly. To dig out bones just<br />

in order to bury them again, this apparently absurd cycle<br />

opens a new sense. The earth not only reveals the past<br />

as the forest ghosts are rising from archive footage like<br />

spirits of those soldiers killed seventy years ago; it<br />

is transforming it to the future as teenagers, who have<br />

been brought here by their parents, face death for<br />

the first time in their lives and yet they start playing war<br />

on the spot. The film is an elegy which one more time<br />

reminds us about the frailty of human existence.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

Belarus, 2012<br />

colour, B / W, DigiBeta<br />

30 min<br />

original title<br />

Ziamlia<br />

original language<br />

russian<br />

Produced by<br />

Jaroslav kamienski<br />

Belsat tV, poland<br />

www.belsat.eu<br />

Public screenings<br />

3 / 2012 cinéma du réel, france<br />

3 / 2012 Huesca ff, spain<br />

sales contact<br />

Jaroslav kamienski<br />

Belsat tV<br />

pl.powstancow Warsuawy 7<br />

00999 Warsaw, poland<br />

office@belsat.eu<br />

www.belsat.eu<br />

eMperor’s toYs<br />

by Joanna Wojcik, Jaroslaw Mozdzierz, tomasz godfryd, grzegorz<br />

Wierzchowski, Joanna rusinek<br />

Documentary film mixed with animation which tells<br />

about an unusual collection of toys. Like most of<br />

his peers, the protagonist began by collecting stamps,<br />

drink labels and stickers. Presently, his collection<br />

consists of a couple hundred thousand objects and he<br />

became known as the Emperor of Collectors. Thanks<br />

to imagination the toys from his collection are not<br />

merely inanimate objects.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, HD Videofile<br />

10 min<br />

original title<br />

Zabawki cesarza<br />

original language<br />

polish<br />

Produced by<br />

ewa Jastrzebska<br />

polish filmmakers association<br />

Munk studio, poland<br />

www.studiomunka.pl<br />

Public screenings<br />

9 / 2012 stoptrik, slovenia<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

112 113<br />

film id<br />

2355<br />

section<br />

animadoc


film id<br />

3176<br />

section<br />

focus latin america<br />

tHe eMploYMent<br />

by santiago ‘Bou’ grasso<br />

A man performs his usual trip to work, immersed in a<br />

world where the use of people is an everyday thing.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

argentina, 2008<br />

animated film, colour,<br />

Beta sp<br />

6 min<br />

original title<br />

el empleo<br />

original language<br />

without dialogue<br />

Produced by<br />

patricio gabriel plaza, argentina<br />

pakuplaza.blogspot.com<br />

sales contact<br />

patricio gabriel plaza<br />

525 bis nº 1781<br />

1900 la plata, Buenos aires,<br />

argentina<br />

info@patricioplaza.com.ar<br />

pakuplaza.blogspot.com<br />

section<br />

Dok Market<br />

enD of tHe roaD<br />

by tim Delmastro<br />

In 2008 the world experienced financial turmoil.<br />

Markets around the world crashed, stock prices plummeted,<br />

and major financial institutions, once thought to<br />

be invincible, collapsed. Governments responded<br />

quickly, issuing massive bailouts and stimulus packages<br />

in an effort to keep the world economy afloat. Although<br />

we’ve been told that these drastic measures pre-<br />

vented a total collapse of our system, a growing sense of<br />

unease still pervades. What lies ahead as a result of<br />

these bold money printing measures ? Was the financial<br />

crisis solved or were the problems merely kicked<br />

down the road ? End of The Road asks eleven influential<br />

commentators within the finance and investment com-<br />

munities to share their knowledge regarding where<br />

we are. Through each of their narratives, a story is built<br />

which chronicles the current economic dilemma<br />

and paints a gloomy picture of our likely financial future.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

australia, 2012<br />

colour, DigiBeta<br />

55 min<br />

original title<br />

end of the road<br />

original language<br />

english<br />

Produced by<br />

tim Delmastro<br />

100th MonkeY filMs, australia<br />

www.100thmonkeyfilms.com<br />

sales contact<br />

tim sparke<br />

Mercury Media<br />

7 Baseline studios<br />

Whitchurch road<br />

W11 4at london, united kingdom<br />

tsparke@mercurymedia.org<br />

www.mercurymedia.org<br />

114 115<br />

film id<br />

3066


film id<br />

2745<br />

section<br />

Dok international<br />

competition<br />

tHe enD of tiMe<br />

by peter Mettler<br />

Working at the limits of what can easily be expressed,<br />

filmmaker Peter Mettler takes on the elusive subject<br />

of time, and once again turns his camera to filming the<br />

unfilmable. From the particle accelerator in Switzer-<br />

land, where scientists seek to probe regions of time we<br />

cannot see, to lava flows in Hawaii which have overwhelmed<br />

all but one home on the south side of Big Island;<br />

from the disintegration of inner city Detroit, to a<br />

Hindu funeral rite near the place of Buddha’s enlight-<br />

enment, Mettler explores our perception of time.<br />

He dares to dream the movie of the future while also<br />

immersing us in the wonder of the everyday. The<br />

End of Time, at once personal, rigorous and visionary,<br />

Peter Mettler has crafted a film as compelling and<br />

magnificent as its subject.<br />

genre<br />

author’s point of View<br />

science<br />

facts<br />

switzerland, canada, 2012<br />

colour, Dcp<br />

114 min<br />

original title<br />

the end of time<br />

original language<br />

english<br />

Produced by<br />

cornelia seitler<br />

maximage, switzerland<br />

www.maximage.ch<br />

Public screenings<br />

8 / 2012 locarno film festival,<br />

switzerland<br />

9 / 2012 toronto international<br />

film festival, canada<br />

10 / 2012 Busan int. film festival<br />

sales contact<br />

cornelia seitler<br />

maximage<br />

neugasse 6<br />

cH-8005 Zürich, switzerland<br />

cseitler@maximage.ch<br />

www.maximage.ch<br />

entangleD<br />

by lidia Duda<br />

section<br />

Dok international<br />

competition<br />

The definition of the perpetrator and the victim is<br />

crystal clear in paedophilia cases. This unambiguous<br />

relationship may, however, become upset after<br />

some time. As a child, the film character was abused by<br />

his neighbour. Later, as a teenager, he tried to take<br />

revenge on him twice. The roles are now reversed: the<br />

paedophile is afraid of his victim. This mutual<br />

dependence, which lasted ten years, is presented from<br />

the perspective of the closest persons to both men.<br />

The story based on hatred and fear seems to have no end.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, DigiBeta<br />

51 min<br />

original title<br />

uwiklani<br />

original language<br />

polish<br />

Produced by<br />

anna kepinska,<br />

Maciej kubicki<br />

telemark sp. zo. o., poland<br />

www.telemark.com.pl<br />

in co-Production With<br />

Barbara paciorkowska<br />

tVp2, poland<br />

www.international.tvp.pl<br />

involved broadcasters<br />

tVp2, poland<br />

Public screenings<br />

6 / 2012 krakow ff, poland<br />

sales contact<br />

anna kepinska<br />

telemark sp. zo. o.<br />

ul. ordynacka 14 / 9<br />

00-358 Warsaw, poland<br />

anna.kepinska@telemark.com.pl<br />

www.telemark.com.pl<br />

116 117<br />

film id<br />

2698


film id<br />

2371<br />

section<br />

Dok Market<br />

erWin WurM<br />

– tHe artist<br />

WHo sWalloWeD<br />

tHe WorlD<br />

by laurin Merz<br />

Listed as one of the Top 20 contemporary artists, the<br />

Austrian Erwin Wurm criticizes the encrusted<br />

affluent society with seemingly simple sculptures that<br />

meet the current zeitgeist. The film explores the<br />

artist, his biography and his provocative and cheerful<br />

oeuvre which is an incredible, worldwide success.<br />

genre<br />

arts / culture / Music<br />

Human interest<br />

facts<br />

austria, germany, switzerland,<br />

2012<br />

colour, HDcam<br />

52 min<br />

original title<br />

erwin Wurm – Der künstler der<br />

die Welt verschluckt<br />

original language<br />

german<br />

Produced by<br />

reto caduff, switzerland<br />

retocaduff.com<br />

sales contact<br />

andrea Hock<br />

autlook filmsales<br />

trappelgasse 4 / 17<br />

1040 Wien, austria<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

section<br />

Dok Market<br />

escape froM<br />

paraDise<br />

by ernest saj<br />

An account on how the ideal country for a family life<br />

and a peaceful existence might turn into a nightmare<br />

one day due to overprotective social policies. It is a<br />

hidden-camera investigation report on how desperate<br />

parents attempt to get back their beloved 9-year-old<br />

daughter. 9-year-old Nikola and her parents arrived to<br />

Norway five years ago. On 18th June, the girl has<br />

been unexpectedly taken away from her parents by the<br />

Norwegian authorities on grounds of realization that<br />

Nikola ‘has been in a sad mood at school.’ The Norwegian<br />

officials did not investigate the reasons of sadness nor<br />

talked to parents, before placing the child in a Norwegian<br />

foster family, where the girl had been supposed to<br />

await a future adoption. Desperate father hired Krzysztof<br />

Rutkowski – the Polish private detective, to help him<br />

to regain the girl. The film shows an attempt to rescue the<br />

child, through planning stages to the action of taking<br />

away Nikola back to her parents.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

poland, 2011<br />

colour, DigiBeta<br />

24 min<br />

original title<br />

ucieczka z raju<br />

original language<br />

polish<br />

Produced by<br />

andrzej fidyk<br />

tVp1, poland<br />

www.tvp.pl<br />

involved broadcasters<br />

tVp1, poland<br />

Public screenings<br />

5 / 2012 input, australia<br />

9 / 2012 Dallas ff, usa<br />

sales contact<br />

Barbara Bilinska-kepa<br />

tVp sa<br />

17, J. p. Woronicza str.<br />

00-999 Warsaw, poland<br />

sales@tvp.pl<br />

www.international.tvp.pl<br />

118 119<br />

film id<br />

659


film id<br />

957<br />

section<br />

Dok Market<br />

eVerYtHing Will<br />

not Be fine<br />

by arash t. riahi<br />

2000–2001 the director Arash T. Riahi filmed the<br />

inhabitants of a transitional residential home for home-<br />

less women, who, for many different reasons, fell<br />

through the cracks of our achievement-oriented society.<br />

Nine years after, the director went looking for some<br />

of these women to see how they fare after such a long<br />

time. What became of their dreams and wishes,<br />

was a return to the cold of an unsheltered world possible<br />

at all ?<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

austria, 2012<br />

colour, HDcam<br />

94 min<br />

original title<br />

nerven Bruch Zusammen<br />

original language<br />

german<br />

Produced by<br />

arash t. riahi<br />

golden girls filmproduktion,<br />

austria<br />

www.goldengirls.at<br />

www.everydayrebellion.com<br />

involved broadcasters<br />

orf, austria<br />

Public screenings<br />

3 / 2012 Diagonale ff, austria<br />

7 / 2012 Marseille iff, france<br />

9 / 2012 Zürich ff, switzerland<br />

sales contact<br />

arash t. riahi<br />

golden girls filmproduktion<br />

seidengasse 15 / 3 / 20<br />

1070 Vienna, austria<br />

arash@goldengirls.at<br />

www.goldengirls.at<br />

www.everydayrebellion.com<br />

exit point<br />

by Jagoda szelc<br />

The film character has an unusual passion. He is ready to<br />

sacrifice a lot for it, including his own life. Exit Point is<br />

a film about decision making; in order to be free one must<br />

sometimes slavishly follow one’s nature. This is also a<br />

story of sacrifice in the name of superior values. What’s the<br />

prize of being free and is freedom indeed worth the<br />

biggest sacrifice.<br />

facts<br />

poland, 2012<br />

colour, DigiBeta<br />

17 min<br />

original title<br />

punkt wyjscia<br />

original language<br />

polish<br />

Produced by<br />

Marcin Malatyński<br />

pWsftvit (polish national film<br />

school), poland<br />

www.filmschool.lodz.pl<br />

Public screenings<br />

5 / 2012 Monaco charity ff,<br />

Monaco<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

120 121<br />

film id<br />

2714<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

genre<br />

portrait


film id<br />

857<br />

faMilY Meals<br />

by Dana Budisavljevic<br />

section<br />

east silver & iDf<br />

Do you remember when was the last time you talked to<br />

your parents ? What did you talk about ? Did you go<br />

a step beyond weather forecast and daily politics ? Can a<br />

conversation about buried family secrets help you eat<br />

without cramps in your stomach ? Can a failed birthday<br />

cake help you embrace the past ? A birthday celebration<br />

brings together an ordinary four member family five<br />

years after their last gathering. They start questioning<br />

what made them turn away from each other. Through<br />

the ritual of family meals, the film unveils how important<br />

it is to feel accepted by our loved ones.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

croatia, 2012<br />

colour, HDcam<br />

50 min<br />

original title<br />

nije ti život pjesma Havaja<br />

original language<br />

croatian<br />

Produced by<br />

olinka Vistica<br />

Hulahop film & art production,<br />

croatia<br />

www.hulahop.hr<br />

in co-Production With<br />

sophie de Hijes<br />

survivance, france<br />

Public screenings<br />

3 / 2012 ZagrebDox, croatia<br />

7 / 2012 Dokufest, serbia<br />

8 / 2012 liburnia ff, croatia<br />

7 / 2012 sarajevo ff, Bosnia<br />

sales contact<br />

Manuela Buono<br />

taskovski films<br />

7 granard Business centre<br />

Bunns lane<br />

nW7 2DQ london,<br />

united kingdom<br />

sales@taskovskifilms.com<br />

www.taskovskifilms.com<br />

fiDaï<br />

by Damien ounouri<br />

section<br />

Dok international<br />

competition<br />

During the Algerian revolution, my great-uncle joined<br />

his sister in France and integrated a secret NLF (Na-<br />

tional Liberation Front) armed group. Settling of scores,<br />

attempted murder, hiding, imprisonment and finally<br />

expulsion in 1962, his personal journey tells the story<br />

of countless ex-fighters for Algerian independence, and<br />

echoes the current effervescence of the Arab World.<br />

Today, at the age of seventy, El Hadi reveals this dark<br />

part of his life. We are following the itinerary of El Hadi<br />

during the Algerian Revolution. By his words and the<br />

discussions with people he meets, we discover his story<br />

on the different given localities of his acts, in Algeria<br />

and France. A dialogue between his personal story and<br />

the official history is being created.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

france, algeria, china, 2012<br />

colour, Dcp<br />

84 min<br />

original title<br />

fidaï<br />

original language<br />

arabic<br />

Produced by<br />

Mathieu Mullier<br />

kafard films, france<br />

www.kafardfilms.fr<br />

in co-Production With<br />

Jia Zhangke<br />

xstream pictures, china<br />

Public screenings<br />

8 / 2012 tiff, canada<br />

sales contact<br />

Mathieu Mullier<br />

kafard films<br />

8 passage Montbrun<br />

75014 paris, france<br />

matmullier@kafardfilms.fr<br />

www.kafardfilms.fr<br />

122 123<br />

film id<br />

2808


film id<br />

3184<br />

section<br />

Dok Market<br />

tHe fielD of Magic<br />

by Mindaugas survila<br />

‘The Field of Magic’ is a docu-poem about people living<br />

for over two decades in Buda forest near the closed<br />

down Kariotiškės dump, 40 km from Vilnius, Lithuania.<br />

A result of four year’s work, the film captures the<br />

perspective of the dump dwellers in telling the story of<br />

a dissolving community, its uniqueness, daily rhythm,<br />

peculiar way of life, every-day joys and sorrows.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

lithuania, 2011<br />

colour, Dcp<br />

61 min<br />

original title<br />

stebuklų laukas<br />

original language<br />

lithuanian, russian<br />

Public screenings<br />

1 / 2012 Docpoint Helsinki,<br />

finland<br />

4 / 2012 Hot Docs toronto,<br />

canada<br />

3 / 2012 Vilnius iff, lithuania<br />

sales contact<br />

Heino Deckert<br />

Deckert Distribution<br />

Marienplatz 1<br />

04103 leipzig, germany<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

tHe final MeMBer<br />

by Jonah Bekhor, Zach Math<br />

Thirty miles from the Arctic Circle, in the northern<br />

Icelandic town of Husavik, stands the Icelandic<br />

Phallological Museum – the world’s only Penis museum.<br />

Over 40 years, the founder and curator has collected<br />

every specimen from every mammal except for<br />

one elusive penis needed to complete his collection:<br />

The Human Specimen. The film follows the curator’s<br />

incredible, sublimely comic, often shocking quest<br />

to complete his eccentric collection, and the two intrepid<br />

men who have raised their hands to be the first<br />

human donor.<br />

genre<br />

Human interest<br />

science<br />

facts<br />

canada, 2012<br />

colour, HDcam<br />

75 min<br />

original title<br />

the final Member<br />

original language<br />

english<br />

Produced by<br />

Jonah Bekhor,<br />

Zach Math<br />

otis Jones films, canada<br />

Public screenings<br />

4 / 2012 Hot Docs, canada<br />

sales contact<br />

Jonah Bekhor<br />

otis Jones films<br />

920 Yonge street suite 1000<br />

M4W 3c7 toronto, canada<br />

jb@citizenjonesfilms.com<br />

124 125<br />

film id<br />

3250<br />

section<br />

Hot Docs


film id<br />

2217<br />

section<br />

Dok Market<br />

fire in tHe BlooD<br />

by Dylan Mohan gray<br />

An intricate tale of ‘monopoly, medicine and mass<br />

murder’, Fire in the Blood is the story of how Western<br />

pharmaceutical companies and governments<br />

blocked access to low-cost AIDS drugs for the countries<br />

of the global south during the 2000’s – causing ten<br />

million or more unnecessary deaths – and the<br />

improbable group of people who decided to fight back.<br />

Shot on four continents and including contributions<br />

from global figures such as Bill Clinton, Desmond Tutu<br />

and Joseph Stiglitz, here is the important, never-<br />

before-told story of the unlikely alliance which came<br />

together to stop ‘the crime of the century’ and<br />

save millions of lives in the process.<br />

genre<br />

History / politics / current affairs<br />

science<br />

facts<br />

india, united kingdom, 2012<br />

colour, HDcam<br />

60 min<br />

original title<br />

fire in the Blood<br />

original language<br />

english, Hindi<br />

Produced by<br />

Dylan Mohan gray<br />

sparkwater india, india<br />

www.sparkwater.com<br />

Public screenings<br />

6 / 2012 sheffield,<br />

united kingdom<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

fists of priDe<br />

by Helene choquette<br />

‘Thai children have more money. Burmese children have<br />

no money. They are rich. We are poor. That’s all.’<br />

This is how 13-year-old Pho Kyaw ‘Panda’ sees the world<br />

while training to challenge a Thai boxer at the annual<br />

Water Festival along the Burmese-Thai border. If he<br />

wins, his family receives prize money from bets placed<br />

by his coaches. Losing isn’t an option. For sons of<br />

migrant workers, the Thai boxing camp is their best<br />

hope to escape the dangerous and impoverished life that<br />

otherwise awaits them. The boys’ militaristic training<br />

regime and their daily routines reveal their courage and<br />

fear as they face the ring. The coaches provide another<br />

fascinating layer, as their gambling success determines<br />

the boys’ well-being. The film is a powerful allegory<br />

for a cultural and political battle that continues to be<br />

waged, through the eyes of children who inherited<br />

a bruised and battered history.<br />

genre<br />

ethnology / religion<br />

portrait<br />

facts<br />

canada, 2012<br />

colour, DigiBeta<br />

63 min<br />

original title<br />

les poings de la fierté<br />

original language<br />

thai<br />

Produced by<br />

isabelle fortier<br />

freelance producer at aviva<br />

communications, canada<br />

fistsofpride.com<br />

involved broadcasters<br />

radio-canada, canada<br />

Public screenings<br />

4 / 2011 Hot Docs, canada<br />

sales contact<br />

Helene choquette<br />

aviva communications<br />

3800 a saint-Hubert<br />

H2l 4a5 Montreal, canada<br />

helenechoquette@gmail.com<br />

www.fistsofpride.com<br />

126 127<br />

film id<br />

1332<br />

section<br />

Hot Docs


film id<br />

1170<br />

section<br />

focus latin america<br />

tHe floWers of<br />

MY faMilY<br />

by Juan ignacio fernández Hoppe<br />

90-year-old Nivia faces an unexpected change.<br />

Her daughter Alicia has found a new husband after years<br />

of widowhood and wants to move in with him.<br />

Nivia disapproves of the relationship and accuses her<br />

daughter of abandoning her. Both women embark<br />

on a profound and revealing journey where the longing<br />

for a new love and the fear of growing old alone<br />

inevitably lead to a clash between mother and daughter.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

uruguay, 2012<br />

colour, HDcam<br />

75 min<br />

original title<br />

las flores de mi familia<br />

original language<br />

spanish<br />

Produced by<br />

Juan ignacio fernández Hoppe<br />

Hoppefilms, uruguay<br />

in co-Production With<br />

carolina campo<br />

lobo Hombre, uruguay<br />

Public screenings<br />

4 / 2012 Bafici, argentina<br />

6 / 2012 fiDocs, chile<br />

7 / 2012 Doc Montevideo,<br />

uruguay<br />

sales contact<br />

nazarena Mattera<br />

austral films<br />

gral. urquiza 1998 depto 1<br />

Buenos aires, argentina<br />

nmattera@australfilms.com<br />

www.australfilms.com<br />

section<br />

Dok Market<br />

for You nakeD<br />

by sara Broos<br />

An intimate and beautifully told love story between<br />

one of Scandinavia’s most highly regarded modern<br />

painters, Lars Lerin and a young Brazilian dancer,<br />

Manoel Marques (Junior). Two men with a dark past and<br />

from two completely different worlds, desperately<br />

searching for true love. They get in touch on Skype and<br />

can’t communicate in any language, yet they decide<br />

to meet and find out if they can fall in love. This is the<br />

beginning of an unpredictable love story, humorous and<br />

warm but with dark undertones of domination and<br />

control. About how hard it can be to fall in love again<br />

after years of alcoholism, drug abuse and a broken heart.<br />

And to show even your most dark sides and sometimes<br />

be brutally honest about your doubts and fear. We closely<br />

follow their struggle for a happy existence and their<br />

search for a life where someone loves you – regardless of<br />

how vastly difficult it can be to love one self. The film<br />

received a Dragon Award at Gothenburg International<br />

Film Festival 2012 for Best Swedish Documentary.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

sweden, 2012<br />

colour, Dcp<br />

74 min<br />

original title<br />

för dig naken<br />

original language<br />

portuguese, swedish<br />

Produced by<br />

sara Broos<br />

alma film, sweden<br />

www.almafilm.se<br />

in co-Production With<br />

carina ekman<br />

film i Värmland, sweden<br />

charlotte Hellström<br />

sVt, sweden<br />

www.svt.se<br />

involved broadcasters<br />

sVt, sweden<br />

Public screenings<br />

2 / 2012 göteborg iff, sweden<br />

3 / 2012 tempo ff, sweden<br />

6 / 2012 karlovy Vary iff,<br />

czech republic<br />

10 / 2012 side by side, russia<br />

sales contact<br />

sara Broos<br />

alma film<br />

rådom 36<br />

6861 sunne, sweden<br />

sarabroos@gmail.com<br />

www.almafilm.se<br />

128 129<br />

film id<br />

1459


film id<br />

891<br />

section<br />

Visions du réel & swiss films<br />

forBiDDen Voices<br />

by Barbara Miller<br />

Their voices are suppressed, prohibited and censored.<br />

But Yoani Sánchez, Zeng Jinyan and Farnaz Seifi are<br />

not frightened of their dictatorial regimes. These fearless<br />

women stand for a new, networked generation of<br />

modern rebels. In Cuba, China and Iran their blogs<br />

shake the foundations of the state information<br />

monopoly – thereby putting their lives at risk. Barbara<br />

Miller’s film Forbidden Voices accompanies these<br />

modern young rebels on their dangerous journey and<br />

traces their use of social medias like Facebook, Youtube<br />

and Twitter to denounce and combat the maladministration<br />

in their countries – thereby triggering international<br />

resonance by building up enormous political<br />

pressure. ‘TIME’ counts them among the world’s most<br />

influential voices. Based on their moving eyewitness<br />

reports and clandestine photography, Forbidden Voices<br />

pays homage to their courageous battle.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

switzerland, 2012<br />

colour, Dcp<br />

95 min<br />

original title<br />

forbidden Voices<br />

original language<br />

chinese, english, french,<br />

persian, spanish<br />

Produced by<br />

philip Delaquis<br />

Das kollektiv für audiovisuelle<br />

Werke gmbH, switzerland<br />

www.daskollektiv.ch<br />

in co-Production With<br />

Hedi Wyss, switzerland<br />

involved broadcasters<br />

arte g. e. i. e., france<br />

srf, switzerland<br />

Public screenings<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

sales contact<br />

carol spycher<br />

accent films international ltd.<br />

46, rue de la gare<br />

1820 Montreux, switzerland<br />

cspycher@accent-films.com<br />

www.accent-films.com<br />

forget Me not<br />

by David sieveking<br />

section<br />

Dok german competition<br />

Filmmaker David Sieveking introduces us with<br />

astonishing candour to the life of his mother Gretel, an<br />

Alzheimer’s patient. His father Malte has been taking<br />

care of Gretel ever since he retired. The still youthful<br />

mathematics professor had imagined life after university<br />

a little differently, because it takes a lot of strength<br />

and time to care constantly for a person who forgets<br />

everything. She wants to go home even though she<br />

is at home. She refuses to co-operate and prefers to stay<br />

in bed. The son moves back home for a few weeks<br />

with a small film crew to relieve his father and document<br />

daily life with a dementia patient from up close.<br />

Sieveking uses the chance to get closer to his mother<br />

again. The more Gretel takes her leave from this<br />

world, the more Sieveking finds out about her and her<br />

past. Leftist revolutionary circles, an ‘open relationship’,<br />

women’s circles. Malte decides to read his wife’s<br />

diaries. The son talks to his father, his mother’s lover and<br />

her female friends. A biography gradually takes shape.<br />

This quiet, touching film is a declaration of love for<br />

a mother and a family, but also a gradual farewell from<br />

a woman who may still be physically present but has long<br />

since become a different person.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

88 min<br />

original title<br />

Vergiss mein nicht<br />

original language<br />

german<br />

Produced by<br />

Martin Heisler<br />

lichtblick Media, germany<br />

www.lichtblick-media.de<br />

in co-Production With<br />

carl-ludwig rettinger<br />

lichtblick film- und fernseh-<br />

produktion, germany<br />

www.lichtblick-film.de<br />

involved broadcasters<br />

Br/ arte, germany<br />

Br, germany<br />

Public screenings<br />

8 / 2012 locarno, switzerland<br />

sales contact<br />

sascha lubrich<br />

farbfilm verleih gmbH<br />

Boxhagener straße 106<br />

10245 Berlin, germany<br />

s.lubrich@farbfilm-verleih.de<br />

www.farbfilm-verleih.de<br />

130 131<br />

film id<br />

2324


film id<br />

3304<br />

section<br />

Dok Market<br />

fouaD’s DreaM<br />

by Martin Duckworth, ian Mclaren<br />

Fouad Sahyoun was born to an Arab-Christian family<br />

in Haifa in 1943. His family was forced to leave in 1948,<br />

when he was four years old. Fouad has ‘made it’ in his<br />

adopted country: Canada. But Fouad wants to go back to<br />

Haifa and re-establish himself in the city of his birth.<br />

He remembers the city as a jewel of Muslim-Jewish-<br />

Christian multi-faith and multi-ethnic harmony, before<br />

1948. However, his dream to establish business and<br />

cultural links between his world and Haifa, is fraught<br />

with difficulties – familial as well as political. But<br />

he believes that entrepreneurship can succeed where<br />

diplomacy and war have failed.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

canada, 2012<br />

colour, HDcam<br />

58 min<br />

original title<br />

fouad’s Dream<br />

original language<br />

english<br />

Produced by<br />

ian Mclaren<br />

grand nord, canada<br />

www.grandnord.ca<br />

Public screenings<br />

10 / 2012 MipcoM, france<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

section<br />

Dok Market<br />

tHe four Year plan<br />

by Mat Hodgson<br />

In 2007, Queens Park Rangers Football Club, facing<br />

relegation and bankruptcy, was rescued by high-<br />

profile billionaires Flavio Briatore, Bernie Ecclestone,<br />

Lakshmi Mittal and Amit Bhatia. Their vision:<br />

to take a community of reluctant fans, semi-talented<br />

players and a roster of ever-changing managers to<br />

Premiership glory. The new owners, risking ridicule and<br />

commercial failure, allowed cameras unprecedented<br />

access to record the roller-coaster ride. Witness one of<br />

modern football’s most extraordinary tales as we see<br />

boardroom battles, clashing egos, and behind the scenes<br />

drama. Facing difficulties at every stage, the story<br />

culminates when QPR heroically win promotion to the<br />

Premier League after four turbulent and dramatic<br />

seasons.<br />

genre<br />

Human interest<br />

facts<br />

united kingdom, 2011<br />

colour, DigiBeta<br />

90 min<br />

original title<br />

the four Year plan<br />

original language<br />

english<br />

Produced by<br />

Dan glynn<br />

ad Hoc films, united kingdom<br />

www.adhocfilms.com<br />

Public screenings<br />

10 / 2011 Marbella ff, spain<br />

11 / 2011 iDfa, netherlands<br />

3 / 2012 BBc, united kingdom<br />

6 / 2012 sheffield Doc / fest,<br />

united kingdom<br />

sales contact<br />

tim sparke<br />

Mercury Media<br />

7 Baseline studios<br />

Whitchurch road<br />

W11 4at london, united kingdom<br />

tsparke@mercurymedia.org<br />

www.mercurymedia.org<br />

132 133<br />

film id<br />

3095


film id<br />

2656<br />

freestYle life<br />

by adam palenta<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

Freestyle life is a story of the art of putting up a fight,<br />

when the game involves the most competitive<br />

rivals – ourselves. Resistance to the determinism leads<br />

towards stubbornness, challenging ourselves to<br />

consecutive duels. The surface of the screen that precisely<br />

keeps the viewer from reality resembles the surface<br />

of water that separates swimmers from their disability.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, DigiBeta<br />

10 min<br />

original title<br />

Zycie stylem dowolnym<br />

original language<br />

polish<br />

Produced by<br />

ewa Jastrzebska<br />

polish filmmakers association<br />

Munk studio, poland<br />

www.studiomunka.pl<br />

Public screenings<br />

6 / 2012 krakow ff, poland<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

section<br />

Dok Market<br />

froM HollYWooD<br />

to nureMBerg –<br />

JoHn forD, saMuel<br />

fuller, george<br />

steVens<br />

by christian Delage<br />

Through restored archives, often unreleased,<br />

by mythical American filmmakers, we rediscover World<br />

War II from the allied landing to the Nuremberg<br />

trial. Their footage which served as essential historical<br />

evidence of the war crimes are also an aesthetic<br />

testimony of their cinematographic experimentation<br />

and genius.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

france, 2012<br />

colour, B / W<br />

56 min<br />

original title<br />

from Hollywood to nuremberg<br />

– John ford, samuel fuller,<br />

george stevens<br />

original language<br />

english, french<br />

sales contact<br />

pauline Mazenod<br />

Windrose sas<br />

7, rue civiale<br />

75010 paris, france<br />

pmazenod@windrose.fr<br />

www.windrose.fr<br />

134 135<br />

film id<br />

3164


film id<br />

1453<br />

section<br />

Dok Market<br />

tHe future’s past<br />

by susanne Brandstätter<br />

Using the Khmer Rouge Tribunal as a starting point,<br />

award-winning filmmaker Susanne Brandstätter<br />

takes a deeper look into the lives of young people on the<br />

brink of adulthood. As the trial accusing a perpetrat<br />

or of the Pol Pot regime progresses, it becomes a catalyst<br />

for a new generation of Cambodians questioning their<br />

parents, families and neighbours about the inhumani-<br />

ties their nation has suffered. Brandstätter accompanies<br />

three families on two different continents – two<br />

Cambodian families and an immigrated Cambodian<br />

family in Paris, France – recognizing that the truth<br />

is only to be found among those who survived and that<br />

the past can best be questioned by those who are<br />

about to build a future.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

austria, luxembourg, 2012<br />

colour, 35 mm<br />

91 min<br />

original title<br />

the future’s past<br />

original language<br />

french, khmer<br />

Produced by<br />

alexander Dumreicher-ivanceanu<br />

amour fou filmproduktion,<br />

austria<br />

www.amourfou.at<br />

in co-Production With<br />

Bady Minck<br />

Minotaurus film, luxembourg<br />

www.minotaurusfilm.lu<br />

involved broadcasters<br />

orf, austria<br />

Public screenings<br />

3 / 2012 Diagonale, austria<br />

sales contact<br />

ula okrojek<br />

amour fou Vienna<br />

lindengasse 32<br />

1070 Vienna, austria<br />

marketing@amourfoufilm.com<br />

www.amourfoufilm.com<br />

tHe gang<br />

by susanne schulz<br />

section<br />

Dok international programme<br />

Six, ten year old girls shoot a film about what is most<br />

important to them: friendship, the gang. The<br />

making of shows their friendship on the brink of<br />

childhood. A film for children and adults.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, 2011<br />

colour, DigiBeta<br />

13 min<br />

original title<br />

Die Bande<br />

original language<br />

german<br />

Produced by<br />

susanne schulz, germany<br />

sales contact<br />

Holm taddiken<br />

cine impuls leipzig<br />

altenburger str. 9<br />

04275 leipzig, germany<br />

leipzig@cine-impuls.de<br />

www.cine-impuls.de<br />

136 137<br />

film id<br />

587


film id<br />

3179<br />

section<br />

Dok Market<br />

generation sMs<br />

by Bill couturié<br />

In the triumphant spirit of films focusing on<br />

tournaments you never knew existed, comes this portrait<br />

of six teens in their quest for the U. S. National<br />

Texting Championship. Armed with two thumbs and<br />

a cell phone, the contestants compete in New York City<br />

for a $50,000 prize. So who are these teens who<br />

spend their lives text messaging, and why do they do it<br />

so obsessively ? Academy Award®–winner Bill Couturié<br />

(producer, Common Threads: Stories from the<br />

Quilt) turns his camera on these unique individuals as<br />

they ready their thumbs for the main event, defying<br />

techie-geek stereotypes by showcasing their ability to<br />

excel socially as well as in the classroom.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

usa, 2011<br />

colour, DigiBeta<br />

52 min / 75 min<br />

original title<br />

generation sMs<br />

original language<br />

english<br />

Produced by<br />

gary cohen<br />

DocuMentor, usa<br />

sales contact<br />

esther van Messel<br />

first Hand films<br />

neunbrunnenstrasse 50<br />

8050 Zürich, switzerland<br />

esther.van.messel@<br />

firsthandfilms.com<br />

www.firsthandfilms.com<br />

section<br />

Dok Market<br />

gilaD anD<br />

all tHat JaZZ<br />

by golriz kolahi<br />

Gilad Atzmon is one of modern music’s most respected<br />

musicians. He is also a controversial public opponent<br />

of Israel. A gentle giant, warm, charismatic and somewhat<br />

shy, Gilad is a complex character. Born into a pro-<br />

Zionist family and serving briefly in the first Lebanon<br />

War, Gilad had a dramatic turnaround. He quit the<br />

army, picked up his sax and exiled himself to London,<br />

declaring himself an enemy of the Israeli state.<br />

Since then he has produced some of the modern era’s<br />

greatest Jazz albums. The film follows Gilad in the most<br />

flourishing time of his career as he records with the<br />

Blockheads, gigs with Nigel Kennedy, and appears on<br />

TV programs and panel events all over the globe.<br />

At the same time he antagonises his critics to the point<br />

of receiving death threats. Gilad and All That Jazz<br />

offers insight into the life, ideas, music and motivations<br />

driving the great Saxophonist.<br />

genre<br />

arts / culture / Music<br />

facts<br />

united kingdom, 2012<br />

colour, HDcam<br />

61 min<br />

original title<br />

gilad and all that Jazz<br />

original language<br />

english<br />

Produced by<br />

David alamouti<br />

contra image, united kingdom<br />

www.contraimage.com<br />

Public screenings<br />

4 / 2012 logan ff, usa<br />

5 / 2012 london iDff,<br />

united kingdom<br />

sales contact<br />

tim sparke<br />

Mercury Media<br />

7 Baseline studios<br />

Whitchurch road<br />

W11 4at london, united kingdom<br />

tsparke@mercurymedia.org<br />

www.mercurymedia.org<br />

138 139<br />

film id<br />

2377


film id<br />

3339<br />

section<br />

Dok.incubator<br />

tHe girl BeHinD tHe<br />

caMera (Wt)<br />

by paula schargorodsky<br />

35 year old girl – 10 years of a life registered – 5 boyfriends<br />

– 2 wedding proposals – still single – Why ?<br />

An investigation on love affairs that poses a question<br />

about the choices you take in life.<br />

As this film is part of the <strong>DOK</strong>.Incubator workshop<br />

2012 and still in post-production, <strong>DOK</strong> Market presents<br />

only a trailer.<br />

genre<br />

arts / culture / Music<br />

author’s point of View<br />

facts<br />

spain, argentina, 2012<br />

colour, HDcam<br />

75 min<br />

original title<br />

la chica detras la camera (Wt)<br />

original language<br />

spanish<br />

Produced by<br />

paula schargorodsky,<br />

gabriel arndur<br />

talatala, argentina/spain<br />

www.talatala.net<br />

sales contact<br />

paula schargorodsky<br />

talatala<br />

ramsay 1945<br />

c. f. Buenos aires, argentina<br />

paulaschargo@gmail.com<br />

www.talatala.net<br />

section<br />

Dok Market<br />

gloBal HoMe<br />

by eva stotz<br />

As soon as filmmaker Eva Stotz found out about the<br />

Couchsurfing network, she had to know more. What was<br />

this online community providing; a free place to sleep<br />

anywhere in the world, a chance look in on the lives of<br />

complete strangers and an opportunity to reach out<br />

beyond the internet after only a few emails ? Eva packed<br />

her camera and set off on her travels. How does a<br />

Tuareg man in Mali use new media ? What took a British<br />

environmental activist to the West Bank and what is a<br />

Brazilian dancer doing out in provincial Turkey ? How is<br />

a Japanese teacher helping kids in Tokyo to discover<br />

their natural surroundings ? And who is this person in<br />

San Francisco who started up Couchsurfing ?<br />

Global Home tells the fascinating stories of those who<br />

see globalization and the internet as an opportunity<br />

to meaningfully connect and interact more with others.<br />

Eva Stotz takes us along on her journey and shows us<br />

that the rest of the world is not as different as we imagine.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

92 min<br />

original title<br />

global Home<br />

original language<br />

arabic, english, french, german,<br />

Japanese<br />

Produced by<br />

karsten aurich<br />

sabotage films gmbH, germany<br />

www.sabotage-films.de<br />

in co-Production With<br />

Jan schütte<br />

Deutsche film- und fernseh-<br />

akademie, germany<br />

www.dffb.de<br />

involved broadcasters<br />

ZDf, germany<br />

Public screenings<br />

3 / 2012 sxsW, usa<br />

9 / 2012 raindance,<br />

united kingdom<br />

sales contact<br />

karsten aurich<br />

sabotage films gmbH<br />

kastanienallee 56<br />

10119 Berlin, germany<br />

karsten@sabotage-films.de<br />

www.sabotage-films.de<br />

140 141<br />

film id<br />

1481


film id<br />

690<br />

section<br />

Dok Market<br />

going up tHe stairs<br />

by rokhsareh ghaemmmaghami<br />

A warm, revealing and often surprisingly funny portrait<br />

of an unlikely artist shows us that true talent will<br />

refuse to be stifled and you don’t need an education to<br />

channel your emotions into art. Akram is an illiterate,<br />

50-year-old Iranian woman who became a painter<br />

unexpectedly and created an explosion of powerful,<br />

primitive and colourful paintings, which she hid<br />

under a carpet from possibly disapproving eyes. When<br />

she tells her Western educated children about her<br />

work, they arrange for her to have an exhibition in far-off<br />

Paris. The only hitch in this plan is that Akram must<br />

obtain permission from her husband – who she married<br />

when she was 8 and he was in his 30s – in order to<br />

attend. Their comfortable bickering covers up Akram’s<br />

frustrations and fears that her chance for recognition<br />

of her magical talent lays completely in the hands of this<br />

conservative and traditional Iranian man.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

iran, 2011<br />

colour, HDcam<br />

52 min<br />

original title<br />

going up the stairs<br />

original language<br />

persian<br />

Produced by<br />

rokhsareh ghaemmmaghami,<br />

iran<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

section<br />

Dok Market<br />

tHe great<br />

Book roBBerY<br />

by Benny Brunner<br />

Chronicles of a cultural destruction: the story of<br />

70,000 Palestinian books that were looted by the newly<br />

created State of Israel in 1948. The film interweaves<br />

various story lines in a structure that is dramatically<br />

compelling and emotionally unsettling. The film’s<br />

interviews center on eyewitness accounts and cultural<br />

critiques that place the book plunder affair in a larger<br />

historical-cultural context. The Great Book Robbery<br />

sheds new light on the Palestinian tragedy of 1948, also<br />

known as the Nakba (or ‘catastrophe’), when some<br />

725,000 Palestinians were dispossessed to make way for<br />

a Jewish-majority Israeli state. In the intervening years,<br />

Israel has constructed a moralistic and heroic narrative<br />

of the 1948 war. The film aims to deconstruct this<br />

imperial history and to prevent this story from fading<br />

into oblivion by passing it on to future generations.<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

israel, netherlands, 2012<br />

colour, B / W, HDcam<br />

57 min / 48 min<br />

original title<br />

the great Book robbery<br />

original language<br />

english, Hebrew<br />

Produced by<br />

Benny Brunner<br />

2911foundation, netherlands<br />

www.thegreatbookrobbery.org<br />

in co-Production With<br />

alexandra Jansse<br />

xela films, netherlands<br />

www.xelafilms.com<br />

involved broadcasters<br />

aljazeera english,<br />

united kingdom<br />

Public screenings<br />

5 / 2012 aljazeera english (tV),<br />

Qatar<br />

11 / 2012 iDfa, netherlands<br />

9 / 2012 st petersburg int ff /<br />

Message to Man, russia<br />

9 / 2012 Hamburg int ff, germany<br />

sales contact<br />

Benny Brunner<br />

2911foundation<br />

Weteringschans 40 / 1<br />

1017sH amsterdam, netherlands<br />

2911foundation@gmail.com<br />

www.thegreatbookrobbery.org<br />

142 143<br />

film id<br />

912


film id<br />

2265<br />

section<br />

Dok international programme<br />

tHe great fallacY<br />

by Dirk Heth, olaf Winkler<br />

A cameraman confesses: ‘I never doubted that I was<br />

doing the right thing. After all, I loved what I did.<br />

But now everything has changed and I wonder: How can<br />

one be happy if your market value is zero ?’ Suddenly<br />

confronted with the reality of his own vanishing market<br />

value, the cameraman stumbles upon an extraordinary<br />

vision which could transform society as we know<br />

it today. A cinematic travelogue through five years in<br />

Germany – a time capsule addressed to the cameraman’s<br />

children to open one day as adults.<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

germany, 2012<br />

colour, B / W, HDcam<br />

105 min<br />

original title<br />

Der große irrtum<br />

original language<br />

german<br />

Produced by<br />

Dirk Heth, olaf Winkler<br />

contract 99 filmrealisation<br />

Heth / Winkler gbr, germany<br />

www.contract99.de<br />

sales contact<br />

Dirk Heth<br />

teltower straße 15<br />

14109 Berlin, germany<br />

dirk.heth@arcor.de<br />

section<br />

east silver & iDf<br />

tHe gYpsY Vote<br />

by Jaroslav Vojtek<br />

A documentary featuring the attempt by Gypsy leader<br />

Vlado Sendrei and his team to win elections in<br />

‘white’ Slovakia. What are the chances that Roma activist<br />

Vlado Sendrei and his election team can succeed<br />

in a society of ‘whites’ ? Despite expert help from an<br />

American foundation, one experiences an<br />

unbelievably lively campaign, tragicomical moments,<br />

and a glimpse into Roma ghettoes at the edge of<br />

society. Vlado’s wife Jana openly claims her husband’s<br />

activities are harmful to his family and Roma values,<br />

increasing tensions between them. The Big Day –<br />

election day – turns original emotions on their head.<br />

The new film by Jaro Vojtek renders a world of<br />

deception, and it’s only the Gypsy fortune-teller who<br />

tells the truth !<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

slovakia, 2012<br />

colour, Dcp<br />

72 min<br />

original title<br />

cigáni idú do volieb<br />

original language<br />

slovak<br />

Produced by<br />

tomáš kaminský<br />

Mandala pictures, slovakia<br />

www.mandalapictures.eu<br />

sales contact<br />

tomáš kaminský<br />

Mandala pictures<br />

Mariánska 18<br />

900 31 stupava, slovakia<br />

tomas@mandalapictures.eu<br />

www.mandalapictures.eu<br />

144 145<br />

film id<br />

1384


film id<br />

1797<br />

section<br />

Dok Market<br />

HappY BirtHDaY<br />

eMilY<br />

by Marcelo kiwi<br />

Elisa and Benjamin have been married for over<br />

50 years. Now retired and with their children living<br />

outside of Chile, they have devoted all their love to<br />

Emily, a sausage dog. The affection and love for this pet<br />

has led them to do crazy and unbelievable things,<br />

one of those is to celebrate the ‘Birthday of Emily’ in a<br />

particular party where other pets (and owners) have<br />

also been invited. Like in all children’s birthday parties<br />

we can find a Piñata, a birthday cake, gifts, and<br />

fights among the guests for who will receive the most<br />

attention. This short film is a thesis about the times<br />

of loneliness in today’s society, where it becomes very<br />

much alive the celebrated Mark Twain phrase:<br />

‘The more I know people, the more I love my dog.’<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

chile, 2012<br />

B / W, Dcp<br />

12 min<br />

original title<br />

feliz cumpleaños emily<br />

original language<br />

spanish<br />

Produced by<br />

Juan eduardo castellon,<br />

Marcelo godoy<br />

potemkin, chile<br />

www.potemkin.cl<br />

sales contact<br />

Marcelo kiwi<br />

potemkin<br />

eliodoro Yañez 1258, piso 2.<br />

providencia<br />

7500605 santiago, chile<br />

kiwi@potemkin.cl<br />

www.marcelokiwi.com<br />

section<br />

Dok Market<br />

HappY serious saD<br />

by franziska von Malsen-ponickau<br />

Dario and Markus have been a couple for 13 years.<br />

Both well earning businessmen, they enjoy a perfectly<br />

happy life in London. Just one wish is yet unfulfilled:<br />

they want to raise a kid. After a lengthy review process,<br />

the social authority has given permission for the two<br />

men to become adoptive fathers. Things turn difficult,<br />

as they are proposed not only one child, but two<br />

brothers at once. During the discussion, whether they<br />

should adopt one or two children, fundamental question<br />

are raised again and again: Why do I want a child ?<br />

What is a family ? Are we happier together than alone ?<br />

The film portrays the couple on how they set off<br />

to adopt six year old Jacob, who was neglected by his<br />

biological parents.<br />

genre<br />

Human interest<br />

facts<br />

germany, united kingdom, 2012<br />

colour, HDcam<br />

60 min<br />

original title<br />

Happy serious sad<br />

original language<br />

english, german<br />

Produced by<br />

franziska von Malsen-ponickau,<br />

germany<br />

involved broadcasters<br />

Br, germany<br />

sales contact<br />

franziska von Malsen-ponickau<br />

rottmannstr. 16<br />

80333 München, germany<br />

franziskavonmalsen@gmail.com<br />

146 147<br />

film id<br />

2436


film id<br />

3297<br />

HaVa nagila<br />

– tHe MoVie<br />

by roberta grossmann<br />

section<br />

Dok Market<br />

Here is the fun, exciting and interesting story of the<br />

song that has transcended its origins and became<br />

a worldwide hit. Bob Dylan sang it. Elvis, too. And that’s<br />

only the beginning when it comes to Hava Nagila.<br />

Follow the infectious party song on its fascinating<br />

journey from the shtetls of Eastern Europe to the<br />

cul-de-sacs of America in this hilarious and surprisingly<br />

deep film. Featuring interviews with Harry Belafonte,<br />

Connie Francis, Glen Campbell, Leonard Nimoy,<br />

Regina Spektor and more, Hava Nagila (The Movie)<br />

takes viewers from Ukraine and Israel to the Catskills,<br />

Greenwich Village, Hollywood – and even Bollywood<br />

– using the song as a springboard to explore<br />

Jewish history and identity and to spotlight the<br />

cross-cultural connections that can only be achieved<br />

through music.<br />

genre<br />

arts / culture / Music<br />

facts<br />

usa, 2012<br />

colour, HDcam<br />

49 min<br />

original title<br />

Hava nagila – the Movie<br />

original language<br />

english<br />

Produced by<br />

roberta grossmann<br />

katahdin foundation, usa<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

section<br />

Visions du réel & swiss films<br />

He Was a giant<br />

WitH BroWn eYes<br />

by eileen Hofer<br />

After her parents’ divorce, Sabina followed her mother<br />

to Switzerland while her sister, Narmina, stayed<br />

with their father in Baku. Five years later, the 17 and 19<br />

year old sisters are reunited when Sabina comes to<br />

spend her summer vacation in Azerbai- jan. Yet, Sabina’s<br />

vacation has a secret motive: she wants to move back<br />

home to live with the father she loves so deeply. He, too,<br />

has a project of his own: he wishes to marry for the<br />

third time and has to break the news to his daughters.<br />

Sabina, torn between two cultures, ends up following<br />

her father’s advice and leaves for the countryside<br />

with her uncle. She sets out on a journey of discovery,<br />

whilst her sister, Narmina, is left to lament her<br />

boyfriend’s departure for the army.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

switzerland, 2012<br />

colour, Dcp<br />

80 min<br />

original title<br />

c'était un géant aux Yeux Bruns<br />

original language<br />

russian<br />

Produced by<br />

eileen Hofer<br />

5 to five team prod, switzerland<br />

www.eileenhofer.ch<br />

Public screenings<br />

1 / 2012 rotterdamm iff,<br />

netherlands<br />

4 / 2012 indielisboa, portugal<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

7 / 2012 femina rio film festival,<br />

Brazil<br />

sales contact<br />

eileen Hofer<br />

5 to five team prod<br />

21 rue rothshchild<br />

1202 geneva, switzerland<br />

info@eileenhofer.ch<br />

www.eileenhofer.ch<br />

148 149<br />

film id<br />

562


film id<br />

2643<br />

section<br />

Dok german competition<br />

Heino Jaeger<br />

– look<br />

Before You kuck<br />

by gerd kroske<br />

The German painter and cabaret artist Heino Jaeger<br />

was once a celebrated radio star. Nevertheless, this<br />

popularity seemed to ‘hurt’ Jaeger as a painter. After ten<br />

years, he abruptly discontinued his broadcasting<br />

work and began to drink. Weighed down by trauma from<br />

World War II and characterized by anarchic madness,<br />

but far from being an eccentric, arrogant artist,<br />

Heino Jaeger died in a psychiatric ward in 1997 at the<br />

early age of 59. He spent his last twelve years there<br />

as an alcoholic schizophrenic. The documentary shows<br />

the pictures, drawings, photographs, film footage,<br />

friends and colleagues of Heino Jaeger, reporting on his<br />

life in a wealthy West Germany which left him behind.<br />

A film about an artist, through whom one can focus<br />

on German history like with a magnifying glass. Wars<br />

may end, but they cannot be overcome.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, B / W, Dcp<br />

120 min<br />

original title<br />

Heino Jaeger – look Before<br />

You kuck<br />

original language<br />

german<br />

Produced by<br />

gerd kroske<br />

realistfilm, germany<br />

www.realistfilm.de<br />

sales contact<br />

Heino Deckert<br />

Deckert Distribution<br />

Marienplatz 1<br />

04103 leipzig, germany<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

HerMan’s House<br />

by angad Bhalla<br />

The injustice of solitary confinement and the<br />

transformative power of art are explored in Herman’s<br />

House, a feature documentary that follows the<br />

unlikely friendship between a New York artist and one<br />

of America’s most famous inmates as they collaborate<br />

on an acclaimed art project.<br />

genre<br />

arts / culture / Music<br />

facts<br />

canada, 2012<br />

colour, B / W, HDcam<br />

82 min<br />

original title<br />

Herman’s House<br />

Produced by<br />

ed Barreveld, lisa Valenciasvensson,<br />

loring Mcalpin<br />

storyline entertainment, canada<br />

www.storylineentertainment.com<br />

Public screenings<br />

3 / 2012 true / false ff, usa<br />

4 / 2012 Hot Docs, canada<br />

6 / 2012 full frame, usa<br />

sales contact<br />

catherine le clef<br />

cat&Docs<br />

18 rue Quincampoix<br />

75004 paris, france<br />

cat@catndocs.com<br />

www.catndocs.com<br />

150 151<br />

film id<br />

1720<br />

section<br />

Hot Docs


film id<br />

1907<br />

HerstorY<br />

by Jun-ki kim<br />

section<br />

animadoc<br />

This animation tells a girl’s story who was taken to Java<br />

island as a comfort woman. Chung Seo-woon, the<br />

real victim of World War, narrates her story with her<br />

real voice.<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

south korea, 2011<br />

colour, HD Videofile<br />

11 min<br />

original title<br />

Herstory<br />

original language<br />

korean<br />

Produced by<br />

Jun-ki kim, south korea<br />

Public screenings<br />

10 / 2011 Busan ff, south korea<br />

7 / 2012 sicaf, south korea<br />

sales contact<br />

Hyeseung Yoo<br />

kiafa aniseeD<br />

2f 282-6, ahyeon-Dong,<br />

Mapo-gu<br />

121-859 seoul, south korea<br />

kiafanews@naver.com<br />

www.kiafa.org<br />

section<br />

Dok Market<br />

HistorY sHorts<br />

by claudia Hentze<br />

Scenes from the 20th century, mostly shot between<br />

1909 and 1976 by world-wide operating newsreel<br />

cameramen, present a new, glimpse-like view on the<br />

past. Whether of big historic events or unknown<br />

moments in every-day life, in colour or black & white,<br />

these images take effect on all viewers, no matter<br />

where they are from. Selected for their visual criteria,<br />

the films stand alone without much further explanation<br />

needed. Country, place and date along with small,<br />

mostly surprising details being shown on a designed<br />

stripe at the side of the screen help classify the<br />

images. But the focus remains on the ‘film document’<br />

itself and the message it conveys. Two clips are always<br />

combined – either about the same subject but at<br />

different locations or moments in time, or about diverse<br />

events happening at the same place or date. Thus,<br />

each pair opens a new perspective and transports<br />

variable emotions – on a story or an epoch. Suitable for<br />

multi-platform use, the series’ aim is to amaze its<br />

viewers, make them think, laugh and cry.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

germany, united kingdom, 2011<br />

colour, B / W, HDcam<br />

25 × 3 min / 100 × 3 min<br />

original title<br />

History shorts<br />

original language<br />

english<br />

sales contact<br />

Bettina oebel<br />

looks Distribution gmbH<br />

escherstraße 22<br />

30159 Hannover, germany<br />

oebel@looksfilm.tv<br />

www.looksfilm.tv<br />

152 153<br />

film id<br />

3155


film id<br />

637<br />

section<br />

Visions du réel & swiss films<br />

a HoMe far aWaY<br />

by peter entell<br />

The extraordinary destiny of two people. After the<br />

Second World War, Lois is an actress in Broadway<br />

theatre, television and Hollywood films. Her husband,<br />

Edgar Snow, is world famous. A pioneer fascinated<br />

by China, he is the first journalist to film and interview<br />

Mao Zedong. Suspected by the American authorities<br />

of Communist sympathies, Ed and Lois are blacklisted.<br />

Together with their two small children, they go<br />

to Switzerland, mid-way between China and America,<br />

where they find a new home. A story of revolution,<br />

utopia, disillusionment, and hope …<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

switzerland, 2012<br />

colour, B / W, HDcam<br />

100 min<br />

original title<br />

a Home far away<br />

original language<br />

english<br />

Produced by<br />

peter entell<br />

show and tell films, switzerland<br />

www.ahomefaraway.com<br />

involved broadcasters<br />

tsr, switzerland<br />

arte g. e. i. e., france<br />

Public screenings<br />

4 / 2012 Visions du réel, france<br />

sales contact<br />

peter entell<br />

show and tell films<br />

chemin de pacoty 22<br />

1297 founex, switzerland<br />

info@shakethedeviloff.com<br />

www.ahomefaraway.com<br />

section<br />

Dok Market<br />

tHe House i liVe in<br />

by eugene Jarecki<br />

For over forty years, America’s ‘War on Drugs’ has<br />

accounted for 45 million arrests, made America<br />

the world’s largest jailer, and damaged poor communities<br />

at home and abroad. Yet for all that, drugs in America<br />

are cheaper, purer, and more available today than<br />

ever before. Filmed in more than twenty U. S. states,<br />

The House I Live in captures heart-wrenching<br />

stories at all levels of America’s drug war – from the<br />

dealer to the grieving mother, the narcotics officer<br />

to the senator, the inmate to the federal judge. Together,<br />

these stories pose urgent questions: What caused<br />

the war ? What perpetuates it ? And what can be done<br />

to stop it ?<br />

genre<br />

History / politics / current affairs<br />

facts<br />

usa, 2012<br />

colour, HDcam<br />

105 min<br />

original title<br />

the House i live in<br />

original language<br />

english<br />

Produced by<br />

Melinda shopsin<br />

charlotte street films,<br />

united kingdom<br />

Public screenings<br />

1 / 2012 sundance, usa<br />

6 / 2012 sheffield,<br />

united kingdom<br />

sales contact<br />

Vesna cudic<br />

Dogwoof global<br />

211 Hatton square Business<br />

centre<br />

16 Baldwins gardens<br />

ec1n 7rJ london, united<br />

kingdom<br />

vesna@dogwoof.com<br />

www.dogwoof.com<br />

154 155<br />

film id<br />

3090


film id<br />

3347<br />

section<br />

Dok Market<br />

HoW ping pong<br />

saVeD<br />

tHe WorlD<br />

by ed Mabe<br />

How Ping-Pong Saved the World recounts the events of<br />

April 1971 when a U. S. Table Tennis team became<br />

the first Americans allowed to enter communist China<br />

in decades. Their invitation paved the way for<br />

President Nixon’s landmark visit just eight months later.<br />

For eight days, 15 unlikely American Ping-Pong<br />

playing diplomats discovered the little known world<br />

behind the Bamboo Curtain. These unlikely diplomats<br />

were about to reshape history and in the process<br />

make a breakthrough of historic proportions and in doing<br />

so, foster the beginning of the end of the cold war.<br />

Ping-Pong soon became a metaphor for the on-going<br />

difficult relations between the United States and<br />

China – two ideological opposites on the brink of<br />

detente. ‘Ping-Pong Diplomacy’ marked the beginning<br />

of a new relationship between the United States<br />

and the People’s Republic of China; one that over the<br />

next 40 years would evolve into the world’s most<br />

important bilateral alliance.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

usa, 2012<br />

colour, DigiBeta<br />

74 min<br />

original title<br />

How ping pong saved the World<br />

original language<br />

english<br />

Produced by<br />

ed Mabe<br />

nascar, united kingdom<br />

sales contact<br />

kazz Basma<br />

sideways film<br />

7 Bouverie Mews, Bouverie road.<br />

n16 0al london, united kingdom<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

el Huaso<br />

by carlo guillermo proto<br />

Gustavo Proto moved his family from Chile to Toronto<br />

to provide them with a better life. His father<br />

committed suicide when Gustavo was just 16. Now 58,<br />

he ponders his life and the possibility of ending it<br />

himself before he becomes a burden to those he loves.<br />

Before he makes this final decision, he wants to<br />

live out his childhood dream of returning to Chile and<br />

becoming a huaso, a Chilean cowboy. Carlo Guillermo<br />

Proto moves brilliantly between the complex roles<br />

of director and son, dissolving unspoken barriers to<br />

reveal an emotional and heart-wrenching portrait<br />

of a family torn between respecting Gustavo’s choices<br />

and confronting him with the burden he places on<br />

those left behind. As the film travels between continents,<br />

tensions rise. Carlo allows himself to become a<br />

vulnerable character, imbuing the film with a rare and<br />

compelling honesty about familial responsibility<br />

and personal freedom.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

canada, chile, 2012<br />

colour, Dcp<br />

72 min<br />

original title<br />

el Huaso<br />

original language<br />

english, spanish<br />

Produced by<br />

carlo guillermo proto<br />

the Handshake productions,<br />

canada<br />

www.thehandshake.org<br />

Public screenings<br />

6 / 2012 DocsBarcelona, spain<br />

4 / 2012 Bafici, argentina<br />

8 / 2012 Hot Docs, canada<br />

10 / 2012 Hamptons iff, usa<br />

sales contact<br />

carlo guillermo proto<br />

the Handshake productions<br />

1766 rue Wolfe<br />

H2l 3J8 Montreal, canada<br />

carlo@thehandshake.org<br />

www.thehandshake.org<br />

156 157<br />

film id<br />

56<br />

section<br />

chileDoc


film id<br />

1397<br />

section<br />

Visions du réel & swiss films<br />

Huerfano ValleY<br />

by elisa larvego<br />

The archaeology of a hippie commune in Colorado,<br />

USA: the few remaining members lead a tour through<br />

the ruins of the abandoned houses and tell stories<br />

of the intense life once lived in this commune. The right<br />

touch of irony produces an honest and reflective<br />

consideration of the dreams a generation once pursued.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

switzerland, 2012<br />

colour, HDcam<br />

67 min<br />

original title<br />

Huerfano Valley<br />

original language<br />

english<br />

Produced by<br />

elisa larvego, switzerland<br />

www.vego.ch<br />

Public screenings<br />

4 / 2012 Visions du réel, france<br />

sales contact<br />

elisa larvego<br />

6 ch. de surville<br />

1213 petit-lancy, switzerland<br />

larvegoelisa@gmail.com<br />

www.vego.ch<br />

section<br />

Dok Market<br />

tHe HuMan Zoo<br />

by Hans Mulchi<br />

At the end of the XIX century, four groups of<br />

indigenous people (a total of 25 people, from infants to<br />

the elderly) were taken from Chile by a German<br />

businessman and were shown as animals in different<br />

fairs and public exhibitions in several Europeans cities,<br />

including Berlin, <strong>Leipzig</strong>, and symbolic places such<br />

as the area surrounding the Eiffel Tower. The Human Zoo<br />

retraces the disturbing and moving journey of the<br />

abducted natives and surprises with every new discovery<br />

– including the remains of five members of the<br />

Kawésqar culture found at the Anthropological<br />

Department of the University of Zurich. The repatriation<br />

of the remains reveals how racism and the lack<br />

of respect for the indigenous population continues<br />

to present day.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

chile, 2011<br />

colour, HDcam<br />

80 min<br />

original title<br />

the Human Zoo<br />

original language<br />

english<br />

Produced by<br />

Hans Mulchi<br />

el taller producciones, chile<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

158 159<br />

film id<br />

3299


film id<br />

47<br />

section<br />

Dok Market<br />

HungrY MinDs<br />

by Beatrix schwehm<br />

‘Words and literature are like ants or water, they spread<br />

everywhere, permeating even the tiniest cracks and<br />

crevices.’ As this sentence from Orhan Pamuk is written<br />

out, at reading speed, on a black background, you hear<br />

the creaking of a ship, the splashing water and voices<br />

from a distant land. Thus begins the new film from the<br />

Grimme-Prize winning director Beatrix Schwehm.<br />

The film tells of books and people, from the love of<br />

literature, and how the written word makes its way into<br />

the most remote corners of this world. The 90-minute<br />

documentary follows 3 mobile libraries: in Kenya,<br />

Mongolia and Bangladesh.The Bengalese architect<br />

Mohammed Rezwan builds library boats that can bring<br />

books to people even during the monsoon season.<br />

The Mongolian author of children’s books Jambyn<br />

Dashdondog packs two boxes full of books each<br />

summer to provide reading material to children in<br />

remote areas. The Kenyan librarian Abdullah Osman<br />

leads caravans of camels loaded with boxes of<br />

books to the nomadic tribes bordering Somalia. Despite<br />

the heat, wind, rain or snow, they still manage their<br />

long journeys with their mobile libraries. A film about<br />

the love of literature and the respect for knowledge<br />

that accepts no boundaries.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

87 min<br />

original title<br />

erlesene Welten<br />

original language<br />

Bengali, english, Mongolian,<br />

somali, swahili<br />

Produced by<br />

Beatrix schwehm<br />

beatrix schwehm film, germany<br />

www.trifilm.de<br />

involved broadcasters<br />

radio Bremen / arte, germany<br />

Public screenings<br />

8 / 2012 fünf seen festival,<br />

germany<br />

10 / 2012 nordische filmtage<br />

lübeck, germany<br />

sales contact<br />

Beatrix schwehm<br />

beatrix schwehm film<br />

am Dobben 105<br />

28203 Bremen, germany<br />

beatrix.schwehm@trifilm.de<br />

www.trifilm.de<br />

section<br />

Dok Market<br />

i aM louisa Jules<br />

by roberto Manhães reis, Viola scheuerer<br />

Louisa is 19 years old and looking for something.<br />

As a small child, Louisa was adopted and grew up with<br />

three brothers in a family in Berlin. While she was<br />

growing up, she noticed similarities in her brothers and<br />

parents which she did not share with them. Louisa<br />

asks herself what she has inherited from her physical<br />

parents. Louisa’s physical parents are of Madagascan<br />

origin, more she doesn’t know. Through her own efforts<br />

and after searching for a long time, she actually found<br />

her father and her mother. The father, whom she thought<br />

had died, is a geology professor. Her mother works<br />

as a high school teacher. While studying in Kiev in the<br />

Soviet era, her mother had given her up for adoption.<br />

19 years old, Louisa is looking forward, together with<br />

her ‘Berlin family’, to visiting the country of her African<br />

parents and grandparents. How will her parents –<br />

who have since separated – react to seeing their long<br />

lost daughter again ? Will Louisa at last find the similar-<br />

ity to her mother ? Will she feel like a Madagascan in<br />

the foreign country or more like a black German ? What<br />

stories does Louisa carry with her without knowing ?<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

92 min<br />

original title<br />

ich Bin louisa Jules<br />

original language<br />

german<br />

Produced by<br />

sidney Martins<br />

cinemanegro filmproduktion,<br />

germany<br />

sales contact<br />

sidney Martins<br />

cinemanegro filmproduktion<br />

schönhauser allee 32<br />

10435 Berlin, germany<br />

info@cinemanegro.de<br />

160 161<br />

film id<br />

1308


film id<br />

3243<br />

section<br />

Dok Market<br />

i Want MY<br />

countrY Back<br />

by astrid schult<br />

In the year of the presidential elections, America is<br />

fighting relentlessly with itself, with its driving<br />

force being its infuriated citizens: supporters and<br />

sympathizers of the Tea Party movement. The<br />

dissatisfied, the disappointed and the unassured have<br />

come together in countless groups. They’re making<br />

a stand against Obama’s healthcare system and against<br />

the strengthening of rights for black people and the<br />

unemployed – achievements that are seen in Europe<br />

as a basic requirement for any fair and socially<br />

responsible society. Who are the people behind these<br />

groups that are protesting so vehemently and<br />

loudly ? What pushes a U.S.-citizen towards the<br />

right of the Republican Party ?<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, DigiBeta<br />

52 min<br />

original title<br />

i Want My country Back<br />

original language<br />

english<br />

Produced by<br />

christian Drewing<br />

eikon südwest gmbH, germany<br />

www.eikon-suedwest.de<br />

in co-Production With<br />

Melanie andernach knut losen<br />

Made in germany, germany<br />

www.madeingermany-film.de<br />

involved broadcasters<br />

sWr / arte, germany<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshine-berlin.de<br />

www.riseandshine-berlin.com<br />

section<br />

Dok Market<br />

i Was Born in DelHi<br />

by Bishnu Dev Halder<br />

Two sisters, Josna and Hasina run away from poverty,<br />

marriage and the impending kitchen-centric life in their<br />

conservative village, to the city, Delhi, for a new life.<br />

After six years in the city, the sisters are hounded by<br />

insecurity. Ironically, they find marriage to be their only<br />

path to a secure life. They get desperate as they find<br />

it difficult to get married. Their desperation calls for<br />

desperate choices. The film follows the sisters for five<br />

years and documents their changing priorities over<br />

the period of time; the choices they make and the impact<br />

of the same on their lives.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

india, 2011<br />

colour, DigiBeta<br />

93 min / 52 min<br />

original title<br />

i Was Born in Delhi<br />

original language<br />

Bengali, Hindi<br />

Produced by<br />

Bishnu Dev Halder<br />

Bee pee Motion pictures, india<br />

involved broadcasters<br />

nHk, Japan<br />

Public screenings<br />

11 / 2011 iDfa, netherlands<br />

6 / 2012 planet Doc review,<br />

poland<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshine-berlin.de<br />

www.riseandshine-berlin.com<br />

162 163<br />

film id<br />

2054


film id<br />

3303<br />

section<br />

Dok Market<br />

iceBounD:<br />

tHe storY of tHe<br />

1925 alaska seruM<br />

run<br />

by Daniel anker<br />

On January 28, 1925, newspapers and radio stations<br />

headlined a terrifying story: Diphtheria had broken out<br />

among the children of Nome, Alaska, separated from<br />

the rest of the world for seven months by a frozen ocean.<br />

With barely enough antitoxin on hand to treat half a<br />

dozen people, the death toll for Nome and surroundings<br />

could potentially reach into the thousands. With<br />

aviation still in its infancy, and one of the harshest winters<br />

on record in Interior Alaska, only ancient means –<br />

dogsled – could save the town. In temperatures as low<br />

as minus 60, more than twenty men, and at least 150 dogs,<br />

set out via dogsled to relay the antitoxin across<br />

674 miles of Alaskan wilderness to save the town from<br />

the lethal epidemic. Icebound is a riveting journey back<br />

in time, an ageless adventure that has captured the<br />

imagination of children and adults throughout the world<br />

for almost a century: The Greatest Dog Story Ever Told.<br />

genre<br />

Human interest<br />

facts<br />

usa, 2011<br />

colour, HDcam<br />

90 min<br />

original title<br />

icebound: the story of the 1925<br />

alaska serum run<br />

original language<br />

english<br />

Produced by<br />

Daniel anker<br />

Daniel anker productions, usa<br />

Public screenings<br />

10 / 2012 MipcoM, france<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

section<br />

east silver & iDf<br />

icelanD Year Zero<br />

by sigurður Hallmar Magnússon<br />

In October 2008, the three main banks in Iceland<br />

collapsed, driving a nation into bankruptcy;<br />

causing thousands of people to lose their jobs, their<br />

personal savings − and hope. How does a nation,<br />

once one of the richest and most developed countries<br />

in the capitalist world, react to a total economic<br />

collapse ? In a landscape where ‘to be rich’ used to be a<br />

virtue, who is really to blame for the collapse of a<br />

far-too-fast-and-greedy banking system ? Or rather, is<br />

the decline of the capitalist values maybe the best<br />

thing that could have happened to Iceland ?<br />

genre<br />

History / politics / current affairs<br />

facts<br />

iceland, czech republic,<br />

france, 2012<br />

colour, DigiBeta<br />

52 min<br />

original title<br />

iceland année zéro<br />

original language<br />

english, french, icelandic<br />

Produced by<br />

Veronika Janatková<br />

axman production,<br />

czech republic<br />

www.axmanproduction.com<br />

in co-Production With<br />

nadim cheikrouha<br />

Jade production, france<br />

Dúi J. landmark<br />

landmark kvikmyndagerð,<br />

iceland<br />

sales contact<br />

Dr international sales<br />

emil Holms kanal 20<br />

Dk-0999 kobenhavn c,<br />

Denmark<br />

drsales@dr.dk<br />

www.drsales.dk<br />

164 165<br />

film id<br />

3209


film id<br />

1773<br />

section<br />

Dok international programme<br />

if i Wasn’t Born<br />

by Hendrik schäfer<br />

If I Wasn’t Born takes a deep look into the film makers’<br />

photographic album. It’s a journey through personal<br />

years during the last years of the GDR and Fall of<br />

the Wall. The film asks about life’s possibilities and those<br />

of a young mother without a son.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

germany, 2012<br />

B / W, HDcam<br />

7 min<br />

original title<br />

Wenn ich nicht geboren wäre<br />

original language<br />

german<br />

Produced by<br />

charles eric Breitkreuz<br />

filmakademie Baden-<br />

Württemberg, germany<br />

Public screenings<br />

7 / 2012 open eyes ff, germany<br />

sales contact<br />

sigrid gairing<br />

filmakademie<br />

Baden-Württemberg<br />

akademiehof 10<br />

71638 ludwigsburg, germany<br />

sigrid.gairing@filmakademie.de<br />

www.filmakademie.de<br />

i’ll stop crYing<br />

if You stop crYing<br />

by andy glynne<br />

Hamid, aged ten, is from Eritrea. His father had been<br />

receiving threats from people in the government,<br />

and so told Hamid and his mother to flee the country as<br />

it was becoming increasingly dangerous for them<br />

to be there. Hamid and his mother escaped to the UK<br />

when he was just seven. His father also tried to escape<br />

but couldn’t and was later killed. Hamid describes<br />

the struggles of coming to terms with his father’s death,<br />

as well as settling into a new country. This film is<br />

part of a series entitled Seeking Refuge using the real-life<br />

stories of young refugees and asylum-seekers who<br />

have fled their homeland, told by the children themselves.<br />

genre<br />

ethnology / religion<br />

History / politics / current affairs<br />

facts<br />

united kingdom, 2012<br />

colour, HD Videofile<br />

4 min<br />

original title<br />

i'll stop crying if You stop crying<br />

original language<br />

english<br />

Produced by<br />

andy glynne<br />

Mosaic films, united kingdom<br />

www.mosaicfilms.com<br />

involved broadcasters<br />

BBc, united kingdom<br />

Public screenings<br />

5 / 2012 BBc two, united kingdom<br />

sales contact<br />

andy glynne<br />

Mosaic films<br />

4th floor shacklewell studios, 28<br />

shacklewell lane<br />

e8 2eZ london, united kingdom<br />

andy@mosaicfilms.com<br />

www.mosaicfilms.com<br />

166 167<br />

film id<br />

2298<br />

section<br />

animadoc


film id<br />

1043<br />

section<br />

Dok Market<br />

iMpenetraBle<br />

by Daniele incalterra, fausta Quattrini<br />

This is a genuine Western in one of the world’s last<br />

virgin territories: the Paraguayan Chaco. The director<br />

wants to establish a 12,355-acre national park<br />

with the land left to him by his father, but his neighbours,<br />

petrol companies and transgenic soybean<br />

growers, who destroy the forest, do not seem too keen<br />

on the idea …<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

france, argentina, 2012<br />

colour, HDcam<br />

95 min<br />

original title<br />

el impenetrable<br />

original language<br />

italian, spanish<br />

Produced by<br />

richard copans<br />

les films d'ici, france<br />

www.lesfilmsdici.fr / en<br />

in co-Production With<br />

Daniele incalterra<br />

Daniele incalcaterra url, france<br />

sales contact<br />

Daniela elstner<br />

Doc & film international<br />

13 rue portefoin<br />

75003 paris, france<br />

d.elstner@docandfilm.com<br />

www.docandfilm.com<br />

section<br />

Dok Market<br />

in BetWeen<br />

– tHe BritisH artist<br />

ricHarD Deacon<br />

by claudia schmid<br />

British-born artist Richard Deacon ranks as one<br />

of the most important sculptors in contemporary art.<br />

His profound interest in the nature of materials<br />

and the ways in which they can be manipulated, and<br />

his innovative approach to form, make him one of<br />

the most inventive artists working today. With his<br />

essential contemplation of space and form, Deacon has<br />

paved the way for a whole new perspective. More<br />

than any other sculptor, he draws out all possibilities of<br />

expression, creating a complex spatial dynamic<br />

from an organic and industrial language of form. The<br />

physical approach taken with the different materials<br />

is a key element in this regard. His sweeping, wave-like<br />

sculptures, with their rhythmic interweaving and<br />

biomorphic-looking structures are among the most<br />

complex works in modern sculpture. The multi-layered<br />

nature of the works reflects the innate complexity of<br />

life and stirs the beholder to intensive reflection. Film-<br />

maker Claudia Schmid has been observing Richard<br />

Deacon’s work for two years. Mutual understanding and<br />

trust grew during this intense time, making it possi-<br />

ble to portray this shy artist, even in quiet moments away<br />

from the public eye. All of which results in a unique<br />

insight into the personality of the artist and his work.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, HD Videofile<br />

90 min<br />

original title<br />

in Between – Der britische<br />

künstler richard Deacon<br />

original language<br />

english<br />

Produced by<br />

Birgit schulz<br />

Bildersturm filmproduktion<br />

gmbH, germany<br />

www.bildersturm-film.de<br />

sales contact<br />

Monika Mack<br />

Bildersturm<br />

köln, germany<br />

info@bildersturm-film.de<br />

www.bildersturm-film.de<br />

168 169<br />

film id<br />

2489


film id<br />

866<br />

section<br />

Dok Market<br />

tHe increDiBles<br />

by David Valero<br />

The story of three everyday heroes: Broken Wing, The<br />

Iron Lady and Radioactive Woman. Three people<br />

who suffer the adversities that life throws up and fight<br />

the most terrifying villains: death, lack of affection<br />

and loneliness. We accompany them in their daily lives<br />

of suffering and rejection. But they never give up –<br />

they continue their struggle to find happiness, because<br />

they are heroes … Ninety-four year old María (aka ‘The<br />

Iron Lady’) survived cancer twice at a younger age. Now<br />

she finds herself outliving friends and relatives. But<br />

strong-minded María has lost none of her zest for life …<br />

Juan (52), ‘Broken Wing’, struggles with depression and<br />

is desperate to find a love to free him from his loneli-<br />

ness. After a motorcycle accident years ago, his right<br />

arm is paralysed – a turning point in his life, which also<br />

cost him his marriage. Joana (‘Radioactive Woman’)<br />

receives a cancer diagnosis shortly before her 31st birth-<br />

day. Her fight for survival begins. A battle that will<br />

leave its mark on Joana’s relationships and whose outcome<br />

remains uncertain … The Incredibles is the feature-<br />

length début of director David Valero. Between bound-<br />

less sadness and heart-warming tenderness, some-<br />

times wonderfully bizarre or painful but always full<br />

of humanity.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, spain, 2012<br />

colour, Dcp<br />

82 min<br />

original title<br />

los increibles<br />

original language<br />

spanish<br />

Produced by<br />

luisa romeo<br />

frida films, spain<br />

www.fridafilms.com<br />

in co-Production With<br />

natalia imaz<br />

parabellum film gmbH, germany<br />

www.parabellumfilm.de<br />

Juanjo Jiménez<br />

salto de eje s. l., spain<br />

www.saltodeeje.com<br />

Public screenings<br />

9 / 2012 international film<br />

festival san sebastián, spain<br />

sales contact<br />

elena Mera<br />

treeline Distribution<br />

la rosa 34, 1º c<br />

15701 santiago de compostela,<br />

spain<br />

elena.mera@<br />

treelinedistribution.com<br />

www.treelinedistribution.com<br />

inDie gaMe:<br />

tHe MoVie<br />

by lisanne pajot, James swirsky<br />

Witness a portrait of a new breed of artist: the video-<br />

game designer. At first, the only way to make it as<br />

a designer in the video game industry was to work with<br />

major developers. Now, like in the film industry<br />

a generation ago, a new breed of independent auteurs<br />

have taken their industry by storm. These programmers<br />

have spent years of their lives building entirely new<br />

games from the bottom up. Risking everything, their<br />

results are deeply personal, visionary works whose<br />

success has redefined the gaming industry.<br />

genre<br />

arts / culture / Music<br />

facts<br />

canada, 2012<br />

96 min<br />

original title<br />

indie game: the Movie<br />

original language<br />

english<br />

Produced by<br />

lisanne pajot, canada<br />

James swirsky, canada<br />

Public screenings<br />

1 / 2012 sundance, usa<br />

3 / 2012 sxsW, usa<br />

4 / 2012 Hot Docs, canada<br />

6 / 2012 sheffield,<br />

united kingdom<br />

sales contact<br />

andrew Herwitz<br />

the film sales company<br />

165 Madison avenue, suite 601<br />

10016 new York, usa<br />

contact@filmsalescorp.com<br />

www.filmsalescorp.com<br />

170 171<br />

film id<br />

3251<br />

section<br />

Hot Docs


film id<br />

3345<br />

infiltraDos<br />

by Juan rendon<br />

section<br />

Dok Market<br />

Infiltrados takes an in-depth look at FARC, one of<br />

the world’s oldest and deadliest terrorist organisations,<br />

examining the Colombian National Police and the<br />

involvement of its intelligence division in the recent<br />

lethal strikes against the FARC. Featuring firsthand<br />

accounts from spies who infiltrated FARC, living<br />

for many years among them before relaying intelligence<br />

back to the Colombian military, these brave people<br />

undertook what were to be the most dangerous missions<br />

ever conceived of. Those who were discovered were<br />

tortured and murdered as a warning to other undercover<br />

agents, and the threat of exposure lingered through-<br />

out their missions. Added to this is the threat of ambush<br />

from their own employers – the Colombian military –<br />

as well as the difficulty in returning with intelligence<br />

as deserters are executed. The chances of survival are<br />

slim. For the first time the terrifying experiences of<br />

these people who left their lives in the cities of Colombia<br />

to live for years in the jungle as FARC members, are<br />

captured on film, and their stories recreated through<br />

animations to protect their identities.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

usa, 2012<br />

colour, DigiBeta<br />

74 min / 52 min<br />

original title<br />

infiltrados<br />

original language<br />

english<br />

Produced by<br />

Juan rendon<br />

univision, united kingdom<br />

in co-Production With<br />

kazz Basma<br />

sideways film, united kingdom<br />

www.sidewaysfilm.com<br />

sales contact<br />

kazz Basma<br />

sideways film<br />

7 Bouverie Mews, Bouverie road.<br />

n16 0al london, united kingdom<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

intiMatta<br />

by ramuntcho Matta<br />

‘Intimatta is not a film about Matta, It’s an object-Matta,<br />

belonging to his world and nothing else, take it or<br />

leave it. Of course, I take it but I can understand some<br />

people can feel disoriented. It’s a risk one has to take,<br />

but it is really worth it.’ (Chris Marker) Intimatta is not a<br />

documentary but an artist film about Matta, based<br />

on video recordings made by his son Ramuntcho, director<br />

of this project, and about interviews to contemporaries<br />

who knew Matta very well. Thanks to dozens of tapes<br />

with Roberto Matta painting, talking, walking and even<br />

sleeping; recorded between 1986 and 2000, through<br />

his working notebooks, his letters, Intimatta shows us<br />

a way of thinking. It also reveals to us some crucial bio-<br />

graphical milestones of Matta, when he first arrives<br />

in Europe, his life in Spain and France, the constant link<br />

with the architecture, his relationships with persona-<br />

lities of the 20th century’s art (Le Corbusier, Duchamp,<br />

Breton, etc.), the surrealist movement, evolution of<br />

his painting, the birth of Abstract Expressionism, his<br />

political commitment, etc. With this unpublished<br />

material, Intimatta immerses us into the artist’s creative<br />

and intimate world, stating some universal questions<br />

about transmission, fatherhood and how to share intimacy.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

chile, france, 2011<br />

colour, HDcam<br />

119 min<br />

original title<br />

intimatta<br />

original language<br />

english, french, spanish<br />

Produced by<br />

rodrigo Jorquiera<br />

gfilms s. a., chile<br />

www.gfilms.tv<br />

in co-Production With<br />

ramuntcho Matta, chile<br />

Public screenings<br />

6 / 2012 Hirshhorn Museum,<br />

usa<br />

9 / 2012 abaton Hamburg,<br />

germany<br />

sales contact<br />

rodrigo Jorquiera<br />

gfilms s. a.<br />

isidora goyenechea 3250, piso 4<br />

las condes<br />

7550083 santiago, chile<br />

rj@gfilms.tv<br />

www.gfilms.tv<br />

172 173<br />

film id<br />

3232<br />

section<br />

chileDoc


film id<br />

921<br />

section<br />

Dok Market<br />

tHe inVisiBle string<br />

by Jan Bäss<br />

'The Invisible String' is a feature-length documentary<br />

on the ever evolving history of the flying disc movement.<br />

The film takes the audience on a trip from the very<br />

beginning of pie pin tossing at the Frisbie’s Pie Bakery<br />

in Connecticut back at the turn of the century to the<br />

Rose Bowl World Championships in the late 1970s up to<br />

the greatest international tournaments and the hottest<br />

spots of today. It’s a journey into the heart and mind of<br />

the people that started it all by inventing games, skills,<br />

and creating a global family. The most influential people<br />

give their personal accounts as remarkable stories are<br />

told revolving around living with flying discs. In the<br />

1970s and 1980s playing Frisbee grew to become even<br />

more popular than skateboarding. Rare archive footage<br />

interwoven with Monthy Pythonesque animations<br />

depict playfully the history of the joy of throwing flying<br />

objects. The hottest moves and throws the most<br />

eccentric protagonists are able to perform allow an<br />

intimate insight on some of the different disciplines like<br />

Ultimate, Disc Golf or Freestyle. The Invisible String aims<br />

at reminding every single person of the importance of<br />

doing one thing: to keep playing !<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

94 min<br />

original title<br />

the invisible string<br />

original language<br />

english<br />

Produced by<br />

Jonas knudsen<br />

Joroni produktions- und Verleih,<br />

germany<br />

www.joroni.de<br />

Public screenings<br />

4 / 2012 achtung berlin, germany<br />

9 / 2012 DMZ Docs, south korea<br />

sales contact<br />

christian struck<br />

Boomtown Media intl.<br />

fuggerstr. 33<br />

10777 Berlin, germany<br />

christian.struck@<br />

boomtownmedia.de<br />

www.boomtownmedia.com<br />

irisH folk furniture<br />

by tony Donoghue<br />

In Ireland, old hand painted furniture is often associated<br />

with hard times, with poverty and with a time many<br />

would rather forget. Because of this association much of<br />

the country’s furniture lies abandoned in barns and<br />

sheds. In the making of this film, 16 pieces of abandoned<br />

folk furniture were restored and returned back into<br />

daily use. An animated documentary about repair and<br />

recycling in rural Ireland. This film was shot in a green<br />

and environmentally friendly way using local crafts-<br />

people, local narrators and inexpensive second-hand<br />

equipment. Only natural light was used to shoot this film.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

ireland, 2012<br />

colour, HD Videofile<br />

8 min<br />

original title<br />

irish folk furniture<br />

original language<br />

english<br />

Produced by<br />

cathal Black<br />

Mayfly films ltd., ireland<br />

Public screenings<br />

7 / 2012 galway film fleadh,<br />

ireland<br />

8 / 2012 Darklight ff, ireland<br />

10 / 2012 kerry ff, ireland<br />

10 / 2012 Jihlava iDff,<br />

czech republic<br />

sales contact<br />

tony Donoghue<br />

Mayfly films limited<br />

Ballinderry<br />

00 nenagh, county tipperary,<br />

ireland<br />

tonydonoghue@gmail.com<br />

www.mayflyfilms.com<br />

174 175<br />

film id<br />

1965<br />

section<br />

animadoc


film id<br />

1652<br />

isQat al niZaM<br />

– at tHe<br />

regiMe BorDer<br />

by antonio Martino<br />

section<br />

Dok international programme<br />

It’s not easy to forecast what’s going to happen in Syria.<br />

The hope of many is that the Assad family will democratically<br />

step down, after 40 years of dictatorship<br />

but many people fear that they will drag the population<br />

to hell before disappearing from the scene. Most<br />

of the Syrian population wishes that the revolution will<br />

remain in the hands of young people and continue<br />

peacefully as a symbol of Hope, although some can’t help<br />

firing back when the regime brings blood to the popu-<br />

lation. Some hope for an intervention from a foreign<br />

country, but are also afraid that this would bring a civil<br />

war. Isqat al Nizam is a crude and touching story that<br />

sheds some light on the ‘Syrian Spring’: from the initial<br />

violent reactions of the regime, to the heartbreaking<br />

escape of more than 20,000 refugees to Turkey; from the<br />

constant activity of the rebels through social net-<br />

works to the ongoing defection of soldiers and former<br />

officials. The collection of exclusive interviews with<br />

locals and stolen footage of the events make this film a<br />

unique account.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

italy, 2012<br />

colour, HDcam<br />

78 min<br />

original title<br />

isqat al nizam – viaggio ai confini<br />

del regime<br />

original language<br />

arabic<br />

Produced by<br />

roberto ruini, gloria giorgianni<br />

pulsemedia, italy<br />

www.pulsemedia.it<br />

sales contact<br />

edward caffrey<br />

Journeyman pictures<br />

4 High street<br />

kt7 0rY thames Ditton, united<br />

kingdom<br />

films@journeyman.tv<br />

www.journeyman.tv<br />

italY loVe<br />

it or leaVe it<br />

by gustav Hofer, luca ragazzi<br />

section<br />

Dok Market<br />

Tuscan fields, bel canto arias, slow food and movie<br />

stars are some of the images synonymous with one of<br />

the world’s most adored cultures. Yet many of film-<br />

makers Luca Ragazzi and Gustav Hofer’s disenchanted<br />

friends have recently emigrated from Italy. Before<br />

following suit, the Italian couple decides to take a six-<br />

month road trip across the country to investigate<br />

the extent to which current realities outweigh the icons<br />

of la dolce vita. Throughout their exploration they<br />

witness multiple examples of staggering corruption, an<br />

increasingly lower standard of living, environmental<br />

hazards and intransigent fanaticism. Simultaneously,<br />

however, they encounter loyal crusaders who feel<br />

unequivocally compelled to make their homeland a better<br />

place. In an astute manner and with quirky Fellini-esque<br />

animation, the film further tantalizes us with Italy’s<br />

glorious past and future potential. Will the pair decide<br />

to leave or stay ? Their journey tells it all.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, italy, 2012<br />

colour, HDcam<br />

92 min<br />

original title<br />

italy love it or leave it<br />

original language<br />

english<br />

Produced by<br />

gustav Hofer<br />

hiq productions, italy<br />

www.italyloveitorleave.it<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

176 177<br />

film id<br />

3298


film id<br />

3211<br />

section<br />

east silver & iDf<br />

Jakarta DisorDer<br />

by ascan Breuer<br />

It is only the second time that Indonesians can vote<br />

for their own president. Two charismatic women,<br />

however, are not satisfied with mere elections. Grandma<br />

Dela, who lives in a slum of the tropical megacity,<br />

and the intellectual Wardah Hafidz are setting out to<br />

collect 1.5 million signatures of the poorest, who<br />

are constantly threatened by local arbitrary justice and<br />

the desires of global capitalism. Can the power of a<br />

small elite really be overthrown by the power of many,<br />

or is ‘real democracy’ just an ideal ? With this political<br />

road-documentary the director portrays social changes<br />

and improvements in his mother’s old homeland.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

austria, 2012<br />

colour, HDcam<br />

88 min<br />

original title<br />

Jakarta Disorder<br />

original language<br />

indonesian<br />

Produced by<br />

arash t. riahi<br />

golden girls<br />

filmproduktion & filmservices,<br />

austria<br />

www.goldengirls.at<br />

sales contact<br />

arash t. riahi<br />

golden girls<br />

filmproduktion & filmservices<br />

seidengasse 15 / 3 / 20<br />

1070 Vienna, austria<br />

office@goldengirls.at<br />

www.goldengirls.at<br />

section<br />

Dok Market<br />

Jason Becker:<br />

not DeaD Yet<br />

by Jesse Vile<br />

Jason Becker: Not Dead Yet is a feature-length documen-<br />

tary that tells the extraordinary story of Jason<br />

Becker, a musical prodigy and guitar legend, who has<br />

been battling with ALS for 22 years. A paralyzing,<br />

terminal illness with no cure, the disease has trapped<br />

Jason inside of his body rendering him completely<br />

paralyzed. Using an eye communication system invented<br />

by his father, Jason is able to escape the confines<br />

of his body and release the music that is trapped inside<br />

of his mind. Jason Becker: Not Dead Yet is a story of<br />

dreams, love and the strength of the human spirit.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

united kingdom, 2012<br />

colour, HDcam<br />

87 min<br />

original title<br />

Jason Becker: not Dead Yet<br />

original language<br />

english<br />

Produced by<br />

Jesse Vile, united kingdom<br />

Public screenings<br />

3 / 2012 cinequest ff, usa<br />

4 / 2012 Hot Docs, canada<br />

6 / 2012 Biografilm festival, italy<br />

4 / 2012 Boston independent ff,<br />

usa<br />

sales contact<br />

Vesna cudic<br />

Dogwoof global<br />

211 Hatton square Business<br />

centre<br />

16 Baldwins gardens<br />

ec1n 7rJ london, united<br />

kingdom<br />

vesna@dogwoof.com<br />

www.dogwoof.com<br />

178 179<br />

film id<br />

2481


film id<br />

3181<br />

Joe fraZier:<br />

WHen tHe<br />

sMoke clears<br />

by Mike todd<br />

section<br />

Documentary campus<br />

Masterschool<br />

They say Philadelphia is the capital of boxing and Joe<br />

Frazier’s gym is the Whitehouse. Joe Frazier, one of the<br />

most famous athletes of the 20th century, is lost in the<br />

legend of one of the greatest rivalries in the history of<br />

sport. Filmed during the final years of the iconic boxer’s<br />

life and told through the voice of son Marvis, this<br />

documentary reveals the story of the real Joe Frazier for<br />

the first time. For over forty years, since the last of his<br />

million dollar bouts with Ali, Foreman and others, Joe’s<br />

commitment to his adopted Philadelphia neighbourhood<br />

kept his landmark gym alive. Now, tragically, it has<br />

to close.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

united kingdom, 2011<br />

colour, Bluray Disc<br />

72 min<br />

original title<br />

Joe frazier: When the smoke<br />

clears<br />

original language<br />

english<br />

Produced by<br />

Mike todd<br />

riverhorse, united kingdom<br />

www.riverhorse.tv<br />

Public screenings<br />

11 / 2011 Doc nYc, usa<br />

5 / 2012 espn, united kingdom<br />

sales contact<br />

Heather White<br />

espn<br />

3 Queen caroline street,<br />

Hammersmith,<br />

W6 9pe london, united kingdom<br />

heather.white@espn.com<br />

section<br />

Dok Market<br />

tHe JoY DoWn tHere<br />

by Matthias Ditscherlein, Dagmar Borchert<br />

After World War II, hundreds of women worked in<br />

mines in East Germany. They were employed against all<br />

state regulations. Four of these women between the<br />

ages of 77 and 90 talk about their time down there,<br />

about hard work, continuous risks and the joy of<br />

working as a miner in coal, potash and copper mines in<br />

Saxony, Saxony-Anhalt and Thuringia. In addition, the<br />

movie shows the everyday work life of one of two young<br />

women who decided to start an apprenticeship in<br />

mining in Germany after this was allowed again by the<br />

German government in 2009.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, B / W, HD Videofile<br />

56 min<br />

original title<br />

Das glück da unten<br />

original language<br />

german<br />

Produced by<br />

Matthias Ditscherlein, germany<br />

www.matthias-ditscherlein.de<br />

Dagmar Borchert<br />

freie Journalistin / produzentin,<br />

germany<br />

sales contact<br />

Matthias Ditscherlein<br />

lindenthaler straße 62<br />

04155 leipzig, germany<br />

kontakt@matthias-ditscherlein.de<br />

www.matthias-ditscherlein.de<br />

180 181<br />

film id<br />

3048


film id<br />

1516<br />

section<br />

Dok Market<br />

keep up<br />

tHe gooD Work<br />

by konstantin faigle<br />

It is a fetish, a mantra, a secret religion to modern man:<br />

work. In times of the financial crisis and massive job<br />

reductions, this documentary movie questions work as<br />

our ‘hallow’ sense in life in a way that both humours<br />

and pains us.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, 35 mm<br />

26 min<br />

original title<br />

frohes schaffen – ein film zur<br />

senkung der arbeitsmoral<br />

original language<br />

english, french, german<br />

Produced by<br />

erik Winker<br />

Hupe film- und fernseh-<br />

produktion, germany<br />

www.hupefilm.de<br />

in co-Production With<br />

konstantin faigle<br />

kHM köln, germany<br />

involved broadcasters<br />

ZDf, germany<br />

sales contact<br />

erik Winker<br />

Hupe film- und<br />

fernsehproduktion<br />

antwerpenerstr.14<br />

50672 köln, germany<br />

ew@hupefilm.de<br />

www.hupefilm.de<br />

kern<br />

by severin fiala, Veronika franz<br />

section<br />

Dok Young cinema<br />

competition<br />

Two directors shoot a documentary about the controversial<br />

director and pugnacious actor Peter Kern. But he<br />

cannot be easily rammed into the classical form of a doc.<br />

He questions, criticizes and rebels while the camera is<br />

rolling – and the two directors applaud.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

austria, 2012<br />

colour, Dcp<br />

98 min<br />

original title<br />

kern<br />

original language<br />

german<br />

Produced by<br />

ulrich seidl<br />

ulrich seidl filmproduktion,<br />

austria<br />

www.ulrichseidl.com<br />

Public screenings<br />

8 / 2012 locarno, switzerland<br />

9 / 2012 san sebastian, spain<br />

sales contact<br />

ulrich seidl<br />

ulrich seidl filmproduktion<br />

Wasserburgergasse 5 / 7<br />

1090 Vienna, austria<br />

office@ulrichseidl.at<br />

www.ulrichseidl.com<br />

182 183<br />

film id<br />

3098


film id<br />

1167<br />

section<br />

Dok international programme<br />

tHe kHMer rouge<br />

anD tHe Man<br />

of non-Violence<br />

by Bernard Mangiante<br />

A brand-new courthouse in the still devastated land<br />

of Cambodia. Before the judges, one of the 20th centuries<br />

worst criminals: Douch, a Khmer Rouge leader<br />

and head of the S 21 torture centre. 16,000 prisoners,<br />

7 survivors. At his side, two court-appointed attorneys<br />

faced with the challenge of defending him. ‘Every<br />

sick person has a right to a doctor,’ says Kar Savuth, the<br />

Cambodian who survived Pol Pot’s jails. ‘I always<br />

try to seek out the man in the torturer,’ says François<br />

Roux, a disciple of Gandhi and defender of the sup-<br />

porters of civil disobedience and non-violence for the<br />

last thirty years.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

france, cambodia, 2011<br />

colour, DigiBeta<br />

90 min<br />

original title<br />

le khmer rouge et le non violent<br />

original language<br />

english, french, khmer<br />

Produced by<br />

serge lalou<br />

les films d'ici, france<br />

www.lesfilmsdici.fr<br />

in co-Production With<br />

rithy panh<br />

Bophana center, cambodia<br />

www.bophana.org<br />

Public screenings<br />

3 / 2012 figra, france<br />

5 / 2012 Documenta Madrid,<br />

spain<br />

5 / 2012 liDf, united kingdom<br />

3 / 2012 cinéma du réel, france<br />

sales contact<br />

serge lalou<br />

les films d'ici<br />

62 Boulevard Davout<br />

75020 paris, france<br />

celine.paini@lesfilmsdici.fr<br />

www.lesfilmsdici.fr<br />

section<br />

Dok Market<br />

tHe kiD<br />

anD tHe cloWn<br />

by ida grøn<br />

At a children’s cancer ward in Denmark we follow the<br />

hospital clown Angus and the six-year old boy Tobias in<br />

their common fight to keep living and to enjoy life<br />

while fighting. Together they duel in Guitar Hero, roam<br />

the halls as masked bandits, play Uno and eat gravy –<br />

lots of gravy. Their relationship evolves into a friendship<br />

which just might help Tobias on his way to beating<br />

the cancer – and which definitely helps how Tobias feels<br />

about the months spent at the hospital.<br />

genre<br />

Human interest<br />

facts<br />

Denmark, 2011<br />

colour, DigiBeta<br />

53 min / 41 min<br />

original title<br />

klovn for livet<br />

original language<br />

Danish<br />

Produced by<br />

signe Byrge sørensen<br />

spor Media, Denmark<br />

www.spormedia.dk<br />

in co-Production With<br />

anne köhncke<br />

final cut for rent, Denmark<br />

www.final-cut.dk<br />

involved broadcasters<br />

tV2, norway<br />

Public screenings<br />

11 / 2011 iDfa, netherlands<br />

4 / 2012 aljazeera iDff,<br />

united kingdom<br />

4 / 2012 Hot Docs, canada<br />

7 / 2012 krakow iff, poland<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshine-berlin.de<br />

www.riseandshine-berlin.com<br />

184 185<br />

film id<br />

3241


film id<br />

3063<br />

kiran<br />

by Bettina timm, alexander riedel<br />

section<br />

Dok international<br />

competition short<br />

The film tells the story of Kiran, who lives with his<br />

mother in a yurt in the Pyrenees. Kiran is eight<br />

year-old and knows how to plant salad, which meadowplants<br />

taste good and which you should not eat. But<br />

he has no idea what’s going on in the evening on TV and<br />

cannot deal with the computer. His greatest wish is<br />

to go to a public school to learn to read and write at last …<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

30 min<br />

original title<br />

kiran<br />

original language<br />

french<br />

Produced by<br />

alexander riedel, Bettina timm<br />

pelle film, germany<br />

www.pellefilm.de<br />

involved broadcasters<br />

ZDf/ 3sat, germany<br />

sales contact<br />

alexander riedel,<br />

Bettina timm<br />

pelle film<br />

Baaderstr. 45 rgb<br />

80469 München, germany<br />

info@pellefilm.de<br />

timm@pelle-film.de<br />

www.pellefilm.de<br />

section<br />

Dok Young cinema<br />

competition<br />

tHe lanD<br />

BeneatH tHe fog<br />

by shalahuddin siregar<br />

In Genikan – a remote mountain village on the slope of<br />

Merbabu (Central Java), a quiet community is facing<br />

change without understanding why it is happening. As a<br />

community of farmers who relies on the traditional<br />

Javanese calendar system to read the seasons, they become<br />

puzzled by the dramatic change of seasons. Muryati<br />

(30 years old) and Sudardi (32 years old), a farmer<br />

family, try to understand why it rains more than in the<br />

previous years. Failed harvests and cheap sale prices<br />

become a threat. Meanwhile, Arifin (12 years old)<br />

is facing a different question: what does the future offer<br />

him ? At a very young age, he has to deal with the<br />

complicated public school system. In the rhythm of a slow<br />

visual journey The Land Beneath the Fog takes an intimate<br />

look at family relations in Genikan. Describing a<br />

life on the brink of vanishing, this documentary offers<br />

deep insights into an invisible and disenfranchised<br />

society which is struggling hard to maintain its existence.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

indonesia, germany, 2011<br />

colour, HDcam<br />

105 min<br />

original title<br />

negeri di Bawah kabut<br />

original language<br />

indonesian<br />

Produced by<br />

shalahuddin siregar<br />

studiokecil, indonesia<br />

www.studiokecil.com<br />

Public screenings<br />

12 / 2011 Dubai iff, united arab<br />

emirates<br />

3 / 2012 south east asian ff,<br />

singapore<br />

8 / 2012 osian-cinefan ff, india<br />

11 / 2012 Hanoi iff, Vietnam<br />

sales contact<br />

shalahuddin siregar<br />

studiokecil<br />

griya suryo asri 1 no.c2<br />

55141 Yogyakarta, indonesia<br />

s.siregar@me.com<br />

www.studiokecil.com<br />

186 187<br />

film id<br />

640


film id<br />

2752<br />

section<br />

Dok Market<br />

lang lang<br />

– tHe art of Being<br />

a Virtuoso<br />

by thomas grube<br />

The Chinese pianist Lang Lang is considered the world’s<br />

No. 1 classical music star. The Art Of Being A Virtuoso<br />

links him and his piano hero, Franz Liszt. Two men, who<br />

made their childhood dreams come true and ascended<br />

to the ranks of the greatest musicians the world has seen.<br />

Acclaimed filmmaker Thomas Grube (Rhythm Is It !,<br />

Trip To Asia) was granted exclusive access this summer<br />

and accompanied Lang Lang through China, the<br />

U. S. and Europe. His film offers a revealing inside view<br />

into the life and mind of the modern virtuoso. The<br />

documentary was produced with high production value<br />

over the course of five months in Shanghai, Shenzhen,<br />

Chicago, Milan, London, New York and Berlin.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

germany, united kingdom, italy,<br />

china, usa, 2011<br />

colour, HD Videofile<br />

72 min<br />

original title<br />

lang lang – the art of Being<br />

a Virtuoso<br />

original language<br />

chinese, english, german, italian<br />

Produced by<br />

uwe Dierks, thomas grube<br />

Boomtown Media, germany<br />

www.boomtownmedia.de<br />

involved broadcasters<br />

ZDf, germany<br />

Public screenings<br />

8 / 2012 Jecheon Music festival,<br />

south korea<br />

10 / 2011 ZDf, germany<br />

sales contact<br />

christian struck<br />

Boomtown Media intl.<br />

gmbH & co kg<br />

fuggerstr. 33<br />

10777 Berlin, germany<br />

christian.struck@<br />

boomtownmedia.de<br />

www.boomtownmedia.com<br />

lapsus<br />

by Juan pablo Zaramella<br />

section<br />

focus latin america<br />

Never underestimate the power of the dark side.<br />

genre<br />

arts / Music / culture<br />

author’s point of view<br />

facts<br />

argentina, 2007<br />

animated film, B / W,<br />

HD Videofile<br />

4 min<br />

original title<br />

lapsus<br />

original language<br />

without dialogue<br />

sales contact<br />

Juan pablo Zaramella<br />

JpZtudio<br />

castro 1148-Dpto 8<br />

1237aaB Buenos aires,<br />

argentina<br />

contact@zaramella.com.ar<br />

www.zaramella.com.ar<br />

188 189<br />

film id<br />

3178


film id<br />

3342<br />

section<br />

Dok.incubator<br />

tHe last Black<br />

sea pirates<br />

by svetoslav stoyanov<br />

The last Black Sea pirates get by on questionable<br />

means, swimming in alcohol fumes, testosterone, and<br />

rugged tenderness on a pristine beach far from civi-<br />

lization. For the last 20 years, Captain Jack and his crew<br />

have been looking for a legendary treasure hidden<br />

in the gully. If they could have it their way, the Pirates<br />

would die where they live today. But in city halls and<br />

corporate high rises across Europe, the powers<br />

that be have other plans for the pirates' paradise. When<br />

news of the imminent change begins to find its way<br />

to this remote oasis, the pirates' world begins to unravel.<br />

Doubts erode the foundations of trust, conflicts<br />

brew and tensions are on the rise. In this crisis emerges<br />

a contemporary real-life story about the treasure we<br />

hunt and the treasures we find.<br />

As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />

still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />

genre<br />

Human interest<br />

facts<br />

Bulgaria, 2013<br />

colour, HDcam<br />

70 min<br />

original title<br />

poslednite chernomorski pirati<br />

original language<br />

Bulgarian<br />

Produced by<br />

Martichka Bozhilova<br />

agitprop, Bulgaria<br />

www.agitprop.bg<br />

involved broadcasters<br />

knowledge network, canada<br />

sales contact<br />

Martichka Bozhilova<br />

agitprop<br />

68 Budapesta str., ap.1<br />

1202 sofia, Bulgaria<br />

producer@agitprop.bg<br />

www.agitprop.bg<br />

www.bdcwebsite.com<br />

section<br />

leipzig screening<br />

tHe last catcH<br />

by Markus schmidt<br />

The European blue fin tuna measures up to 5 metres<br />

long and weighs as much as 600 kg. Every year,<br />

it travels across the Atlantic Ocean, returning to the<br />

Mediterranean to spawn. Although it has long<br />

been established that overfishing has left the tuna<br />

stocks close to collapse, these days the whole swarm<br />

is captured while spawning, thus preventing the<br />

replenishing of resources. No other fish in the world<br />

fetches such high prices. In Japan, it feeds a profit-<br />

driven machinery of gigantic proportions. The fishermen,<br />

too, are facing imminent extinction. The less<br />

tuna remaining, the more ruthless the fight for the last<br />

of this valuable resource becomes: Raphaël stretches<br />

every legal loophole to the limit; his boats have repeatedly<br />

been impounded. Roger is one of the few who has<br />

stuck to the EU quotas and is now forced to sell his boat.<br />

Roberto got out of the business years ago and is now<br />

fighting desperately for a fishing moratorium in a last<br />

ditch effort to save the remaining spawning grounds.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

91 min<br />

original title<br />

Der letzte fang<br />

original language<br />

english, french, Japanese<br />

Produced by<br />

carl-ludwig rettinger<br />

lichtblick film- und fernsehproduktion,<br />

germany<br />

www.lichtblick-film.de<br />

involved broadcasters<br />

WDr, germany<br />

sales contact<br />

ulrike schröder<br />

global screen gmbH<br />

sonnenstrasse 21<br />

80331 München, germany<br />

ulrike.schroeder@<br />

globalscreen.de<br />

www.globalscreen.de<br />

190 191<br />

film id<br />

2304


film id<br />

3062<br />

section<br />

Dok international<br />

competition<br />

tHe last station<br />

by cristian soto, catalina Vergara<br />

A documentary film about old age that takes place in<br />

nursing homes. Under the contemplative look of a<br />

camera, the life and moments some old people face in<br />

their last stage are portrayed in an atmosphere of<br />

solitude and abandonment. These homes, and their long<br />

lasting passage of time, are the last station in life<br />

before setting out on the inevitable journey to death.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

chile, 2012<br />

colour, Dcp<br />

90 min<br />

original title<br />

la Última estación<br />

original language<br />

spanish<br />

Produced by<br />

philip gröning<br />

philip gröning filmproduktion,<br />

germany<br />

sales contact<br />

catalina Vergara<br />

catalina Vergara films /<br />

globo rojo<br />

abadía 204<br />

7591233 santiago, chile<br />

catavergara@yahoo.com<br />

section<br />

Dok Market<br />

legenDs<br />

for Beginners<br />

by karsten schleitzer<br />

At present, insiders of the German track and field<br />

athletics scene watch attentively an outsider phenomenon<br />

in the youth area of the pole vault event. Almost from<br />

nowhere, two teenage girls take up a position on top of<br />

the world rankings of pole vault. The father of this<br />

success is Olaf Hilker, an independent, self taught coach<br />

without a coaching license, widely regarded as an<br />

awkward customer. According to his own point of view,<br />

a person who handles things differently, at his own<br />

risk, without support, but with perspective and success.<br />

Why is he and his rare outsider team so extraordi-<br />

narily successful ? The first doping samples of the two<br />

exceptional, teenage vaulters didn’t yield any further<br />

notes to this.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

75 min<br />

original title<br />

elf freunde sollst Du sein<br />

original language<br />

german<br />

Produced by<br />

karsten schleitzer, germany<br />

www.ks-undertainment.de<br />

sales contact<br />

karsten schleitzer<br />

ebersstraße 4<br />

10827 Berlin, germany<br />

info@ks-undertainment.de<br />

www.ks-undertainment.de<br />

192 193<br />

film id<br />

586


film id<br />

803<br />

leontina<br />

by Boris peters<br />

section<br />

chileDoc<br />

For 82 years, Leontina Miranda Sandoval has lived in the<br />

isolated lands of southern Chile. Alone, separated<br />

from an absent family and to modern developments, she<br />

seeks refuge in her own world. We will know her<br />

memories and her intimacy, her everyday rituals and her<br />

worldview. We discover a secret that takes her to the<br />

past and we join her back on the sea after 50 years. This<br />

documentary is a grandson’s tribute to his grandmother.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

chile, 2012<br />

colour, B / W, HDcam<br />

75 min<br />

original title<br />

leontina<br />

original language<br />

spanish<br />

Produced by<br />

roberto aschieri<br />

peters&peters, chile<br />

Public screenings<br />

3 / 2012 iff guadalajara, Mexico<br />

8 / 2012 festival gramado, Brazil<br />

8 / 2012 sanfic 8, chile<br />

9 / 2012 pueBla, Mexico<br />

sales contact<br />

roberto aschieri<br />

peters&peters<br />

eleodoro Yañez 1070,<br />

providencia.<br />

832-0142 santiago, chile<br />

oaingil@gmail.com<br />

letter tape<br />

by rowena crowe<br />

Letter tape is an animated documentary film about<br />

two engaged lovers separated by time zones and several<br />

oceans. The soundtrack is an actual tape recording<br />

Cathy (the director’s mother) made on a hired audio<br />

machine in London in 1957 to communicate intimately<br />

with her fiancé after frustrated broken telephone<br />

conversations. This old tape recorded message has been<br />

lovingly animated to provide a glimpse back in time.<br />

Cathy describes a wintry London, heaving under a cloud<br />

of smog and fantasizes about when they can be to-<br />

gether again. It is a letter that is excitedly looking forward<br />

to the possibilities of a relationship in its heady early<br />

days of romance and desire. Imbued with an infectious<br />

sense of hope, this fascinating time capsule suffuses with<br />

the atmosphere of a time and place now passed.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

australia, 2011<br />

colour, B / W, HD Videofile<br />

9 min<br />

original title<br />

letter tape<br />

original language<br />

english<br />

Produced by<br />

Mitzi goldman<br />

looking glass pictures, australia<br />

www.lookingglasspictures.com.au<br />

Public screenings<br />

6 / 2012 sydney film festival,<br />

australia<br />

6 / 2012 edinburgh iff,<br />

united kingdom<br />

7 / 2012 east end film festival,<br />

united kingdom<br />

10 / 2012 antenna Documentary<br />

film festival, australia<br />

sales contact<br />

rowena crowe<br />

planciusplein 6c<br />

4812 sg Breda, netherlands<br />

rowena@jkledit.com<br />

194 195<br />

film id<br />

60<br />

section<br />

animadoc


film id<br />

3233<br />

section<br />

Dok Market<br />

tHe life anD tiMes<br />

of paul tHe<br />

psYcHic octopus<br />

by alexandre philippe<br />

The Life and Times of Paul the Psychic Octopus tells the<br />

official and exclusive story of the world’s most<br />

beloved and scorned cephalopod, whose remarkable<br />

string of eight correct ‘predictions’ during the<br />

2010 Soccer World Cup made him a worldwide superstar.<br />

Whether Paul is an honest-to-goodness 21st<br />

century oracle, or a tentacled sham, remains a hotly<br />

debated topic. What is certain, though, is that<br />

Paul’s unmatched string of correct predictions has<br />

affected us, made us dream, and impacted popu-<br />

lar culture. The Life and Times of Paul the Psychic Octopus<br />

is a biopic of tentacular proportions – one that<br />

explores celebrity mania at its most outrageous, the<br />

science of probabilities, and the possibility of<br />

higher powers.<br />

genre<br />

arts / culture / Music<br />

Human interest<br />

facts<br />

usa, switzerland, 2012<br />

colour, HDcam<br />

58 min<br />

original title<br />

the life and times of paul the<br />

psychic octopus<br />

original language<br />

english, german, italian,<br />

russian, spanish<br />

Produced by<br />

alexandre philippe<br />

cinema Vertige, usa<br />

www.cinemavertige.com<br />

in co-Production With<br />

robert Muratore<br />

exhibit a pictures, usa<br />

Public screenings<br />

6 / 2012 edinburgh iff,<br />

united kingdom<br />

6 / 2012 sheffield Doc / fest,<br />

united kingdom<br />

sales contact<br />

Youn Ji<br />

autlook filmsales<br />

trappelgasse 4 / 17<br />

1040 Wien, austria<br />

youn@autlookfilms.com<br />

www.autlookfilms.com<br />

section<br />

focus latin america<br />

tHe lifeguarD<br />

by Maite alberdi<br />

Mauricio is a scrupulous lifeguard, punctual and<br />

meticulous almost to the point of obsession, in running<br />

his tower and making the rules respected on the<br />

largest and most famous beach in Chile. The Sunday<br />

trippers often cannot stand his attitude, like his<br />

colleague/rival, but the small aspiring lifeguard has<br />

chosen him to learn the job. Many wonder why Mauricio<br />

never goes into the water. Until there is a drama.<br />

Oscillating between the pure observation of reality and<br />

the suspense of fiction, the documentary by the young<br />

director Maite Alberdi cleverly questions the theme of<br />

responsibility.<br />

genre<br />

author’s point of View<br />

ethnology / religion<br />

Human interest<br />

facts<br />

chile, 2011<br />

colour, HDcam<br />

64 min<br />

original title<br />

el salvavidas<br />

original language<br />

spanish<br />

Produced by<br />

paola castillo<br />

errante productions, chile<br />

www.errante.cl<br />

sales contact<br />

catherine le clef<br />

cat&Docs<br />

18 rue Quincampoix<br />

75004 paris, france<br />

cat@catndocs.com<br />

www.catndocs.com<br />

196 197<br />

film id<br />

1796


film id<br />

708<br />

section<br />

Dok international<br />

competition<br />

like stone lions<br />

at tHe gateWaY into<br />

nigHt<br />

by olivier Zuchuat<br />

Between 1947 and 1950, more than 80,000 Greek<br />

citizens were imprisoned on the isle of Makronisos<br />

(Greece) in re-education camps created to ‘fight<br />

the spread of communism’. Among these exiles were<br />

a number of writers and poets, including Yannis<br />

Ritsos and Tassos Livaditis. Despite the deprivation<br />

and torture, these prisoners succeeded in composing<br />

poems, which describe their struggle for survival<br />

in this world of internment. These texts, some of them<br />

buried in the camps, were later found. Like Lions<br />

of Stone at the Gateway of Night blends these poetic<br />

writings with the re-education propaganda constantly<br />

piped through the camps’ loudspeakers. Long track-<br />

ing shots take us on a trance-like journey through the<br />

camp ruins, interrupted along the way by segments<br />

from photographic archives. A cinematic essay, which<br />

revives the memory of forgotten ruins and a battle lost.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

switzerland, greece, france,<br />

2012<br />

colour, B / W, Dcp<br />

87 min<br />

original title<br />

comme des lions de pierre<br />

à l’entrée de la nuit<br />

original language<br />

french, greek<br />

Produced by<br />

pierre-alain Meier<br />

prince film sa, switzerland<br />

www.princefilms.ch<br />

in co-Production With<br />

olivier Zuchuat, switzerland<br />

www.olivierzuchuat.net<br />

xavier carniaux<br />

aMip, france<br />

www.amip-multimedia.fr<br />

involved broadcasters<br />

tsr, switzerland<br />

Public screenings<br />

4/2012 Visions du réel, france<br />

sales contact<br />

Daniela elstner<br />

Doc & film international<br />

13 rue portefoin<br />

75003 paris, france<br />

d.elstner@docandfilm.com<br />

www.docandfilm.com<br />

section<br />

Dok international<br />

competition short<br />

lisa, go HoMe !<br />

by oksana Buraja<br />

The soul of the child does not want to reconcile<br />

with her surroundings. The film-makers made the effort<br />

to record what reflects the generation gap between<br />

the little girl Lisa and the world of adults in her family.<br />

Parts of the continuing conflicts that were recorded<br />

occur because of Lisa’s running away from home. ‘Why<br />

are you always running away ? What are you missing ?’<br />

The little girl hears these questions relentlessly. However,<br />

how is it possible to explain, what is only clear to<br />

her own soul – what is within the indescribably fragile<br />

existence of a child ? This is a world that is surrounded<br />

by coarse and brutal realities … How long will the<br />

child be able to resist this environment and safeguard<br />

her own dream ?<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

lithuania, estonia, 2012<br />

colour, Dcp<br />

27 min<br />

original title<br />

liza, namo !<br />

original language<br />

russian<br />

Produced by<br />

uljana kim<br />

studio uljana kim, lithuania<br />

in co-Production With<br />

arko okk<br />

acuba film, estonia<br />

sales contact<br />

uljana kim<br />

studio uljana kim<br />

antakalnio 94–25<br />

lt10202 Vilnius, lithuania<br />

kim@lfc.lt<br />

198 199<br />

film id<br />

2717


film id<br />

1745<br />

section<br />

Dok international<br />

competition short<br />

little afgHanistan<br />

by Basir seerat<br />

Vintage horse-drawn carriages used as taxis mingle with<br />

heavy automobile traffic down a very long street. The<br />

coachmen attempt to resist the pressing urban planning<br />

desires of the riverbank inhabitants, a modernization<br />

which would make them disappear.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

afghanistan, 2011<br />

colour, DigiBeta<br />

28 min<br />

original title<br />

petite afghanistan<br />

original language<br />

persian<br />

Produced by<br />

stéphane Jourdain<br />

la Huit production, france<br />

www.lahuit.com<br />

Public screenings<br />

5 / 2012 festival indo-persan<br />

Marseille, france<br />

6 / 2012 festival des 3 continents,<br />

france<br />

sales contact<br />

Julien Beaunay<br />

la Huit production<br />

218 bis rue de charenton<br />

75012 paris, france<br />

distribution@lahuit.fr<br />

www.lahuit.com<br />

section<br />

Dok Market<br />

little perestroJka<br />

by Bernhard pötscher<br />

Shailo Djekshenbaev is a photographer living in<br />

Bishkek. For years, he has documented in his work the<br />

changes in his country, Kyrgystan. The little known<br />

republic in Central Asia, its tradition interwoven with<br />

the legacy of Genghis Khan and the mystique of the<br />

Silk Road, was under Soviet rule until 1991. Following a<br />

revolution in April 2010, Kyrgystan became the first<br />

country in Central Asia to introduce a parliamentary<br />

democracy. But the road to democracy has proved long<br />

and treacherous. Ethnic conflicts between Usbeks<br />

and Kyrgyz led to terrible riots in June 2010. We join<br />

Shailo on a journey to the turbulent South.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

austria, 2012<br />

colour, HDcam<br />

90 min<br />

original title<br />

kleine perestrojka<br />

original language<br />

kirghiz, russian<br />

Produced by<br />

Bernhard pötscher<br />

sixpackfilm, austria<br />

Public screenings<br />

3 / 2012 Diagonale graz, austria<br />

4 / 2012 crossing europe, austria<br />

8 / 2012 5seenfestival, germany<br />

9 / 2012 one World Human rights<br />

ff, kyrgyzstan<br />

sales contact<br />

Bernhard pötscher<br />

sixpackfilm<br />

neubaugasse 45<br />

1070 Wien, austria<br />

office@sixpackfilm.com<br />

200 201<br />

film id<br />

1515


film id<br />

2240<br />

section<br />

Dok Market<br />

liVe or<br />

Die in enteBBe<br />

by eyal Boers<br />

‘Operation Entebbe’ is considered one of the most<br />

brilliant rescue missions in military history. However,<br />

Israel’s most heroic myth is the Mimouni family’s<br />

greatest tragedy because 35 years later, the mysterious<br />

death of 19 year old French hostage Jean – Jacques<br />

Mimouni during the raid remains an unsolved mystery.<br />

In this emotionally charged documentary, Yonathan,<br />

the spitting image of his uncle Jean – Jacques, wishes<br />

to gather all the testimonies and reconstitute the scenario<br />

that would explain his uncle’s death.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

israel, 2012<br />

colour, B / W, HDcam<br />

52 min<br />

original title<br />

lichyot o lamut Be entebbe<br />

original language<br />

english, french, Hebrew<br />

Produced by<br />

eyal Boers<br />

Dynamic flash, israel<br />

in co-Production With<br />

Jean-Michel trèves<br />

J. M. t. films Distribution &<br />

Worldwide sales, israel<br />

www.jmtfilms.com<br />

involved broadcasters<br />

src, canada<br />

sales contact<br />

Michael treves<br />

JMt films Distribution,<br />

co-productions & world sales<br />

20 Bialik street<br />

63324 tel aviv, israel<br />

michael@jmtfilms.com<br />

section<br />

Dok international programme<br />

loDen –<br />

tHe little Monk<br />

by andré Hörmann<br />

Two years ago, the then 10 year old farmer’s son<br />

Sanjaya moved from his parents' farm to the far away<br />

monastery Manang high up in the mountains of<br />

Nepal. Ever since then he has been called Karma Loden.<br />

At first he had a hard time adjusting to his new life<br />

but now he likes the strictly organized daily routine.<br />

Karma is one of the most ambitious students at the<br />

monastery and in April he will have to pass very impor-<br />

tant exams in all subjects, if he wants to reach his big<br />

dream: Karma wants to become a big Lama.<br />

genre<br />

ethnology / religion<br />

portrait<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

25 min<br />

original title<br />

loden – Der kleine Mönch<br />

original language<br />

nepali<br />

Produced by<br />

Heike kunze<br />

telekult film- und Medien-<br />

produktion gmbH, germany<br />

www.telekult.de<br />

involved broadcasters<br />

rBB, germany<br />

sales contact<br />

Heike kunze<br />

telekult film- und Medien-<br />

produktion gmbH<br />

kremmener str. 6<br />

10435 Berlin, germany<br />

kunze@telekult.de<br />

www.telekult.de<br />

202 203<br />

film id<br />

2677


film id<br />

2578<br />

section<br />

Dok Market<br />

long Vacation<br />

by Damjan kozole<br />

Thirteen year-old Alex went on vacation to Serbia. For<br />

four years, he was unable to return home to the country<br />

where he was born. He stayed on ‘vacation’ for twenty<br />

years. Nisveta arrived from Bosnia thirty years ago. After<br />

the independence, she gave birth to a daughter who<br />

did not officially exist for the first two years of her life.<br />

When she was a teenager, Katarina lost her parents,<br />

her flat, and her documents … Three stories of young<br />

people who the state of Slovenia erased from all records<br />

in February 1992, just over half a year after it gained<br />

independence. They became the so-called ‘erased’. So<br />

did approximately 20,000 others.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

slovenia, 2012<br />

colour, B / W, Dcp<br />

34 min<br />

original title<br />

Dolge pocitnice<br />

original language<br />

slovene<br />

Produced by<br />

Danijel Hocevar<br />

Vertigo emotionfilm, slovenia<br />

www.emotionfilm.si<br />

in co-Production With<br />

peter povh<br />

rtV, slovenia<br />

www.rtvslo.si<br />

involved broadcasters<br />

rtV, slovenia<br />

Public screenings<br />

7 / 2012 sarajevo ff, Bosnia<br />

7 / 2012 Dokufest prizren, serbia<br />

9 / 2012 festival of slovenian<br />

films, slovenia<br />

sales contact<br />

Damjan kozole<br />

Vertigo emotionfilm<br />

kersnikova 4<br />

1000 ljubljana, slovenia<br />

damjan@emotionfilm.si<br />

www.emotionfilm.si<br />

losing sonia<br />

by radka franczak<br />

section<br />

Dok Young cinema<br />

competition<br />

Losing Sonia shows how a seemingly rigid monastery<br />

can be a place full of life, beauty and artistic expression.<br />

Sonia, a young nun, paints icons at night and then<br />

sleeps until noon. She has a dog, cats, exotic birds, and<br />

a body that rebelled against the strict rigour of the<br />

monks. Trying to understand her and the meaning of<br />

her life choices, we come to Sonia’s family, marked<br />

with the history of Russia. At the same time, the film is<br />

a journey inside the Orthodox church, showing that<br />

the deep spirituality of the nation is being reborn. Losing<br />

Sonia tells the story of an unusual woman who, within<br />

the walls of the monastery, is trying to rebuild the values<br />

that Russian society has lost under successive politi-<br />

cal regimes.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

poland, 2012<br />

colour, HDcam<br />

50 min<br />

original title<br />

gdzie jest sonia<br />

original language<br />

russian<br />

Produced by<br />

katarzyna slesicka<br />

Wajda studio, poland<br />

Public screenings<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow<br />

poland, 122946945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

204 205<br />

film id<br />

2366


film id<br />

3102<br />

section<br />

Dok Young cinema<br />

competition<br />

and Dok.incubator<br />

tHe<br />

MacHine WHicH<br />

Makes eVerYtHing<br />

Disappear<br />

by tinatin gurchiani<br />

A film director returns to her home country after a long<br />

break. She wants to shoot a film and is in search of<br />

a main character – a modern day hero. She announces a<br />

casting for 15–23 year old youths in order to find him.<br />

This search brings her to different locations: villages and<br />

cities, mountains and plains, fields and upscale clubs.<br />

There are a lot of people who come to the casting<br />

on their own and they all have different motivations: some<br />

are interested in becoming part of a film, some want<br />

to be like Jean-Claude Van Damme, others are ready to<br />

share their sentimental stories or seek for strength<br />

to carry out their major resolutions … Those who prove to<br />

be interested enough are followed through various<br />

dramatic situations. One more chance to think about<br />

the meaning of life and destiny, about wars, dreams<br />

and happiness. Intense and authentic.<br />

genre<br />

arts / culture / Music<br />

author’s point of View<br />

facts<br />

georgia, germany, 2012<br />

colour, Dcp<br />

95 min<br />

original title<br />

Manqana, romelic kvelafers<br />

gaaqrobs<br />

original language<br />

georgian<br />

Produced by<br />

tamar gurchiani<br />

ttfilms, georgia<br />

in co-Production With<br />

kakha Macharashvili<br />

kamachi, georgia<br />

sales contact<br />

Heino Deckert<br />

Deckert Distribution<br />

Marienplatz 1<br />

04103 leipzig, germany<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

section<br />

Dok Market<br />

MaD. a WorlD<br />

of fasHion<br />

by anna Di francisca<br />

Maddalena Sisto – Mad’s sketches for Armani, Fiorucci<br />

and Ferré recount 30 years of Italian fashion. Her<br />

drawings reflect the influence that fashion had on women<br />

and how it was then reinterpreted. Using Mad’s<br />

work as a visual reference, the famous fashion designers<br />

in Milano tell the story of Italian fashion in the golden<br />

years of the 70’s, 80’s and 90’s. Mad left 12,000 drawings<br />

which were animated specifically for the film !<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

switzerland, italy, 2012<br />

colour, HD Videofile<br />

52 min<br />

original title<br />

il Mondo Di Mad<br />

original language<br />

italian<br />

Produced by<br />

elena filippini<br />

stefilm international, italy<br />

www.stefilm.it<br />

in co-Production With<br />

nicolas Burlet<br />

nadasdyfilm, switzerland<br />

www.nadasdyfilm.ch<br />

involved broadcasters<br />

tsr, switzerland<br />

aVro, netherlands<br />

Yle, finland<br />

sVt, sweden<br />

sales contact<br />

elena filippini<br />

stefilm international<br />

Via galliari 5b<br />

10125 torino, italy<br />

elena@stefilm.it<br />

www.stefilm.it<br />

206 207<br />

film id<br />

3215


film id<br />

3157<br />

section<br />

Dok Market<br />

Magic skies<br />

– a HistorY<br />

of fireWorks<br />

by Henrike sandner<br />

Fireworks enchant our senses – for a short but wonderful<br />

moment. Old family businesses have saved the<br />

tradition of fireworks to the present day. The film shows<br />

how this art form has developed over the centuries:<br />

Starting in China over a thousand years ago, we journey<br />

through the opulent Baroque era in Italy, Germany<br />

and France, experience Japanese hanabi artists in action<br />

and are also on hand to experience Guy Fawkes’<br />

Night in the UK. We see how fireworks were democratised,<br />

becoming something that everyone could enjoy and<br />

have access to – before arriving in the present where the<br />

art of fireworks is again what it was in its heyday, a<br />

celebration of money, power and beauty. Each era is<br />

interwoven with contemporary stories and artists from<br />

Asia to the United States, because anyone in the<br />

21st century who has dedicated himself to pyrotechnics<br />

is working in many similar ways to the artists of several<br />

hundred years ago. The film combines gorgeous<br />

firework displays of today with the past explaining how<br />

the makers are aiming to reconnect with the tradi-<br />

tions of their art. Fireworks are and have always been a<br />

passion and a lifestyle.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

germany, united kingdom, 2012<br />

colour, HDcam<br />

52 min<br />

original title<br />

Magic skies – a History<br />

of fireworks<br />

original language<br />

english<br />

sales contact<br />

Bettina oebel<br />

looks Distribution gmbH<br />

escherstraße 22<br />

30159 Hannover, germany<br />

oebel@looksfilm.tv<br />

www.looksfilm.tv<br />

section<br />

focus latin america<br />

Magic WorDs<br />

(to Break a spell)<br />

by Mercedes Moncada rodríguez<br />

This story starts from a child’s imagination where death<br />

is romantic and heroic, then grows with the deepest<br />

love and beauty, the pain of loss and through betrayal and<br />

finally up into space. Magic Words (to break a spell) is<br />

my emotional perspective of the revolution in Nicaragua.<br />

genre<br />

arts / culture / Music<br />

Human interest<br />

facts<br />

Mexico, guatemala,<br />

nicaragua, 2012<br />

colour, HDcam<br />

82 min<br />

original title<br />

palabras Mágicas<br />

(para romper un encantamiento)<br />

original language<br />

spanish<br />

Produced by<br />

Jorge sánchez sosa<br />

amaranta sa de cV, Mexico<br />

sales contact<br />

Jorge sánchez sosa<br />

amaranta sa de cV<br />

atletas no.2 col: contry club<br />

04220 Distrito federal, Mexico<br />

jsanchezsosa@yahoo.com.br<br />

208 209<br />

film id<br />

2781


film id<br />

982<br />

MaMa illegal<br />

by ed Moschitz<br />

section<br />

Dok international programme<br />

They gave the smugglers all their money and risked<br />

their lives on their journey across borders: Three women<br />

from a small town in Moldavia, living now in Austria<br />

as cleaning women. On top of their hard job they live a life<br />

in illegality without documents, far away from their<br />

children and family for years.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

austria, 2011<br />

colour, HDcam<br />

95 min<br />

original title<br />

Mama illegal<br />

original language<br />

german, italian, romanian,<br />

russian<br />

involved broadcasters<br />

orf, austria<br />

Public screenings<br />

5 / 2012 Hot Docs, canada<br />

3 / 2012 one World,<br />

czech republic<br />

5 / 2012 aye aye iff, france<br />

4 / 2012 DocsDf, Mexico<br />

sales contact<br />

Hwa-seon choi<br />

Doc & film international<br />

13 rue portefoin<br />

75003 paris, france<br />

hs.choi@docandfilm.com<br />

ManDala<br />

by christoph Hübner, gabriele Voss<br />

section<br />

Dok Market<br />

Six monks from Bhutan. For most of them it is their first<br />

trip abroad. The monks have come to Germany to<br />

create something extraordinary in the ‘Jahrhunderthalle’<br />

in Bochum: a traditional sand mandala measuring<br />

five by five meters. It is thought to be the largest sand-<br />

mandala ever created so far. It will take the monks<br />

ten days to strew the Chakrasamvara-Mandala, working<br />

from morning until dawn in extreme concentration.<br />

Images from divinities, palaces, walls, spirits and many<br />

symbols of astonishing subtilety, diversity and color<br />

will arise. They make us be astonished at the diversity of<br />

the representation and its numerous colours. And<br />

then, almost like a shock, as soon as the Mandala is<br />

created it will be dismanteled in a ritual ceremony. The<br />

sand is swept up to a grey mass and then it is poured<br />

into a river near by so that it can return to the cycle of<br />

nature. We watch and and try to give our images the<br />

concentration, calm and precision of the monks' work.<br />

Ist strangeness as well. Now and again one of the monks<br />

explains what we are seeing, what is happening, and<br />

how it relates to the sand and the motifs of the mandala.<br />

The film dispenses with any other explanations or<br />

commentaries by third parties. As a result the film itself<br />

is a kind of visual meditation, not esoteric or superficial<br />

but rather calm, quiet, concentrated.<br />

genre<br />

arts / culture / Music<br />

ethnology / religion<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

70 min<br />

original title<br />

Mandala<br />

original language<br />

english<br />

Produced by<br />

christoph Hübner<br />

christoph Hübner film-<br />

produktion, germany<br />

in co-Production With<br />

gabriele Voss, germany<br />

Public screenings<br />

9 / 2012 Docu.arts, germany<br />

sales contact<br />

christoph Hübner<br />

christoph Hübner filmproduktion<br />

in der lake 12<br />

58456 Witten, germany<br />

huebner-film@t-online.de<br />

210 211<br />

film id<br />

2613


film id<br />

1736<br />

section<br />

Dok german competition<br />

tHe Man’s fielD<br />

by Mario schneider<br />

A magical film about the mysteries of childhood and<br />

a thousand-year-old custom. Tom, Sebastian and Paul are<br />

three children from very different families. They<br />

live in a small village in Mansfelder Land, an area where<br />

the demise of mining has left its scars. Despite the<br />

changing times, the villagers have retained an archaic<br />

custom over the centuries. Just once a year, the younger<br />

ones are able to triumph over their elders, and this<br />

is the first hint at the changing of generations: springtime<br />

drives out winter, and thus the young drive out the<br />

old. That’s the way it’s always been, and how it will always<br />

be – and once a year, this old magic returns to hearts<br />

of the villagers. The Man’s field is a film that takes us back<br />

to our own childhoods. All of a sudden we find ourselves<br />

back sitting on the school bench, wandering through<br />

the woods, or being afraid of the dark.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, B / W, Dcp<br />

98 min<br />

original title<br />

Mansfeld<br />

original language<br />

german<br />

Produced by<br />

Mario schneider<br />

42film gmbH, germany<br />

www.42film.de<br />

involved broadcasters<br />

MDr, germany<br />

Public screenings<br />

9 / 2012 tiff, canada<br />

10 / 2012 Warsaw iff, poland<br />

9 / 2012 locarno, switzerland<br />

10 / 2012 philadelphia iff, usa<br />

sales contact<br />

Mario schneider<br />

42film gmbH<br />

geiststr. 49<br />

06108 Halle, germany<br />

org@42film.de<br />

www.42film.de<br />

section<br />

Dok international programme<br />

MattHeW’s laWs<br />

by Marc schmidt<br />

Director Marc Schmidt films his childhood friend<br />

Matthew, who, due to his autistic disorder, desperately<br />

tries to create order in the chaos around him.<br />

Schmidt follows him close to the heart. Explosive con-<br />

frontations with the outside world are alternated<br />

with stylized observations and personal confessions.<br />

Little by little, the film unravels Matthew’s complex<br />

way of thinking and shows the catastrophic consequences<br />

it eventually has for him.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

netherlands, 2012<br />

colour, HDcam<br />

72 min<br />

original title<br />

De regels van Matthijs<br />

original language<br />

Dutch<br />

Produced by<br />

simone van den Broek<br />

Basaltfilm, netherlands<br />

www.basaltfilm.nl<br />

involved broadcasters<br />

ncrV, netherlands<br />

Public screenings<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

sales contact<br />

salma abdalla<br />

autlook filmsales<br />

trappelgasse 4 / 17<br />

1040 Vienna, austria<br />

salma@autlookfilms.com<br />

www.autlookfilms.com<br />

212 213<br />

film id<br />

944


film id<br />

3275<br />

Men’s lust<br />

by gabi schweiger<br />

section<br />

Dok Market<br />

Five extremely different men over the age of 60 talk<br />

about themselves and their lives when they were<br />

younger, when their egos and their sex drive dominated<br />

their thoughts and behaviour. They reflect on how a<br />

man’s life changes after his hormones settle down, and<br />

on failed relationships, pain, feelings of guilt and the<br />

never-ending search for love.<br />

genre<br />

Human interest<br />

facts<br />

austria, 2012<br />

colour, HDcam<br />

65 min<br />

original title<br />

Die lust der Männer<br />

original language<br />

german<br />

Produced by<br />

nikolaus geyrhalter,<br />

Wolfgang Widerhofer,<br />

Michael kitzberger,<br />

Markus glaser<br />

nikolaus geyrhalter<br />

filmproduktion, austria<br />

www.geyrhalterfilm.com<br />

sales contact<br />

andrea Hock<br />

autlook filmsales<br />

trappelgasse 4 / 17<br />

1040 Wien, austria<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

Milana<br />

by Madina Mustafina<br />

section<br />

Dok Young cinema<br />

competition<br />

Milana is about a mother and a daughter who live in the<br />

woods near the outskirts of an anonymous large city<br />

in Russia. They live on the edge of civilization, making<br />

money by selling stolen scrap metal. They are a long<br />

way from that existence that other people call ‘every-<br />

day life’. The film tells the story of what is left when<br />

people have lost everything – family and family values,<br />

good friends, their job, property, and home.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

russia, 2011<br />

colour, Beta sp<br />

58 min<br />

original title<br />

Milana<br />

original language<br />

russian<br />

Produced by<br />

Julia Mishkinene<br />

Vita aktiva, russia<br />

Public screenings<br />

11 / 2011 artDokfest Moscow,<br />

russia<br />

7 / 2012 Dokufest prizren, kosovo<br />

9 / 2012 Message to Man iff,<br />

russia<br />

sales contact<br />

Heino Deckert<br />

Deckert Distribution<br />

Marienplatz 1<br />

04103 leipzig, germany<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

214 215<br />

film id<br />

1820


film id<br />

3296<br />

section<br />

Best of tV – poV<br />

tHe Most<br />

Dangerous Man<br />

in aMerica: Daniel<br />

ellsBerg anD<br />

tHe pentagon papers<br />

by Judith ehrlich, rick goldsmith<br />

In 1971, Daniel Ellsberg, a leading Vietnam War<br />

strategist, concludes that America’s role in the war is<br />

based on decades of lies. He leaks 7,000 pages of<br />

top-secret documents to The New York Times, a daring<br />

act of conscience that leads directly to Watergate,<br />

President Nixon’s resignation and the end of the<br />

Vietnam War. Ellsberg and a who’s-who of Vietnam-era<br />

movers and shakers give a riveting account of those<br />

world-changing events in POV’s The Most Dangerous Man<br />

in America: Daniel Ellsberg and the Pentagon Papers by<br />

award-winning filmmakers Judith Ehrlich (The Good War<br />

and Those Who Refused to Fight It) and Rick Goldsmith<br />

(Tell the Truth and Run: George Seldes and the American Press).<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

usa, 2009<br />

colour, HDcam<br />

94 min<br />

original title<br />

the Most Dangerous Man in<br />

america: Daniel ellsberg and the<br />

pentagon papers<br />

original language<br />

english<br />

Produced by<br />

Judith ehrlich<br />

kovno communications inc., usa<br />

www.mostdangerousman.org<br />

rick goldsmith<br />

involved broadcasters<br />

american Documentary | poV,<br />

usa<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

MotHer 24 / 7<br />

by Marcin Janos krawczyk<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

Film is a journey into human hearts. It takes its origins<br />

in the copy of the picture of Black Madonna of<br />

Częstochowa that for the last 55 years has been traveling<br />

accross Poland visiting cities and small villages.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

poland, 2012<br />

colour, DigiBeta<br />

50 min<br />

original title<br />

Matka 24h<br />

original language<br />

polish<br />

Produced by<br />

Marcin Janos krawczyk, poland<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

216 217<br />

film id<br />

3231


film id<br />

2642<br />

MotHer’s DaY<br />

by Bin chuen choi<br />

section<br />

Dok Young cinema<br />

competition<br />

At 11, I met my mother for the first time; then she<br />

vanished again. Later, I recognized her in a magazine<br />

article. I wasn’t sure if she was really my mother, so<br />

I looked up her birth certificate to compare my mother’s<br />

name with the person’s in the magazine. Only then I<br />

learned that my mother was Yeh Su Nee, one of the most<br />

popular Hong Kong writers whose novels fill entire<br />

shelves in any bookstore. So far, I have successfully re-<br />

pressed my mother from my life: wouldn’t it be better to<br />

continue like that ? Is it not too late for a 44-year-old<br />

who has a child of his own to search for his 65-year-old<br />

mother whom he doesn’t even know and flood her<br />

with questions ? I am sure to find her and try to imagine<br />

her voice. How nervous will I be calling her ? I’ll<br />

probably say something like, ‘Hello, it’s me, Bin Chuen<br />

Choi, your son. Long time no see. Shall we meet ?’<br />

But how will she react ? Perhaps she’ll refuse to see me<br />

or say, ‘It did take you very long to call. Let’s go eat<br />

Dim Sum. I know a good spot downtown.’<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

80 min<br />

original title<br />

Mother’s Day<br />

original language<br />

chinese, german<br />

Produced by<br />

gunter Hanfgarn, andrea ufer<br />

Hanfgarn & ufer filmproduktion,<br />

germany<br />

www.hu-film.de<br />

Public screenings<br />

8 / 2012 locarno, switzerland<br />

sales contact<br />

gunter Hanfgarn<br />

Hanfgarn & ufer filmproduktion<br />

apostel-paulus-straße 6a<br />

10823 Berlin, germany<br />

hanfgarn@hu-film.de<br />

www.hu-film.de<br />

Mountain<br />

loVe storY<br />

by eliza kubarska<br />

section<br />

Dok Market<br />

A TV launch of the extraordinary romance where Polish<br />

alpinists Eliza Kubarska and David Kaszlikowski<br />

take a journey inside the fjords of southern Greenland to<br />

reach the world’s highest sea cliff. The huge granite<br />

wall is reachable only by Kayak across an eerie, stormridden<br />

and freezing sea. Capsizing in this area<br />

means hypothermia and death within minutes. Several<br />

days of risky cliff climbing follow – all for a kiss at<br />

1500 metres. An extraordinary romance in one of the<br />

most beautiful landscapes you have ever seen. TV release<br />

of the 63’ festival version called What Happened on<br />

Pam Island ?, which has been shown and awarded at a<br />

large number of festivals around the world.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

poland, 2011<br />

colour, Beta sp<br />

52 min / 63 min<br />

original title<br />

Mountain love story<br />

original language<br />

polish<br />

Produced by<br />

eliza kubarska<br />

Vertical Vision film studio,<br />

poland<br />

www.studiowspin.com.pl<br />

Public screenings<br />

2 / 2012 Vancouver Mountain iff,<br />

canada<br />

6 / 2012 open city london Doc<br />

ff, united kingdom<br />

11 / 2012 Berg & abenteuer iff<br />

graz, austria<br />

5 / 2012 Mountainfilm telluride,<br />

usa<br />

sales contact<br />

esther van Messel<br />

first Hand films<br />

neunbrunnenstrasse 50<br />

8050 Zürich, switzerland<br />

esther.van.messel@<br />

firsthandfilms.com<br />

www.firsthandfilms.com<br />

218 219<br />

film id<br />

3171


film id<br />

2658<br />

Musics<br />

by agnieszka gonczarek, patryk kizny<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

Muzyki (Musics) is a creative documentary about the<br />

stimulative process of making music, materialized in an<br />

artistic collaboration of the musician Michał Zygmunt<br />

and filmmakers Aga Gonczarek & Patryk Kizny. It<br />

explores the inspirations, the quest for one’s roots, the<br />

artistic meetings and the musical journey into the<br />

unknown, which all lead to the creation of a unique<br />

music album and a series of exceptional live music<br />

performances. It reveals a modern interpretation of<br />

Polish roots culture by means of music and imagery.<br />

genre<br />

arts / culture / Music<br />

facts<br />

poland, 2012<br />

colour, DigiBeta<br />

36 min<br />

original title<br />

Muzyki<br />

original language<br />

polish<br />

Produced by<br />

patryk kizny, poland<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

section<br />

Dok Market<br />

MY fatHer<br />

anD tHe<br />

Man in Black<br />

by Jonathan Holiff<br />

Before there was Johnny and June, there was Johnny and<br />

Saul. In a secret storage locker a son searches for<br />

clues to his father’s suicide – and discovers his father’s<br />

audio diaries. Imagine finding 60 hours of audio<br />

diaries and telephone calls between your father and<br />

Johnny Cash recorded when you were a child: during the<br />

1960s and 1970s – the singer’s most talked about<br />

but least examined years. That’s exactly what happened to<br />

Jonathan Holiff after his father, Cash’s former manager,<br />

Saul Holiff, committed suicide – without leaving a<br />

note. This is no ordinary music documentary. What if the<br />

father you rejected was not the man you thought<br />

he was ? An explosive new talent meets the man who will<br />

take him to the top, in a story about a cold and distant<br />

father whose suicide brings about reconciliation in a<br />

most unexpected and remarkable way. My Father and The<br />

Man In Black tells the inside story of ‘bad boy’ Johnny<br />

Cash, his talented and troubled manager, Saul Holiff, and<br />

a son searching for his father in the shadow of a legend.<br />

genre<br />

arts / culture / Music<br />

author’s point of View<br />

Human interest<br />

portrait<br />

facts<br />

canada, 2012<br />

colour, Dcp<br />

90 min<br />

original title<br />

My father and the Man in Black<br />

original language<br />

english<br />

Produced by<br />

Jeff paikin<br />

new chapter productions inc.,<br />

canada<br />

www.tiny.cc / Johnny_and_saul<br />

involved broadcasters<br />

rogers Media inc., canada<br />

Public screenings<br />

10 / 2012 Vancouver iff, canada<br />

10 / 2012 raindance,<br />

united kingdom<br />

sales contact<br />

Jonathan Holiff<br />

new chapter productions inc.<br />

50 charles street e., #123<br />

M4Y 2l4 toronto, canada<br />

Holifffame@gmail.com<br />

www.tiny.cc / Johnny_and_saul<br />

220 221<br />

film id<br />

485


film id<br />

2253<br />

section<br />

Dok international programme<br />

MY first Mountain<br />

– a rigi filM<br />

by erich langjahr<br />

‘Of all the mountain films I have made, the film My First<br />

Mountain marks the conclusion of my cinematic<br />

reflections on rural and Alpine Switzerland. I grew up at<br />

the gateway to Central Switzerland with a view of<br />

Mt. Rigi. Since my childhood, the sweeping backdrop of<br />

this mountain has never ceased to impress me.<br />

Mt. Rigi is also the first mountain for the Alpine herdsman<br />

Märtel Schindler. Just like his ancestors, he grew up on<br />

it and lives and works on this mountain, a popular<br />

tourist and recreation destination. In this film I attempt<br />

to probe the heart – the heart of a magnificent landscape<br />

and the heart of a personal account, to capture an<br />

image of time from the heart of Switzerland.’<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

switzerland, 2012<br />

colour, Dcp<br />

97 min<br />

original title<br />

Mein erster Berg – ein rigi film<br />

original language<br />

german<br />

Produced by<br />

erich langjahr<br />

langjahr film gmbH, switzerland<br />

www.langjahr-film.ch<br />

sales contact<br />

erich langjahr<br />

langjahr film gmbH<br />

luzernerstraße 16<br />

6037 root, switzerland<br />

info@langjahr-film.ch<br />

www.langjahr-film.ch<br />

MY House<br />

WitHout Me<br />

by Magdalena szymkow<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

Two women, one house. An intimate story about a Pole<br />

and a German placed by war on enemy sides and<br />

their parallel lives accidentally brought together. The<br />

film reflects on the concepts of invader, victim,<br />

guilt and forgiveness. It confronts different experiences<br />

and their paradoxical similarities. It deals with the<br />

controversial subject of the post-war accounts. The visual<br />

narration is flowing, guided by memories and archives.<br />

Traditional documentation confronts experimental<br />

use of archival footage in this cinematic impression about<br />

displacement.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, DigiBeta<br />

28 min<br />

original title<br />

Moj dom<br />

original language<br />

german, polish<br />

Produced by<br />

katarzyna slesicka<br />

Wajda studio, poland<br />

Public screenings<br />

6 / 2012 krakow ff, poland<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

222 223<br />

film id<br />

2368


film id<br />

3308<br />

MY stuff<br />

by petri luukkainen<br />

section<br />

Dok.incubator<br />

What are the things we really need in life – and what<br />

about all that stuff ? In order to find out, a young<br />

man makes himself the subject of a one year human<br />

experiment. The concept: Put all of your stuff<br />

into storage, and bring back only one item per day.<br />

The result ? An everyday adventure driving him<br />

deeper and deeper into the empty spot in his heart.<br />

You’re right: this would be borderline insane<br />

even without his decision of constantly filming him-<br />

self. Meet Petri, 26. Amidst an existential crisis, he<br />

arrives at the idea that his happiness might be found<br />

by rebuilding his everyday existence. Buck naked<br />

at his flat, it’s another story – not a pretty one but damn<br />

fun to watch.<br />

As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />

still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

finland, 2012<br />

colour, HD Videofile<br />

85 min<br />

original title<br />

tavarataivas<br />

original language<br />

finnish<br />

Produced by<br />

petri luukkainen,<br />

anssi perttala<br />

unifilm oy, finland<br />

www.unifilm.fi<br />

sales contact<br />

anssi perttala<br />

unifilm oy<br />

eurantie 12–14 lH1<br />

Helsinki, finland<br />

ap@unifilm.fi<br />

www.unifilm.fi<br />

tHe nigHt<br />

of tHe Bear<br />

by sam guillaume, fred guillaume<br />

A night at the Bears’ where animals talk about their lives.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

switzerland, 2012<br />

colour, Dcp<br />

22 min<br />

original title<br />

la nuit de l'ours<br />

original language<br />

french<br />

Produced by<br />

sam guillaume<br />

cine3d, switzerland<br />

www.cine3d.ch<br />

involved broadcasters<br />

rts, switzerland<br />

Public screenings<br />

9 / 2012 fantoche, switzerland<br />

sales contact<br />

fred guillaume<br />

sam guillaume<br />

cine3d<br />

rte du petit moncor 1c<br />

1752 Villars-s-glâne, switzerland<br />

f.guillaume@cine3d.ch<br />

www.cine3d.ch,<br />

224 225<br />

film id<br />

2686<br />

section<br />

animadoc


film id<br />

2798<br />

section<br />

Dok international<br />

competition short<br />

nigHt’s Drifters<br />

by Bijan anquetil<br />

The story of a friendship. Soban and Hamid, two young<br />

Afghans, after several years of wandering, have<br />

ended up in Paris. By the light of a camp fire on a canal,<br />

they meet again. It’s here, by the light of a rough fire<br />

on the canal, that they meet again. Night’s Drifters is a<br />

film about passengers crossing Europe by night.<br />

It is about young Afghans living in exile and writing their<br />

own clandestine stories by acts, words and cell phones.<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

france, 2012<br />

colour, Dcp<br />

45 min<br />

original title<br />

la nuit remue<br />

original language<br />

persian<br />

Produced by<br />

Joanna sitowska<br />

le grec, france<br />

Public screenings<br />

7 / 2012 fiD Marseille, france<br />

sales contact<br />

Joanna sitkowska<br />

g. r. e. c.<br />

14 rue alexandre parodi<br />

75010 paris, france<br />

jsitkowska@grec-info.com<br />

www.grec-info.com<br />

section<br />

Dok international programme<br />

no Business<br />

like sHoWBusiness<br />

by Martin schilt, Bernhard Weber<br />

Twenty Farmers get famous. Until a short time ago, the<br />

rituals of the Wiesenbergers were simple. The sing-<br />

ing mountain dwellers met once a week in the chapel in<br />

order to rehearse together, and they would yodel for<br />

weddings and birthdays. Now, their whole world has been<br />

turned on its head. Their CDs are storming the hit<br />

parades and they are overwhelmed by concert requests –<br />

show business is calling them. Now they are about to<br />

appear at the World Exhibition in Shanghai. The enticing<br />

offer became a potential rift. A film about yodelling<br />

mountain dwellers who attempt to remain authentic<br />

between tradition and show business.<br />

genre<br />

arts / culture / Music<br />

Human interest<br />

portrait<br />

facts<br />

switzerland, 2012<br />

colour, Dcp<br />

85 min<br />

original title<br />

Die Wiesenberger<br />

original language<br />

swiss german<br />

Produced by<br />

Martin schilt<br />

luckyfilm gmbH, switzerland<br />

www.luckyfilm.tv<br />

in co-Production With<br />

robert Müller<br />

Zeitraum film gmbH,<br />

switzerland<br />

www.zeitraumfilm.ch<br />

involved broadcasters<br />

srf, switzerland<br />

Public screenings<br />

1 / 2012 solothurner filmtage<br />

switzerland<br />

sales contact<br />

cyril thurston<br />

xenix filmdistribution<br />

langstrasse 64<br />

cH-8026 Zürich, switzerland<br />

c.thurston@xenix.ch<br />

www.xenix.ch<br />

226 227<br />

film id<br />

105


film id<br />

570<br />

no HarM Done<br />

by nadia el fani, alina isabel perèz<br />

section<br />

Dok international programme<br />

My rebelliousness grows trough my family history, it is<br />

not trivial to be a daughter of Communists, I feel a<br />

deep need and desire for freedom. I always thought that<br />

my films only spoke of it: ‘The Freedom’. During the<br />

filming of Laicité Inch’Allah ! I have no choice. I confront<br />

the Islamists: war is declared ! In parallel, I discovered<br />

the corridors of the Tenon Hospital in November, in<br />

Paris. I must therefore face a second enemy: my Cancer.<br />

Why should I have made a film ? I wanted to explain<br />

the ‘repercussions of my previous movie’ ? It allows me to<br />

continue the fight and saying, once again, that ‘those<br />

who live are those who fight’. (Victor Hugo)<br />

genre<br />

author’s point of View<br />

ethnology / religion<br />

facts<br />

france, 2012<br />

colour, HDcam<br />

66 min<br />

original title<br />

Même pas mal<br />

original language<br />

arabic, french<br />

Produced by<br />

Jan Vasak<br />

k'ien productions, france<br />

www.kien.fr<br />

sales contact<br />

Jan Vasak<br />

k'ien productions<br />

24, rue Meslay<br />

75003 paris, france<br />

jan@vasak.fr<br />

www.kien.fr<br />

nurse gretel #2<br />

– escape<br />

by Barbara Hlali<br />

Being on the run involuntarily. Standing next to<br />

the street at dusk, not knowing where to go. Waiting<br />

at the station for days for the next train to come.<br />

Being robbed of the little possessions that were left.<br />

Hiding from assaults by enemy soldiers. Being<br />

scared for the life of one’s own child. But also: getting<br />

help from strangers again and again. Having a roof<br />

over one’s head thanks to lucky circumstances. Discovering<br />

humanity in strangers. Unexpectedly experiencing<br />

moments of peace and quiet. As an elderly woman,<br />

nurse Gretel tells her story of her escape from Silesia to<br />

West Germany at the end of World War II. The per-<br />

sonal fate of one woman that today still is suffered by<br />

thousands in the same manner every day.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, B / W, HD Videofile<br />

24 min<br />

original title<br />

schwester gretel #2 – flucht<br />

original language<br />

german<br />

Produced by<br />

Barbara Hlali, germany<br />

www.barbara-hlali.de<br />

sales contact<br />

Barbara Hlali<br />

Deutsch-luxemburger-str. 151<br />

44225 Dortmund, germany<br />

barbara.hlali@gmx.de<br />

www.barbara-hlali.de<br />

228 229<br />

film id<br />

1337<br />

section<br />

animadoc


film id<br />

1889<br />

nYosHa<br />

by liran kapel, Yael Dekel<br />

section<br />

animadoc<br />

A true story based on a testimony of Holocaust survivor,<br />

the late Nomi Kapel. Nyosha is a ten year old girl<br />

that lives with her mother in a small village in Poland.<br />

Nyosha has a seemingly naive and simple dream, to<br />

buy herself a pair of shoes. But a ruthless war is arriving,<br />

and her dream is put aside. In the midst of a terrible<br />

action, when she stands face to face with death and the<br />

fatal moment she is torn from her mother and taken<br />

to the truck, Nyosha believes that her shoes are the ones<br />

that convinced the Nazi soldier who held her to spare<br />

her life. A range of animation techniques brings to-<br />

gether the dream and the reality and tells Nyosha’s story.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

israel, 2012<br />

colour, HD Videofile<br />

12 min<br />

original title<br />

nyosha<br />

original language<br />

Hebrew<br />

Produced by<br />

liran kapel<br />

sapir academic college, israel<br />

Public screenings<br />

8 / 2012 asif animation festival,<br />

israel<br />

9 / 2012 stoptrik, poland<br />

sales contact<br />

Michael treves<br />

JMt films Distribution,<br />

co-productions & world sales<br />

20 Bialik street<br />

63324 tel aviv, israel<br />

michael@jmtfilms.com<br />

tHe oatH<br />

by laura poitras<br />

section<br />

Best of tV – poV<br />

Filmed in Yemen and Guantánamo Bay, Cuba, The Oath<br />

interweaves the stories of Abu Jandal, Osama bin<br />

Laden’s former bodyguard, and Salim Hamdan, a prisoner<br />

at Guantánamo facing war crimes charges. Directed<br />

by Laura Poitras (Flag Wars, POV 2003; the Oscar-nominated<br />

My Country, My Country, POV 2006), The Oath<br />

unfolds via a narrative rife with plot reversals and<br />

betrayals that ultimately leads to Osama bin Laden, 9 / 11,<br />

Guantánamo and the U. S. Supreme Court.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

usa, 2010<br />

colour, DigiBeta<br />

96 min<br />

original title<br />

the oath<br />

original language<br />

arabic, english<br />

Produced by<br />

laura poitras<br />

praxis films, usa<br />

in co-Production With<br />

Jonathan oppenheim,<br />

nasser arrabyee, aliza kaplan,<br />

usa<br />

involved broadcasters<br />

american Documentary | poV,<br />

usa<br />

sales contact<br />

catherine le clef<br />

cat&Docs<br />

18 rue Quincampoix<br />

75004 paris, france<br />

cat@catndocs.com<br />

www.catndocs.com<br />

230 231<br />

film id<br />

3295


film id<br />

2364<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

one Meter<br />

aBoVe grounD<br />

by tomasz Wiszniewski<br />

Sergey, who is Ukrainian, was a soldier of the Soviet fleet<br />

until both his feet and his fingers were amputated<br />

due to frostbite. Over 10 years, he underwent 29 operations<br />

and lived with severe disability. Suffering deprived<br />

him of his will to live. One day, thanks to a spiritual<br />

transformation, Sergey completely changed his attitude.<br />

Today, he is dreaming of building a house for those<br />

who suffered a similar fate. He sees the world from the<br />

perspective of one meter above the ground and thinks<br />

it is more beautiful than ever.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, DigiBeta<br />

42 min<br />

original title<br />

Metr nad ziemia<br />

original language<br />

russian<br />

Produced by<br />

Henryk Dedo<br />

fundacja głos ewangelii, poland<br />

Public screenings<br />

6 / 2012 krakow ff, poland<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

tHe otHer DaY<br />

by ignacio agüero<br />

The filmmaker’s house in Santiago has a door that leads<br />

to the sidewalk, which separates two spaces: the inner<br />

space, the house itself and the outer space; the city.<br />

There is a corridor in the inner space which has a large<br />

window that leads to a small patio. The wisteria,<br />

the bougainvillea and the old vine trunk struggle among<br />

them, co-existing with a variety of birds that drink<br />

water from a fountain and bathe in it, plus one cat that<br />

belongs to the adjacent houses. Sunlight comes through<br />

the window as it moves during the changing seasons.<br />

Inside the house, there are many objects from which the<br />

director takes stories that he tells with his own voice.<br />

These stories are interrupted when acquaintances and<br />

strangers ring the bell. The director opens the door. He<br />

asks about their address and goes to their houses to<br />

knock on their doors, creating a net of links between his<br />

house and the strangers’ houses. This net is drawn on<br />

a large map of the city found inside the house. This way, a<br />

braid of characters, spaces, time and stories is built.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

chile, 2012<br />

colour, Dcp<br />

120 min<br />

original title<br />

el otro Dia<br />

original language<br />

spanish<br />

Produced by<br />

ignacio agüero<br />

ignacio agüero & asoc., chile<br />

in co-Production With<br />

cristian aspee<br />

suricato, chile<br />

Public screenings<br />

10 / 2012 ValDiVa, chile<br />

11 / 2012 festival Dei popoli, italy<br />

sales contact<br />

amalric de pontcharra<br />

avda carlos antunez 2329,<br />

providencia<br />

7510347 santiago, chile<br />

amaldep@gmail.com<br />

232 233<br />

film id<br />

2659<br />

section<br />

chileDoc


film id<br />

345<br />

section<br />

Dok international<br />

competition short<br />

our DaYs,<br />

aBsolutelY, HaVe to<br />

Be enligHteneD<br />

by Jean-gabriel périot<br />

28th May, 2011, Orléans. Inmates gave a concert<br />

inside the prison. The sound was broadcasted outside<br />

for the audience.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

france, 2012<br />

colour, DigiBeta<br />

22 min<br />

original title<br />

nos Jours, absolument,<br />

Doivent être illuminés<br />

original language<br />

french<br />

Produced by<br />

cécile lestrade<br />

alter ego production, france<br />

www.alterego-prod.com<br />

in co-Production With<br />

paul laurent<br />

association Mixar, france<br />

Public screenings<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

3 / 2012 timishort, romania<br />

7 / 2012 karlovy Vary iff,<br />

czech republic<br />

8 / 2012 festival silhouette,<br />

france<br />

sales contact<br />

cécile lestrade<br />

alter ego production<br />

48 rue de Bourgogne<br />

45000 orléans, france<br />

info@alterego-prod.com<br />

www.alterego-prod.com<br />

oVer MY DeaD BoDY<br />

by Brigitte poupart<br />

Dancer and choreographer Dave St-Pierre is adored<br />

by critics and audiences alike. His subversive, innovative<br />

works are taking Europe by storm. But his own<br />

body is failing him. Dave is 34 and has cystic fibrosis.<br />

The average life expectancy for sufferers is 37. His<br />

doctors have given him two years to live unless he has a<br />

lung transplant. With the sense of urgency growing,<br />

his best friend and creative partner, director and actress<br />

Brigitte Poupart, turns her camera on the daily life<br />

of a man who is waiting for a life-or-death call from the<br />

doctor. A call that could come at any moment. United by<br />

art and friendship, the two create a space in which<br />

creativity emerges as a vital act. Over My Dead Body<br />

is an engrossing private diary that accepts neither taboos<br />

nor fate. It features testimonials from Dave’s friends,<br />

loved ones and collaborators, as well as excerpts from<br />

his works.<br />

genre<br />

arts / culture / Music<br />

Human interest<br />

facts<br />

canada, 2012<br />

colour, HDcam<br />

80 min<br />

original title<br />

over My Dead Body<br />

original language<br />

french<br />

Produced by<br />

Virginie Dubois<br />

coop Video de Montréal, canada<br />

www.coopvideo.ca<br />

Public screenings<br />

2 / 2012 rendez-vous du cinéma<br />

Québécois, canada<br />

4 / 2012 Hot Docs, canada<br />

5 / 2012 MoMa, usa<br />

sales contact<br />

anne paré<br />

les films du 3 Mars<br />

2065, rue parthenais<br />

Bureau 277<br />

H2k 3t1 Montreal, canada<br />

info@f3m.ca<br />

www.f3m.ca<br />

234 235<br />

film id<br />

1142<br />

section<br />

Hot Docs


film id<br />

1857<br />

oVertiMe<br />

by gürcan keltek<br />

section<br />

Dok international<br />

competition short<br />

Istanbul, the present. The city is one big machine<br />

where we listen to the voices of young male and female<br />

workers. A Kurdish girl rebels against the family<br />

tradition. The last young member of a diminished clan<br />

remembers the past. A child worker turns into his<br />

family’s leader. A young male sells himself in front of<br />

The Blue Mosque. Shot entirely on Super 8, Fazlamesai<br />

chronicles the desperation and hope in the econom-<br />

ically / culturally marginalized Muslim working class.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

turkey, 2012<br />

B / W, HDcam<br />

20 min<br />

original title<br />

fazlamesai<br />

original language<br />

kurdish, turkish<br />

Produced by<br />

gürcan keltek<br />

29p, turkey<br />

www.cargocollective.com/<br />

29p-films<br />

Public screenings<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

sales contact<br />

gürcan keltek<br />

29p<br />

evliya celebi Mah. Mesrutiyet<br />

cad<br />

ersoy Han no:102 / 4<br />

sishane – Beyoglu<br />

34430 istanbul, turkey<br />

gurcankeltek@gmail.com<br />

www.cargocollective.<br />

com/29p-films<br />

section<br />

Dok Young cinema<br />

competition<br />

paBlo’s Winter<br />

by chico peirera<br />

Pablo needs to stop smoking. Why ? Because his wife,<br />

family and doctor say he should. But Pablo is a stub-<br />

born man. He’s worked in the mercury mines of Almaden,<br />

Spain, risking his life daily. He’s had five severe heart<br />

attacks and smoked 20 Fortuna’s a day since he was 12.<br />

Surely this simple divine pleasure can’t be killing<br />

him, but could his wife’s firm, persistent words be the<br />

key to finally quitting ? Pablo’s Winter captures the<br />

comical essence of everyday life in a small town that<br />

strives to survive after the closure of the most productive<br />

mercury mines in history.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

united kingdom, 2012<br />

colour, HDcam<br />

76 min<br />

original title<br />

pablo’s Winter<br />

original language<br />

spanish<br />

Produced by<br />

finlay pretsell<br />

scottish Documentary institute,<br />

united kingdom<br />

www.scottishdocinstitute.com<br />

sales contact<br />

finlay pretsell<br />

scottish Documentary institute<br />

74 lauriston place<br />

eH3 9Df edinburgh,<br />

united kingdom<br />

finlay@scottishdocinstitute.com,<br />

f.pretsell@eca.ac.uk<br />

www.scottishdocinstitute.com<br />

236 237<br />

film id<br />

121


film id<br />

1115<br />

tHe palace<br />

by tomasz Wolski<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

The Palace of Culture and Science in Warsaw was a<br />

despised gift from Stalin. After the system transformation<br />

in Poland some suggested pulling it down. But the<br />

palace is still standing and doing fine, pulsating with the<br />

life of hundreds of offices, hosting a theatre, concert<br />

hall, cinema and even a swimming pool as well as a city<br />

council room. Having already visited a clinic, hospital and<br />

registry office, this time Wolski, with his camera,<br />

enters the building that is a reflection of Poland’s every-<br />

day life and history. The nooks and crannies of the<br />

building make a backdrop for apt and witty observations<br />

as well as an inspiration to more general diagnoses.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, HDcam<br />

82 min<br />

original title<br />

palac<br />

original language<br />

polish<br />

Produced by<br />

anna gawlita<br />

kijora, poland<br />

Public screenings<br />

5 / 2012 planete+ Doc ff, poland<br />

6 / 2012 krakow ff, poland<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

paperBox<br />

by Zbigniew czapla<br />

In May 2010, after record rainfall, flash floods broke<br />

embankments of the Vistula near Wilków. Catastrophic<br />

flooding deprived thousands of people of all their<br />

possessions and roofs over their heads. A few weeks later,<br />

Zbigniew Czapla found a box of old photographs in<br />

his family house also ravaged by the elements. The unique<br />

family mementoes left were destroyed by water, mud<br />

and mould. This film is a desperate attempt to keep<br />

memories, reconstruct people and events of the past. An<br />

impression on the transitory nature of memory, inevita-<br />

bility of fading and the destructive force of the elements.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, HD Videofile<br />

9 min<br />

original title<br />

papierowe pudełko<br />

original language<br />

polish<br />

Produced by<br />

Zbigniew czapla, poland<br />

www.zbigniewczapla.pl<br />

Public screenings<br />

5 / 2012 krakow iff, poland<br />

8 / 2012 Hiroshima<br />

animation iff, Japan<br />

9 / 2012 Message to Man iff,<br />

russia<br />

10 / 2012 london animation iff,<br />

united kingdom<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

238 239<br />

film id<br />

818<br />

section<br />

animadoc


film id<br />

2758<br />

papirosen<br />

by gastón solnicki<br />

section<br />

focus latin america<br />

Flight, a new beginning and the social rise of a Jewish<br />

family in Argentina. The home movie genre tran-<br />

scended in a gripping family epic that encompasses<br />

four generations.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

argentina, 2012<br />

(none), HD Videofile<br />

74 min<br />

original title<br />

papirosen<br />

original language<br />

spanish<br />

Produced by<br />

pablo chernov<br />

filmy Wiktoria, argentina<br />

sales contact<br />

gastón solnicki<br />

filmy Wiktoria<br />

o'Higgins 1665<br />

1426 Buenos aires, argentina<br />

gastonsolnicki@gmail.com<br />

peace out<br />

by charles Wilkinson<br />

Peace Out asks and answers the question: are we ripp-<br />

ing up our back yard for energy – or not ? The film seeks<br />

to engage those of us who do not connect our daily<br />

decisions with global land use issues. It focuses on the<br />

North Western Canadian wilderness, however the<br />

issues are universal. The film pits energy executives,<br />

Tar Sands reps, nuclear spokesmen against academics<br />

and activists in an intelligent debate that leaves the<br />

viewer to decide what to believe. The film presents a<br />

beautiful, thought provoking look at a rapidly transforming<br />

landscape.<br />

genre<br />

History / politics / current affairs<br />

science<br />

facts<br />

canada, 2011<br />

colour, HDcam<br />

81 min<br />

original title<br />

peace out<br />

original language<br />

english<br />

Produced by<br />

tina schliessler<br />

apple pie pictures inc., canada<br />

www.tina-schliessler.com<br />

Public screenings<br />

4 / 2012 Hot Docs, canada<br />

sales contact<br />

charles Wilkinson<br />

shore films inc.<br />

617 Beachview Drive<br />

V7g1p8 north Vancouver,<br />

canada<br />

cw@charleswilkinson.com<br />

www.charleswilkinson.com<br />

240 241<br />

film id<br />

3252<br />

section<br />

Hot Docs


film id<br />

3070<br />

a people<br />

uncounteD<br />

by aaron Yeger<br />

section<br />

Dok Market<br />

The Roma, commonly referred to as Gypsies, are<br />

outsiders who have been both romanticised and vilified<br />

in popular culture. Lacking the kind of social hier-<br />

archy and political power that could otherwise advocate<br />

collectively for their rights and tell their history, the<br />

Roma struggle with chronic poverty and disenfranchisement.<br />

They have endured centuries of intolerance<br />

and persecution in Europe – an estimated 500,000 were<br />

murdered during World War II. Shot in 11 countries<br />

and featuring dozens of Roma – including Holocaust<br />

survivors, historians, activists and musicians. A People<br />

Uncounted documents their culturally rich yet<br />

often difficult lives and demonstrates how their present<br />

state has been shaped by the tragedies of the past.<br />

As ethnic intolerance flares across Europe again, the film<br />

sheds light on this unique culture, placing the Romani<br />

story within a larger context of racism and genocide.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

canada, 2012<br />

colour, B / W, DigiBeta<br />

57 min<br />

original title<br />

a people uncounted<br />

original language<br />

english<br />

Produced by<br />

Marc swenker<br />

urbinder films, canada<br />

Public screenings<br />

10 / 2012 rtV, slovenia<br />

sales contact<br />

tim sparke<br />

Mercury Media<br />

7 Baseline studios<br />

Whitchurch road<br />

W11 4at london, united kingdom<br />

tsparke@mercurymedia.org<br />

www.mercurymedia.org<br />

section<br />

Best of tV – poV<br />

a perfect canDiDate<br />

by r. J. cutler, David van taylor<br />

Disproving the adage that there are no second acts in<br />

American life, Iran/Contra legend Oliver North<br />

re-emerged to challenge incumbent Charles Robb in<br />

a hotly contested 1994 Virginia senatorial race.<br />

R. J. Cutler and David Van Taylor weave a modern-day<br />

parable about leadership in America and campaign<br />

culture in a cynical age. The result is a clear-eyed exami-<br />

nation of the electoral process, where issues take a<br />

back seat to the machinations of spin doctors, and voter<br />

interests are lost in a media hall of mirrors.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

usa, 1996<br />

B / W, HDcam<br />

105 min<br />

original title<br />

a perfect candidate<br />

original language<br />

english<br />

Produced by<br />

r. J. cutler, actual reality<br />

pictures, usa<br />

David van taylor, usa<br />

in co-Production With<br />

Dan partland, ted skillman,<br />

usa<br />

involved broadcasters<br />

american Documentary | poV,<br />

usa<br />

sales contact<br />

andrew catauro<br />

american Documentary | poV<br />

32 Broadway 14th floor<br />

nY 10004, usa<br />

acatauro@pov.org<br />

www.pov.org<br />

242 243<br />

film id<br />

3307


film id<br />

402<br />

section<br />

animadoc<br />

petra’s poeM<br />

by shira avni<br />

In this visually compelling, colourful short, Toronto<br />

artist Petra Tolley performs a candid soliloquy<br />

about what it feels like to be ‘in the middle.’ Petra has<br />

Down syndrome, and draws from her emotional<br />

experiences of living and working in the flux between<br />

societal order and personal chaos to produce a dis-<br />

tinctive take on the social self. Award-winning director<br />

Shira Avni (Tying Your Own Shoes, John and Michael)<br />

employs rotoscopy and hand-drawn animation<br />

techniques to enhance and interact with Petra’s performance.<br />

But Petra is not alone – a troupe of adults<br />

with Down syndrome rallies around Petra in a theatrical<br />

movement that explores the dynamics of seclusion,<br />

societal expectations and social support. In subtle<br />

stereoscopic 3D, Petra engages the camera with unflinching<br />

and tender directness, heightening our sense<br />

of intimacy, alienation, bonding and innately, dignity.<br />

genre<br />

Human interest<br />

facts<br />

canada, 2012<br />

colour, HD Videofile<br />

4 min<br />

original title<br />

petra’s poem<br />

original language<br />

english<br />

Produced by<br />

roddy McManus, David Verrall<br />

national film Board of canada,<br />

canada<br />

Public screenings<br />

4 / 2012 Hot Docs, canada<br />

sales contact<br />

Élise labbé<br />

national film Board of canada<br />

3155, cote-de-liesse road<br />

H4n 2n4 saint-laurent, canada<br />

festivals@nfb.ca<br />

www.nfb.ca<br />

places otHer<br />

people HaVe liVeD<br />

by laura Yilmaz<br />

Places Other People Have Lived is a mixed media exploration<br />

of the relationship between memory and place, as<br />

examined through the sale of a childhood home. Using<br />

old photographs, recorded interviews with family<br />

members, and multiple animation techniques, the film<br />

deconstructs room-by-room a house that was a family<br />

home for more than 25 years. What begins as a biography<br />

of a house, told through bittersweet and sometimes<br />

humorous personal anecdotes, ultimately raises larger<br />

questions about the emotional content of physical<br />

spaces, and what happens to our histories when we leave<br />

those places behind.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

usa, 2011<br />

colour, HD Videofile<br />

7 min<br />

original title<br />

places other people Have lived<br />

original language<br />

english<br />

Produced by<br />

laura Yilmaz, usa<br />

Public screenings<br />

2 / 2012 Black Maria film & Video<br />

festival, usa<br />

5 / 2012 seattle iff, usa<br />

7 / 2012 toronto animation arts<br />

festival international, croatia<br />

9 / 2012 animafest Zagreb<br />

panorama, canada<br />

sales contact<br />

laura Yilmaz<br />

735 e kensington road<br />

90026 los angeles, usa<br />

laura.yilmaz@gmail.com<br />

244 245<br />

film id<br />

404<br />

section<br />

animadoc


film id<br />

3182<br />

plaYBack<br />

by antoine cattin, pavel kostomarov<br />

section<br />

Visions du réel & swiss films<br />

Director Alexey German has spent almost 7 years<br />

shooting a film based on the story by the Strugatsky<br />

brothers, Trudno Byt’ Bogom (It’s Difficult to<br />

Be God). The film tells the story of a man who is sent<br />

to a planet which bears a strong resemblance to<br />

Earth during the Middle Ages. There he must monitor<br />

events. Meanwhile, the film crew has also been<br />

monitored during their epic film project – by a director<br />

from Switzerland. For him, Russia is another planet.<br />

In his eyes, life on the great director’s film set is a mirror<br />

of Russian reality.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

switzerland, 2012<br />

colour, B / W, DigiBeta<br />

67 min<br />

original title<br />

playback<br />

original language<br />

russian<br />

involved broadcasters<br />

tsr, switzerland<br />

Public screenings<br />

6 / 2012 karlovy Vary iff,<br />

czech republic<br />

8 / 2012 locarno, czech republic<br />

sales contact<br />

elena Hill<br />

les films Hors-champ<br />

l'epignau 1<br />

1373 chavorney, switzerland<br />

films@hors-champ.ch<br />

www.hors-champ.ch<br />

section<br />

Dok Market<br />

polisH illusions<br />

by Jacob Dammas, Helge renner<br />

Retired U. S. Army helicopter pilot, Mark Buller has<br />

settled in small-town Poland to find a new home for his<br />

growing collection of military vehicles and his final<br />

missing piece … a wife. He finds help in the young local<br />

admirer of ‘America’, Michał Niewczas, who accom-<br />

panies the American on his pursuit as the friend, driver<br />

and translator. At the other end of town Jan Konstantynow,<br />

the aging magician, must fight for his place in the<br />

spotlight when the local Culture Centre appoints a new<br />

director looking to bring the cultural program into<br />

the 21st century. While Mark, Mike and Jan are struggling<br />

to find their place in the town, Darłowo is going through<br />

a time of modernization. New ways of tourism have<br />

replaced fishing and farming as the main source of income.<br />

genre<br />

Human interest<br />

facts<br />

germany, poland, france,<br />

Denmark, 2012<br />

colour, HDcam<br />

79 min / 52 min<br />

original title<br />

pommersche illusionen<br />

original language<br />

english, german, polish<br />

Produced by<br />

Helge renner<br />

graniza, germany<br />

Jacob Dammas<br />

graniza, poland<br />

www.graniza.net<br />

involved broadcasters<br />

MDr, germany<br />

arte g. e. i. e. germany / france<br />

tVp s. a. channel 1, poland<br />

Yle tV 1, finland<br />

Public screenings<br />

7 / 2012 karlovy Vary,<br />

czech republic<br />

sales contact<br />

Jacob Dammas<br />

graniza polska, Warszawa, polen<br />

jacob.dammas@graniza.pl<br />

Helge renner<br />

graniza deutschland<br />

Berlin, germany<br />

helge.renner@graniza.de<br />

246 247<br />

film id<br />

1094


film id<br />

599<br />

section<br />

animadoc<br />

ponDering<br />

by collective: xx children (françois d'assise ouedraogo,<br />

arzouma Mahamadou Dieni, Moumouni Jupiter sodré)<br />

To leave or to stay ? Citizens from Ouagadougou express<br />

themselves. Between those who dream of leaving for<br />

the West and those who want to stay, a pattern emerges:<br />

a strong will to leave poverty behind, but also a fear<br />

of failing to find a job ‘over there’, or of being made to feel<br />

unwelcome. Beyond the image of the West as an El<br />

Dorado, their thoughts reflect one common aspiration:<br />

to find a better life.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

Belgium, 2012<br />

colour, HD Videofile<br />

9 min<br />

original title<br />

cogitations<br />

original language<br />

french<br />

Produced by<br />

Jean-luc slock<br />

camera-etc, Belgium<br />

www.camera-etc.be<br />

sales contact<br />

Dimitri kimplaire<br />

camera-etc<br />

rue de Visé, 490<br />

B-4020 liège, Belgium<br />

dimitri.kimplaire@camera-etc.be<br />

www.camera-etc.be<br />

tHe postMan<br />

by Wahid nazir<br />

section<br />

Dok international programme<br />

The mailman’s inextricable difficulties as he does his<br />

rounds in the streets of Kabul, where addresses are<br />

often mysterious and deliveries akin to treasure hunts.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

afghanistan, 2011<br />

colour, Beta sp<br />

19 min<br />

original title<br />

une Journée du facteur<br />

khan agha<br />

original language<br />

persian<br />

Produced by<br />

stéphane Jourdain<br />

la Huit production, france<br />

www.lahuit.com<br />

Public screenings<br />

12 / 2011 festival des 3 continents,<br />

france<br />

sales contact<br />

Julien Beaunay<br />

la Huit production<br />

218 bis rue de charenton<br />

75012 paris, france<br />

distribution@lahuit.fr<br />

www.lahuit.com<br />

248 249<br />

film id<br />

1744


film id<br />

2419<br />

presence<br />

by Yashaswini raghunandan, ekta Mittal<br />

section<br />

Dok international<br />

competition short<br />

Presence is a film that explores haunting phenomenon<br />

through the nightmares and ghostly encounters<br />

of migrant workers in a city that is transforming rapidly.<br />

The ghost is not simply a dead or a missing person,<br />

but a social figure, and investigating lead[s] to that dense<br />

site where history and subjectivity make social life.<br />

The way of the ghost is haunting and haunting is a very<br />

particular way of knowing what has happened or is<br />

happening. The workers’ presence in the city is a ghostly<br />

matter as he enters and leaves the city invisibly. As<br />

they carry these stories in and out of many cities, the cities<br />

bear witness to these fragments positing an unsettling<br />

feeling between what we see and what we know. The film<br />

navigates through the here and now, with a quaint<br />

reference to the past and an uncertainty of the future. In<br />

the midst of this transformation is where our film is<br />

located to delve into the subconscious of the city and<br />

the worker who’s seething presence continues to linger<br />

in the air.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

india, 2012<br />

colour, B / W, HDcam<br />

18 min<br />

original title<br />

presence<br />

original language<br />

Hindi<br />

Produced by<br />

ekta Mittal<br />

Maraa, india<br />

www.tinsheets.in<br />

in co-Production With<br />

Yashaswini raghunandan<br />

cctV, india<br />

www.tinsheets.in<br />

Public screenings<br />

4 / 2012 le triennale- intense<br />

proximity, france<br />

6 / 2012 london indian film<br />

festival, united kingdom<br />

sales contact<br />

Yashaswini raghunandan<br />

cctV<br />

ii floor, no.3, 4th cross,<br />

Michaelpalya 2nd stage<br />

560075 Bangalore, india<br />

yashaswini.r@gmail.com<br />

www.tinsheets.in<br />

section<br />

Dok international programme<br />

priVate uniVerse<br />

by Helena třeštíková<br />

Honza was born in 1974 into the cheerless era of<br />

socialism in Czechoslovakia. At that time, his parents<br />

Jana and Petr lived in one room in the apartment of<br />

Jana’s divorced mother and her widowed grandmother.<br />

A few years later, the family moved from Prague to<br />

Liberec where Petr found a job and a little house for the<br />

family. When Honza was born, his father began writ-<br />

ing a family chronicle and he has continued to do so for<br />

37 years. ‘Family Diary’ shows not only the life of one<br />

ordinary family but also how Czech society has changed<br />

in the last four decades. Who are we, where do we come<br />

from and where are we going ?<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

czech republic, 2012<br />

colour, B / W, Dcp<br />

83 min<br />

original title<br />

soukromy Vesmir<br />

original language<br />

czech<br />

Produced by<br />

katerina cerna, pavel strnad<br />

negativ film productions<br />

czech republic<br />

www.negativ.cz<br />

involved broadcasters<br />

czech tV, czech republic<br />

Public screenings<br />

4 / 2012 Hot Docs, canada<br />

sales contact<br />

Zuzana Bielikova<br />

negativ, s. r. o.<br />

ostrovní 30<br />

110 00 prague, czech republic<br />

zuzana@negativ.cz<br />

www.negativ.cz<br />

250 251<br />

film id<br />

1304


film id<br />

2382<br />

section<br />

Dok international programme<br />

proJect Z: tHe final<br />

gloBal eVent<br />

by phillip gara<br />

At once a road-trip, detective story, and zombie<br />

flic, Project Z presents startling evidence that the world<br />

is heading toward a final global event. Combining<br />

rare footage from inside the war machine with corrosive<br />

commentary by leading critics of global violence, the<br />

film imaginatively envisions an event to end all events.<br />

Project Z is an experimental collaboration by James<br />

Der Derian (Human Terrain, After 9 / 11, VY2K), Phillip<br />

Gara (first-time filmmaker) and the Global Media Project<br />

(Watson Institute, Brown University).<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

usa, 2012<br />

colour, B / W, HDcam<br />

70 min<br />

original title<br />

project Z: the final global event<br />

original language<br />

english<br />

Produced by<br />

James Der Derian<br />

global Media project, usa<br />

www.globalmediaproject.net<br />

sales contact<br />

phillip gara<br />

global Media project<br />

Watson institute for international<br />

studies<br />

Brown university/1970<br />

111 thayer street<br />

02912 providence, usa<br />

james_der_derian@brown.edu<br />

www.globalmediaproject.net<br />

section<br />

Dok Market<br />

protect<br />

eVerYone i loVe<br />

by franziska schönenberger, anne M. Hilliges<br />

What does it mean to have a child, if you’re completely<br />

physically handicapped ? Luis’ favourite thing is to ride<br />

on his mummy’s electric wheel chair. The three-year-old<br />

screams happily while he sits on her lap. Sabrina (28),<br />

Luis’ mother, suffers from Friedreich ataxy, an incurable<br />

neuropathic disease. Her health condition deteriorates<br />

constantly and her life expectancy is not very high.<br />

Protect Everyone I Love is a film about a little boy who makes<br />

his mother’s life liveable.<br />

genre<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, DigiBeta<br />

54 min<br />

original title<br />

schütze alle, die ich lieb<br />

original language<br />

german<br />

Produced by<br />

ferdinand freising<br />

Hff München, germany<br />

www.hff-muc.de<br />

in co-Production With<br />

franziska schönenberger,<br />

germany<br />

sales contact<br />

franziska schönenberger<br />

Haberstr. 2a<br />

80999 München, germany<br />

franzi.schoenenberger@gmail.<br />

com<br />

252 253<br />

film id<br />

2242


film id<br />

702<br />

section<br />

Dok Market<br />

tHe punk sYnDroMe<br />

by Jukka kärkkäinen, J-p passi<br />

The Punk Syndrome is a documentary film about Finnish<br />

punk-rock band Pertti Kurikka’s Name Day, formed<br />

in 2009 by four developmentally disabled guys. The film<br />

follows the band’s journey from their rehearsal room<br />

to cult success. It shows the love and hate between the<br />

guys, the crying and the laughter.<br />

genre<br />

arts / culture / Music<br />

Human interest<br />

facts<br />

finland, norway, sweden, 2012<br />

colour, HDcam<br />

58 min<br />

original title<br />

kovasikajuttu<br />

original language<br />

finnish, swedish<br />

Produced by<br />

sami Jahnukainen<br />

Mouka filmi oy, finland<br />

www.mouka.fi<br />

sales contact<br />

andrea Hock<br />

autlook filmsales<br />

trappelgasse 4 / 17<br />

1040 Wien, austria<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

section<br />

Dok Market<br />

pusHWagner<br />

by even g. Benestad, auguat B. Hanssen<br />

Pushwagner is a personal portrait of a small man with a<br />

great personality. Pop agitator, whip smart renegade<br />

and celebrated graphic artist Hariton Pushwagner lives<br />

life on the edge. ‘There’s a difference in living like<br />

life was real and deep like a thousand kisses.’ Pushwagner<br />

grabs you and doesn’t let go, his puzzling and pro-<br />

found statements keep you glued, hanging on his every<br />

word. Meaningful or meaningless, maybe there’s<br />

no difference, especially since he thinks ‘words are like<br />

viruses.’ The man infects the screen with his paranoia<br />

and need for control until you realize that it’s not all<br />

inside his head. As Pushwagner faces a former assistant<br />

in court, fighting for legal control of his career, image<br />

and art work, it all begins to make sense.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

norway, 2011<br />

colour, DigiBeta<br />

68 min / 49 min<br />

original title<br />

pushwagner<br />

original language<br />

norwegian<br />

Produced by<br />

carsten aanonsen<br />

indie film, norway<br />

www.indiefilm.no<br />

in co-Production With<br />

torstein grude,<br />

piraya film as, norway<br />

www.piraya.no<br />

lise lense-Möller, cecilia Valsted<br />

Magic Hour films, Denmark<br />

www.magichourfilms.dk<br />

klara Björk<br />

filmkreatörerna, sweden,<br />

www.filmkreatorerna.com<br />

Jessica ask<br />

film i Väst, sweden<br />

www.filmivast.se<br />

involved broadcasters<br />

sVt, sweden<br />

Dr, Denmark<br />

nrk, norway<br />

Dr, Denmark<br />

Public screenings<br />

9 / 2011 Haugesund iff, norway<br />

4 / 2012 norwegian iDff, norway<br />

4 / 2012 Hot Docs, canada<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshine-berlin.de<br />

www.riseandshine-berlin.com<br />

254 255<br />

film id<br />

3238


film id<br />

1901<br />

ranDlanD<br />

by leopold grün, Dirk uhlig<br />

section<br />

Dok german competition<br />

A small one-street village in the open landscape of East<br />

Germany, marked by the political changes of the past<br />

decade and long forgotten by the rest of society. Dream of<br />

Wischershausen is a trip to the periphery of society.<br />

How do people like Maxe the farmer, mother-of-five Gabi<br />

or technician Harry, who dreams of travelling to<br />

Norway’s North Cape in his camper van and experiencing<br />

one white night there, actually live ? Wealth and jobs<br />

are scarce around here, but people want to stay regardless.<br />

With stubbornness and a sense of humour, they make<br />

the best of their situation. Dream of Wischershausen is a<br />

film about work and love, your garden as your pub, ashes<br />

in the snow and slaughtering pigs …<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

93 min<br />

original title<br />

randland<br />

original language<br />

german<br />

Produced by<br />

Benny Drechsel, karsten stoeter<br />

rohfilm gmbH, germany<br />

www.rohfilm.de<br />

Public screenings<br />

6 / 2012 toronto iff, canada<br />

6 / 2012 locarno, switzerland<br />

9 / 2012 Zürich iff, switzerland<br />

sales contact<br />

Benny Drechsel<br />

rohfilm gmbH<br />

schwedenstr. 14<br />

13357 Berlin, germany<br />

contact@rohfilm.de<br />

www.rohfilm.de<br />

realitY 2.0<br />

by Victor orozco ramirez<br />

It was autumn when I arrived in Germany. I thought<br />

that in this exotic country I could distance myself a<br />

little bit from Mexico, but I was wrong. Drug traffickers<br />

managed to take me back in a ruthless way. A short<br />

animated documentary about the drug-related violence<br />

in Mexico.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, Mexico, 2012<br />

colour, Dcp<br />

11 min<br />

original title<br />

reality 2.0<br />

original language<br />

spanish<br />

Public screenings<br />

11 / 2010 lisbon & estoril ff,<br />

portugal<br />

3 / 2012 guadalajara iff, Mexico<br />

4 / 2012 Dokumentarfilmwoche<br />

Hamburg, germany<br />

4 / 2012 european Media art<br />

festival, germany<br />

sales contact<br />

Victor orozco ramirez<br />

Winterhuder Weg 47b<br />

22085 Hamburg, germany<br />

victor.orozco@spfraktion.com<br />

www.orozcovictor.com<br />

256 257<br />

film id<br />

2741<br />

section<br />

animadoc


film id<br />

1853<br />

section<br />

Dok Market<br />

tHe reD<br />

DreaM factorY<br />

by alexander schwarz<br />

Soviet film avant-garde flourished in the West while the<br />

Russians rushed to watch German films. East and West<br />

joined forces in the unique German-Russian film<br />

studio Meshrabpom-Film, under the roof of the workers’<br />

relief organisation IAH (Internationale Arbeiterhilfe).<br />

The vision of its founders, the red media tsar Willi<br />

Muenzenberg and Moisei Aleinikov, the last independent<br />

Russian entrepreneur: To establish a new way of film-<br />

making. Entertainment, political enlightenment and<br />

social consciousness, presented with a new film language<br />

and with international distribution. Among the masters<br />

of the studios were Yakov Protasanov, Vsevolod<br />

Pudovkin, Boris Barnet, Dziga Vertow and Joris Ivens. The<br />

ZDF/ARTE & MDR documentary includes statements<br />

by film historians and critics Naum Kleiman, Yekaterina<br />

Khokhlova and Andrei Plakhov, as well as prominent<br />

filmmakers and contemporary film entrepreneurs from<br />

Russia like Aleksei Popogrebsky, Andrei Sviagintsev,<br />

Igor Tolstunov and Ilya Bachurin. The film connects<br />

fascinating film history of the 1920s and 30s and contem-<br />

porary Russian film. Many film excerpts and photos<br />

are shown for the first time. Just like many of the historical<br />

films portrayed, this documentary is a joint German-<br />

Russian effort: cinematography by Andrei Pitinov, origi-<br />

nal musical composition by Bernd Schultheis, graphics/<br />

CGI by Fabian Harmanus.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

germany, 2011<br />

colour, B / W, HD Videofile<br />

56 min<br />

original title<br />

Die rote traumfabrik<br />

original language<br />

german, russian<br />

Produced by<br />

ilona grundmann<br />

ilona grundmann film-<br />

production, germany<br />

www.ilona-grundmann-<br />

filmproduction.de<br />

in co-Production With<br />

thomas radler<br />

thora-film, germany<br />

www.thorafilm.de<br />

involved broadcasters<br />

MDr, germany<br />

ZDf/ arte, germany<br />

Public screenings<br />

arte, germany<br />

sales contact<br />

ilona grundmann<br />

ilona grundmann filmproduction<br />

unter den eichen 5<br />

65195 Wiesbaden, germany<br />

info@ilona-grundmann-<br />

filmproduction.de<br />

www.ilona-grundmann-<br />

filmproduction.de<br />

section<br />

Dok international programme<br />

reD Hair<br />

anD Black coffee<br />

by Milena Bochet<br />

Hermanovce, Slovak Republic. A Romany village<br />

located deep down in the valley, with old shacks and newer<br />

concrete ones. Four Romany women tell us about their<br />

day-to-day life through ancient habits, along with words<br />

that travel near borders of different worlds …<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

Belgium, 2012<br />

colour, DigiBeta<br />

56 min<br />

original title<br />

cheveux rouges et café noir<br />

(Dames blanches et esprits noirs)<br />

original language<br />

romanian<br />

Produced by<br />

isabelle truc<br />

iota production, Belgium<br />

www.iotaproduction.com<br />

involved broadcasters<br />

gsara, Belgium<br />

sales contact<br />

isabelle truc<br />

iota production, Belgium<br />

contact@iotaproduction.com<br />

www.iotaproduction.com<br />

258 259<br />

film id<br />

241


film id<br />

1187<br />

section<br />

Dok Market<br />

regilaul – songs<br />

of tHe ancient sea<br />

by ulrike koch<br />

In ancient Estonia, there originated a singing tradition<br />

of mysterious power: the Regilaul. Based on the<br />

continuous repetition of eight-syllable verses, Regi songs<br />

produce a haunting sound able to connect the present<br />

to the eternal circle of life.<br />

genre<br />

arts / culture / Music<br />

ethnology / religion<br />

facts<br />

switzerland, estonia, 2011<br />

colour, Dcp<br />

104 min<br />

original title<br />

regilaul – lieder aus der luft<br />

original language<br />

estonian<br />

Produced by<br />

rose-Marie schneider<br />

Doc productions gmbH,<br />

switzerland<br />

www.docproductions.ch<br />

in co-Production With<br />

erik norkroos<br />

rühm pluss null, estonia<br />

www.plussnull.ee<br />

involved broadcasters<br />

err, estonia<br />

srf, switzerland<br />

Public screenings<br />

3 / 2012 Worldfilmfestival tartu,<br />

estonia<br />

sales contact<br />

rose-Marie schneider<br />

Doc productions gmbH<br />

Dienerstr. 7<br />

8004 Zürich, switzerland<br />

info@docproductions.ch<br />

www.docproductions.ch<br />

section<br />

Dok international programme<br />

tHe riVer people<br />

by Martin Benchimol, pablo aparo<br />

Ernestina is a small town with 150 inhabitants, the<br />

stage of this documentary that has the tension and the<br />

suspense of a fiction film. The strange characters<br />

that live in the town introduce us to the crimes committed<br />

by the people who visit the river. Nowadays, the neighbours<br />

hire private security and this seems to have ended<br />

the problem. However, while the documentary makers<br />

are shooting the movie, new strange events occur. What<br />

is really happening in Ernestina ? The film invites us<br />

to approach, with humour, the bizarre world of this town,<br />

the particular life of its inhabitants and the mystery<br />

of the river people.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

argentina, 2012<br />

colour, HDcam<br />

70 min<br />

original title<br />

la gente del río<br />

original language<br />

spanish<br />

Produced by<br />

Martin Benchimol,<br />

pablo aparo<br />

caravanacine, argentina<br />

www.caravanacine.com.ar<br />

sales contact<br />

Martin Benchimol, pablo aparo<br />

caravanacine<br />

Miguel cane 1286<br />

1704 ramos Mejía – Buenos<br />

aires, argentina<br />

martin.benchimol@gmail.com<br />

pabloaparo@gmail.com<br />

www.caravanacine.com.ar<br />

260 261<br />

film id<br />

379


film id<br />

582<br />

section<br />

Dok Market<br />

tHe roaD upHill<br />

by Jean-louis schuller<br />

Luxembourg. One of the world’s smallest countries,<br />

a green and peaceful place bordered by Belgium, France<br />

and Germany. The birthplace of two brothers, Andy<br />

and Fränk Schleck, two of the world’s best professional<br />

cyclists. Following Team Leopard Trek and the<br />

Schleck Brothers, this film focuses upon the team’s parti-<br />

cipation in the prestigious 2011 Tour de France. It<br />

is an intimate cinematic portrait of two brothers and a<br />

team under pressure to live up to the expectations<br />

of their country. The Road Uphill documents the relationships,<br />

motivations and belief systems integral to<br />

Leopard Trek – core aspects of the team which are not<br />

usually exposed by television reportage. This docu-<br />

mentary investigates the day-to-day life of a professional<br />

cycling team and the physical, mental and emotional<br />

thresholds that they need to overcome to win the greatest<br />

race on earth.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

luxembourg, 2011<br />

colour, Dcp<br />

89 min<br />

original title<br />

the road uphill<br />

original language<br />

english, french, german,<br />

luxembourgish<br />

Produced by<br />

paul thiltges, David grumbach<br />

paul thiltges Distributions,<br />

luxembourg<br />

www.ptd.lu<br />

Public screenings<br />

4 / 2012 Houston iff, usa<br />

6 / 2012 gdansk iff, 2012, poland<br />

8 / 2012 Melbourne iff, australia<br />

11 / 2012 cpH:Dox, Denmark<br />

sales contact<br />

paul thiltges<br />

paul thiltges Distributions<br />

45, Boulevard pierre frieden<br />

1543 luxembourg, luxembourg<br />

info@ptd.lu<br />

www.ptd.lu<br />

rogalik<br />

by pawel Ziemilski<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

Travelling among people and objects we discover a world<br />

usually considered as ugly and unattractive. This dream-<br />

like journey is not a dream. Who are the people in this<br />

‘big aquarium’ ? And what is our position towards them ?<br />

genre<br />

author’s point of View<br />

Human interest<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, HDcam<br />

15 min<br />

original title<br />

rogalik<br />

original language<br />

polish<br />

Produced by<br />

Marcin Malatyński,<br />

Magdalena kondrakowicz<br />

polish national<br />

film school, poland<br />

www.filmschool.lodz.pl<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

262 263<br />

film id<br />

1613


film id<br />

3185<br />

section<br />

Dok Market<br />

russian girls<br />

by alina teodorescu, Dmitri popov<br />

How can I ‘hunt down’ the man of my dreams ? Or<br />

any man at all ? How should I glance, how should I move,<br />

how should I bend down and obey – to attract male<br />

attention ? For all these matters, there are special women’s<br />

courses and exercises available in post-communist<br />

Moscow. In a country where there are 5 millions more<br />

women than men, the ‘battle’ to find a man can some-<br />

times assume existential proportions. They all have one<br />

basic insight in common, however: For a woman to<br />

find a good man, she has to start by working on herself …<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

germany, 2011<br />

colour, DigiBeta<br />

58 min / 70 min<br />

original title<br />

russian girls<br />

original language<br />

russian<br />

sales contact<br />

Heino Deckert<br />

Deckert Distribution<br />

Marienplatz 1<br />

04103 leipzig, germany<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

section<br />

Dok Market<br />

russia’s HistorY<br />

reVealeD<br />

– part i, ii anD iii<br />

by christian schulz, Jan n. lorenzen,<br />

carsten günther, nina koshofer<br />

The focus lies on the key events that defined the various<br />

epochs of this huge realm and which still resonate<br />

to this very day. The story is told through the history of<br />

three major Russian cities: St. Petersburg, Volgograd,<br />

formerly Stalingrad and Moscow. This is where every-<br />

thing comes together: key turning points in politics<br />

and war, tales of heroes, world-changing inventions and<br />

discoveries. In short these are snapshots of human<br />

happiness and boundless energy as well as huge tragedies<br />

affecting entire peoples and dramas on a historic scale.<br />

Russia’s History Revealed is a docudrama set against the<br />

backdrop of impressive landscapes and historic locations,<br />

combined with a wealth of fascinating and previously<br />

unseen archive material and exciting, emotive re-enactments,<br />

which bring to life the various Russian eras in<br />

opulent detail.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

germany, 2011<br />

colour, HDcam<br />

45 min<br />

original title<br />

Die geschichte russlands<br />

– teil i, ii und iii<br />

original language<br />

german<br />

sales contact<br />

andrea seibert<br />

global screen<br />

sonnenstraße 21<br />

80331 München, germany<br />

andrea.seibert@globalscreen.de<br />

www.globalscreen.de<br />

264 265<br />

film id<br />

3242


film id<br />

450<br />

section<br />

Dok international programme<br />

san agustin<br />

– loW tiDe in tHe<br />

plastic sea<br />

by alexander Hick, gudrun gruber, Michael schmitt<br />

In the midst of the world’s biggest fruit and vegetable<br />

garden, the so called‚ ‘Mar del plástico’, lies the Andalusian<br />

village of San Agustín. For the local planters this<br />

season’s atmosphere is prophesying crisis: A mysterious<br />

virus threatens the harvest, bacteria attack the plants<br />

and the authorities are after the illegal workforce in the<br />

greenhouses. Planter José Maria would rather choose<br />

to live among vegetables than people anyway, while the<br />

Crespo family, who seems to belong to a different<br />

era, tries to get by with vegetables, breeding goats and a<br />

giant compost pile. This is all part of the daily routine<br />

for Paco, the village tavern’s barman, who knows all of his<br />

customers’ problems. San Agustín takes an out of the<br />

ordinary look at the ‘Mar del plástico’ – Europe’s most<br />

important producer and vendor of fruit and vegetables –<br />

as it fights with its own existence once more during the<br />

cucumber crisis of 2011. Two families, a village tavern<br />

and a lot of vegetables. One harvest season in nine chapters.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

72 min<br />

original title<br />

san agustin – ebbe im<br />

plastikmeer<br />

original language<br />

spanish<br />

sales contact<br />

tina Janker<br />

Hff München<br />

Bernd-eichinger-platz 1<br />

80333 München, germany<br />

festival4@hff-muc.de<br />

www.hff-muenchen.de<br />

section<br />

Dok Market<br />

seDuceD<br />

anD BlackMaileD<br />

by aldo gugolz<br />

Helg Sgarbi, a charming Swiss man, tries to extort<br />

14 million Euro from BMW’s major shareholder Susanne<br />

Klatten by threatening to publish intimate photos.<br />

She contacts the police, Sgarbi is arrested. But this case<br />

is only the tip of the proverbial iceberg: Several<br />

gullible women were blackmailed by Sgarbi. The money<br />

probably went to an Italian miracle healer and his sect.<br />

Is he the mastermind behind the crime ?<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

switzerland, 2011<br />

colour, Beta sp<br />

51 min<br />

original title<br />

Verführt und erpresst<br />

original language<br />

german, italian<br />

Produced by<br />

lina geissmann<br />

pret a tourner film, switzerland<br />

involved broadcasters<br />

srf, switzerland<br />

Public screenings<br />

12 / 2011 srf 1, switzerland<br />

sales contact<br />

esther van Messel<br />

first Hand films<br />

neunbrunnenstrasse 50<br />

8050 Zürich, switzerland<br />

esther.van.messel@<br />

firsthandfilms.com<br />

www.firsthandfilms.com<br />

266 267<br />

film id<br />

962


film id<br />

2228<br />

section<br />

Dok Market<br />

sHenanDoaH<br />

by David turnley<br />

An epic feature documentary about a coal mining town<br />

with a proud immigrant heritage, once pivotal in fueling<br />

America’s industrial revolution and today in decline<br />

and struggling to survive and retain its identity, soul and<br />

values – all of which were dramatically challenged<br />

when four of the town’s white, star football players were<br />

charged in the beating death of an undocumented<br />

Mexican immigrant named Luis Ramirez. Pulitzer Prize-<br />

winning photographer David Turnley’s most personal<br />

work, Shenandoah creates a deeply felt portrait of a work-<br />

ing class community, and the American Dream on trial.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

usa, 2012<br />

colour, HDcam<br />

97 min<br />

original title<br />

shenandoah<br />

original language<br />

english<br />

Produced by<br />

Billy peterson<br />

epic Match Media, usa<br />

www.epicmatchmedia.com<br />

in co-Production With<br />

David turnley, usa<br />

sales contact<br />

Billy peterson<br />

epic Match Media, usa<br />

info@epicmatchmedia.com<br />

www.epicmatchmedia.com<br />

siBila<br />

by teresa arredondo<br />

I remember the night when the history of my family<br />

changed. We received a phone call from Peru saying that<br />

my aunt Sibila was in prison accused of forming part<br />

of the Shining Path. I was seven years old and my parent’s<br />

protective silence made me transform her image into<br />

a great mystery. She was kept in prison for 15 years. Today<br />

she is free and I want to get close to her, to listen and<br />

to understand. Sibila is a journey that builds the present by<br />

looking at the past. It is also an encounter between two<br />

generations looking for dialogue.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

chile, spain, 2012<br />

colour, HDcam<br />

94 min<br />

original title<br />

sibila<br />

original language<br />

spanish<br />

Produced by<br />

teresa arredondo<br />

casimusicos cine, chile<br />

www.sibiladocumental.com<br />

Public screenings<br />

3 / 2012 toulouse film<br />

festival, france<br />

4 / 2012 Bafici, argentina<br />

4 / 2012 Malaga film festival,<br />

spain<br />

6 / 2012 fiDocs, chile<br />

sales contact<br />

teresa arredondo<br />

casimusicos cine<br />

los coligues 1518<br />

Vitacura<br />

7630000 santiago, chile<br />

laviridiana@gmail.com<br />

www.sibiladocumental.com<br />

268 269<br />

film id<br />

22<br />

section<br />

chileDoc


film id<br />

1633<br />

section<br />

Dok Market<br />

tHe skY oVer Here<br />

by selim Harbi<br />

After 25 years of career in Syrian civil aviation, Habib<br />

loses inequitably his pilot’s job. This professional crash is<br />

followed by a family explosion and by social decay.<br />

His German wife quits him and his children too, except<br />

Maher, his eldest son. Today, 56-year-old Habib has<br />

lost everything, or almost everything. He lives in Berlin<br />

and earns his living by collecting empty bottles. The<br />

street is his universe and at night his refuge. He survives<br />

thanks to the poetry which allows him to take up with<br />

the sky while protecting his identity and his pride.<br />

Habib is the living memory of a period to which he clings<br />

stubbornly so as not to lose his ultimate marks. In a<br />

dedication to Hafiz al Assad that he frequented in the<br />

past lies an admiration and an unlimited respect he<br />

puts above the importance of his own life. Habib: still<br />

faithful to the political model which caused his setbacks.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

germany, tunisia, 2012<br />

colour, HDcam<br />

52 min<br />

original title<br />

Min Houna essama<br />

original language<br />

arabic, german<br />

Produced by<br />

selim Harbi, germany<br />

www.slimharbi.com<br />

sales contact<br />

selim Harbi<br />

leuschnerdamm 19<br />

10999 Berlin, germany<br />

selimharbi@slooma.com<br />

www.slimharbi.com<br />

section<br />

Dok international<br />

competition<br />

sofia’s<br />

last aMBulance<br />

by ilian Metev<br />

In a city where 13 ambulances struggle to serve 2 million<br />

people, Krassi, Mila and Plamen are our unlikely<br />

heroes: chain-smoking, filled with humour, relentlessly<br />

saving lives against all odds. Yet, the strain of a broken<br />

system is taking a human toll: how long can they keep fix-<br />

ing society’s injured until they loose their empathy ?<br />

The film uses an unorthodox creative form which dodges<br />

sensationalism. We are captivated by the faces of our<br />

protagonists and the sounds surrounding one of Sofia’s<br />

Last Ambulances.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

Bulgaria, germany, croatia, 2012<br />

colour, HDcam<br />

75 min<br />

original title<br />

poslednata lineika na sofia<br />

original language<br />

Bulgarian<br />

Produced by<br />

ingmar trost<br />

sutor kolonko film-<br />

produktion, germany<br />

www.sutorkolonko.de<br />

in co-Production With<br />

Dimitar gotchev<br />

sia ltd, Bulgaria<br />

www.sia.bg, siniša Juričić<br />

nukleus film d. o. o., croatia<br />

www.nukleus-film.hr<br />

involved broadcasters<br />

WDr/arte, germany<br />

WDr, germany<br />

Public screenings<br />

6 / 2012 karlovy Vary iff, spain<br />

6 / 2012 Moscow iff, russia<br />

9 / 2012 san sebastián,<br />

czech republic<br />

9 / 2012 toronto iff, canada<br />

sales contact<br />

Valeska neu<br />

films Boutique<br />

köpenicker strasse 184<br />

10997 Berlin, germany<br />

valeska@filmsboutique.com<br />

270 271<br />

film id<br />

429


film id<br />

2138<br />

a sort of loVe<br />

by Dirk schäfer<br />

section<br />

Dok german competition<br />

For a year filmmaker Dirk Schäfer accompanied thirty<br />

year old Nevzat through his disordered life. Nevzat,<br />

who grew up in the bosom of a Kurdish tribe at Turkey’s<br />

border to Iran, had been forced into a marriage at<br />

the age of fifteen in order to pacify a smoldering blood<br />

feud with another clan. Yet the marriage was never<br />

consummated and again and again Nevzat chose to stay<br />

away from village life by hiring himself out as a construction<br />

worker in the mega metropolis Istanbul, a job<br />

that almost claimed his life. Caught between the<br />

traditional codes of honour in his community, and his<br />

status as a member of the Kurdish minority in Turkey,<br />

Nevzat has been forced to use his wits to forge his<br />

way and has had a hard time planning a future. An obser-<br />

vational documentary, A Sort of Love is also both the<br />

source and reflection of an unusual friendship.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

germany, turkey, 2012<br />

colour, Dcp<br />

70 min<br />

original title<br />

eine art liebe<br />

original language<br />

kurdish, turkish<br />

Produced by<br />

Dirk schäfer, turkey<br />

www.orientme.eu<br />

sales contact<br />

Dirk schäfer<br />

kumrulu Yokuşu 4<br />

34000 istanbul, turkey<br />

schaefer-dirk@gmx.de<br />

www.orientme.eu<br />

section<br />

Dok Market<br />

sounDs<br />

froM tHe fog<br />

by klaus stanjek<br />

‘Active forgetting’ is a common process of coping with<br />

history in Germany. In a radical personal approach,<br />

the film follows the complex turns and twists of feelings,<br />

when they try to deal with threatening knowledge.<br />

My cheerful uncle lived with my family unless he was<br />

touring as an entertainment musician across Germany.<br />

Only at his age of 90, I detected what my whole<br />

family had hidden: that he had spent 8 years in Nazi<br />

camps and that he was gay. During the following<br />

research I found out that my hometown, which presented<br />

itself as a liberal town, had been a major stronghold of<br />

the early Nazi-Party. I found out that even in<br />

brutal concentration camps turbulent festivities took<br />

place where my uncle was part of; that my mother<br />

enjoyed her career in the Hitler-Youth although knowing<br />

about her brothers captivity. Because of several<br />

taboos, the story of my beloved uncle was hardly<br />

accessible. By means of animation and image compositing,<br />

we revitalized the available photos. My surpris-<br />

ing encounters in several countries and my reflections<br />

lead the audience through the burdened social history<br />

of Germany – with a humorous undertone.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, czech republic,<br />

austria, 2012<br />

colour, B / W, HDcam<br />

90 min<br />

original title<br />

klänge des Verschweigens<br />

original language<br />

czech, english, german<br />

Produced by<br />

klaus stanjek<br />

cinetarium Babelsberg, germany<br />

www.cinetarium.de<br />

in co-Production With<br />

Beate schlanstein<br />

WDr, germany<br />

www.wdr.de<br />

involved broadcasters<br />

WDr, germany<br />

sales contact<br />

klaus stanjek<br />

cinetarium Babelsberg<br />

alt nowawes 50<br />

14482 potsdam-Babelsberg,<br />

germany<br />

info@cinetarium.de<br />

www.cinetarium.de<br />

272 273<br />

film id<br />

1597


film id<br />

3350<br />

section<br />

leipzig screening<br />

speeD – in searcH<br />

of lost tiMe<br />

by florian opitz<br />

‘My experience with time by now is limited to the one<br />

feeling – I don’t have enough.’ It’s a paradox. Never<br />

before in history we have worked more efficiently. Never<br />

before we have saved time with more sophisticated<br />

technologies. Anyway, nearly all of us are feeling an in-<br />

creasing pressure of time. It seems that the same<br />

technology that has been invented to make our life better<br />

and easier, is now enslaving us. Florian Opitz tries<br />

to track down the reasons of our shortage of time and for<br />

the constant acceleration of our lives. In his search<br />

of lost time he not only questions his own hectic lifestile,<br />

but also visits several people, to find out how they deal<br />

with time. The pacemakers of the constant acceleration<br />

of society as well as dropouts. In Speed. In search of<br />

lost time step by step he reveals the disturbing picture of<br />

a civilisation, that has disposed of all brake systems<br />

and, run by autopilot, goes blindly for unlimited and<br />

eternal growth, no matter what the consequences are. But<br />

Opitz also tries to find the good life. In the nishes of<br />

the global capitalism he discovers alternatives to the<br />

rat race.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

96 min<br />

original title<br />

speed – auf der suche nach<br />

der verlorenen Zeit<br />

original language<br />

english, german<br />

Produced by<br />

oliver stoltz<br />

Dreamer Joint Venture filmproduktion<br />

gmbH, germany<br />

www.dreamerjointventure.de<br />

involved broadcasters<br />

WDr/arte, germany<br />

Public screenings<br />

1 / 2012 Max ophüls preis,<br />

germany<br />

sales contact<br />

Wekas gaba<br />

Dreamer Joint Venture gmbH<br />

regensburger str. 25<br />

10777 Berlin, germany<br />

w.gaba@dreamerjointventure.de<br />

www.dreamerjointventure.de<br />

section<br />

Dok Market<br />

tHe spies<br />

of scientologY<br />

– office of<br />

special affairs o.s.a.<br />

by frank nordhausen, Markus thöß<br />

Scientology is one of the world’s most controversial<br />

sects. Yet even though we are aware that international<br />

stars such as Tom Cruise and John Travolta are<br />

among the followers of the sect founded by Ron Hubbard.<br />

What is less known is that Scientology has its own<br />

secret service: the ‘Office of Special Affairs’ – O.S.A. for<br />

short – which is run by Scientology boss David Miscavige<br />

in Los Angeles. It is the oldest private secret service<br />

in the world, and bigger and more influential than the<br />

secret service agencies of many countries. But why<br />

does a religious community need a secret service ? What<br />

methods are used by this mysterious organization<br />

and to what ends ? Who are the people who work for this<br />

‘service’ ? In order to find answers to these questions,<br />

Frank Nordhausen and Markus Thöss spent more than a<br />

year researching with their camera in Europe and the<br />

U. S. The O.S.A. zeroes in on rebels and critics. Scientology<br />

agents have already been accused of espionage,<br />

breaking and entering, coercion and other criminal acts.<br />

In their research, the filmmakers uncovered trails<br />

leading to the top ranks of political life – including the<br />

State Department in Washington.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

58 min / 90 min<br />

original title<br />

Die spitzel von scientology –<br />

sektengeheimdienst o. s. a.<br />

original language<br />

german<br />

sales contact<br />

andrea seibert<br />

global screen<br />

sonnenstraße 21<br />

80331 München, germany<br />

andrea.seibert@globalscreen.de<br />

www.globalscreen.de<br />

274 275<br />

film id<br />

3247


film id<br />

3245<br />

section<br />

Dok Market<br />

tHe spY froM<br />

tHe pariser platZ<br />

by scott christianson, egmont r. koch<br />

On the 3rd of September, 1941 the SS carried out a<br />

top-secret experiment in the Auschwitz concentration<br />

camp, which marked the beginning of the Holocaust:<br />

several hundred war prisoners were murdered<br />

with Zyklon B, a granulate that releases extremely toxic<br />

hydrogen cyanide. A few weeks later, the repre-<br />

sentative of Germany’s IG Farben corporation received<br />

American couriers in his villa on the banks of Lake<br />

Lucerne in Switzerland, gave them top-secret documents<br />

about Hitler’s toxic gas production as well as about<br />

Zyklon B, produced by IG Farben. Did information about<br />

the planned ‘final solution’ reach the U. S. at an early<br />

stage through these channels ? This documentary by the<br />

American journalist Scott Christianson and his German<br />

colleague Egmont R. Koch makes use of recent<br />

archival findings to explore this matter in depth. The<br />

film tells the amazing story of the German economic<br />

consultant Erwin Respondek, who was initially a participant<br />

in the cartel agreements between IG Farben<br />

and the American chemical corporation Du Pont before<br />

mutating into a spy and providing the Americans<br />

with secrets on Hitler’s toxic-gas production. Respondek<br />

worked in an office on the Pariser Platz in Berlin …<br />

genre<br />

History / politics / current affairs<br />

facts<br />

germany, 2011<br />

colour, HDcam<br />

52 min<br />

original title<br />

the spy from the pariser platz<br />

original language<br />

german<br />

sales contact<br />

andrea seibert<br />

global screen<br />

sonnenstraße 21<br />

80331 München, germany<br />

andrea.seibert@globalscreen.de<br />

www.globalscreen.de<br />

section<br />

Dok Market<br />

steVe JoBs:<br />

tHe lost interVieW<br />

by John gau, robert cringley, paul sen<br />

In 1995, during the making of his TV series Triumph of<br />

the Nerds about the birth of the PC, Bob Cringely did<br />

a memorable, long interview with Steve Jobs. At the time<br />

of the interview he was running Next, the niche<br />

computer company he had founded after leaving Apple.<br />

During the interview, Jobs was witty, outspoken and<br />

visionary – a pioneer at the peak of his powers, already<br />

anticipating the digital future that one day he would<br />

do so much to make possible. Only a part of the interview<br />

was used in the series and the rest was thought lost.<br />

But recently a copy was found in the director’s garage.<br />

There are surprising few filmed interviews with<br />

Steve Jobs, and even fewer good ones. So the producers<br />

decided to clean this one up to give today’s audiences<br />

a chance to see Jobs at his charismatic best looking into<br />

the future then. A future which is now !<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

usa, 201<br />

colour, HDcam<br />

70 min<br />

original title<br />

steve Jobs: the lost interview<br />

original language<br />

english<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

276 277<br />

film id<br />

3301


film id<br />

408<br />

section<br />

Dok international<br />

competition short<br />

a storY<br />

for tHe MoDlins<br />

by sergio oksman<br />

After appearing in the film Rosemary’s Baby, by Roman<br />

Polanski, Elmer Modlin ran away with his family to<br />

a distant land, where they shut themselves inside a dark<br />

apartment for thirty years.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

spain, 2012<br />

colour, Dcp<br />

26 min<br />

original title<br />

a story for the Modlins<br />

original language<br />

english<br />

Produced by<br />

sergio oksman<br />

Dok films, spain<br />

www.dokfilms.es<br />

Public screenings<br />

5 / 2012 Documenta Madrid,<br />

spain<br />

sales contact<br />

sergio oksman<br />

Dok films<br />

rodriguez san pedro 72 – 5º<br />

28015 Madrid, spain<br />

soksman@gmail.com<br />

www.dokfilms.es<br />

section<br />

Dok Market<br />

straDiVari’s Heirs<br />

by corinna engelhardt<br />

This film is a fascinating journey into the world of the<br />

Stradivari violin, known for its incomparable resonance.<br />

International scientists, luthiers and musicians such<br />

as Matthew Trusler collaborate to recreate the sound of<br />

the famous instrument, which is believed to be linked<br />

to the density of the wood. They try to find it back using a<br />

special fungi. Will they succeed ? Will they get to the<br />

bottom of it ?<br />

genre<br />

arts / culture / Music<br />

science<br />

facts<br />

germany, switzerland,<br />

netherlands, italy, 2011<br />

colour<br />

52 min<br />

original title<br />

stradivaris erben<br />

involved broadcasters<br />

Deutsche Welle, germany<br />

sales contact<br />

pauline Mazenod<br />

Windrose sas<br />

7, rue civiale<br />

75010 paris, france<br />

pmazenod@windrose.fr<br />

www.windrose.fr<br />

278 279<br />

film id<br />

3169


film id<br />

2261<br />

streMt 89<br />

by anda pușcaș, Dragoș Dulea<br />

section<br />

Dok international programme<br />

In 1989, in Romania, the anti-communist revolution was<br />

taking place on the streets of the big cities. But all<br />

around the country, people were waiting, in fear, in doubt,<br />

with contained excitement, in their trained paranoia,<br />

for something to change. In the small hunters’ village of<br />

Stremt, news travelled slowly. So slow in fact, that only<br />

after they saw Ceausescu flee on television, did they decide<br />

to start their own revolution. Each man had a rifle<br />

and a theory, but most importantly, a cellar stacked with<br />

homemade alcohol. So it was no surprise that soon<br />

enough, every neighbour behind a fence was a terrorist.<br />

22 years later, the documentary follows what people<br />

thought they did, what they think they should have done,<br />

and how they would have been better off if they had<br />

done it differently.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

romania, 2012<br />

colour, Dcp<br />

14 min<br />

original title<br />

stremt 89<br />

original language<br />

romanian<br />

Produced by<br />

anda pușcaș<br />

unatc, romania<br />

in co-Production With<br />

Dragoș Dulea<br />

eat us alive films, romania<br />

www.facebook.com / hellopixels<br />

Public screenings<br />

1 / 2012 filmul de piatra, romania<br />

3 / 2012 tampere ff, finland<br />

4 / 2012 goeast festival of central<br />

and eastern european film,<br />

germany<br />

sales contact<br />

anda pușcaș<br />

unatc<br />

estacadei 1<br />

062225 Bucharest, romania<br />

anda.puscas@gmail.com<br />

stretcHer<br />

by Marcel Beltrán<br />

section<br />

focus latin america<br />

Mejengue lives all alone on a mountain in Cuba.<br />

He takes his stuff like plates and cups and goes down to<br />

a village. Mejengue’s daily life is bartering or selling<br />

his stuff to get rice. One day, Mejengue comes all the way<br />

down and takes a bus to the village. But the bus<br />

breaks down on the way, and he decides to walk the long<br />

way. He tries very hard to get rice going from house<br />

to house, but it is never easy. Mejengue does not give up<br />

on getting rice, and he decides to participate on Parihuela.<br />

Parihuela means the traditional way to carry sick<br />

people in a mountainous region, which is an inconvenient<br />

mode of transportation in Sierra Maestra, Cuba. The<br />

film not only holds firm to the basic principle of ‘direct<br />

cinema’ but has a view of sincerity and completion.<br />

The production crew shot Cuban natives and Mejengue’s<br />

personal problems in their lives along with an anthro-<br />

pological view of an existence in a community around a<br />

mountainous region. They made a film of two episodes<br />

(The Breaking Down of the Bus, Parihuela) on mise en scene<br />

with an almost perfect level of shooting skill.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

cuba, 2010<br />

colour, DigiBeta<br />

13 min<br />

original title<br />

parihuela<br />

original language<br />

spanish<br />

Produced by<br />

Marcel Beltrán, cuba<br />

sales contact<br />

Marcel Beltrán<br />

fca san tranquilino<br />

32500 san ant Baños, cuba<br />

promocioninternacional@<br />

eictv.co.cu<br />

280 281<br />

film id<br />

3180


film id<br />

453<br />

tHe stripper<br />

by stefan Berg<br />

section<br />

Dok Market<br />

Calista is a young girl who dreams of a life as a dancer.<br />

The future looks bright and when she is 16-years<br />

old, she is selected for a dance school in New York. But<br />

the journey and her dance career is interrupted when<br />

she finds out that she is pregnant. The father of the child<br />

is a Mormon and she is forced into a marriage. No<br />

more dancing. After eight years, Calista is in such a deep<br />

depression that she leaves the family and ends up<br />

sleeping on a park bench. By chance she meets a girl who<br />

introduces her to the stripper profession. This becomes<br />

her temporary salvation.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

sweden, 2012<br />

colour, HDcam<br />

72 min<br />

original title<br />

strippan<br />

original language<br />

swedish<br />

Produced by<br />

stefan Berg<br />

Berg images, sweden<br />

www.bergimages.se<br />

involved broadcasters<br />

sveriges television aB, sweden<br />

Public screenings<br />

3 / 2012 silver Docs, usa<br />

sales contact<br />

stefan Berg<br />

Berg images<br />

Västra rönneholmsvägen 33<br />

21741 Malmö, sweden<br />

stefan.berg@bergimages.se<br />

www.bergimages.se<br />

section<br />

Dok.incubator<br />

stuck in tHe MiDDle<br />

by Vladislava planciková<br />

My identity as a taboo of two nations. Hungarian for<br />

Slovaks, Slovaks for Hungarian. My personal journey into<br />

the past of my family to heal the future of two neighbours.<br />

This is my personal story. My grandma and all her<br />

family came to Slovakia from Hungary a long time ago.<br />

They were forced to live in a house of evicted Hungarians.<br />

How can the result of a chess game of a few politicians<br />

after the Second World War change the destiny of<br />

thousands of families ? I want to find out what happened.<br />

I let old pictures, maps, letters, shoes and memories tell<br />

the story of two nations.<br />

As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />

still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

slovakia, 2013<br />

colour, DigiBeta<br />

75 min<br />

original title<br />

felvidek. Horna Zem<br />

original language<br />

Hungarian, slovak<br />

Produced by<br />

tomáš kaminský<br />

Mandala pictures, slovakia<br />

www.mandalapictures.eu<br />

involved broadcasters<br />

rtVs, slovakia<br />

sales contact<br />

tomáš kaminský<br />

Mandala pictures<br />

Mariánska 18<br />

900 31 stupava, slovakia<br />

tomas@mandalapictures.eu<br />

www.mandalapictures.eu<br />

282 283<br />

film id<br />

3340


film id<br />

2214<br />

tales aBout<br />

tHe future<br />

by patricia Bustos<br />

section<br />

chileDoc<br />

They are four Chileans under thirty years of age who<br />

have known each other since childhood. They grew<br />

up in the same poor neighbourhood and formed part of<br />

a children’s news programme called Chinoticias.<br />

They acted as journalists, asking their neighbours about<br />

the problems in the local area. Although many of<br />

those problems still exist, those times seem like long ago.<br />

Now adults, today they are building their lives and<br />

forming families in a country that does little to make<br />

things easy for them. A lack of opportunities is a part<br />

of their landscape, and the passing of their days is a<br />

genuine portrait of Chile in 2010. Tales about the future<br />

is an observational documentary about their lives<br />

over the course of a year. It is a film about the dreams<br />

and dignity of four young people who, like many in<br />

Chile, were born and grew up on the edge of the city.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

chile, 2012<br />

colour, HDcam<br />

68 min<br />

original title<br />

cuentos sobre el futuro<br />

original language<br />

spanish<br />

Produced by<br />

paula talloni<br />

palenque producciones, chile<br />

www.palenque.cl<br />

Public screenings<br />

8 / 2012 sanfic, chile<br />

9 / 2012 pintacanes, chile<br />

sales contact<br />

paula talloni<br />

palenque producciones<br />

gerona 3450<br />

7790767 santiago, chile<br />

paula.talloni@gmail.com<br />

www.palenque.cl<br />

section<br />

Dok international programme<br />

tea or electricitY<br />

by Jérôme le Maire<br />

Tea or electricity tells the epic story of the implementation<br />

of electricity in a tiny isolated village enclosed in<br />

the middle of the Moroccan High Atlas. Over more than<br />

three years and season after season, the director<br />

patiently reveals the outlines of the net that will inevitably<br />

end up closing on the people of Ifri. Before our eyes<br />

is drafted the image of the merciless modernity that the<br />

small village will now be connected to.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

Belgium, france, Morocco, 2012<br />

colour, Dcp<br />

90 min<br />

original title<br />

le thé ou l’électricité<br />

original language<br />

arabic<br />

Produced by<br />

isabelle truc<br />

iota production, Belgium<br />

www.iotaproduction.com<br />

involved broadcasters<br />

rtBf, Belgium<br />

arte g. e. i. e., france<br />

Public screenings<br />

4 / 2012 Vision du réel<br />

switzerland<br />

1 / 2012 cinéma flagey<br />

Belgium<br />

sales contact<br />

sandrine perrin<br />

Merci qui ? Distribution<br />

200 av de tervueren<br />

1150 Brussels, Belgium<br />

s.perrin@merciqui.org<br />

www.merciqui.org<br />

284 285<br />

film id<br />

85


film id<br />

315<br />

section<br />

Dok Market<br />

tHe tears<br />

of tHe<br />

afgHan lorD<br />

by pascale Bourgaux<br />

During ten years, I filmed Mamour Hasan, a Northern<br />

Afghan warlord, his family and his village. In 2001, Hasan<br />

used his personal army to serve the famous Com-<br />

mander Massoud in his battle against the Taliban. Now,<br />

ten years later, the village is about to fall completely<br />

in the hands of the Taliban. A big part of the old soldiers<br />

as well as some of Mamour Hasan’s family and even<br />

his oldest son are refusing occidental presence and sup-<br />

port the Taliban Regime. How, in this stronghold of<br />

anti-taliban résistance, did we get to this ?<br />

genre<br />

ethnology / religion<br />

History / politics / current affairs<br />

facts<br />

Belgium, 2011<br />

colour, DigiBeta<br />

58 min<br />

original title<br />

les larmes du seigneur afghan<br />

original language<br />

uzbek<br />

Produced by<br />

isabelle truc<br />

iota production, Belgium<br />

www.iotaproduction.com<br />

involved broadcasters<br />

rtBf, Belgium<br />

sales contact<br />

Daniela elstner<br />

Doc & film international<br />

13 rue portefoin<br />

75003 paris, france<br />

d.elstner@docandfilm.com<br />

www.docandfilm.com<br />

telH78<br />

by alina cyranek, eike goreczka<br />

section<br />

focus saxony<br />

It has almost vanished from our urban horizons, that<br />

rotting dinosaur, the post office’s telephone booth.<br />

There were times when the booth was a vital place. The<br />

film searched for – and found – one of the last of this<br />

dying breed, and had them divulge stories now threatened<br />

by oblivion.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

germany, 2011<br />

colour, DigiBeta<br />

6 min<br />

original title<br />

telH78<br />

original language<br />

german<br />

Produced by<br />

peter Zorn<br />

pMMc / Werkleitz Zentrum für<br />

Medienkunst, germany<br />

pmmc.werkleitz.de<br />

Public screenings<br />

4 / 2012 filmfest Dresden,<br />

germany<br />

sales contact<br />

alina cyranek<br />

schnorrstr. 6<br />

04229 leipzig, germany<br />

hello@alinacyranek.com<br />

www.alinacyranek.com<br />

286 287<br />

film id<br />

1063


film id<br />

415<br />

section<br />

Dok Market<br />

a tHousanD trees<br />

by edward lawrenson<br />

In the late 1940s, the modern town of Glenrothes in<br />

Scotland was built from scratch on empty farmland<br />

to house workers for a nearby coal mine. With the pit long<br />

closed, the original residents reflect on their memories<br />

of the community that emerged. Mixing archive footage<br />

charting the construction of the first buildings with<br />

evocative present-day images of the town, A Thousand Trees<br />

contrasts the bright promise of those early days with<br />

the lived-in reality of today.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

united kingdom, 2012<br />

colour, HD Videofile<br />

20 min<br />

original title<br />

a thousand trees<br />

original language<br />

english<br />

Produced by<br />

edward lawrenson, pia Borg<br />

Marker, united kingdom<br />

Public screenings<br />

1 / 2012 london short film<br />

festival, united kingdom<br />

6 / 2012 open city Docs ff,<br />

united kingdom<br />

sales contact<br />

edward lawrenson<br />

Marker<br />

88 Heddington grove<br />

n7 9sZ london, united kingdom<br />

edlawrenson@yahoo.com<br />

toMorroW<br />

by andrey gryazev<br />

section<br />

Dok Market<br />

This film is about the most striking occurrence in<br />

contemporary art in Russia, the art-group Voina (War).<br />

Their founders — Vor (Thief) and Koza (Goat) live<br />

underground, raise their one-year old son Kasper and<br />

carry out art actions on the fine edge between art<br />

and criminal code. Their courageous political statements<br />

leave nobody indifferent (and disturb absolutely every-<br />

body). They live in the present, hoping that tomorrow,<br />

they can change everything.<br />

genre<br />

arts / culture / Music<br />

portrait<br />

facts<br />

russia, 2012<br />

colour, HDcam<br />

52 min / 90 min<br />

original title<br />

Zavtra<br />

original language<br />

russian<br />

Produced by<br />

andrey gryazev, russia<br />

Public screenings<br />

2 / 2012 Berlinale, forum,<br />

germany<br />

4 / 2012 Bafici, argentina<br />

6 / 2012 Moscow iff, russia<br />

7 / 2012 new Horizons, poland<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshineberlin.de<br />

www.riseandshine-berlin.com<br />

288 289<br />

film id<br />

1759


film id<br />

1023<br />

section<br />

Dok Market<br />

toMorroW<br />

You Will leaVe<br />

by Martin nguyen<br />

In the 80s in a small Austrian village an old man, Mr.<br />

Karlhofer, saw a TV report about the struggle of<br />

Vietnamese Boat People. He decided to do something.<br />

He brought a young Vietnamese couple with a baby<br />

to his village, organised a home and work. This family<br />

were my parents and I. In the past there was an-<br />

other helper: Ali, a former Malaysian police officer. Ali<br />

supported them with food and stuff my father could<br />

sell. When they left the refugee camp Pulau Bidong, my<br />

parents promised Ali to write, but my father lost the<br />

address. He was never able to say ‘Thank you’, never able<br />

to say that all went fine. ‘Let’s go back to Malaysia and<br />

look for him’, my father suggests to me. The film tells the<br />

story of my family who fled Vietnam in the 1980s and<br />

settled down in a small Austrian village to build up a new<br />

life. After all, they return for the first time to Malaysia<br />

to find Ali and the former refugee camp Pulau Bidong<br />

where I was born. The past meets the present.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

austria, 2012<br />

colour, HDcam<br />

83 min<br />

original title<br />

tomorrow You Will leave<br />

original language<br />

german, Vietnamese<br />

involved broadcasters<br />

orf, austria<br />

Public screenings<br />

5 / 2012 london iff,<br />

united kingdom<br />

sales contact<br />

arash t. riahi<br />

golden girls filmproduktion<br />

seidengasse 15 / 3 / 20<br />

1070 Vienna, austria<br />

arash@goldengirls.at<br />

www.goldengirls.at<br />

www.everydayrebellion.com<br />

section<br />

Dok Market<br />

tour Du faso<br />

by Wilm Huygen<br />

The ‘Tour du Faso’: Africa’s biggest cycling race – An<br />

event attracting fortune seekers and dreamers of<br />

great variety. The film puts its focus on those who are<br />

standing outside the spotlight, always revealing<br />

their admirable energy. Amid this clash of European<br />

perfectionism and African realities we follow hobby<br />

adventurers, ex-pros and local heroes in their pas-<br />

sionate fight for making their dreams come true. The<br />

quest of our protagonists goes far beyond the ques-<br />

tion of who will win – instead, our attention is also drawn<br />

towards their experiences and inner journey. Just like<br />

the German Benjamin Hoeber, who is fighting for more<br />

than this year’s overall victory. He has reached a<br />

point in his life where he has to make a final decision:<br />

finally taking a regular job and living a normal life or<br />

keeping to a struggle for a dream that might never come<br />

true – Tour du Faso is his last chance to become a real<br />

cycling pro.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

89 min<br />

original title<br />

tour Du faso<br />

original language<br />

english, french, german<br />

Produced by<br />

Jonas katzenstein,<br />

Maximilian leo<br />

augenschein filmproduktion,<br />

germany<br />

www.augenschein-<br />

filmproduktion.de<br />

Public screenings<br />

9 / 2012 toronto iff, canada<br />

sales contact<br />

Joachim kühn<br />

real fiction filmverleih<br />

Hansring 98<br />

50670 köln, germany<br />

info@realfictionfilme.de<br />

www.realfictionfilme.de<br />

290 291<br />

film id<br />

2692


film id<br />

2685<br />

tournesols<br />

– al rastan<br />

by anonymous<br />

section<br />

Dok international programme<br />

With a Syrian lens, and in one of the few films released<br />

in Syria during the revolution, we visit Al-Rastan, a<br />

town in the city of Homs that witnessed military clashes<br />

before other cities, and which after the huge brave<br />

uprising of its people by the beginning of the Syrian<br />

spring, Al-Rastan has been and still is facing a brutal war<br />

against its civilians day and night. The martyr’s funeral<br />

is not only songs and cheering for freedom, there are faces<br />

hiding behind the crowds, eyes filled with tears and<br />

agony, crying the last good-bye to the son or brother.<br />

The storyteller is anonymous, so is the filmmaker; while<br />

the dissident soldier reveals his identity, speaks with<br />

his face uncovered after seeing death, seeing himself a<br />

criminal against his family and deciding to disobey<br />

his commander’s orders.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

syria, 2011<br />

colour, DigiBeta<br />

25 min<br />

original title<br />

tournesols – al rastan اااااا<br />

original language<br />

arabic<br />

Produced by<br />

anonymous, syria<br />

Public screenings<br />

10 / 2011 Doha tribeca ff, Qatar<br />

sales contact<br />

iman al Jundi<br />

syrians Within Boarders<br />

Baghdad str. 5542<br />

Damascus, syria<br />

souriyoun.limited@gmail.com<br />

section<br />

east silver & iDf<br />

trains of tHougHts<br />

by timo novotny<br />

Trains of Thoughts is an audio-visual essay, which<br />

reflects upon and compares metro-systems around the<br />

world. It is an exploration of a world inside the<br />

world as well as the feelings fascination, obsession, fear<br />

and themes of survival, control and silence that make<br />

it revolve. The film will take you through New York, Los<br />

Angeles, Moscow, Vienna, Tokyo and Hong Kong<br />

unleashing the imagination at every destination with its<br />

distinctive palette of visuals and selection of sounds<br />

from Sofa Surfers.<br />

genre<br />

arts / culture / Music<br />

Human interest<br />

facts<br />

austria, 2012<br />

colour, Dcp<br />

80 min<br />

original title<br />

trains of thoughts<br />

original language<br />

chinese, english, italian,<br />

Japanese, russian<br />

Produced by<br />

ulrich gehmacher<br />

orbrock filmproduktion, austria<br />

involved broadcasters<br />

orf, austria<br />

MDr / arte, germany<br />

Public screenings<br />

7 / 2012 karlovy Vary iff,<br />

czech republic<br />

9 / 2012 sarajevo ff, Bosnia<br />

sales contact<br />

ulrich gehmacher<br />

orbrock filmproduktion<br />

schottenfeldgasse 56 / 23<br />

1070 Vienna, austria<br />

gehmacher@orbrock.com<br />

292 293<br />

film id<br />

2892


film id<br />

490<br />

section<br />

Dok Market<br />

tHe tree<br />

Workers case<br />

by Daniela agostini<br />

The Tree Workers Case is the biggest case of human traf-<br />

ficking to be uncovered in the EU in the past two<br />

decades. Approx. 2000 workers, mostly Vietnamese, but<br />

also from new EU countries like Romania and Slovakia,<br />

were systematically exploited in the Czech Republic<br />

between 2009 and 2010. The workers need every cent,<br />

often going into debt at home to pay their traffickers that<br />

abuse them. Police and government seem unable or<br />

unwilling to do anything about it. Despite the extensive<br />

documentation by lawyers and human rights activists<br />

in Prague, not a single case has yet been brought to court.<br />

In this moving doc, the Vietnamese woodsmen that<br />

were lured to Europe and enslaved tell their stories for<br />

the first time, stories of forged documents, inhuman<br />

working conditions, bad equipment, no pay, poor food<br />

and housing, and violent threats.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, HDcam<br />

52 min / 30 min<br />

original title<br />

the tree Workers case<br />

original language<br />

czech, english, Vietnamese<br />

Produced by<br />

uwe von schumann, Jürgen knoll<br />

interaktion gmbh, germany<br />

in co-Production With<br />

Daniela agostini, germany<br />

Public screenings<br />

10/2012 18 / 18 – iff about Human<br />

trafficking, czech republic<br />

sales contact<br />

andrea seibert<br />

global screen<br />

sonnenstraße 21<br />

80331 München, germany<br />

andrea.seibert@globalscreen.de<br />

www.globalscreen.de<br />

tHe trial<br />

by gerald igor Hauzenberger<br />

section<br />

Dok international programme<br />

Anti-terrorist squads descend upon animal rights<br />

activists as if they were the most dangerous enemies of<br />

the state. Although there is no concrete evidence<br />

against them, they are imprisoned for an alleged conspiracy<br />

and malicious injury of property. International<br />

media sarcastically report on this judicial farce, which<br />

would become one of the longest trials in Austrian<br />

history. The special authority granted by the so-called<br />

Mafia Paragraph 278a is still used against hundreds<br />

of individuals who take part in political rallies. The film<br />

follows the case as closely as possible from different<br />

angles – members of the police force were not allowed<br />

to speak about the proceedings while the trial still<br />

lasted – but its main focus lies on the fate of some of the<br />

defendants from pre-trial custody release to the<br />

extremely financially and psychologically challenging<br />

trial itself.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

austria, 2012<br />

colour, Dcp<br />

112 min<br />

original title<br />

Der prozess<br />

original language<br />

german<br />

Produced by<br />

Michael seeber<br />

golden girls filmproduktion &<br />

filmservices gmbH., austria<br />

www.goldengirls.at<br />

involved broadcasters<br />

orf, austria<br />

Public screenings<br />

10 / 2011 Viennale, austria<br />

sales contact<br />

gerald igor Hauzenberger<br />

framelab filmproduktion<br />

sechshauser strasse 13 / 29<br />

1150 Wien, austria<br />

framelab@chello.at<br />

www.derprozess.at<br />

294 295<br />

film id<br />

1938


film id<br />

3346<br />

section<br />

Dok Market<br />

tWiligHt<br />

of tHe YakuZa<br />

by sebastian stein<br />

The Yakuza, Japan’s organised crime syndicates, are<br />

a dying breed. Their members are aging and the<br />

government of Japan has launched a large-scale crack-<br />

down on them to eradicate them once and for all.<br />

But who are the Yakuza ? Undoubtedly the Yakuza are<br />

involved in crimes including extortion, fraud, murder,<br />

drugs & gambling. However, Japan has one of the<br />

lowest crime rates in the industrialised world, with crimes<br />

related to drugs or street gangs strikingly low, a fact<br />

that many contribute to the presence of the Yakuza.<br />

The Yakuza is a legal, public group making them easy to<br />

check on. Their offices are public, their members<br />

registered by the police and Yakuza members went as far<br />

as freely admitting their guilt in cases of crime investigations,<br />

as a part of their code of honour. In reaction to<br />

strict government measures against them, the Yakuza has<br />

ceased all cooperation with the law. This documentary<br />

deals with the struggle of the Yakuza for its survival.<br />

Furthermore, unprecedented access to the secret world<br />

of the Yakuza gives you an insight on who the Yakuza<br />

really are: criminals, outcasts, but also family men and a<br />

part of Japanese society.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

germany, Japan, 2012<br />

colour, DigiBeta<br />

104 min<br />

original title<br />

twilight of the Yakuza<br />

original language<br />

english, Japanese<br />

Produced by<br />

sebastian stein, united kingdom<br />

sales contact<br />

kazz Basma<br />

sideways film<br />

7 Bouverie Mews, Bouverie road.<br />

n16 0al london, united kingdom<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

tWo nil<br />

by pavel abraham<br />

section<br />

east silver & iDf<br />

At a football stadium in the very heart of Prague the<br />

biggest Czech football match of the year is about to take<br />

place. The live broadcast begins. This time however,<br />

the twenty-two film cameras are not aimed at the pitch,<br />

but at the stands. They record how various people<br />

experience this one shared event. An astonished kid from<br />

the football prep team, a bettor who has put thousands<br />

of crowns on the match result, or a member of the<br />

security service who is there to assure a smooth running<br />

of the event: they all experience it differently. A distinguished<br />

literary critic, who is not really interested in<br />

football, a lady who takes care of what goes on in the VIP<br />

lounge, or disoriented Italian tourists who just stare<br />

disbelievingly at it all: they each have a different attitude<br />

too. Each camera presents a unique and authentic<br />

insight into the different levels of the stands, as well as<br />

the different levels of today’s society. Each character<br />

represents a unique version of the same match.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

czech republic, 2012<br />

colour, Dcp<br />

108 min<br />

original title<br />

Dva nula<br />

original language<br />

czech<br />

Produced by<br />

tomas Bojar, pavel abraham<br />

cinema arsenal, czech republic<br />

www.cinemaarsenal.cz<br />

in co-Production With<br />

Jordi niubo<br />

i / o post, czech republic<br />

www.iopost.cz<br />

Public screenings<br />

7 / 2012 karlovy Vary ff,<br />

czech republic<br />

10 / 2012 Jihlava iff,<br />

czech republic<br />

sales contact<br />

tomas Bojar<br />

cinema arsenal<br />

na vršku 8<br />

150 00 prague 5, czech republic<br />

tomas@cinemaarsenal.cz<br />

www.cinemaarsenal.cz<br />

296 297<br />

film id<br />

2942


film id<br />

1267<br />

tZVetanka<br />

by Youlian tabakov<br />

section<br />

Dok Young cinema<br />

competition<br />

Born in a wealthy family, Tzvetanka passionately dreamed<br />

of becoming an actress as a child, but the history of<br />

her country completely changed her destiny. The 20th<br />

century was historically unique for Bulgaria; it survived<br />

the change of three epochs: monarchy, communism<br />

and democracy. The epochs were changing and along<br />

with them the country and the people living in it.<br />

Tzvetanka is the story of my grandmother who outlived<br />

these three epochs. Her life represents the stories<br />

of many others, of the society and the country itself.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

sweden, Bulgaria, 2012<br />

colour, Dcp<br />

69 min / 58 min<br />

original title<br />

tzvetanka<br />

original language<br />

Bulgarian<br />

Produced by<br />

Mårten nilsson<br />

gnufilm, sweden<br />

in co-Production With<br />

Martichka Bozhilova<br />

agitprop, Bulgaria<br />

www.agitprop.bg<br />

www.bdcwebsite.com<br />

involved broadcasters<br />

sveriges television aB, sweden<br />

Public screenings<br />

8 / 2011 Way out West, sweden<br />

sales contact<br />

Mårten nilsson<br />

gnufilm<br />

Högbergsgatan 31c<br />

11620 stockholm, sweden<br />

marten@gnufilm.se<br />

uB laMa<br />

by egle Vertelyte<br />

section<br />

Dok Young cinema<br />

competition<br />

A problematic 12 year-old Mongolian kid Galbadrakh<br />

(Galaa), who has no father, tries to survive in a Mongolian<br />

ger (Mongolian house) district by selling goods on the<br />

black market and skipping school. However, one day his<br />

mother decides that Galaa should try becoming a<br />

lama, a Buddhist monk. This becomes the boy’s dream<br />

and a plan of survival. Galaa visits Pethub, one of the<br />

most disciplined Buddhist monasteries in Mongolia, and<br />

tries to be accepted. In order to achieve this aim, he<br />

needs to study hard, get permission from different high<br />

lamas and pass through the complicated bureaucracy<br />

of the monastery. Will he succeed ?<br />

genre<br />

ethnology / religion<br />

portrait<br />

facts<br />

Mongolia, lithuania, united<br />

kingdom, 2011<br />

colour, DigiBeta<br />

52 min<br />

original title<br />

ub lama<br />

original language<br />

Mongolian, tibetan<br />

Produced by<br />

lukas trimonis<br />

Wostok ltd., united kingdom<br />

www.wostok.co.uk<br />

arunas Matelis<br />

studio nominum, lithuania<br />

www.nominum.lt<br />

Public screenings<br />

5 / 2012 sambuddhathwa<br />

Jayanthi Buddhist iff, sri lanka<br />

5 / 2012 krakow iff, poland<br />

8 / 2012 xViii film festival della<br />

lessinia, italy<br />

9 / 2012 Mediterranean Video<br />

festival, croatia<br />

sales contact<br />

emma simpson<br />

Journeyman pictures ltd.<br />

united kingdom<br />

emma@journeyman.tv<br />

www.journeyman.tv<br />

298 299<br />

film id<br />

2108


film id<br />

3080<br />

section<br />

Dok Market<br />

unDer fire:<br />

Journalists in<br />

coMBat<br />

by Martyn Burke<br />

Only two journalists were killed in World War I. Iraq has<br />

so far claimed 120. The recent Libyan uprising has<br />

already claimed the lives of four and global conflict looks<br />

set to continue … War journalism has become an<br />

increasingly lethal endeavour. Not only are correspondents<br />

viewed as targets, they are often subject to kidnappings,<br />

torture and even beheadings. Under Fire<br />

weaves together portraits of these journalists and photo-<br />

graphers; those who have survived physically, but<br />

have succumbed emotionally to what they have witnessed.<br />

Inspired by the work of Dr Anthony Feinstein,<br />

the psychiatrist who has been on retainer to many of the<br />

world’s major news networks and publications, Under<br />

Fire looks at the psychological cost of war as seen<br />

through the eyes of combat journalists whose stories<br />

make up this powerful and unique film.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

canada, 2011<br />

colour, DigiBeta<br />

57 min<br />

original title<br />

under fire: Journalists in combat<br />

original language<br />

english<br />

Produced by<br />

laura Morton<br />

Juf pictures, united kingdom<br />

www.underfirejournalistsincombat.webs.com<br />

involved broadcasters<br />

err, estonia<br />

Public screenings<br />

2 / 2012 acedemy award<br />

shortlisted, united kingdom<br />

2 / 2012 err, estonia<br />

sales contact<br />

tim sparke<br />

Mercury Media<br />

7 Baseline studios<br />

Whitchurch road<br />

W11 4at london, united kingdom<br />

tsparke@mercurymedia.org<br />

www.mercurymedia.org<br />

section<br />

Dok Market<br />

unfinisHeD spaces<br />

by alysa nahmias<br />

In 1961, three young, visionary architects were commissioned<br />

by Fidel Castro and Che Guevara to build<br />

Cuba’s National Art Schools. Construction of their radical<br />

designs began immediately and the school’s first classes<br />

soon followed. Dancers, musicians and artists from<br />

all over the country revelled in the beauty of the schools,<br />

but as the dream of the Revolution quickly became a<br />

reality, construction was abruptly halted. The architects<br />

and their designs were deemed irrelevant to the<br />

Revolution. Forty years later the schools are in use, but<br />

remain unfinished and decaying. Castro has since<br />

invited the exiled architects back to Cuba to finish their<br />

unrealised dream. Composed primarily of archival<br />

footage and candid interviews with the architects them-<br />

selves, Unfinished Spaces illustrates a nation’s evolution<br />

through the life of a single architectural project.<br />

genre<br />

arts / culture / Music<br />

facts<br />

usa, 2012<br />

colour, DigiBeta<br />

56 min<br />

original title<br />

unfinished spaces<br />

original language<br />

spanish<br />

Produced by<br />

Benjamin Murray<br />

ajna film, usa<br />

Public screenings<br />

2 / 2012 independent spirit<br />

awards, usa<br />

2 / 2012 Montreal ff on art,<br />

canada<br />

3 / 2012 san Diego latino ff, usa<br />

6 / 2012 Miami iff, usa<br />

sales contact<br />

tim sparke<br />

Mercury Media<br />

7 Baseline studios<br />

Whitchurch road<br />

W11 4at london, united kingdom<br />

tsparke@mercurymedia.org<br />

www.mercurymedia.org<br />

300 301<br />

film id<br />

3082


film id<br />

3237<br />

section<br />

Dok Market<br />

tHe uniteD states<br />

of HooDoo<br />

by oliver Hardt<br />

The documentary explores how African-based spirituality<br />

has informed America´s popular culture. The old<br />

African gods have taken on new forms since their arrival<br />

on North America’s shores. Their spirit now manifests<br />

in turntable wizardry, improvisational skills and mind-<br />

blowing collages, performances and rituals. The film<br />

shakes up traditional and stereotypical ways of thinking<br />

about race, religion and rationality. Through meetings<br />

with musicians, writers and artists, healers, gumbo cooks<br />

and Mississippi Blues men, the documentary draws<br />

a picture of a culture which has always drawn on a unique<br />

mix of different ethnic influences to produce its cultural<br />

diversity, allure and vitality.<br />

genre<br />

arts / culture / Music<br />

ethnology / religion<br />

facts<br />

germany, 2012<br />

colour, DigiBeta<br />

99 min / 52 min<br />

original title<br />

the united states of Hoodoo<br />

original language<br />

english<br />

Produced by<br />

sebastian popp, robert Malzahn<br />

stoked film, germany<br />

www.stokedfilm.com<br />

in co-Production With<br />

oliver Hardt<br />

signature films, germany<br />

www.oliver-hardt.com<br />

christel Brunn<br />

tvt postproduction gmbH,<br />

germany<br />

www.tvtfilm.com<br />

involved broadcasters<br />

ZDf, germany<br />

Public screenings<br />

7 / 2012 theatrical release,<br />

germany<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshine-berlin.de<br />

www.riseandshine-berlin.com<br />

tHe Venice<br />

sYnDroMe<br />

by andreas pichler<br />

section<br />

Dok german competition<br />

and leipzig screening<br />

Venice is pure romance; that which all Europeans yearn<br />

for, the dream of all Americans, the wish of all Japanese.<br />

But the world’s most beautiful city turns into a ghost<br />

town at nightfall. Entire quarters, long since abandoned<br />

by their inhabitants, stand empty, their structures<br />

merely providing a myth to serve business interests.<br />

Twenty million foreigners visited the city last year.<br />

That’s an average of 60,000 a day. And this year it will<br />

be more still. By comparison, there are only 58,000<br />

inhabitants, the same amount as there were after the<br />

Great Plague of 1438. And next year it will be fewer still,<br />

for the city is becoming uninhabitable. Venice’s own<br />

urban life has almost collapsed; it scarcely still exists.<br />

The film shows what remains of Venetian life: a subculture<br />

of tourist service industries; a port for monstrous<br />

cruisers which is waiting to be expanded; Venetians who<br />

are moving to the mainland as there are no longer<br />

affordable apartments to be found; an aged noblewoman<br />

who treats the municipal council with scorn; a<br />

realtor who is considering abandoning the sinking ship.<br />

A Requiem for a still grand city. An illustration of<br />

how common property becomes the prey of few. An elegy<br />

to the last Venetians, their humour and their hearts.<br />

genre<br />

Human interest<br />

facts<br />

germany, austria, italy, 2012<br />

colour, 35 mm<br />

80 min<br />

original title<br />

Das Venedig prinzip<br />

original language<br />

italian<br />

Produced by<br />

thomas tielsch<br />

filmtank gmbH, germany<br />

www.filmtank.de<br />

in co-Production With<br />

Michael seeber<br />

golden girls filmproduktion &<br />

filmservices gmbH., austria<br />

www.goldengirls.at<br />

Valerio B. Moser<br />

Miramonte film oHg, italy<br />

www.miramontefilm.com<br />

sales contact<br />

thomas tielsch<br />

filmtank gmbH<br />

lippmannstr. 53<br />

22769 Hamburg, germany<br />

filmtank@filmtank.de<br />

302 303<br />

film id<br />

1812


film id<br />

655<br />

Vera gran<br />

by Maria Zmarz-koczanowicz<br />

section<br />

Dok Market<br />

A portrait of Vera Gran – a Jewish singer, very popular in<br />

Poland just before the outbreak of the WW2. Her later<br />

lots, overshadowed by the Holocaust and accusations of<br />

collaboration with the Nazists, spread by some Jewish<br />

intellectuals, are tactfully presented in the documentary<br />

based on a book by Agata Tuszynska, who researched<br />

the topic for almost 10 years. Numerous photographies,<br />

posters and interviews with the singer present an<br />

exceptional life of an individual trying to find a place in<br />

a world dominated by group behavior.<br />

genre<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, B / W, DigiBeta<br />

67 min<br />

original title<br />

Wiera gran<br />

original language<br />

polish<br />

Produced by<br />

agnieszka traczewska<br />

largo film studio, poland<br />

www.studiolargo.com.pl<br />

in co-Production With<br />

Jerzy kapuscinski<br />

tVp2, poland<br />

www.tvp.pl<br />

involved broadcasters<br />

tVp2, poland<br />

Public screenings<br />

6 / 2012 krakow iDff<br />

poland, 9 / 2012 prix italia ff, italy<br />

10 / 2012 prix europa ff – Berlin,<br />

germany<br />

sales contact<br />

agnieszka traczewska<br />

largo film studio<br />

ul. szwedzka 74 / 4<br />

30 315 krakow, poland<br />

largo@kr.onet.pl<br />

www.studiolargo.com.pl<br />

ViDeo VertoV<br />

by gerd conradt<br />

section<br />

Dok german competition<br />

The medium video has fascinated filmmaker Gerd<br />

Conradt from the beginning, since 1969. As a result he<br />

not only became the video pioneer but also a chron-<br />

icler of this novel too. For Video Vertov Conradt dug deep<br />

into his videotape archives to unearth a wide variety<br />

of film shots. His travels took him from the Italian<br />

lifestyle of the 60s to the communist Berlin and Peking<br />

to the Indian ashram in Poona. Life and death, delays<br />

and revolutions – Conradt has seen and filmed them all.<br />

His role model: Russian film pioneer Dziga Vertov.<br />

Video Vertov is Conradt’s trans-media testament to gen-<br />

eration 2.0.<br />

genre<br />

arts / culture / Music<br />

History / politics / current affairs<br />

facts<br />

germany, 2012<br />

colour, B / W, HDcam<br />

88 min<br />

original title<br />

Video Vertov<br />

original language<br />

german, english<br />

Produced by<br />

Daniela schulz<br />

kinoglas-films gbr, germany<br />

www.kinoglas-films.com<br />

sales contact<br />

Daniela schulz<br />

kinoglas-films gbr<br />

schenkendorfstr. 3<br />

10965 Berlin, germany<br />

schulz@kinoglas-films.com<br />

www.kinoglas-films.com<br />

304 305<br />

film id<br />

1527


film id<br />

1668<br />

Virgin tales<br />

by Mirjam von arx<br />

section<br />

Dok international programme<br />

Evangelical Christians are calling out for a second sexual<br />

revolution: chastity ! As a counter-movement to the<br />

attitudes and practices of today’s culture, today, one in<br />

eight girls in the U. S. has vowed to remain ‘unsoiled’<br />

until marriage. But the seven children of the Wilson<br />

family, founders of the Purity Ball, take this concept of<br />

purity of body and mind one step further; even their first<br />

kiss will be at the altar. For two years the filmmakers<br />

follow the Wilson’s as some of their children prepare<br />

for their fairytale vision of romance and marriage and<br />

seek out their own prince and princess spouses. In<br />

the process, a broader theme emerges: how the religious<br />

right is grooming a young generation of virgins to<br />

embody an Evangelically-grounded Utopia in America.<br />

genre<br />

ethnology / religion<br />

History / politics / current affairs<br />

facts<br />

switzerland, germany, france,<br />

2012<br />

colour, Dcp<br />

87 min<br />

original title<br />

Virgin tales<br />

original language<br />

english<br />

Produced by<br />

Mirjam von arx<br />

ican films gmbh, switzerland<br />

www.ican-films.com<br />

involved broadcasters<br />

arte g. e. i. e., france<br />

srf, switzerland<br />

Public screenings<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

6 / 2012 silverdocs, usa<br />

sales contact<br />

Jan rofekamp<br />

films transit international<br />

252 gouin Boulevard east<br />

H3l 1a8 Montreal, canada<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

tHe Wait<br />

by inka achté<br />

section<br />

Dok international<br />

competition short<br />

The Wait is a cinematic journey into the lives of three<br />

Finnish families whose loved ones have disappeared<br />

mysteriously. Suspended in a limbo of not being able to<br />

let go or embrace the ones they have lost, the ones<br />

left behind go about their mundane activities, talking to<br />

those they miss in an intimate voice over. The absence<br />

around them is all pervasive, each moment and action<br />

heavy with anticipation.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

finland, united kingdom, 2012<br />

colour, HDcam<br />

25 min<br />

original title<br />

odottajat<br />

original language<br />

finnish<br />

Produced by<br />

inka achté, finland<br />

Public screenings<br />

6 / 2012 sheffield Doc / fest,<br />

united kingdom<br />

6 / 2012 edinburgh ff,<br />

united kingdom<br />

8 / 2012 fresh film festival,<br />

czech republic<br />

9 / 2012 nordisk panorama,<br />

norway<br />

sales contact<br />

inka achté<br />

102 Howard road<br />

e17 4sQ london, finland<br />

inkamaria@gmail.com<br />

306 307<br />

film id<br />

364


film id<br />

2236<br />

WarMZeit<br />

by knut karger<br />

section<br />

Dok Market<br />

Warmzeit (i. e. warm period) connects people around<br />

the world whose every-day lives are affected by globalwarming.<br />

From Greenland to Namibia it portrays<br />

individuals experiencing the impact of climatic change,<br />

as well as scientists and engineers of alternative<br />

energy technologies. In Africa, a mere two degrees of<br />

warming are going to destroy the foundation of people’s<br />

lives. In Greenland today, farmers can grow veg-<br />

etables in areas where the ground was permanently<br />

frozen just decades ago. Major contributors to global<br />

climate warming are the industrialized, Western<br />

countries and the CO2 emissions they produce. Human<br />

actions have become a decisive global parameter<br />

and are going to change the face of the world, if we don’t<br />

reconsider our choices.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

germany, 2012<br />

colour, Dcp<br />

80 min<br />

original title<br />

Warmzeit<br />

original language<br />

Danish, english, german<br />

Produced by<br />

Maren luethje,<br />

florian schneider, andreas Hörl<br />

luethje, schneider, Hörl<br />

produktion, germany<br />

www.luethje-schneider-hoerl.de<br />

involved broadcasters<br />

Br, germany<br />

Public screenings<br />

5 / 2012 Dok.fest, germany<br />

9 / 2012 european environment<br />

festival, Bulgaria<br />

10 / 2012 cineeco, portugal<br />

sales contact<br />

Maren luethje<br />

luethje, schneider, Hörl<br />

produktion<br />

landwehrstr. 2<br />

80336 München, germany<br />

luethje@luethje-schneider.de<br />

www.luethje-schneider-hoerl.de<br />

section<br />

Dok international programme<br />

tHe WaY to Mecca<br />

by asel Zhuraeva<br />

80-year-old Sulaiman Turdubaev is the villager of Alga in<br />

Kadamjay district. He has been raising money for<br />

Muslim duty to go to Hajj in the holy land of Mecca. He<br />

decided to spend all of his money for erecting a monument<br />

in honour of the fallen in the Great Patriotic War.<br />

genre<br />

author’s point of View<br />

science<br />

facts<br />

kyrgyzstan, 2012<br />

colour, HDcam<br />

19 min<br />

original title<br />

Mekkege karai jol<br />

original language<br />

kirghiz<br />

Produced by<br />

asel Zhuraeva<br />

tazar cinemacompany, kyrgyzstan<br />

Public screenings<br />

5 / 2012 cinema du réel,<br />

kyrgyzstan<br />

3 / 2012 cinema du réel, france<br />

sales contact<br />

asel Zhuraeva<br />

tazar cinemacompany<br />

Dinara asanova 1<br />

tazar cinemacompany<br />

720030 Bishkek, kyrgyzstan<br />

astaz@mail.ru<br />

308 309<br />

film id<br />

1046


film id<br />

2011<br />

section<br />

animadoc<br />

WHat’s Your JoB ?<br />

by françois Dufour<br />

Interviewees talk about being distracted at work.<br />

The film illustrates their remarks in an offbeat and<br />

light-hearted manner.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

france, 2012<br />

B / W, HD Videofile<br />

4 min<br />

original title<br />

tu fais quoi comme boulot ?<br />

original language<br />

french<br />

Produced by<br />

aymeric Hays-narbonne<br />

ecole emile cohl, france<br />

sales contact<br />

aymeric Hays-narbonne<br />

ecole emile cohl<br />

232 rue paul Bert<br />

69003 lyon, france<br />

festivals@cohl.fr<br />

section<br />

Dok international programme<br />

WHen BuBBles Burst<br />

by Hans petter Moland<br />

When Bubbles Burst is the story behind the story:<br />

In a globalized economy it becomes increasingly difficult<br />

for nations, companies and individuals to protect<br />

themselves from today’s extreme financial volatility. The<br />

economic ‘butterfly effect’ makes us all equally vul-<br />

nerable. In this documentary we will travel from Norway<br />

out into the world in order to examine the mechanics<br />

behind bubbles and crashes, and discuss trends and visions<br />

for the future. We will meet Nobel laureates, world-<br />

class economists, players in the global economic casino<br />

and ‘the little man’. Together they will give an unflinching<br />

account of today’s situation, draw fascinating histori-<br />

cal parallels and provide insight needed to better understand<br />

the world’s present financial crisis.<br />

genre<br />

History / politics / current affairs<br />

facts<br />

norway, 2012<br />

colour, B / W, HDcam<br />

90 min<br />

original title<br />

når boblene brister<br />

original language<br />

english, norwegian<br />

Produced by<br />

odd arvid strømstad<br />

eyeworks Dinamo as, norway<br />

www.dinamo.no /<br />

enheter / eyeworks<br />

Public screenings<br />

3 / 2012 filmfest oslo, norway<br />

6 / 2012 silverdocs, usa<br />

6 / 2012 norway short ff, spain<br />

9 / 2012 san sebastián, norway<br />

sales contact<br />

odd arvid strømstad<br />

eyeworks Dinamo as<br />

p. o. Box 442<br />

1327 lysaker, norway<br />

post@dinamo.no<br />

www.dinamo.no /<br />

enheter / eyeworks<br />

310 311<br />

film id<br />

2762


film id<br />

1400<br />

WHen Hari<br />

got MarrieD<br />

by ritu sarin, tenzing sonam<br />

section<br />

Dok international programme<br />

Hari, a 30-year-old taxi driver, lives in a small town<br />

in the Himalayan foothills of India. He is getting married<br />

to Suman, a girl he has never met. Tradition dictates<br />

that Hari and Suman will only see each other on the day<br />

of their wedding. But Hari has found another way to<br />

get to know her: on the mobile phone. Over the past few<br />

months they have spoken to each other every day and<br />

have fallen in love. Hari knows that for a girl, marriage is<br />

a traumatic event when she must abandon the comfort<br />

and security of her home and step into a new life with a<br />

stranger. He worries about how it will be when they<br />

finally meet. Hari and Suman see each other properly for<br />

the first time during the wedding ceremony. Will their<br />

telephone love prove strong enough to overcome the awk-<br />

ward obstacles of an arranged marriage ?<br />

genre<br />

ethnology / religion<br />

Human interest<br />

facts<br />

india, united kingdom, usa,<br />

norway, 2012<br />

colour, HDcam<br />

75 min / 52 min<br />

original title<br />

When Hari got Married<br />

original language<br />

Hindi<br />

Produced by<br />

ritu sarin<br />

White crane films, india<br />

www.whitecranefilms.com<br />

Public screenings<br />

10 / 2012 films from the south,<br />

norway<br />

sales contact<br />

charles schuerhoff<br />

pBs Distribution, usa<br />

chschuerhoff@pbs.org<br />

www.wgbhinternational.org<br />

section<br />

Dok Market<br />

WHen i Was DeaD<br />

by Maasja ooms, ingrid Wender<br />

Getting a complete overview of your life in a single<br />

moment; leaving your body; experiencing an<br />

indescribable lightness and gentleness; being welcomed<br />

by the deceased you loved in your life: Near Death<br />

Experiences. Meet three very different people with their<br />

experiences in the moment between life and death.<br />

genre<br />

Human interest<br />

portrait<br />

facts<br />

netherlands, 2011<br />

colour, Beta sp<br />

51 min / 59 min<br />

original title<br />

retourtje Hiernamaals<br />

original language<br />

Dutch<br />

Produced by<br />

frank van den engel<br />

Zeppers film, netherlands<br />

www.zeppers.nl<br />

Public screenings<br />

11 / 2011 iDfa, netherlands<br />

sales contact<br />

esther van Messel<br />

first Hand films<br />

neunbrunnenstrasse 50<br />

8050 Zürich, switzerland<br />

esther.van.messel@<br />

firsthandfilms.com<br />

www.firsthandfilms.com<br />

312 313<br />

film id<br />

1079


film id<br />

434<br />

section<br />

Dok Market<br />

WHere HeaVen<br />

Meets Hell<br />

by sasha friedlander<br />

Deep in the rain forests of Eastern Java, Indonesia, lies<br />

the active volcano, Kawah Ijen, where 500 sulphur<br />

miners carrying backbreaking loads, traverse treacherous<br />

terrain amidst spectacular vistas and toxic gases.<br />

Where Heaven Meets Hell relays the stories of four of<br />

these miners, who risk their lives and health daily in<br />

an industry we rely on for sugar, matches and cosmetics.<br />

This visually stunning and intimate film chronicles<br />

their attempts to escape the endemic poverty and<br />

lack of education that haunts their community. Drawing<br />

strength from their families and Muslim faith, these<br />

miners inspire us as they search for meaning in their<br />

daily struggles and triumphs.<br />

genre<br />

ethnology / religion<br />

Human interest<br />

portrait<br />

facts<br />

usa, 2012<br />

colour, HDcam<br />

80 min<br />

original title<br />

Where Heaven Meets Hell<br />

original language<br />

indonesian<br />

Produced by<br />

sally Jo fifer<br />

itVs, usa<br />

www.itvs.org<br />

in co-Production With<br />

sasha friedlander<br />

sasha films, llc, usa<br />

www.whereheavenmeetshell.com<br />

involved broadcasters<br />

itVs, usa<br />

Public screenings<br />

3 / 2012 Hong kong iff,<br />

Hong kong<br />

4 / 2012 Hot Docs, canada<br />

5 / 2013 asian pacific film<br />

festival, usa<br />

10 / 2012 Hawaii iff, usa<br />

sales contact<br />

sasha friedlander<br />

sasha films, llc<br />

658 Warren st. #3<br />

11217 Brooklyn, usa<br />

sashafriedlander@gmail.com<br />

www.whereheavenmeetshell.com<br />

WHere MY<br />

Heart Beats<br />

by khazar fatemi<br />

section<br />

Dok Market<br />

Journalist and former refugee Khazar Fatemi returns<br />

to her childhood country of Afghanistan for the first<br />

time in 20 years. Behind the shadow of war and<br />

devastation, Khazar shows us a window into a nation<br />

with unimaginable struggles, and an unwavering<br />

will to survive.<br />

genre<br />

ethnology / religion<br />

History / politics / current affairs<br />

facts<br />

sweden, 2012<br />

colour, Beta sp<br />

58 min / 94 min<br />

original title<br />

Where My Heart Beats<br />

original language<br />

swedish<br />

Produced by<br />

klara Björk<br />

filmkreatörerna, sweden<br />

www.filmkreatorerna.com<br />

Public screenings<br />

9 / 2012 raindance,<br />

united kingdom<br />

10 / 2012 la femme iff, usa<br />

sales contact<br />

esther van Messel<br />

first Hand films<br />

neunbrunnenstrasse 50<br />

8050 Zürich, switzerland<br />

esther.van.messel@<br />

firsthandfilms.com<br />

www.firsthandfilms.com<br />

314 315<br />

film id<br />

3173


film id<br />

882<br />

section<br />

chileDoc<br />

WHere tHe<br />

conDors flY<br />

by carlos klein<br />

Where the Condors Fly is a personal, critical and deeply<br />

humorous reflection about filmmaking and its possibilities<br />

and limitations. Like a matrouchka doll, it tells<br />

the story of a filmmaker making a film about another<br />

filmmaker who is himself making a film.<br />

genre<br />

arts / culture / Music<br />

author’s point of View<br />

facts<br />

switzerland, germany,<br />

chile, 2012<br />

colour, Dcp<br />

90 min<br />

original title<br />

Where the condors fly<br />

original language<br />

english, german, russian,<br />

spanish<br />

Produced by<br />

Vadim Jendreyko<br />

Mira film, switzerland<br />

www.mirafilm.ch<br />

in co-Production With<br />

carlos klein<br />

ckfilms, chile<br />

Hartmut Homolka<br />

tM film, germany<br />

www.tmfilm.de<br />

involved broadcasters<br />

srf, switzerland<br />

Br, germany<br />

Public screenings<br />

4 / 2012 Visions du réel,<br />

switzerland<br />

6 / 2012 fiDocs, chile<br />

8 / 2012 etats généraux du film<br />

Documentaire, france<br />

9 / 2012 Message to Man, russia<br />

sales contact<br />

Vadim Jendreyko<br />

Mira film<br />

Weststrasse 182<br />

8003 Zürich, switzerland<br />

info@mirafilm.ch<br />

www.mirafilm.ch<br />

WHite Men<br />

by alessandro Baltera, Matteo tortone<br />

section<br />

Dok Young cinema<br />

competition<br />

Maneno is looking for a cure for his wounds. Samson<br />

works as gardener in the town acqueduct. Alfred<br />

is following the case of a man who has been mutilated<br />

in an assault. Mr. White is working at his next concert.<br />

These men live near Lake Victoria, an area abundant<br />

with stories of sudden richness and miraculous potions,<br />

or empty graves and immortality. It is in this region<br />

that white men, albinos like the four main characters,<br />

are often hunted to become tools of witchcraft.<br />

genre<br />

author’s point of View<br />

ethnology / religion<br />

facts<br />

italy, 2011<br />

colour, B / W, Beta sp<br />

65 min<br />

original title<br />

White Men<br />

original language<br />

swahili<br />

Produced by<br />

enrico giovannone<br />

Babydocfilm, italy<br />

www.whitemen.it<br />

Public screenings<br />

3 / 2012 ankara iff, turkey<br />

3 / 2012 festival del cinema<br />

africano, asia e america<br />

latina, italy<br />

5 / 2012 planet Doc festival,<br />

poland<br />

11 / 2011 festival dei popoli, italy<br />

sales contact<br />

enrico giovannone<br />

Babydocfilm<br />

Via artisti 30<br />

10124 torino, italy<br />

info@babydocfilm.it<br />

www.whitemen.it<br />

316 317<br />

film id<br />

142


film id<br />

1492<br />

WHite nigHt<br />

by irit gal<br />

section<br />

Dok international programme<br />

Night after night a group of Palestinian women go<br />

on a border-crossing journey from their village, crawling<br />

on the ground through a hole in the fence and into<br />

Jerusalem. Here they pretend to be Israeli, blend into<br />

their surroundings, and go to work in order to support<br />

their children. On these nightly journeys they share<br />

with each other their lives, pain, hopes and dreams. These<br />

women manoeuvre their lives between the men who<br />

forbid them to work and the Israeli soldiers who pursue<br />

them. They risk capture and arrest every night to work<br />

as cleaning ladies in Jerusalem.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

israel, 2012<br />

colour, DigiBeta<br />

48 min<br />

original title<br />

layla lavan<br />

original language<br />

arabic, Hebrew<br />

Produced by<br />

nurit kedar<br />

inosan productions, israel<br />

Public screenings<br />

6 / 2012 Docaviv, israel<br />

sales contact<br />

nurit kedar<br />

inosan productions<br />

18 Yosef karo<br />

tel aviv, israel<br />

kedar.nurit@gmail.com<br />

WHY in MY Back<br />

YarD – HiDroaYsen<br />

by rafael Valdeavellano<br />

Every morning Maria Irene Soto wakes up convinced she<br />

works for the best energetic project in the world:<br />

Hidroaysen. She has spent years going over Chilean<br />

Patagonia trying to convince the locals, the authorities<br />

and even her children of the benefits this project will<br />

bring to Chile. Claudia Torres, a volunteer for the inter-<br />

nationally renowned NGO ‘Patagonia Without<br />

Dams’, organizes protests and campaigns to try to avoid<br />

Hidroaysen’s intervention of her life and the nature<br />

she lives in. As the day of the final voting of the project<br />

approaches, both women will be confronted and will<br />

see the final result of their efforts.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

chile, 2011<br />

colour, HD Videofile<br />

50 min<br />

original title<br />

por Qué en Mi<br />

Jardín – Hidroaysén<br />

original language<br />

spanish<br />

Produced by<br />

rafael Valdeavellano<br />

la Ventana cine, chile<br />

www.laventanacine.com<br />

in co-Production With<br />

claudia godoy<br />

tVn, chile<br />

www.tvn.cl<br />

involved broadcasters<br />

tVn, chile<br />

sales contact<br />

rafael Valdeavellano<br />

la Ventana cine<br />

rebeca Matte 2143, la reina<br />

7860475 santiago, chile<br />

rafa@laventanacine.com<br />

www.laventanacine.com<br />

318 319<br />

film id<br />

3234<br />

section<br />

chileDoc


film id<br />

2887<br />

tHe Will<br />

by christian sonderby Jepsen<br />

section<br />

Doc alliance<br />

Henrik’s ass is in a tight corner. His girlfriend has split<br />

up with him, drug and alcohol abuse have gotten the<br />

upper hand, and he’s deeply in debt. When everything is<br />

most dire and his woes seem wholly insurmountable,<br />

a door to new life is opened when Henrik’s wealthy grand-<br />

father dies, leaving behind a huge fortune. But at the<br />

promise of money, family war breaks out, and years of<br />

failure and betrayal are revealed.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

Denmark, 2011<br />

colour, HDcam<br />

87 min / 58 min<br />

original title<br />

testamentet<br />

original language<br />

Danish<br />

Produced by<br />

sarita christensen<br />

copenhagen Bombay, Denmark<br />

www.copenhagenbombay.com<br />

Public screenings<br />

11 / 2011 copenhagen iff,<br />

Denmark<br />

11 / 2011 iDfa, netherlands<br />

5 / 2012 Warsaw iff, poland<br />

7 / 2012 Marseille iff, france<br />

sales contact<br />

esther van Messel<br />

first Hand films<br />

neunbrunnenstrasse 50<br />

8050 Zürich, switzerland<br />

esther.van.messel@<br />

firsthandfilms.com<br />

www.firsthandfilms.com<br />

section<br />

Visions du réel & swiss films<br />

Winter noMaDs<br />

by Manuel von stürler<br />

Pascal and Carole are shepherds. In November 2010,<br />

they embark on their long winter transhumance:<br />

four months during which they will have to cover 600<br />

km in the Swiss-French region, accompanied by three<br />

donkeys, four dogs and eight hundred sheep. They<br />

will brave the cold and the bad weather day in day out,<br />

with a canvas cover and animal skins as their only shelter<br />

at night. An odyssey through a region undergoing pro-<br />

found changes that render this kind of expedition more<br />

difficult every year, particularly when the grass for the<br />

sheep has to be found between villas, railroad tracks and<br />

industrial areas. A film dominated by the strong<br />

personalities of Pascal and Carole, whose relationship and<br />

joie de vivre transform this transhumance into a<br />

magnificent hymn to freedom, at opposite extremes of<br />

our comfortable reality. Winter Nomads is an adventure<br />

film, a contemporary road movie, a reflection on our<br />

current world which takes us back to our roots and our<br />

inner questions.<br />

genre<br />

author’s point of View<br />

Human interest<br />

facts<br />

switzerland, 2012<br />

colour, Dcp<br />

90 min<br />

original title<br />

Hiver nomade<br />

original language<br />

french<br />

Produced by<br />

Heinz Dill<br />

louise productions sàrl,<br />

switzerland<br />

www.louiseproductions.ch<br />

in co-Production With<br />

Manuel von stürler, switzerland<br />

Public screenings<br />

2 / 2012 Berlinale, germany<br />

4 / 2012 Visions du réel, france<br />

4 / 2012 san francisco, usa<br />

5 / 2012 Dokfest München,<br />

germany<br />

sales contact<br />

Heinz Dill<br />

louise productions sàrl<br />

avenue de france 60<br />

1004 lausanne, switzerland<br />

info@louiseproductions.ch<br />

www.louiseproductions.ch<br />

320 321<br />

film id<br />

878


film id<br />

3077<br />

section<br />

Dok international programme<br />

Winter, go aWaY !<br />

by elena khoreva, Denis klebleev, Dmitry kubasov, askold kurov,<br />

nadezhda leonteva, anna Moiseenko, Madina Mustafina,<br />

sofia rodkevich, anton seregin, alexey Zhiryakov<br />

Winter, Go Away ! was filmed by the graduates of<br />

Marina Razbezhkina and Mikhail Ugarov’s Documentary<br />

Filmmaking and Theater School, on the initiative of<br />

Novaya Gazeta, an independent Russian newspaper. Ten<br />

young directors did not part from their cameras for<br />

two months. The result was a chronicle of Russia’s winter<br />

protests – a chronicle of those who make the political<br />

climate and those who are dissatisfied with the makers.<br />

We see people, their faces, their conversations, rallies,<br />

victories and defeats ahead of the presidential election. A<br />

living camera interacts with living heroes. Winter Go<br />

Away is funny in places – and yet contains an overall sad-<br />

ness. Its nearly 80 minutes go by very quickly – so quickly,<br />

that one immediately wonders; what comes next.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

portrait<br />

facts<br />

russia, 2012<br />

colour, HDcam<br />

79 min<br />

original title<br />

Zima, ukhodi<br />

original language<br />

russian<br />

Produced by<br />

Marina razbezhkina<br />

risk film studio, russia<br />

Public screenings<br />

8 / 2012 locarno, switzerland<br />

sales contact<br />

Diana karklin<br />

rise and shine World sales<br />

schlesische straße 29 / 30<br />

10997 Berlin, germany<br />

diana.karklin@<br />

riseandshine-berlin.de<br />

www.riseandshine-berlin.com<br />

section<br />

focus latin america<br />

WitH MY<br />

Heart in YaMBo<br />

by fernanda restrepo<br />

On January 8, 1988, when I was 10 years old, my parents<br />

decided to go on vacation and leave me with my<br />

brothers Santiago and Andrés who were 17 and 14 years<br />

old. That day I went to a friend’s birthday party and<br />

they were to pick me up in the afternoon. Night fell and<br />

dawn found me still waiting and watching at the<br />

window. They never arrived. After one year of uncertainty<br />

and anguish, we discovered that on that very same<br />

day my brothers had been kidnapped, tortured, murdered<br />

and kidnapped by the Ecuadorian police for no reason<br />

at all. Their bodies were thrown into Lake Yambo, a<br />

2-hour drive from Quito, but we have never found them.<br />

More than 20 years after their disappearance a new<br />

search is carried out in Lake Yambo and my personal re-<br />

discovery of the story I had only partially experienced<br />

earlier begins to unravel. This documentary emphasizes<br />

the power memory has in keeping us alive.<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

ecuador, 2011<br />

colour, Dcp<br />

136 min<br />

original title<br />

con mi corazon en yambo<br />

original language<br />

spanish<br />

Produced by<br />

fernanda restrepo, ecuador<br />

www.conmicorazonenyambo.com<br />

involved broadcasters<br />

ecuavisa, ecuador<br />

Public screenings<br />

5 / 2011 festival encuentros del<br />

otro cine, ecuador<br />

10 / 2011 cinemark, ecuador<br />

11 / 2011 iDfa, netherlands<br />

2 / 2012 festival De cine De<br />

cartagena, colombia<br />

sales contact<br />

isabel carrasco<br />

la republica invisible, ecuador<br />

direccion@<br />

conmicorazonenyambo.com<br />

322 323<br />

film id<br />

250


film id<br />

753<br />

section<br />

Dok Market<br />

WitHin tHe<br />

eYe of tHe storM<br />

by shelley Hermon<br />

Bassam and Rami, a Palestinian and an Israeli, were<br />

once dedicated fighters willing to kill and be killed by one<br />

another for the sake of their nations. Yet each one of<br />

them came face to face with the price of war when their<br />

daughters were killed in the conflict. Left with the<br />

excruciating pain of bereavement, they chose to do the<br />

unexpected. They set out on a joint journey to humanize<br />

the very enemy, which took the dearest thing from<br />

them and prevent the vicious cycle of retaliation in them-<br />

selves and their societies. Along the way they reveal<br />

the friendship and humour that keeps them alive. The<br />

film follows their two parallel stories and the moments<br />

where they converge, both in their personal experi-<br />

ences and peace work as they face their shattered families,<br />

confused communities and opposing societies. This<br />

is a critical junction in both their lives, as their life mission<br />

and personal agenda clash and they stand the biggest<br />

test to their friendship.<br />

genre<br />

History / politics / current affairs<br />

Human interest<br />

facts<br />

israel, 2012<br />

colour, HDcam<br />

68 min<br />

original title<br />

Bein Hasara<br />

original language<br />

arabic, Hebrew<br />

Produced by<br />

shelley Hermon<br />

firefly pictures, israel<br />

in co-Production With<br />

nisan katz<br />

nisansun productions, israel<br />

www.nisansun.com<br />

involved broadcasters<br />

tV5, france<br />

sales contact<br />

Jean-Michel trèves<br />

J. M. t. films Distribution &<br />

Worldwide sales<br />

20 Bialik street<br />

63324 tel aviv, israel<br />

michael@jmtfilms.com<br />

www.jmtfilms.com<br />

WitHin WitHin<br />

by sharon liu<br />

‘There are many things we cannot choose in life, no one<br />

can choose their parents. You have to learn to love them<br />

before knowing them.’ My graduation film is about<br />

my personal feelings to Hong Kong and its complicated<br />

relationship with China. It expresses what I really<br />

want to say and feel at the age of 23, that I love not just<br />

my birth place Hong Kong but my country as well.<br />

genre<br />

author’s point of View<br />

History / politics / current affairs<br />

facts<br />

united kingdom, 2011<br />

colour, B / W, HD Videofile<br />

4 min<br />

original title<br />

Within Within<br />

original language<br />

english<br />

Produced by<br />

sharon liu, united kingdom<br />

Public screenings<br />

3 / 2012 independant short film<br />

and Video awards, Hong kong<br />

3 / 2012 tricky Women<br />

festival, austria<br />

4 / 2012 anifest, czech republic<br />

4 / 2012 iff Hong kong,<br />

Hong kong<br />

sales contact<br />

sharon liu<br />

flat 2,<br />

358 edgware road,<br />

W2 1eB london, united kingdom<br />

sharonsyliu@hotmail.com<br />

324 325<br />

film id<br />

899<br />

section<br />

animadoc


film id<br />

231<br />

section<br />

chileDoc<br />

tHe WoMan<br />

anD tHe passenger<br />

by patricia correa, Valentina Mac-pherson<br />

A documentary that reflects on love through the<br />

experiences of 4 women, maids of an emblematic Santiago<br />

motel, Marin 014, which will let us peek into the radio-<br />

graphy of its passengers.<br />

genre<br />

author’s point of View<br />

portrait<br />

facts<br />

chile, 2012<br />

colour, HDcam<br />

45 min<br />

original title<br />

las Mujeres del pasajero<br />

original language<br />

spanish<br />

Produced by<br />

patricia correa,<br />

Valentina Mac-pherson<br />

el paseodigital / Juana films<br />

chile<br />

www.juanafilms.com<br />

Public screenings<br />

5 / 2012 fiDocs, chile<br />

8 / 2012 feDocs, chile<br />

10 / 2012 Marbella iff, spain<br />

sales contact<br />

Valentina Mac-pherson<br />

el paseodigital / Juana films<br />

Huelén 265, Depto. 21,<br />

providencia.<br />

7500658 santiago, chile<br />

valentina.macpherson@<br />

gmail.com<br />

www.juanafilms.com<br />

Work HarD<br />

– plaY HarD<br />

by carmen losmann<br />

section<br />

Doc alliance<br />

A documentary about the removal of boundaries in the<br />

workplace. Man, as the most important motor of<br />

growth in our highly skilled Western service society, has<br />

become the focus of modern management practices.<br />

By following these different procedures, the film explores<br />

companies’ efforts to motivate their employees so that<br />

they give their maximum performance. From innovative<br />

office architecture that is supposed to create a whole<br />

world of emotions for employees, to the complete digital<br />

registration of employees’ personality traits, the workingman<br />

has now entered the matrix of a total working<br />

world.<br />

genre<br />

author’s point of View<br />

ethnology / religion<br />

Human interest<br />

facts<br />

germany, 2011<br />

colour, DigiBeta<br />

90 min<br />

original title<br />

Work Hard – play Hard<br />

original language<br />

german<br />

Produced by<br />

erik Winker<br />

Hupe film- und fernseh-<br />

produktion, germany<br />

www.hupefilm.de<br />

Public screenings<br />

10 / 2011 Dok leipzig, germany<br />

11 / 2011 kasseler Dokumentarfilm-<br />

und Videofest, germany<br />

12 / 2011 it’s all true, germany<br />

4 / 2012 Visions du rèel,<br />

switzerland<br />

sales contact<br />

irena taskovski<br />

taskovski films<br />

korunovacni 32<br />

170 00 prague 7, czech republic<br />

irena@taskovskifilms.com<br />

www.taskovskifilms.com<br />

326 327<br />

film id<br />

2886


film id<br />

1719<br />

tHe WorlD<br />

Before Her<br />

by nisha pahuja<br />

section<br />

Hot Docs<br />

Twenty young women from across India arrive for an<br />

intense, month-long beauty boot camp – they are<br />

the hand-picked contestants for the Miss India pageant.<br />

Winning the coveted title means instant stardom, a<br />

lucrative career path and freedom from the constraints<br />

of a patriarchal society. In another corner of India<br />

we visit a camp for young girls run by the militant funda-<br />

mentalist movement. Through lectures and physical<br />

combat training, the girls learn what it means to be good<br />

Hindu women. Moving between the transformative<br />

action at both camps and the characters’ private lives,<br />

The World Before Her creates a lively, provocative portrait<br />

of the world’s largest democracy at a critical transi-<br />

tional moment.<br />

genre<br />

ethnology / religion<br />

History / politics / current affairs<br />

portrait<br />

facts<br />

canada, 2012<br />

colour, HDcam<br />

90 min<br />

original title<br />

the World Before Her<br />

original language<br />

english, Hindi<br />

Produced by<br />

ed Barreveld, andy cohen<br />

storyline entertainment, canada<br />

www.storylineentertainment.com<br />

in co-Production With<br />

Mike chamberlain<br />

stampede, canada<br />

nisha pahuja, canada<br />

Public screenings<br />

4 / 2012 tribeca,usa<br />

5 / 2012 Hot Docs, canada<br />

5 / 2012 little rock,usa<br />

6 / 2012 sydney ff, australia<br />

sales contact<br />

ed Barreveld<br />

storyline entertainment<br />

115 palmerston ave.<br />

M6J 2J2 toronto, canada<br />

lisa@storylineentertainment.com<br />

www.storylineentertainment.com<br />

YorZeit<br />

by Zuzanna solakiewicz<br />

section<br />

krakow film foundation &<br />

polish Docs<br />

In the ruined cemetery in Gorlice, in Southern Poland<br />

there is the grave of the tzaddik, a holy master, forgotten<br />

years ago by the world. For 30 years now, devout Meir<br />

Moszkowicz climbs on the top of a quiet provincial town<br />

cemetery from crowded Bnei Brak in Israel. Gorlice<br />

is a place where the meaning of life was revealed to Meir<br />

along with the mystic presence of his beloved master.<br />

So he takes care of master’s grave and the cemetery, he<br />

befriends the locals and when he returns to Israel wakes<br />

up each day thinking about its holy place. Yortzeit tells<br />

the miraculous story of the sage, who embarks with love,<br />

faith and joy on a difficult trip to Poland.<br />

genre<br />

ethnology / religion<br />

portrait<br />

facts<br />

poland, 2012<br />

colour, DigiBeta<br />

52 min<br />

original title<br />

Jorcajt<br />

original language<br />

polish<br />

Produced by<br />

Barbara lawska<br />

kronika film studio, poland<br />

sales contact<br />

katarzyna Wilk<br />

krakow film foundation<br />

ul. Basztowa 15 / 8a<br />

31-143 krakow, poland<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

328 329<br />

film id<br />

2670


Dok leipzig<br />

team<br />

festival director,<br />

managing director<br />

claas Danielsen<br />

head of administration<br />

christiane Wilhelm<br />

financial dePartment<br />

steffen schmidt<br />

sylvia schweitzer<br />

office<br />

angela pacher<br />

sylvia de toro-garland<br />

curators<br />

Dr. günter agde<br />

paulo de carvalho<br />

Dr. grit lemke<br />

annegret richter<br />

Dr. alexander schwarz<br />

selection and<br />

Programme committee<br />

documentary<br />

claas Danielsen<br />

ralph eue<br />

Matthias Heeder<br />

cornelia klauß<br />

Dr. grit lemke<br />

antje stamer<br />

selection and<br />

Programme committee<br />

animationfilm<br />

ingo linde<br />

lars Meyer<br />

annegret richter<br />

Programme<br />

Dr. grit lemke<br />

Documentary programme<br />

annegret richter<br />

animation programme<br />

kim Busch<br />

lina Dinkla<br />

katrin Haucke<br />

Marcel Maïga<br />

doc alliance<br />

lina Dinkla<br />

doK macht schule<br />

sophie Hellriegel<br />

katja schmidt<br />

luc-carolin Ziemann<br />

doK industry<br />

christine Hille<br />

klaus franzheld<br />

Mila kiratzova<br />

eva rink<br />

Brigid o’shea<br />

doK marKet<br />

Diana arnold<br />

katharina Bergfeld<br />

florian fischl<br />

Dominique raack<br />

doK training<br />

ilo von seckendorff-<br />

Witzleben<br />

Britta senn<br />

Press office<br />

rafael Barth<br />

peer Vorderwülbecke<br />

annika szott<br />

Public relations<br />

roland löbner<br />

luisa Männel<br />

Dörthe Winter<br />

catalogue editor<br />

ina Deicke<br />

nicolaus schröder<br />

sPonsoring<br />

tina leeb<br />

events<br />

karina Weisheit<br />

Jenny Winkler<br />

alex Wöckel<br />

advisors to the festival<br />

paulo de carvalho<br />

Barbara ciesielski<br />

elizabeth Marschan<br />

sirkka Möller<br />

tue steen Müller<br />

rada Šešiċ<br />

Barbara Wurm<br />

cinema assistants<br />

Presenters<br />

felix endruweit<br />

Detlef fluch<br />

Jana fuchs<br />

frauke knappke<br />

Matthias Mai<br />

sebastian Mandla<br />

silke Mühl<br />

Beate Maschke-spittler<br />

Janna steenfatt<br />

kristina strauss<br />

lars tuncay<br />

kaya de Wolff<br />

Kids Presenters<br />

oskar lemke<br />

linus Maschke<br />

lina Märtens<br />

Jury assistants<br />

Jette Blümler<br />

Helena Matschiner<br />

claudia Max<br />

felix rößger<br />

franziska schmidt<br />

paula schumann<br />

guest recePtion<br />

friederike christoph<br />

katharina günther<br />

cristina gutu<br />

Benjamin Heine<br />

lea inselmann<br />

alissa imsirović<br />

drivers<br />

sascha ackermann<br />

phillip Boos<br />

christian Hill<br />

györgy szilagyi<br />

Julia thiele<br />

interPreter<br />

nikola Basler<br />

irina Bondas<br />

anne-kathrin ende<br />

Dr. Hannelore lenk<br />

peggy plötz-steger<br />

georg siebert<br />

Martina utpott<br />

Bernhard Weisemann<br />

Wolfram Wiessner<br />

Dr. Miriam<br />

Zeh-glöckler<br />

translator<br />

kuros ghaffari<br />

Heinz Hentschel<br />

sabine niewalda<br />

film Print administration<br />

Martin kiebeler<br />

Béla kovács<br />

Johannes pelka<br />

Print control<br />

anna Baranowski<br />

Melanie Jilg<br />

stefan trampe<br />

technical dePartment<br />

digitalisation<br />

rené Blümel<br />

Danko Dolch<br />

paul Müller-Hahl<br />

nadja kühn<br />

Wolfgang samlowski<br />

cinema and video equiPment<br />

ProJectionists<br />

anna Baranowski<br />

Johannes Bernstein<br />

Dietmar ils<br />

ralph nünthel<br />

andreas schönwies<br />

team cinestar<br />

team passage kinos<br />

team cinémathèque leipzig<br />

team schaubühne lindenfels<br />

team Zeitgeschichtliches<br />

forum leipzig<br />

volunteers<br />

Marcio arend<br />

franziska Barth<br />

lina Bartnik<br />

sophie Bauer<br />

paula Baumgärtner<br />

Benjamin Bernard<br />

rafael Bies<br />

Merit Binder<br />

leonore Blume<br />

anne-coralie Bonnaire<br />

lea Bork<br />

anja Bretzer<br />

christin Büchele<br />

ariane Busse<br />

lisa Dannapfel<br />

christina Demenshina<br />

laura Droll<br />

petra ertl<br />

theresa faber<br />

Maximilian fleischer<br />

katharina frohnapfel<br />

pamela gómez<br />

Hanna günther<br />

claudia Hammermüller<br />

Marie Hartung<br />

timothy Jones<br />

isabel Hindersin<br />

sandra kamphake<br />

Maria ketzmerick<br />

kati kietzmann<br />

Maxi klaut<br />

Vicky klug<br />

natalie kohler<br />

sylvio konkol<br />

tilman kootz<br />

stefan kutschera<br />

Melissa lampe<br />

erik laube<br />

nina lechthoff<br />

philipp lemmerich<br />

annika lenz<br />

grit lichtenecker<br />

felix lindner<br />

Beatrice loske<br />

Max Mantell<br />

carlo Märzke<br />

katharina Meyer<br />

aurore Montaut<br />

José carlos de Moraes silva<br />

Vanessa Müller<br />

katia aiko Murata<br />

claudia naumann<br />

pablo navarete<br />

sabine netz<br />

kristin noack<br />

lena philipp<br />

Janina puder<br />

pia rauschenberger<br />

lisa rechenberg<br />

laura rehkuh<br />

christin richter<br />

Julika ruf<br />

sebastian runge<br />

luisa sancelean<br />

gonzalo serce<br />

laura schorcht<br />

anna schüler<br />

susann schumann<br />

Moritz schurer<br />

lisa schurrer<br />

rebecca schweier<br />

stephanie schweigert<br />

katharina simowitsch<br />

christine stein<br />

elisabeth struck<br />

Michelle toussaint<br />

eva Vadamootoo<br />

Maria Venne<br />

sabrina Viereckel<br />

Viola Vollmer<br />

robert Wehner<br />

pola Weiß<br />

franziska Werner<br />

graPhics and design<br />

Visionauten<br />

Hug & eberlein<br />

festival PhotograPher<br />

Martin Jehnichen<br />

doK digital dePartment<br />

computer leipzig<br />

database<br />

kalenda systems<br />

system administrator<br />

computer leipzig<br />

video technics<br />

Big cinema<br />

ils Medientechnik<br />

330 331


index<br />

englisH titles<br />

p. 334<br />

original titles<br />

p. 336<br />

Directors<br />

p. 338<br />

countries<br />

p. 341<br />

genres<br />

p. 344<br />

sales coMpanies<br />

anD agents<br />

p. 348<br />

sections<br />

p. 353<br />

333


english titles<br />

n o<br />

11 images of a Human 24<br />

1712 Battle of the Baltic 25<br />

24 Buckets, 7 Mice,<br />

18 Years 26<br />

300 tons of gold 27<br />

the 5th season 28<br />

74 m2 29<br />

a<br />

about face: supermodels,<br />

then and now 30<br />

addiction 31<br />

ag geige<br />

– an amateur film 32<br />

all Happy Mornings 33<br />

ameer got His gun 34<br />

among Men<br />

– gay in east germany 35<br />

the anabasis of May and<br />

fusako shigenobu, Masao<br />

adachi, and 27 Years without<br />

images 36<br />

anatomy of a Departure 37<br />

and italy took flight 38<br />

and Who taught You<br />

to Drive 39<br />

another night on earth 40<br />

appassionata 41<br />

arbeit Heimat opel 42<br />

are You listening ! 43<br />

the art of Yodeling 44<br />

as You like it 45<br />

B<br />

the Basketball game 46<br />

Battery Man 47<br />

Beautiful faces 48<br />

Beer is cheaper than<br />

therapy 49<br />

Beerland 50<br />

the Bella Vista 51<br />

Bells of Happiness 52<br />

Benghazi:<br />

Beyond the front line 53<br />

Bert stern:<br />

original Madman 54<br />

a Better life is elsewhere 55<br />

Better this World 56<br />

Between two-spirit 57<br />

Beyond Wriezen<br />

– a movie about life after<br />

serving time in jail 58<br />

Big Boys gone Bananas!* 59<br />

Birders,<br />

the central park effect 60<br />

Bitter seeds 61<br />

Blender 62<br />

the Blockade 63<br />

Borderline,<br />

an unsetting Journey<br />

along the World’s longest<br />

un-Defended Border 64<br />

Bouchbennersch otto / how<br />

to treat differentness 65<br />

Breathing earth<br />

– susumu shingu’s<br />

Dream 66<br />

the Brussels Business 67<br />

Bury my Heart in Dresden 68<br />

Buzkashi! 69<br />

c<br />

the calm 70<br />

camp 14<br />

– total control Zone 71<br />

the captain and His pirate 72<br />

captain thomas sankara 73<br />

the carbon rush 74<br />

castles and palaces<br />

of europe 75<br />

centrefold 76<br />

check point 77<br />

chronicle of a forgotten<br />

Death 78<br />

chronicles of the last<br />

temple 79<br />

closed sea 80<br />

cloudy Mountains 81<br />

colombianos 82<br />

colors of Math 83<br />

comparing now and then 84<br />

corta 85<br />

crackle of time<br />

– christoph schlingensief<br />

and his opera village in<br />

Burkina faso 86<br />

crimson Mask 87<br />

crulic<br />

– the path to Beyond 88<br />

cuba<br />

– Mafia’s paradise – the<br />

History of a gangster<br />

Domain 89<br />

cult Witness 90<br />

D<br />

Damascus, My first kiss 91<br />

Dance for Me 92<br />

Dancing alone 93<br />

Danube Hospital 94<br />

Daughter 95<br />

Death of a cemetery 96<br />

Defending karadzic 97<br />

Demokratia,<br />

the Way of the cross 98<br />

Disease of the third power 99<br />

Documentarian 100<br />

Downeast 101<br />

Dragan Wende<br />

– How the trabant invaded<br />

West-Berlin and<br />

ruined my uncle’s<br />

kingdom 102<br />

Drawing for Memory 103<br />

Dream Jobs 104<br />

Dream of san Juan 105<br />

Dress to impress 106<br />

Drivers Wanted 107<br />

Drought 108<br />

Dublin’s trap:<br />

another side of the<br />

greek crisis 109<br />

Duck Beach to eternity 110<br />

e<br />

eames:<br />

the architect and<br />

the painter 111<br />

earth 112<br />

emperor’s toys 113<br />

the employment 114<br />

end of the road 115<br />

the end of time 116<br />

entangled 117<br />

erwin Wurm<br />

– the artist who<br />

swallowed the world 118<br />

escape from paradise 119<br />

everything will not<br />

be fine 120<br />

exit point 121<br />

f<br />

family Meals 122<br />

fidaï 123<br />

the field of Magic 124<br />

the final Member 125<br />

fire in the Blood 126<br />

fists of pride 127<br />

the flowers of my family 128<br />

for You naked 129<br />

forbidden Voices 130<br />

forget me not 131<br />

fouad’s Dream 132<br />

the four Year plan 133<br />

freestyle life 134<br />

from Hollywood to<br />

nuremberg – John ford,<br />

samuel fuller, george<br />

stevens 135<br />

the future’s past 136<br />

g<br />

the gang 137<br />

generation sMs 138<br />

gilad and all that Jazz 139<br />

the girl Behind the<br />

camera (Wt) 140<br />

global Home 141<br />

going up the stairs 142<br />

the great Book robbery 143<br />

the great fallacy 144<br />

the gypsy Vote 145<br />

H<br />

Happy Birthday emily 146<br />

Happy serious sad 147<br />

Hava nagila<br />

– the Movie 148<br />

He Was a giant with<br />

Brown eyes 149<br />

Heino Jaeger<br />

– look Before You kuck 150<br />

Herman’s House 151<br />

Herstory 152<br />

History shorts 153<br />

a Home far away 154<br />

the House i live in 155<br />

How ping pong saved<br />

the World 156<br />

el Huaso 157<br />

Huerfano Valley 158<br />

the Human Zoo 159<br />

Hungry Minds 160<br />

i<br />

i am louisa Jules 161<br />

i Want My country Back 162<br />

i Was Born in Delhi 163<br />

icebound:<br />

the story of the 1925<br />

alaska serum run 164<br />

iceland Year Zero 165<br />

if i Wasn’t Born 166<br />

i’ll stop crying if You<br />

stop crying 167<br />

impenetrable 168<br />

in Between<br />

– the British artist<br />

richard Deacon 169<br />

the incredibles 170<br />

indie game:<br />

the Movie 171<br />

infiltrados 172<br />

intimatta 173<br />

the invisible string 174<br />

irish folk furniture 175<br />

isqat al nizam<br />

– at the regime Border 176<br />

italy, love it or leave it 177<br />

J<br />

Jakarta Disorder 178<br />

Jason Becker:<br />

not Dead Yet 179<br />

Joe frazier:<br />

When the smoke clears 180<br />

the Joy Down there 181<br />

k<br />

keep up the good Work 182<br />

kern 183<br />

the khmer rouge and the<br />

Man of non-Violence 184<br />

the kid and the clown 185<br />

kiran 186<br />

l<br />

the land Beneath<br />

the fog 187<br />

lang lang<br />

– the art of Being<br />

a Virtuoso 188<br />

lapsus 189<br />

the last Black sea<br />

pirates 190<br />

the last catch 191<br />

the last station 192<br />

legends for Beginners 193<br />

leontina 194<br />

letter tape 195<br />

the life and times of paul<br />

the psychic octopus 196<br />

the lifeguard 197<br />

like stone lions at the<br />

gateway into night 198<br />

lisa, go Home! 199<br />

little afghanistan 200<br />

little perestrojka 201<br />

live or Die in entebbe 202<br />

loden<br />

– the little Monk 203<br />

long Vacation 204<br />

losing sonia 205<br />

M<br />

the Machine Which Makes<br />

everything Disappear 206<br />

Mad.<br />

a World of fashion 207<br />

Magic skies<br />

– a History of fireworks 208<br />

Magic Words<br />

(to Break a spell) 209<br />

Mama illegal 210<br />

Mandala 211<br />

the Man’s field 212<br />

Matthew’s laws 213<br />

Men’s lust 214<br />

Milana 215<br />

the Most Dangerous Man in<br />

america: Daniel ellsberg<br />

and the pentagon<br />

papers 216<br />

Mother 24/7 217<br />

Mother’s Day 218<br />

Mountain love story 219<br />

Musics 220<br />

My father and the<br />

Man in Black 221<br />

My first Mountain<br />

– a rigi film 222<br />

My House Without Me 223<br />

My stuff 224<br />

n<br />

the night of the Bear 225<br />

night’s Drifters 226<br />

no Business like<br />

showbusiness 227<br />

no Harm Done 228<br />

nurse gretel # 2<br />

– escape 229<br />

nyosha 230<br />

o<br />

the oath 231<br />

one Meter above<br />

ground 232<br />

the other Day 233<br />

our Days, absolutely, Have<br />

to Be enlightened 234<br />

over My Dead Body 235<br />

overtime 236<br />

p<br />

pablo’s Winter 237<br />

the palace 238<br />

paperbox 239<br />

papirosen 240<br />

peace out 241<br />

a people uncounted 242<br />

a perfect candidate 243<br />

petra’s poem 244<br />

places other people<br />

Have lived 245<br />

playback 246<br />

polish illusions 247<br />

pondering 248<br />

the postman 249<br />

presence 250<br />

private universe 251<br />

project Z:<br />

the final global event 252<br />

protect everyone i love 253<br />

the punk syndrome 254<br />

pushwagner 255<br />

r<br />

randland 256<br />

reality 2.0 257<br />

the red Dream factory 258<br />

red Hair and Black<br />

coffee 259<br />

regilaul<br />

– songs of the<br />

ancient sea 260<br />

the river people 261<br />

the road uphill 262<br />

rogalik 263<br />

russian girls 264<br />

russia’s History revealed<br />

– part i, ii and iii 265<br />

s<br />

san agustin<br />

– low tide in the<br />

plastic sea 266<br />

seduced and<br />

Blackmailed 267<br />

shenandoah 268<br />

sibila 269<br />

the sky over here 270<br />

sofia’s last ambulance 271<br />

a sort of love 272<br />

sounds from the fog 273<br />

speed<br />

– in search of lost time 274<br />

the spies of scientology<br />

– office of special affairs<br />

o.s.a. 275<br />

the spy from the<br />

pariser platz 276<br />

steve Jobs:<br />

the lost interview 277<br />

a story for the Modlins 278<br />

stradivari’s Heirs 279<br />

stremt 89 280<br />

stretcher 281<br />

the stripper 282<br />

stuck in the middle 283<br />

t<br />

tales about the future 284<br />

tea or electricity 285<br />

the tears of the<br />

afghan lord 286<br />

334 335


telH78 287<br />

a thousand trees 288<br />

tomorrow 289<br />

tomorrow You Will leave 290<br />

tour Du faso 291<br />

tournesols<br />

– al rastan 292<br />

trains of thoughts 293<br />

the tree Workers case 294<br />

the trial 295<br />

twilight of the Yakuza 296<br />

two nil 297<br />

tzvetanka 298<br />

u<br />

ub lama 299<br />

under fire:<br />

Journalists in combat 300<br />

unfinished spaces 301<br />

the united states of<br />

Hoodoo 302<br />

V<br />

the Venice syndrome 303<br />

Vera gran 304<br />

Video Vertov 305<br />

Virgin tales 306<br />

W<br />

the Wait 307<br />

Warmzeit 308<br />

the Way to Mecca 309<br />

What’s your job? 310<br />

When Bubbles Burst 311<br />

When Hari got Married 312<br />

When i Was Dead 313<br />

Where Heaven Meets Hell 314<br />

Where My Heart Beats 315<br />

Where the condors fly 316<br />

White Men 317<br />

White night 318<br />

Why in My Back Yard<br />

– Hidroaysen 319<br />

the Will 320<br />

Winter nomads 321<br />

Winter, go away ! 322<br />

With my Heart in Yambo 323<br />

Within the eye of<br />

the storm 324<br />

Within Within 325<br />

the Woman and the<br />

passenger 326<br />

Work Hard – play Hard 327<br />

the World Before Her 328<br />

Y<br />

Yorzeit 329<br />

original titles<br />

n o<br />

1712 Battle of the Baltic 25<br />

24 galeti, 7 soareci,<br />

18 ani 26<br />

300 tonna arany 27<br />

Die 5te Jahreszeit 28<br />

74m2 29<br />

a<br />

about face:<br />

supermodels, then<br />

and now 30<br />

ag geige<br />

– ein amateurfilm 32<br />

alleine tanzen 93<br />

l’ anabase de May et fusako<br />

shigenobu, Masao<br />

adachi et 27 années sans<br />

images 36<br />

anatomie des Weggehens 37<br />

and Who taught You<br />

to Drive 39<br />

appassionata 41<br />

arbeit Heimat opel 42<br />

eine art liebe 272<br />

the art of Yodeling 44<br />

B<br />

Die Bande 137<br />

the Basketball game 46<br />

Beautiful faces 48<br />

Beer is cheaper than<br />

therapy 49<br />

Beerland 50<br />

Begrabt mein Herz in<br />

Dresden 68<br />

Bein Hasara 324<br />

el Bella Vista 51<br />

Benghazi:<br />

Beyond the front line 53<br />

Bert stern:<br />

original Madman 54<br />

Das Bessere leben ist<br />

anderswo 55<br />

Better this World 56<br />

Biba struja 47<br />

Big Boys gone Bananas !* 59<br />

Birders,<br />

the central park effect 60<br />

Bitter seeds 61<br />

Blender 62<br />

Blokada 63<br />

Bnei and not B’nei 34<br />

Borderline,<br />

an unsetting Journey<br />

along the World’s<br />

longest un-Defended<br />

Border 64<br />

Bouchbennersch otto /<br />

vom umgang mit<br />

andersartigkeit 65<br />

Breathing earth<br />

– susumu shingu’s Dream 66<br />

the Brussels Business 67<br />

Buzkashi! 69<br />

c<br />

la calma 70<br />

camp 14<br />

– total control Zone 71<br />

capitaine thomas sankara 73<br />

the carbon rush 74<br />

centrefold 76<br />

c’était un géant aux Yeux<br />

Bruns 149<br />

check point 77<br />

cheveux rouges et café noir<br />

(Dames blanches et esprits<br />

noirs) 259<br />

la chica detras la<br />

camera (Wt) 140<br />

chronique d’une Mort<br />

oubliée 78<br />

cigáni idú do volieb 145<br />

cloudy Mountains 81<br />

cogitations 248<br />

colombianos 82<br />

colors of Math 83<br />

comme des lions de pierre<br />

à l’entrée de la nuit 198<br />

comparing now and then 84<br />

con mi corazon en yambo 323<br />

corta 85<br />

crimson Mask 87<br />

crulic<br />

– Drumul spre dincolo 88<br />

cuates de australia 108<br />

cuba<br />

– Mafia’s paradise – the<br />

History of a gangster<br />

Domain 89<br />

cuentos sobre el futuro 284<br />

cult Witness 90<br />

D<br />

Dans for Mig 92<br />

De regels van Matthijs 213<br />

Death of a cemetery 96<br />

Defending karadzic 97<br />

Demokratia,<br />

o Dromos tou stavrou 98<br />

Dimashq Qublati al-ula 91<br />

Dokumentālists 100<br />

Dolge pocitnice 204<br />

Donauspital 94<br />

Downeast 101<br />

Dragan Wende<br />

– How the trabant invaded<br />

West-Berlin and<br />

ruined my uncle’s<br />

kingdom 102<br />

Drawing for Memory 103<br />

Dream Jobs 104<br />

Drivers Wanted 107<br />

Dublin’s trap:<br />

another side of the<br />

greek crisis 109<br />

Duck Beach to eternity 110<br />

După fel și cHip 45<br />

Dva nula 297<br />

e<br />

e l’italia Volo 38<br />

eames:<br />

the architect and<br />

the painter 111<br />

el impenetrable 168<br />

el sueno de san Juan 105<br />

elf freunde sollst Du sein 193<br />

el empleo 114<br />

end of the road 115<br />

the end of time 116<br />

entre il et ailes 57<br />

erlesene Welten 160<br />

erwin Wurm<br />

– Der künstler der die<br />

Welt verschluckt 118<br />

f<br />

fazlamesai 236<br />

feliz cumpleaños emily 146<br />

felvidek.<br />

Horna Zem 283<br />

fidaï 123<br />

the final Member 125<br />

fire in the Blood 126<br />

las flores de mi familia 128<br />

för dig naken 129<br />

forbidden Voices 130<br />

fouad’s Dream 132<br />

the four Year plan 133<br />

frohes schaffen<br />

– ein film zur senkung<br />

der arbeitsmoral 182<br />

from Hollywood to<br />

nuremberg – John ford,<br />

samuel fuller, george<br />

stevens 135<br />

g<br />

gdzie jest sonia 205<br />

generation sMs 138<br />

la gente del río 261<br />

Die geschichte russlands<br />

– teil i, ii und iii 265<br />

gilad and all that Jazz 139<br />

global Home 141<br />

Das glück da unten 181<br />

going up the stairs 142<br />

the great Book robbery 143<br />

Der große irrtum 144<br />

H<br />

Happy serious sad 147<br />

Hava nagila<br />

– the Movie 148<br />

Heino Jaeger<br />

– look Before You kuck 150<br />

Herman’s House 151<br />

Herstory 152<br />

Hija 95<br />

History shorts 153<br />

Hiver nomade 321<br />

a Home far away 154<br />

the House i live in 155<br />

How ping pong saved<br />

the World 156<br />

el Huaso 157<br />

Huerfano Valley 158<br />

the Human Zoo 159<br />

i<br />

i Want My country Back 162<br />

i Was Born in Delhi 163<br />

icebound:<br />

the story of the 1925<br />

alaska serum run 164<br />

iceland année zéro 165<br />

ich Bin louisa Jules 161<br />

i’ll stop crying if You<br />

stop crying 167<br />

in Between<br />

– Der britische künstler<br />

richard Deacon 169<br />

los increibles 170<br />

indie game:<br />

the Movie 171<br />

infiltrados 172<br />

intimatta 173<br />

the invisible string 174<br />

irish folk furniture 175<br />

isqat al nizam<br />

– viaggio ai confini<br />

del regime 176<br />

italy, love it or leave it 177<br />

J<br />

Jakarta Disorder 178<br />

Jason Becker:<br />

not Dead Yet 179<br />

Joe frazier:<br />

When the smoke clears 180<br />

Jorcajt 329<br />

une Journée du facteur<br />

khan agha 249<br />

k<br />

Der kapitän und sein pirat 72<br />

kern 183<br />

le khmer rouge et le non<br />

violent 184<br />

kiran 186<br />

klänge des<br />

Verschweigens 273<br />

kleider machen freunde 106<br />

kleine perestrojka 201<br />

klovn for livet 185<br />

knistern der Zeit<br />

– christoph schlingensief<br />

und sein operndorf in<br />

Burkina faso 86<br />

kol Habkarim Ha’smechim 33<br />

kovasikajuttu 254<br />

l<br />

lang lang<br />

– the art of Being<br />

a Virtuoso 188<br />

lapsus 189<br />

les larmes du seigneur<br />

afghan 286<br />

layla lavan 318<br />

leontina 194<br />

letter tape 195<br />

Der letzte fang 191<br />

lichyot o lamut Be<br />

entebbe 202<br />

the life and times of paul<br />

the psychic octopus 196<br />

liza, namo! 199<br />

loden<br />

– Der kleine Mönch 203<br />

M<br />

Die lust der Männer 214<br />

Magic skies<br />

– a History of fireworks 208<br />

Mama illegal 210<br />

Mandala 211<br />

Manqana, romelic kvelafers<br />

gaaqrobs 206<br />

Mansfeld 212<br />

Mare chiuso 80<br />

Matka 24h 217<br />

Mein erster Berg<br />

– ein rigi film 222<br />

Mekkege karai jol 309<br />

Même pas mal 228<br />

Metr nad ziemia 232<br />

Milana 215<br />

Min Houna essama 270<br />

Moj dom 223<br />

il Mondo Di Mad 207<br />

the Most Dangerous Man in<br />

america: Daniel ellsberg<br />

and the pentagon<br />

papers 216<br />

Mother’s Day 218<br />

Mountain love story 219<br />

las Mujeres del pasajero 326<br />

Muzyki 220<br />

My father and the<br />

Man in Black 221<br />

n<br />

nach Wriezen<br />

– ein film über das<br />

leben nach der Haft 58<br />

når boblene brister 311<br />

negeri di Bawah kabut 187<br />

nemoc tretej moci 99<br />

nerven Bruch Zusammen 120<br />

nije ti život pjesma<br />

Havaja 122<br />

nos Jours, absolument,<br />

Doivent être illuminés 234<br />

la nuit de l’ours 225<br />

la nuit remue 226<br />

nyosha 230<br />

o<br />

the oath 231<br />

odottajat 307<br />

otra noche en la tierra 40<br />

el otro Dia 233<br />

over My Dead Body 235<br />

p<br />

pablo’s Winter 237<br />

palabras Mágicas<br />

para romper un<br />

encantamiento 209<br />

336 337


palac 238<br />

papierowe pudełko 239<br />

papirosen 240<br />

parihuela 281<br />

peace out 241<br />

pedeja temple hronikas 79<br />

a people uncounted 242<br />

a perfect candidate 243<br />

petite afghanistan 200<br />

petra’s poem 244<br />

places other people<br />

Have lived 245<br />

playback 246<br />

les poings de la fierté 127<br />

pommersche illusionen 247<br />

por Qué en Mi Jardín<br />

– Hidroaysén 319<br />

poslednata lineika na<br />

sofia 271<br />

poslednite chernomorski<br />

pirati 190<br />

presence 250<br />

project Z:<br />

the final global event 252<br />

Der prozess 295<br />

punkt wyjscia 121<br />

pushwagner 255<br />

r<br />

randland 256<br />

reality 2.0 257<br />

regilaul<br />

– lieder aus der luft 260<br />

retourtje Hiernamaals 313<br />

the road uphill 262<br />

rogalik 263<br />

Die rote traumfabrik 258<br />

russian girls 264<br />

s<br />

el salvavidas 197<br />

san agustin<br />

– ebbe im plastikmeer 266<br />

schlösserwelt europa 75<br />

schütze alle, die ich lieb 253<br />

schwester gretel # 2<br />

– flucht 229<br />

shenandoah 268<br />

shunte ki pao! 43<br />

sibila 269<br />

soukromy Vesmir 251<br />

speed<br />

– auf der suche nach der<br />

verlorenen Zeit 274<br />

Die spitzel von scientology<br />

– sektengeheimdienst<br />

o.s.a. 275<br />

the spy from the<br />

pariser platz 276<br />

stebuklų laukas 124<br />

steve Jobs:<br />

the lost interview 277<br />

a story for the Modlins 278<br />

stradivaris erben 279<br />

stremt 89 280<br />

strippan 282<br />

sucht 31<br />

t<br />

tavarataivas 224<br />

telH78 287<br />

testamentet 320<br />

the future’s past 136<br />

le thé ou l’électricité 285<br />

a thousand trees 288<br />

tomorrow You Will leave 290<br />

tour Du faso 291<br />

tournesols<br />

– al rastan 292<br />

trains of thoughts 293<br />

the tree Workers case 294<br />

tu fais quoi comme<br />

boulot? 310<br />

twilight of the Yakuza 296<br />

tzvetanka 298<br />

u<br />

ub lama 299<br />

ucieczka z raju 119<br />

la Última estación 192<br />

under fire:<br />

Journalists in combat 300<br />

unfinished spaces 301<br />

the united states of<br />

Hoodoo 302<br />

unter Männern<br />

– schwul in der DDr 35<br />

uwiklani 117<br />

V<br />

Das Venedig prinzip 303<br />

Verführt und erpresst 267<br />

Vergiss mein nicht 131<br />

Video Vertov 305<br />

Virgin tales 306<br />

W<br />

Warmzeit 308<br />

Wenn ich nicht geboren<br />

wäre 166<br />

When Hari got Married 312<br />

Where Heaven Meets Hell 314<br />

Where My Heart Beats 315<br />

Where the condors fly 316<br />

White Men 317<br />

Wiera gran 304<br />

Die Wiesenberger 227<br />

Within Within 325<br />

Work Hard – play Hard 327<br />

the World Before Her 328<br />

Y<br />

Yksitoista ihmisen kuvaa 24<br />

Z<br />

Zabawki cesarza 113<br />

Zavtra 289<br />

Ziamlia 112<br />

Zima, ukhodi 322<br />

Zvonky šťastia 52<br />

Zycie stylem dowolnym 134<br />

Directors<br />

a<br />

abma, Daniel 58<br />

abraham, pavel 297<br />

achté, inka 307<br />

agostini, Daniela 294<br />

agüero, ignacio 233<br />

ahmad simon, kamar 43<br />

al abed, lina 91<br />

alberdi, Maite 197<br />

alizadeh , Hamed 77<br />

anker, Daniel 164<br />

anonymous 292<br />

anquetil, Bijan 226<br />

aparo, pablo 261<br />

arnst, Hadleigh 110<br />

arredondo, teresa 269<br />

arx, Mirjam von 306<br />

asliuk, Victor 112<br />

avni, shira 244<br />

B<br />

B. Hanssen, auguat 255<br />

Bäss, Jan 174<br />

Baltera, alessandro 317<br />

Baudelaire, eric 36<br />

Bekhor, Jonah 125<br />

Beltrán, Marcel 281<br />

Benchimol , Martin 261<br />

Berg, stefan 282<br />

Bezinović, igor 63<br />

Bhalla, angad 151<br />

Bochet, Milena 259<br />

Boers, eyal 202<br />

Borchert, Dagmar 181<br />

Bourgaux, pascale 286<br />

Brandstätter, susanne 136<br />

Breuer, ascan 178<br />

Broos , sara 129<br />

Brunner, Benny 143<br />

Bucka, Jana 52<br />

Budisavljevic, Dana 122<br />

Buraja, oksana 199<br />

Bustos, patricia 284<br />

c<br />

cano, alicia 51<br />

carter, Bryan 109<br />

castillo, paola 29<br />

cattin, antoine 246<br />

cavic, Dusan 47<br />

choi, Bin chuen 218<br />

choquette, Helene 127<br />

christianson, scott 276<br />

cohn, Jason 111<br />

colla, rolando 55<br />

collective: xx children 248<br />

conradt, gerd 305<br />

correa, patricia 326<br />

couturié, Bill 138<br />

cringley, robert 277<br />

crowe, rowena 195<br />

cupelin, christophe 73<br />

cutler, r.J. 243<br />

cyranek, alina 287<br />

czapla, Zbigniew 239<br />

D<br />

Dahrendorf, sibylle 86<br />

Damian, Dr. anca 88<br />

Dammas, Jacob 247<br />

de Vries, simone 49<br />

Dedio, florian 25<br />

Dekel, Yael 230<br />

Del paso, Joaquin 105<br />

Delage, christian 135<br />

Delmastro, tim 115<br />

Dev Halder, Bishnu 163<br />

Di francisca, anna 207<br />

Dieni, arzouma<br />

Mahamadou 248<br />

Ditscherlein, Matthias 181<br />

Dizon , Jeanie 96<br />

Donoghue, tony 175<br />

Duane<br />

de la Vega, kelly 56<br />

Duckworth, Martin 132<br />

Duda, lidia 117<br />

Dufour, françois 310<br />

Dulea, Dragoș 280<br />

e<br />

ehrlich, Judith 216<br />

eisenbarth, Marco 87<br />

el fani, nadia 228<br />

engelhardt, corinna 279<br />

entell, peter 154<br />

eremenko, ekaterina 83<br />

f<br />

faigle, konstantin 182<br />

fatemi, khazar 315<br />

fekete, Jeremy J.p. 75<br />

fiala, severin 183<br />

franczak, radka 205<br />

frandsen, stephen 110<br />

franke, ulrike 42<br />

franz, Veronika 183<br />

friedlander, sasha 314<br />

g<br />

g. Benestad, even 255<br />

gal, irit 318<br />

galloway, katie 56<br />

gara, phillip 252<br />

gastine, Marco 98<br />

gau, John 277<br />

gebhardt, carsten 32<br />

gertten, fredrik 59<br />

geyrhalter, nikolaus 94<br />

ghaemmmaghami,<br />

rokhsareh 142<br />

glynne, andy 103, 167<br />

godfryd, tomasz 113<br />

goldsmith, rick 216<br />

gonczarek, agnieszka 220<br />

gonzález, everardo 108<br />

gonzález, María paz 95<br />

goreczka, eike 287<br />

grasso,<br />

santiago ‘Bou’ 114<br />

gray, Dylan Mohan 126<br />

greenfield-sanders,<br />

timothy 30<br />

grøn, ida 185<br />

grossmann, roberta 148<br />

grube, thomas 188<br />

gruber, gudrun 266<br />

grün, leopold 256<br />

gryazev, andrey 289<br />

günther, carsten 265<br />

guerrero, felipe 85<br />

gugolz, aldo 267<br />

guillaume, fred 225<br />

guillaume, sam 225<br />

gurchiani, tinatin 206<br />

H<br />

Harbi, selim 270<br />

Hardt, oliver 302<br />

Hauzenberger, gerald<br />

igor 295<br />

Hentze, claudia 153<br />

Hermon, shelley 324<br />

Heth, Dirk 144<br />

Hick, alexander 266<br />

Hilliges, anne M. 253<br />

Hlali, Barbara 229<br />

Hodgson, Mat 133<br />

Hörmann, andré 203<br />

Hofer, eileen 149<br />

Hofer, gustav 177<br />

Holiff, Jonathan 221<br />

Hoppe, fernández 128<br />

Hübner, christoph 211<br />

Huygen, Wilm 291<br />

i<br />

iacob, Marius 26<br />

ignacio, Juan 128<br />

incalterra, Daniele 168<br />

J<br />

Jarecki, eugene 155<br />

Jersey, Bill 111<br />

Jung, Janina 65<br />

k<br />

kärkkäinen, Jukka 254<br />

kapel, liran 230<br />

karger, knut 308<br />

keltek, gürcan 236<br />

khoreva, elena 322<br />

kim, Jun-ki 152<br />

kimball, Jeff 60<br />

kiwi, Marcelo 146<br />

kizny, patryk 220<br />

klava, inese 100<br />

klebleev, Denis 322<br />

klein, carlos 316<br />

koch, egmont r. 276<br />

koch, ulrike 260<br />

kocsis, tibor 27<br />

königs, torsten 31<br />

kolahi, golriz 139<br />

koshofer, nina 265<br />

kostomarov, pavel 246<br />

kozole, Damjan 204<br />

krawczyk, Marcin Janos 217<br />

kroske, gerd 150<br />

kubarska, eliza 219<br />

kubasov, Dmitry 322<br />

kurov, askold 322<br />

l<br />

labhart, christian 41<br />

land, ellie 76<br />

langjahr, erich 222<br />

lapsui, anastasia 24<br />

larvego, elisa 158<br />

laumeister, shannah 54<br />

lawrenson, edward 288<br />

le Maire, Jérôme 285<br />

lehmuskallio, Markku 24<br />

leonteva, nadezhda 322<br />

levari, naomi 34<br />

liberti, stefano 80<br />

lietaert, Matthieu 67<br />

liu, sharon 325<br />

loeken, Michael 42<br />

lorenzen, Jan n. 265<br />

losmann, carmen 327<br />

luukkainen, petri 224<br />

M<br />

Mabe, ed 156<br />

Mac-pherson, Valentina 326<br />

Magnússon, sigurður<br />

Hallmar 165<br />

Mangiante, Bernard 184<br />

Manhães reis, roberto 161<br />

Mårtens, tora 82<br />

Martin, russell 48<br />

Martino, antonio 176<br />

Math, Zach 125<br />

Matta, ramuntcho 173<br />

Mclaren, ian 132<br />

Merz, gunther 28<br />

Merz, laurin 118<br />

Metev, ilian 271<br />

Mettler, peter 116<br />

Miller, amy 74<br />

Miller, Barbara 130<br />

Mittal, ekta 250<br />

Moiseenko, anna 322<br />

Moland, Hans petter 311<br />

Moncada rodríguez,<br />

Mercedes 209<br />

Morath, pierre 78<br />

Moschitz, ed 210<br />

Moser, friedrich 67<br />

Mozdzierz, Jaroslaw 113<br />

Müller, lena 102<br />

Mulchi, Hans 159<br />

Muñoz, David 40<br />

Mustafina,<br />

Madina 215, 322<br />

n<br />

nahmias, alysa 301<br />

najeeb, Mirza 69<br />

naylor , laura 110<br />

nazir, Wahid 249<br />

nguyen, Martin 290<br />

nikolic, aleksandar 97<br />

338 339


nordhausen, frank 275<br />

novotny, timo 293<br />

o<br />

oakley, nick 90<br />

oksman, sergio 278<br />

oneț, paula 45<br />

ooms, Maasja 313<br />

opitz, florian 274<br />

orozco, natalia 53<br />

orozco ramirez, Victor 257<br />

ouedraogo, françois<br />

d’assise 248<br />

ounouri, Damien 123<br />

p<br />

pahuja, nisha 328<br />

pajot, lisanne 171<br />

palenta, adam 134<br />

passi, J-p 254<br />

peirera, chico 237<br />

peled, Micha x. 61<br />

perèz, alina isabel 228<br />

périgaud, laurence 57<br />

périot, Jean-gabriel 234<br />

peters, Boris 194<br />

petrovic, Dragan von 102<br />

pfletschinger, Bernhard 89<br />

philippe, alexandre 196<br />

philp, katrine 92<br />

pichler, andreas 303<br />

pilavci, Biene 93<br />

piussi, Zuzana 99<br />

planciková, Vladislava 283<br />

pötscher, Bernhard 201<br />

poitras, laura 231<br />

poupart, Brigitte 235<br />

proto, carlo guillermo 157<br />

pușcaș, anda 280<br />

Q<br />

Quattrini, fausta 168<br />

r<br />

ragazzi, luca 177<br />

raghunandan,<br />

Yashaswini 250<br />

reck, susann 62<br />

redmon, David 101<br />

rendon, Juan 172<br />

renner, Bettina 68<br />

renner, Helge 247<br />

restrepo, fernanda 323<br />

riahi, arash t. 120<br />

riedel, alexander 186<br />

riedelsheimer, thomas 66<br />

rodkevich, sofia 322<br />

rösener, ringo 35<br />

rusinek, Joanna 113<br />

s<br />

sabin, ashley 101<br />

saj, ernest 119<br />

sandner, Henrike 208<br />

saponja, Dusan 47<br />

sarin, ritu 312<br />

schäfer, Dirk 272<br />

schäfer, Hendrik 166<br />

schargorodsky, paula 140<br />

scheuerer, Viola 161<br />

schilt, Martin 227<br />

schleitzer, karsten 193<br />

schmid, claudia 169<br />

schmidt, Marc 213<br />

schmidt, Markus 191<br />

schmitt, Michael 266<br />

schneider, Mario 212<br />

schönenberger,<br />

franziska 253<br />

schuller, Jean-louis 262<br />

schult, astrid 162<br />

schulz, christian 265<br />

schulz, susanne 137<br />

schuster, falk 106<br />

schwarz, alexander 258<br />

schwehm, Beatrix 160<br />

schweiger , gabi 214<br />

seerat, Basir 200<br />

segre, andrea 80<br />

sekulich, Daniel 64<br />

sen, paul 277<br />

seregin, anton 322<br />

sieveking, David 131<br />

simanis, Davis 79<br />

siregar, shalahuddin 187<br />

snider, Hart 46<br />

sodré,<br />

Moumouni Jupiter 248<br />

solakiewicz, Zuzanna 329<br />

solnicki, gastón 240<br />

sonam, tenzing 312<br />

sonderby Jepsen,<br />

christian 320<br />

soto, cristian 192<br />

stanjek, klaus 273<br />

stefan , samuel 90<br />

stein, Markus 35<br />

stein, sebastian 296<br />

stotz, eva 141<br />

stoyanov, svetoslav 190<br />

sulik, Marek 52<br />

suntasiri, gail piyanan 104<br />

suntasiri, piyanan 104<br />

survila, Mindaugas 124<br />

sweetwood, Matt 50<br />

swirsky, James 171<br />

szelc, Jagoda 121<br />

szymkow, Magdalena 223<br />

t<br />

tabakov, Youlian 298<br />

tataru, oliver 37<br />

taylor, David van 243<br />

tealdi, stefano 38<br />

thiele, andrea 39<br />

thöß, Markus 275<br />

timm, Bettina 186<br />

todd, Mike 180<br />

tölle, christoph 31<br />

tolas, eivind 44<br />

tortone, Matteo 317<br />

třeštíková, Helena 251<br />

trzaska, Jan paweł 105<br />

turnley, David 268<br />

u<br />

uhlig, Dirk 256<br />

V<br />

Valdeavellano, rafael 319<br />

Valero, David 170<br />

Vergara, catalina 192<br />

Vertelyte, egle 299<br />

Vílchez rodríguez,<br />

fernando 70<br />

Vile, Jesse 179<br />

Vojtek, Jaroslav 145<br />

von Boehm, gero 75<br />

von Malsen-ponickau,<br />

franziska 147<br />

von stürler, Manuel 321<br />

Voss, gabriele 211<br />

W<br />

Weber, Bernhard 227<br />

Weinstein, Joshua Z. 107<br />

Wender, ingrid 313<br />

Wierzchowski, grzegorz 113<br />

Wiese, Marc 71<br />

Wiesnagrotzki, nina 84<br />

Wilkinson, charles 241<br />

Winkler, olaf 144<br />

Wiszniewski, tomasz 232<br />

Wojcik, Joanna 113<br />

Wolff, andy 72<br />

Wolski, tomasz 238<br />

Y<br />

Yefman, omer 33<br />

Yeger, aaron 242<br />

Yilmaz, laura 245<br />

Yu, Zhu 81<br />

Z<br />

Zaramella, Juan pablo 189<br />

Zhiryakov, alexey 322<br />

Zhuraeva, asel 309<br />

Ziemilski, pawel 263<br />

Zmarz-koczanowicz,<br />

Maria 304<br />

Zuchuat, olivier 198<br />

Zviedris, ivars 100<br />

countries<br />

afgHanistan<br />

little afghanistan 200<br />

the postman 249<br />

pondering 248<br />

red Hair and Black<br />

coffee 259<br />

tea or electricity 285<br />

the tears of the<br />

afghan lord 286<br />

Bulgaria<br />

the last Black sea<br />

pirates 190<br />

sofia’s last ambulance 271<br />

tzvetanka 298<br />

caMBoDia<br />

the khmer rouge<br />

and the Man<br />

of non-Violence 184<br />

canaDa<br />

the Basketball game 46<br />

Borderline,<br />

an unsetting Journey<br />

along the World’s<br />

longest un-Defended<br />

Border 64<br />

Buzkashi! 69<br />

the end of time 116<br />

the final Member 125<br />

fists of pride 127<br />

fouad’s Dream 132<br />

Herman’s House 151<br />

el Huaso 157<br />

indie game:<br />

the Movie 171<br />

My father and the<br />

Man in Black 221<br />

over My Dead Body 235<br />

peace out 241<br />

a people uncounted 242<br />

petra’s poem 244<br />

under fire:<br />

Journalists in combat 300<br />

the World Before Her 328<br />

cHile<br />

74m2 29<br />

Daughter 95<br />

Happy Birthday<br />

emily 146<br />

el Huaso 157<br />

the Human Zoo 159<br />

intimatta 173<br />

the last station 192<br />

leontina 194<br />

the lifeguard 197<br />

the other Day 233<br />

sibila 269<br />

tales about<br />

the future 284<br />

Where the<br />

condors fly 316<br />

Why in My Back Yard<br />

– Hidroaysen 319<br />

the Woman and the<br />

passenger 326<br />

cHina<br />

cloudy Mountains 81<br />

fidaï 123<br />

lang lang<br />

– the art of Being<br />

a Virtuoso 188<br />

coloMBia<br />

Benghazi:<br />

Beyond the front line 53<br />

corta 85<br />

croatia<br />

the Blockade 63<br />

family Meals 122<br />

sofia’s last ambulance 271<br />

cuBa<br />

stretcher 281<br />

cZecH repuBlic<br />

iceland Year Zero 165<br />

private universe 251<br />

sounds from the fog 273<br />

two nil 297<br />

DenMark<br />

1712 Battle of the Baltic 25<br />

Dance for Me 92<br />

the kid and the clown 185<br />

polish illusions 247<br />

the Will 320<br />

ecuaDor<br />

With my Heart in Yambo 323<br />

estonia<br />

lisa, go Home! 199<br />

regilaul<br />

– songs of the<br />

ancient sea 260<br />

finlanD<br />

11 images of a Human 24<br />

My stuff 224<br />

the punk syndrome 254<br />

the Wait 307<br />

france<br />

the anabasis of May and<br />

fusako shigenobu, Masao<br />

adachi, and 27 Years without<br />

images 36<br />

Benghazi:<br />

Beyond the front line 53<br />

340 341<br />

algeria<br />

fidaï 123<br />

argentina<br />

corta 85<br />

the employment 114<br />

the girl Behind the<br />

camera (Wt) 140<br />

impenetrable 168<br />

lapsus 189<br />

papirosen 240<br />

the river people 261<br />

australia<br />

end of the road 115<br />

letter tape 195<br />

austria<br />

the Brussels Business 67<br />

crackle of time<br />

– christoph schlingensief<br />

and his opera village in<br />

Burkina faso 86<br />

Danube Hospital 94<br />

erwin Wurm<br />

– the artist who<br />

swallowed the world 118<br />

everything will not<br />

be fine 120<br />

the future’s past 136<br />

Jakarta Disorder 178<br />

kern 183<br />

little perestrojka 201<br />

Mama illegal 210<br />

Men’s lust 214<br />

sounds from the fog 273<br />

tomorrow You Will leave 290<br />

trains of thoughts 293<br />

the trial 295<br />

the Venice syndrome 303<br />

BanglaDesH<br />

are You listening ! 43<br />

Belarus<br />

earth 112<br />

BelgiuM<br />

the Brussels Business 67<br />

Dublin’s trap:<br />

another side of the<br />

greek crisis 109


castles and palaces<br />

of europe 75<br />

corta 85<br />

cult Witness 90<br />

fidaï 123<br />

from Hollywood to<br />

nuremberg – John ford,<br />

samuel fuller, george<br />

stevens 135<br />

iceland Year Zero 165<br />

impenetrable 168<br />

intimatta 173<br />

the khmer rouge and the<br />

Man of non-Violence 184<br />

like stone lions at the<br />

gateway into night 198<br />

night’s Drifters 226<br />

no Harm Done 228<br />

our Days, absolutely, Have<br />

to Be enlightened 234<br />

polish illusions 247<br />

tea or electricity 285<br />

Virgin tales 306<br />

What’s your job? 310<br />

georgia<br />

the Machine Which Makes<br />

everything Disappear 206<br />

gerManY<br />

1712 Battle of the Baltic 25<br />

the 5th season 28<br />

addiction 31<br />

ag geige<br />

– an amateur film 32<br />

among Men<br />

– gay in east germany 35<br />

anatomy of a Departure 37<br />

and Who taught You<br />

to Drive 39<br />

arbeit Heimat opel 42<br />

Beerland 50<br />

the Bella Vista 51<br />

Beyond Wriezen<br />

– a movie about life after<br />

serving time in jail 58<br />

Blender 62<br />

Bouchbennersch otto / how<br />

to treat differentness 65<br />

Breathing earth<br />

– susumu shingu’s<br />

Dream 66<br />

Bury my Heart in Dresden 68<br />

camp 14<br />

– total control Zone 71<br />

the captain and His pirate 72<br />

castles and palaces<br />

of europe 75<br />

check point 77<br />

colors of Math 83<br />

comparing now and then 84<br />

crackle of time<br />

– christoph schlingensief<br />

and his opera village in<br />

Burkina faso 86<br />

crimson Mask 87<br />

cuba – Mafia’s paradise<br />

– the History of a<br />

gangster Domain 89<br />

cult Witness 90<br />

Dancing alone 93<br />

Defending karadzic 97<br />

Dragan Wende<br />

– How the trabant invaded<br />

West-Berlin and<br />

ruined my uncle’s<br />

kingdom 102<br />

Dress to impress 106<br />

erwin Wurm<br />

– the artist who<br />

swallowed the world 118<br />

forget me not 131<br />

the gang 137<br />

global Home 141<br />

the great fallacy 144<br />

Happy serious sad 147<br />

Heino Jaeger<br />

– look Before You kuck 150<br />

History shorts 153<br />

Hungry Minds 160<br />

i am louisa Jules 161<br />

i Want My country Back 162<br />

if i Wasn’t Born 166<br />

in Between<br />

– the British artist<br />

richard Deacon 169<br />

the incredibles 170<br />

the invisible string 174<br />

italy, love it or leave it 177<br />

the Joy Down there 181<br />

keep up the good Work 182<br />

kiran 186<br />

the land Beneath<br />

the fog 187<br />

lang lang<br />

– the art of Being<br />

a Virtuoso 188<br />

the last catch 191<br />

legends for Beginners 193<br />

loden<br />

– the little Monk 203<br />

the Machine Which Makes<br />

everything Disappear 206<br />

Magic skies<br />

– a History of fireworks 208<br />

Mandala 211<br />

the Man’s field 212<br />

Mother’s Day 218<br />

nurse gretel # 2<br />

– escape 229<br />

polish illusions 247<br />

protect everyone i love 253<br />

randland 256<br />

reality 2.0 257<br />

the red Dream factory 258<br />

russian girls 264<br />

russia’s History revealed<br />

– part i, ii and iii 265<br />

san agustin<br />

– low tide in the<br />

plastic sea 266<br />

the sky over here 270<br />

sofia’s last ambulance 271<br />

a sort of love 272<br />

sounds from the fog 273<br />

speed<br />

– in search of lost time 274<br />

the spies of scientology<br />

– office of special affairs<br />

o.s.a. 275<br />

the spy from the<br />

pariser platz 276<br />

stradivari’s Heirs 279<br />

telH78 287<br />

tour Du faso 291<br />

the tree Workers case 294<br />

twilight of the Yakuza 296<br />

the united states of<br />

Hoodoo 302<br />

the Venice syndrome 303<br />

Video Vertov 305<br />

Virgin tales 306<br />

Warmzeit 308<br />

Where the condors fly 316<br />

Work Hard – play Hard 327<br />

greece<br />

Demokratia,<br />

the Way of the cross 98<br />

like stone lions at the<br />

gateway into night 198<br />

guateMala<br />

Magic Words<br />

(to Break a spell) 209<br />

HungarY<br />

300 tons of gold 27<br />

icelanD<br />

iceland Year Zero 165<br />

inDia<br />

fire in the Blood 126<br />

i Was Born in Delhi 163<br />

presence 250<br />

When Hari got Married 312<br />

inDonesia<br />

the land Beneath the fog 187<br />

iran<br />

going up the stairs 142<br />

irelanD<br />

irish folk furniture 175<br />

israel<br />

all Happy Mornings 33<br />

ameer got His gun 34<br />

the great Book robbery 143<br />

live or Die in entebbe 202<br />

nyosha 230<br />

White night 318<br />

Within the eye of the<br />

storm 324<br />

italY<br />

and italy took flight 38<br />

castles and palaces<br />

of europe 75<br />

closed sea 80<br />

isqat al nizam<br />

– at the regime Border 176<br />

italy, love it or leave it 177<br />

lang lang – the art of Being<br />

a Virtuoso 188<br />

Mad.<br />

a World of fashion 207<br />

stradivari’s Heirs 279<br />

the Venice syndrome 303<br />

White Men 317<br />

Japan<br />

twilight of the Yakuza 296<br />

korea, soutH<br />

Herstory 152<br />

kYrgYZstan<br />

the Way to Mecca 309<br />

latVia<br />

chronicles of the last<br />

temple 79<br />

Documentarian 100<br />

leBanon<br />

Damascus,<br />

My first kiss 91<br />

litHuania<br />

the field of Magic 124<br />

lisa, go Home! 199<br />

ub lama 299<br />

luxeMBourg<br />

the future’s past 136<br />

the road uphill 262<br />

Mexico<br />

Beautiful faces 48<br />

Benghazi:<br />

Beyond the front line 53<br />

Drought 108<br />

Magic Words<br />

(to Break a spell) 209<br />

reality 2.0 257<br />

Mongolia<br />

ub lama 299<br />

Morocco<br />

tea or electricity 285<br />

netHerlanDs<br />

Beer is cheaper than<br />

therapy 49<br />

the great Book robbery 143<br />

Matthew’s laws 213<br />

stradivari’s Heirs 279<br />

When i Was Dead 313<br />

nicaragua<br />

Magic Words<br />

(to Break a spell) 209<br />

norWaY<br />

the art of Yodeling 44<br />

the punk syndrome 254<br />

pushwagner 255<br />

When Bubbles Burst 311<br />

When Hari<br />

got Married 312<br />

peru<br />

the calm 70<br />

pHilippines<br />

Death of a cemetery 96<br />

polanD<br />

crulic<br />

– the path to Beyond 88<br />

Dream of san Juan 105<br />

emperor’s toys 113<br />

entangled 117<br />

escape<br />

from paradise 119<br />

exit point 121<br />

freestyle life 134<br />

losing sonia 205<br />

Mother 24/7 217<br />

Mountain love story 219<br />

Musics 220<br />

My House Without Me 223<br />

one Meter above<br />

ground 232<br />

the palace 238<br />

paperbox 239<br />

polish illusions 247<br />

rogalik 263<br />

Vera gran 304<br />

Yorzeit 329<br />

Qatar<br />

Damascus,<br />

My first kiss 91<br />

roMania<br />

24 Buckets, 7 Mice,<br />

18 Years 26<br />

as You like it 45<br />

crulic<br />

– the path to Beyond 88<br />

stremt 89 280<br />

russia<br />

colors of Math 83<br />

Milana 215<br />

tomorrow 289<br />

Winter, go away! 322<br />

serBia<br />

Battery Man 47<br />

Dragan Wende<br />

– How the trabant invaded<br />

West-Berlin and ruined my<br />

uncle’s kingdom 102<br />

sloVakia<br />

Bells of Happiness 52<br />

Disease of the third power 99<br />

the gypsy Vote 145<br />

stuck in the middle 283<br />

sloVenia<br />

long Vacation 204<br />

spain<br />

another night on earth 40<br />

the girl Behind the<br />

camera (Wt) 140<br />

the incredibles 170<br />

sibila 269<br />

a story for the Modlins 278<br />

sWeDen<br />

1712 Battle of the Baltic 25<br />

Big Boys gone Bananas!* 59<br />

colombianos 82<br />

for You naked 129<br />

the punk syndrome 254<br />

the stripper 282<br />

tzvetanka 298<br />

Where My Heart Beats 315<br />

sWitZerlanD<br />

appassionata 41<br />

a Better life is elsewhere 55<br />

Between two-spirit 57<br />

captain thomas sankara 73<br />

chronicle of a forgotten<br />

Death 78<br />

cult Witness 90<br />

the end of time 116<br />

erwin Wurm<br />

– the artist who<br />

swallowed the world 118<br />

342 343


forbidden Voices 130<br />

He Was a giant with<br />

Brown eyes 149<br />

a Home far away 154<br />

Huerfano Valley 158<br />

the life and times of paul<br />

the psychic octopus 196<br />

like stone lions at the<br />

gateway into night 198<br />

Mad.<br />

a World of fashion 207<br />

My first Mountain<br />

– a rigi film 222<br />

the night of the Bear 225<br />

no Business like<br />

showbusiness 227<br />

playback 246<br />

regilaul<br />

– songs of the<br />

ancient sea 260<br />

seduced and<br />

Blackmailed 267<br />

stradivari’s Heirs 279<br />

Virgin tales 306<br />

Where the condors fly 316<br />

Winter nomads 321<br />

sYria<br />

Damascus, My first kiss 91<br />

tournesols<br />

– al rastan 292<br />

tunisia<br />

the sky over here 270<br />

turkeY<br />

overtime 236<br />

a sort of love 272<br />

uniteD kingDoM<br />

Breathing earth<br />

– susumu shingu’s<br />

Dream 66<br />

centrefold 76<br />

cult Witness 90<br />

Defending karadzic 97<br />

Drawing for Memory 103<br />

Dream Jobs 104<br />

fire in the Blood 126<br />

the four Year plan 133<br />

gilad and all that Jazz 139<br />

Happy serious sad 147<br />

History shorts 153<br />

i’ll stop crying if You<br />

stop crying 167<br />

Jason Becker:<br />

not Dead Yet 179<br />

Joe frazier:<br />

When the smoke clears 180<br />

lang lang – the art of Being<br />

a Virtuoso 188<br />

Magic skies<br />

– a History of fireworks 208<br />

pablo’s Winter 237<br />

a thousand trees 288<br />

ub lama 299<br />

the Wait 307<br />

When Hari got Married 312<br />

Within Within 325<br />

uruguaY<br />

the Bella Vista 51<br />

the flowers of my family 128<br />

usa<br />

74m2 29<br />

about face:<br />

supermodels, then<br />

and now 30<br />

Beautiful faces 48<br />

Bert stern:<br />

original Madman 54<br />

Better this World 56<br />

Birders,<br />

the central park effect 60<br />

Bitter seeds 61<br />

the carbon rush 74<br />

crimson Mask 87<br />

cult Witness 90<br />

Death of a cemetery 96<br />

Downeast 101<br />

Drivers Wanted 107<br />

Duck Beach to eternity 110<br />

eames:<br />

the architect and<br />

the painter 111<br />

generation sMs 138<br />

Hava nagila<br />

– the Movie 148<br />

the House i live in 155<br />

How ping pong saved<br />

the World 156<br />

icebound:<br />

the story of the 1925<br />

alaska serum run 164<br />

infiltrados 172<br />

lang lang<br />

– the art of Being<br />

a Virtuoso 188<br />

the life and times of paul<br />

the psychic octopus 196<br />

the Most Dangerous<br />

Man in america:<br />

Daniel ellsberg and the<br />

pentagon papers 216<br />

the oath 231<br />

a perfect candidate 243<br />

places other people Have<br />

lived 245<br />

project Z:<br />

the final global event 252<br />

shenandoah 268<br />

steve Jobs:<br />

the lost interview 277<br />

unfinished spaces 301<br />

When Hari<br />

got Married 312<br />

Where Heaven Meets Hell 314<br />

genres<br />

arts<br />

culture<br />

Music<br />

the 5th season 28<br />

ag geige<br />

– an amateur film 32<br />

and italy took flight 38<br />

the art of Yodeling 44<br />

Bells of Happiness 52<br />

Bert stern:<br />

original Madman 54<br />

Breathing earth<br />

– susumu shingu’s<br />

Dream 66<br />

castles and palaces<br />

of europe 75<br />

check point 77<br />

chronicles of the last<br />

temple 79<br />

comparing now and then 84<br />

crackle of time<br />

– christoph schlingensief<br />

and his opera village in<br />

Burkina faso 86<br />

Dance for Me 92<br />

eames:<br />

the architect and<br />

the painter 111<br />

emperor’s toys 113<br />

erwin Wurm<br />

– the artist who<br />

swallowed the world 118<br />

for You naked 129<br />

from Hollywood to<br />

nuremberg – John ford,<br />

samuel fuller, george<br />

stevens 135<br />

gilad and all that Jazz 139<br />

the girl Behind the<br />

camera (Wt) 140<br />

going up the stairs 142<br />

Hava nagila<br />

– the Movie 148<br />

Heino Jaeger<br />

– look Before You kuck 150<br />

Herman’s House 151<br />

History shorts 153<br />

i am louisa Jules 161<br />

if i Wasn’t Born 166<br />

in Between<br />

– the British artist<br />

richard Deacon 169<br />

indie game:<br />

the Movie 171<br />

intimatta 173<br />

the invisible string 174<br />

Jason Becker:<br />

not Dead Yet 179<br />

lang lang – the art of Being<br />

a Virtuoso 188<br />

the life and times of paul<br />

the psychic octopus 196<br />

like stone lions at the<br />

gateway into night 198<br />

the Machine Which Makes<br />

everything Disappear 206<br />

Mad. a World of fashion 207<br />

Magic skies<br />

– a History of fireworks 208<br />

Magic Words<br />

(to Break a spell) 209<br />

Mandala 211<br />

Musics 220<br />

My father and the<br />

Man in Black 221<br />

no Business like<br />

showbusiness 227<br />

our Days, absolutely, Have<br />

to Be enlightened 234<br />

over My Dead Body 235<br />

the punk syndrome 254<br />

pushwagner 255<br />

the red Dream factory 258<br />

regilaul – songs of the<br />

ancient sea 260<br />

a story for the Modlins 278<br />

stradivari’s Heirs 279<br />

tomorrow 289<br />

tour Du faso 291<br />

trains of thoughts 293<br />

unfinished spaces 301<br />

the united states of<br />

Hoodoo 302<br />

Video Vertov 305<br />

Where the condors fly 316<br />

autHor's point of VieW<br />

all Happy Mornings 33<br />

Beerland 50<br />

Better this World 56<br />

Big Boys gone Bananas!* 59<br />

Blender 62<br />

chronicles of the last<br />

temple 79<br />

cloudy Mountains 81<br />

corta 85<br />

Damascus, My first kiss 91<br />

Dance for Me 92<br />

Dancing alone 93<br />

Daughter 95<br />

Documentarian 100<br />

Dragan Wende<br />

– How the trabant invaded<br />

West-Berlin and ruined my<br />

uncle’s kingdom 102<br />

Dream Jobs 104<br />

Drought 108<br />

earth 112<br />

the employment 114<br />

the end of time 116<br />

everything will not<br />

be fine 120<br />

family Meals 122<br />

the field of Magic 124<br />

the gang 137<br />

the girl Behind the<br />

camera (Wt) 140<br />

global Home 141<br />

the great Book robbery 143<br />

the great fallacy 144<br />

Happy Birthday emily 146<br />

He Was a giant with<br />

Brown eyes 149<br />

Herstory 152<br />

impenetrable 168<br />

the incredibles 170<br />

kern 183<br />

kiran 186<br />

the last station 192<br />

leontina 194<br />

the lifeguard 197<br />

the Machine Which Makes<br />

everything Disappear 206<br />

Milana 215<br />

Mother’s Day 218<br />

Mountain love story 219<br />

My father and the<br />

Man in Black 221<br />

My first Mountain<br />

– a rigi film 222<br />

My stuff 224<br />

night’s Drifters 226<br />

no Harm Done 228<br />

the other Day 233<br />

paperbox 239<br />

places other people<br />

Have lived 245<br />

presence 250<br />

private universe 251<br />

project Z:<br />

the final global event 252<br />

reality 2.0 257<br />

red Hair and Black coffee 259<br />

the river people 261<br />

the road uphill 262<br />

rogalik 263<br />

russian girls 264<br />

sofia’s last ambulance 271<br />

stretcher 281<br />

stuck in the middle 283<br />

tales about the future 284<br />

tea or electricity 285<br />

a thousand trees 288<br />

two nil 297<br />

the Wait 307<br />

the Way to Mecca 309<br />

What’s your job? 310<br />

Where the condors fly 316<br />

White Men 317<br />

Winter nomads 321<br />

With my Heart in Yambo 323<br />

Within Within 325<br />

the Woman and the<br />

passenger 326<br />

Work Hard – play Hard 327<br />

etHnologY<br />

religion<br />

11 images of a Human 24<br />

74m2 29<br />

and Who taught You<br />

to Drive 39<br />

the Basketball game 46<br />

Between two-spirit 57<br />

Bury my Heart in Dresden 68<br />

crulic<br />

– the path to Beyond 88<br />

cult Witness 90<br />

Drawing for Memory 103<br />

Dress to impress 106<br />

Duck Beach to eternity 110<br />

fists of pride 127<br />

el Huaso 157<br />

Hungry Minds 160<br />

i Was Born in Delhi 163<br />

i’ll stop crying if You<br />

stop crying 167<br />

irish folk furniture 175<br />

the lifeguard 197<br />

loden<br />

– the little Monk 203<br />

losing sonia 205<br />

Mandala 211<br />

the Man’s field 212<br />

Mother 24/7 217<br />

no Harm Done 228<br />

a people uncounted 242<br />

regilaul<br />

– songs of the<br />

ancient sea 260<br />

the tears of the<br />

afghan lord 286<br />

ub lama 299<br />

the united states of<br />

Hoodoo 302<br />

Virgin tales 306<br />

When Hari got Married 312<br />

Where Heaven Meets<br />

Hell 314<br />

Where My Heart Beats 315<br />

White Men 317<br />

Work Hard – play Hard 327<br />

the World Before Her 328<br />

Yorzeit 329<br />

HistorY<br />

politics<br />

current affairs<br />

11 images of a Human 24<br />

1712 Battle of the Baltic 25<br />

300 tons of gold 27<br />

ag geige<br />

– an amateur film 32<br />

ameer got His gun 34<br />

among Men<br />

– gay in east germany 35<br />

the anabasis of May and<br />

fusako shigenobu, Masao<br />

adachi, and 27 Years without<br />

images 36<br />

anatomy of a Departure 37<br />

and italy took flight 38<br />

another night on earth 40<br />

arbeit Heimat opel 42<br />

are You listening ! 43<br />

Beer is cheaper than<br />

therapy 49<br />

344 345


Benghazi: Beyond the<br />

front line 53<br />

a Better life is elsewhere 55<br />

Better this World 56<br />

Big Boys gone Bananas!* 59<br />

Bitter seeds 61<br />

the Blockade 63<br />

Borderline,<br />

an unsetting Journey<br />

along the World’s longest<br />

un-Defended Border 64<br />

Bouchbennersch otto / how<br />

to treat differentness 65<br />

the Brussels Business 67<br />

the captain and His pirate 72<br />

captain thomas sankara 73<br />

chronicle of a forgotten<br />

Death 78<br />

closed sea 80<br />

comparing now and then 84<br />

cuba<br />

– Mafia’s paradise – the<br />

History of a gangster<br />

Domain 89<br />

Defending karadzic 97<br />

Demokratia,<br />

the Way of the cross 98<br />

Disease of the<br />

third power 99<br />

Downeast 101<br />

Drawing for Memory 103<br />

Dream of san Juan 105<br />

Drivers Wanted 107<br />

Dublin’s trap:<br />

another side of the<br />

greek crisis 109<br />

end of the road 115<br />

escape from paradise 119<br />

fidaï 123<br />

fire in the Blood 126<br />

forbidden Voices 130<br />

forget me not 131<br />

fouad’s Dream 132<br />

from Hollywood to<br />

nuremberg – John ford,<br />

samuel fuller, george<br />

stevens 135<br />

the future’s past 136<br />

generation sMs 138<br />

the great Book robbery 143<br />

the great fallacy 144<br />

the gypsy Vote 145<br />

Herstory 152<br />

History shorts 153<br />

a Home far away 154<br />

the House i live in 155<br />

How ping pong saved<br />

the World 156<br />

Huerfano Valley 158<br />

the Human Zoo 159<br />

i Want My country Back 162<br />

iceland Year Zero 165<br />

i’ll stop crying if You<br />

stop crying 167<br />

infiltrados 172<br />

isqat al nizam<br />

– at the regime Border 176<br />

italy, love it or leave it 177<br />

Jakarta Disorder 178<br />

Joe frazier:<br />

When the smoke clears 180<br />

the Joy Down there 181<br />

keep up the good Work 182<br />

the khmer rouge and the<br />

Man of non-Violence 184<br />

the last catch 191<br />

letter tape 195<br />

like stone lions at the<br />

gateway into night 198<br />

little afghanistan 200<br />

little perestrojka 201<br />

live or Die in entebbe 202<br />

long Vacation 204<br />

Magic skies<br />

– a History of fireworks 208<br />

Mama illegal 210<br />

the Most Dangerous Man<br />

in america: Daniel ellsberg<br />

and the pentagon<br />

papers 216<br />

My House Without Me 223<br />

the night of the Bear 225<br />

night’s Drifters 226<br />

nurse gretel # 2<br />

– escape 229<br />

nyosha 230<br />

the oath 231<br />

our Days, absolutely, Have<br />

to Be enlightened 234<br />

pablo’s Winter 237<br />

the palace 238<br />

papirosen 240<br />

peace out 241<br />

a perfect candidate 243<br />

playback 246<br />

the postman 249<br />

project Z:<br />

the final global event 252<br />

randland 256<br />

the red Dream factory 258<br />

russia’s History revealed<br />

– part i, ii and iii 265<br />

san agustin<br />

– low tide in the<br />

plastic sea 266<br />

seduced and<br />

Blackmailed 267<br />

shenandoah 268<br />

sibila 269<br />

the sky over here 270<br />

sounds from the fog 273<br />

speed<br />

– in search of lost time 274<br />

the spies of scientology<br />

– office of special affairs<br />

o.s.a. 275<br />

the spy from the<br />

pariser platz 276<br />

stremt 89 280<br />

stuck in the middle 283<br />

the tears of the<br />

afghan lord 286<br />

telH78 287<br />

tomorrow You Will leave 290<br />

tour Du faso 291<br />

tournesols – al rastan 292<br />

the tree Workers case 294<br />

the trial 295<br />

under fire:<br />

Journalists in combat 300<br />

Vera gran 304<br />

Video Vertov 305<br />

Virgin tales 306<br />

Warmzeit 308<br />

When Bubbles Burst 311<br />

Where My Heart Beats 315<br />

White night 318<br />

Why in My Back Yard<br />

– Hidroaysen 319<br />

the Will 320<br />

Winter, go away ! 322<br />

With my Heart in Yambo 323<br />

Within the eye of<br />

the storm 324<br />

Within Within 325<br />

the World Before Her 328<br />

HuMan interest<br />

24 Buckets, 7 Mice,<br />

18 Years 26<br />

300 tons of gold 27<br />

74m2 29<br />

addiction 31<br />

all Happy Mornings 33<br />

ameer got His gun 34<br />

among Men<br />

– gay in east germany 35<br />

the anabasis of May and<br />

fusako shigenobu, Masao<br />

adachi, and 27 Years without<br />

images 36<br />

and Who taught You<br />

to Drive 39<br />

another night on earth 40<br />

arbeit Heimat opel 42<br />

are You listening ! 43<br />

as You like it 45<br />

Battery Man 47<br />

Beautiful faces 48<br />

Beer is cheaper than<br />

therapy 49<br />

Beerland 50<br />

the Bella Vista 51<br />

Bells of Happiness 52<br />

Benghazi:<br />

Beyond the front line 53<br />

Beyond Wriezen<br />

– a movie about life after<br />

serving time in jail 58<br />

Birders,<br />

the central park effect 60<br />

Bitter seeds 61<br />

Blender 62<br />

the Blockade 63<br />

Borderline,<br />

an unsetting Journey<br />

along the World’s longest<br />

un-Defended Border 64<br />

Bury my Heart in Dresden 68<br />

Buzkashi! 69<br />

camp 14 – total<br />

control Zone 71<br />

the carbon rush 74<br />

centrefold 76<br />

chronicle of a forgotten<br />

Death 78<br />

closed sea 80<br />

cloudy Mountains 81<br />

colombianos 82<br />

colors of Math 83<br />

corta 85<br />

crimson Mask 87<br />

crulic<br />

– the path to Beyond 88<br />

cult Witness 90<br />

Damascus, My first kiss 91<br />

Dancing alone 93<br />

Danube Hospital 94<br />

Death of a cemetery 96<br />

Defending karadzic 97<br />

Demokratia,<br />

the Way of the cross 98<br />

Downeast 101<br />

Dragan Wende<br />

– How the trabant invaded<br />

West-Berlin and ruined my<br />

uncle’s kingdom 102<br />

Dream Jobs 104<br />

Dream of san Juan 105<br />

Dress to impress 106<br />

Drought 108<br />

Dublin’s trap:<br />

another side of the<br />

greek crisis 109<br />

Duck Beach to eternity 110<br />

eames:<br />

the architect and<br />

the painter 111<br />

earth 112<br />

the employment 114<br />

entangled 117<br />

erwin Wurm<br />

– the artist who<br />

swallowed the world 118<br />

escape from paradise 119<br />

everything will not<br />

be fine 120<br />

family Meals 122<br />

the field of Magic 124<br />

the final Member 125<br />

the flowers of my family 128<br />

fouad’s Dream 132<br />

the four Year plan 133<br />

freestyle life 134<br />

the future’s past 136<br />

the gang 137<br />

generation sMs 138<br />

global Home 141<br />

the gypsy Vote 145<br />

Happy Birthday emily 146<br />

Happy serious sad 147<br />

How ping pong saved<br />

the World 156<br />

el Huaso 157<br />

the Human Zoo 159<br />

Hungry Minds 160<br />

i Want My country Back 162<br />

i Was Born in Delhi 163<br />

icebound:<br />

the story of the 1925<br />

alaska serum run 164<br />

impenetrable 168<br />

the incredibles 170<br />

infiltrados 172<br />

irish folk furniture 175<br />

isqat al nizam<br />

– at the regime Border 176<br />

italy, love it or leave it 177<br />

keep up the good Work 182<br />

the khmer rouge and the<br />

Man of non-Violence 184<br />

the kid and the clown 185<br />

kiran 186<br />

the land Beneath<br />

the fog 187<br />

the last Black sea<br />

pirates 190<br />

the last catch 191<br />

the last station 192<br />

legends for Beginners 193<br />

letter tape 195<br />

the life and times of paul<br />

the psychic octopus 196<br />

the lifeguard 197<br />

lisa, go Home! 199<br />

little afghanistan 200<br />

long Vacation 204<br />

losing sonia 205<br />

Magic Words<br />

(to Break a spell) 209<br />

Mama illegal 210<br />

the Man’s field 212<br />

Matthew’s laws 213<br />

Men’s lust 214<br />

Milana 215<br />

Mother 24/7 217<br />

Mother’s Day 218<br />

Mountain love story 219<br />

My father and the<br />

Man in Black 221<br />

My first Mountain<br />

– a rigi film 222<br />

My stuff 224<br />

the night of the Bear 225<br />

no Business like<br />

showbusiness 227<br />

nurse gretel # 2<br />

– escape 229<br />

nyosha 230<br />

one Meter above<br />

ground 232<br />

the other Day 233<br />

over My Dead Body 235<br />

overtime 236<br />

pablo’s Winter 237<br />

papirosen 240<br />

a people uncounted 242<br />

petra’s poem 244<br />

polish illusions 247<br />

pondering 248<br />

the postman 249<br />

presence 250<br />

private universe 251<br />

protect everyone i love 253<br />

the punk syndrome 254<br />

randland 256<br />

reality 2.0 257<br />

red Hair and Black<br />

coffee 259<br />

rogalik 263<br />

russian girls 264<br />

san agustin<br />

– low tide in the<br />

plastic sea 266<br />

seduced and<br />

Blackmailed 267<br />

shenandoah 268<br />

sofia’s last ambulance 271<br />

a sort of love 272<br />

sounds from the fog 273<br />

speed<br />

– in search of lost time 274<br />

steve Jobs:<br />

the lost interview 277<br />

the stripper 282<br />

tales about the future 284<br />

tea or electricity 285<br />

a thousand trees 288<br />

tournesols<br />

– al rastan 292<br />

trains of thoughts 293<br />

the tree Workers case 294<br />

the trial 295<br />

twilight of the Yakuza 296<br />

two nil 297<br />

tzvetanka 298<br />

under fire:<br />

Journalists in combat 300<br />

the Venice syndrome 303<br />

the Wait 307<br />

Warmzeit 308<br />

What’s your job? 310<br />

When Hari got Married 312<br />

When i Was Dead 313<br />

Where Heaven Meets<br />

Hell 314<br />

White night 318<br />

Why in My Back Yard<br />

– Hidroaysen 319<br />

the Will 320<br />

Winter nomads 321<br />

Winter, go away! 322<br />

Within the eye of<br />

the storm 324<br />

Work Hard – play Hard 327<br />

346 347<br />

portrait<br />

24 Buckets, 7 Mice,<br />

18 Years 26<br />

about face:<br />

supermodels, then<br />

and now 30<br />

addiction 31<br />

anatomy of a Departure 37<br />

appassionata 41<br />

the art of Yodeling 44<br />

as You like it 45<br />

Battery Man 47


the Bella Vista 51<br />

Bert stern: original<br />

Madman 54<br />

a Better life is elsewhere 55<br />

Between two-spirit 57<br />

Beyond Wriezen<br />

– a movie about life after<br />

serving time in jail 58<br />

Bouchbennersch otto / how<br />

to treat differentness 65<br />

the captain and His pirate 72<br />

captain thomas sankara 73<br />

check point 77<br />

crackle of time<br />

– christoph schlingensief<br />

and his opera village in<br />

Burkina faso 86<br />

crimson Mask 87<br />

Daughter 95<br />

Death of a cemetery 96<br />

Documentarian 100<br />

Downeast 101<br />

Drivers Wanted 107<br />

emperor’s toys 113<br />

entangled 117<br />

exit point 121<br />

fidaï 123<br />

fists of pride 127<br />

the flowers of my family 128<br />

for You naked 129<br />

forbidden Voices 130<br />

forget me not 131<br />

freestyle life 134<br />

going up the stairs 142<br />

He Was a giant with<br />

Brown eyes 149<br />

Heino Jaeger<br />

– look Before You kuck 150<br />

a Home far away 154<br />

Huerfano Valley 158<br />

i am louisa Jules 161<br />

if i Wasn’t Born 166<br />

in Between – the British artist<br />

richard Deacon 169<br />

intimatta 173<br />

the invisible string 174<br />

Jason Becker:<br />

not Dead Yet 179<br />

Joe frazier:<br />

When the smoke clears 180<br />

the Joy Down there 181<br />

kern 183<br />

the land Beneath<br />

the fog 187<br />

lang lang – the art of Being<br />

a Virtuoso 188<br />

legends for Beginners 193<br />

leontina 194<br />

lisa, go Home! 199<br />

little perestrojka 201<br />

loden – the little Monk 203<br />

Mad. a World of fashion 207<br />

Matthew’s laws 213<br />

the Most Dangerous Man in<br />

america: Daniel ellsberg<br />

and the pentagon<br />

papers 216<br />

My father and the<br />

Man in Black 221<br />

My House Without Me 223<br />

no Business like<br />

showbusiness 227<br />

the oath 231<br />

one Meter above<br />

ground 232<br />

overtime 236<br />

the palace 238<br />

paperbox 239<br />

places other people<br />

Have lived 245<br />

playback 246<br />

pondering 248<br />

pushwagner 255<br />

the river people 261<br />

the road uphill 262<br />

rogalik 263<br />

sibila 269<br />

the sky over here 270<br />

a sort of love 272<br />

steve Jobs:<br />

the lost interview 277<br />

a story for the Modlins 278<br />

stremt 89 280<br />

stretcher 281<br />

the stripper 282<br />

telH78 287<br />

tomorrow 289<br />

tomorrow You Will leave 290<br />

twilight of the Yakuza 296<br />

tzvetanka 298<br />

ub lama 299<br />

Vera gran 304<br />

When i Was Dead 313<br />

Where Heaven Meets<br />

Hell 314<br />

Winter, go away! 322<br />

the Woman and the<br />

passenger 326<br />

the World Before Her 328<br />

Yorzeit 329<br />

science<br />

the 5th season 28<br />

Beautiful faces 48<br />

centrefold 76<br />

colors of Math 83<br />

Danube Hospital 94<br />

the end of time 116<br />

the final Member 125<br />

fire in the Blood 126<br />

peace out 241<br />

stradivari’s Heirs 279<br />

the Way to Mecca 309<br />

sales companies<br />

and agents<br />

n o<br />

2911 foundation<br />

the great Book<br />

robbery 143<br />

29p<br />

overtime 236<br />

42 film gmbH<br />

the Man’s field 212<br />

5 to five team prod<br />

He Was a giant with<br />

Brown eyes 149<br />

a<br />

accent films international ltd.<br />

forbidden Voices 130<br />

agitprop<br />

the last Black sea<br />

pirates 190<br />

alina cyranek<br />

telH78 287<br />

alma film<br />

for You naked 129<br />

alter ego production<br />

our Days, absolutely, Have<br />

to Be enlightened 234<br />

amalric de pontcharra<br />

the other Day 233<br />

amaranta sa de cV<br />

Magic Words<br />

(to Break a spell) 209<br />

american Documentary | poV<br />

a perfect candidate 243<br />

amour fou Vienna<br />

the future’s past 136<br />

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11 images of a Human 24<br />

another night on earth 40<br />

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like stone lions at the<br />

gateway into night 198<br />

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24 Buckets, 7 Mice,<br />

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ameer got His gun 34<br />

among Men<br />

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and italy took flight 38<br />

the art of Yodeling 44<br />

Beautiful faces 48<br />

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therapy 49<br />

the Bella Vista 51<br />

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Bert stern:<br />

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Between two-spirit 57<br />

Birders,<br />

the central park effect 60<br />

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Blender 62<br />

Borderline,<br />

an unsetting Journey<br />

along the World’s<br />

longest un-Defended<br />

Border 64<br />

the Brussels Business 67<br />

the carbon rush 74<br />

castles and palaces<br />

of europe 75<br />

check point 77<br />

chronicles of the last<br />

temple 79<br />

closed sea 80<br />

crackle of time<br />

– christoph schlingensief<br />

and his opera<br />

village in Burkina faso 86<br />

crimson Mask 87<br />

cuba<br />

– Mafia’s paradise – the<br />

History of a<br />

gangster Domain 89<br />

cult Witness 90<br />

Danube Hospital 94<br />

Death of a cemetery 96<br />

Dublin’s trap:<br />

another side of the<br />

greek crisis 109<br />

Duck Beach to eternity 110<br />

eames:<br />

the architect and<br />

the painter 111<br />

end of the road 115<br />

erwin Wurm<br />

– the artist who<br />

swallowed the world 118<br />

escape from paradise 119<br />

everything will not<br />

be fine 120<br />

the field of Magic 124<br />

fire in the Blood 126<br />

for You naked 129<br />

fouad’s Dream 132<br />

the four Year plan 133<br />

from Hollywood to<br />

nuremberg – John ford,<br />

samuel fuller, george<br />

stevens 135<br />

the future’s past 136<br />

generation sMs 138<br />

gilad and all that Jazz 139<br />

global Home 141<br />

going up the stairs 142<br />

the great<br />

Book robbery 143<br />

Happy Birthday emily 146<br />

Happy serious sad 147<br />

Hava nagila<br />

– the Movie 148<br />

History shorts 153<br />

the House i live in 155<br />

How ping pong saved<br />

the World 156<br />

the Human Zoo 159<br />

Hungry Minds 160<br />

i am louisa Jules 161<br />

i Want My<br />

country Back 162<br />

i Was Born in Delhi 163<br />

icebound:<br />

the story of the 1925<br />

alaska serum run 164<br />

impenetrable 168<br />

in Between<br />

– the British artist<br />

richard Deacon 169<br />

the incredibles 170<br />

infiltrados 172<br />

the invisible string 174<br />

italy, love it or leave it 177<br />

Jason Becker:<br />

not Dead Yet 179<br />

the Joy Down there 181<br />

keep up<br />

the good Work 182<br />

the kid and the clown 185<br />

lang lang<br />

– the art of Being<br />

a Virtuoso 188<br />

legends for Beginners 193<br />

the life and times of paul<br />

the psychic octopus 196<br />

little perestrojka 201<br />

live or Die in entebbe 202<br />

long Vacation 204<br />

Mad.<br />

a World of fashion 207<br />

Magic skies<br />

– a History of fireworks 208<br />

Mandala 211<br />

Men’s lust 214<br />

Mountain love story 219<br />

My father and the<br />

Man in Black 221<br />

a people uncounted 242<br />

polish illusions 247<br />

protect everyone<br />

i love 253<br />

the punk syndrome 254<br />

pushwagner 255<br />

the red Dream factory 258<br />

regilaul<br />

– songs of the<br />

ancient sea 260<br />

the road uphill 262<br />

russian girls 264<br />

russia’s History revealed<br />

– part i, ii and iii 265<br />

seduced and<br />

Blackmailed 267<br />

shenandoah 268<br />

the sky over here 270<br />

sounds from the fog 273<br />

the spies<br />

of scientology – office<br />

of special affairs<br />

o.s.a. 275<br />

the spy from the<br />

pariser platz 276<br />

steve Jobs:<br />

the lost interview 277<br />

stradivari’s Heirs 279<br />

the stripper 282<br />

the tears of the<br />

afghan lord 286<br />

a thousand trees 288<br />

tomorrow 289<br />

tomorrow You<br />

Will leave 290<br />

tour Du faso 291<br />

the tree<br />

Workers case 294<br />

twilight of the Yakuza 296<br />

under fire:<br />

Journalists in combat 300<br />

unfinished spaces 301<br />

the united states of<br />

Hoodoo 302<br />

Vera gran 304<br />

Warmzeit 308<br />

When i Was Dead 313<br />

Where Heaven Meets<br />

Hell 314<br />

Where My Heart Beats 315<br />

Within the eye of<br />

the storm 324<br />

Dok<br />

Young cineMa<br />

coMpetition<br />

Beerland 50<br />

kern 183<br />

the land Beneath<br />

the fog 187<br />

losing sonia 205<br />

the Machine<br />

Which Makes<br />

everything<br />

Disappear 206<br />

Milana 215<br />

Mother’s Day 218<br />

pablo’s Winter 237<br />

tzvetanka 298<br />

ub lama 299<br />

White Men 317<br />

east silVer & iDf<br />

Battery Man 47<br />

Bells of Happiness 52<br />

colors of Math 83<br />

Disease<br />

of the third power 99<br />

family Meals 122<br />

the gypsy Vote 145<br />

iceland Year Zero 165<br />

Jakarta Disorder 178<br />

trains of thoughts 293<br />

two nil 297<br />

filMfestiVal cottBus<br />

crulic<br />

– the path to Beyond 88<br />

focus latin aMerica<br />

the calm 70<br />

corta 85<br />

Daughter 95<br />

Drought 108<br />

the employment 114<br />

the flowers<br />

of my family 128<br />

lapsus 189<br />

the lifeguard 197<br />

Magic Words<br />

(to Break a spell) 209<br />

papirosen 240<br />

stretcher 281<br />

With my<br />

Heart in Yambo 323<br />

focus saxonY<br />

ag geige<br />

– an amateur film 32<br />

Dress to impress 106<br />

telH78 287<br />

354 355<br />

Hot Docs<br />

Buzkashi! 69<br />

the final Member 125<br />

fists of pride 127<br />

Herman’s House 151<br />

indie game:<br />

the Movie 171<br />

over My Dead Body 235<br />

peace out 241<br />

the World Before Her 328<br />

krakoW filM<br />

founDation<br />

& polisH Docs<br />

Dream of san Juan 105<br />

exit point 121<br />

freestyle life 134<br />

Mother 24 / 7 217<br />

Musics 220<br />

My House Without Me 223<br />

one Meter above<br />

ground 232<br />

the palace 238<br />

rogalik 263<br />

Yorzeit 329<br />

leipZig screening<br />

Beerland 50<br />

the last catch 191<br />

speed<br />

– in search of lost time 274<br />

the Venice syndrome 303<br />

storYDoc<br />

as You like it 45<br />

Demokratia,<br />

the Way of the cross 98<br />

Visions Du rÉel<br />

& sWiss filMs<br />

appassionata 41<br />

a Better life is elsewhere 55<br />

captain thomas sankara 73<br />

chronicle of a forgotten<br />

Death 78<br />

forbidden Voices 130<br />

He Was a giant with<br />

Brown eyes 149<br />

a Home far away 154<br />

Huerfano Valley 158<br />

playback 246<br />

Winter nomads 321


notes notes


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notes notes


1-11 NOV 2012<br />

CPH:DOX<br />

M U N D U S<br />

CPH:FORUM<br />

FINANCING FORUM<br />

7-9 NOV 2012<br />

IMAGE BY: RICHIE DIESTERHEFT<br />

INTERNATIONAL<br />

FINAN CING<br />

F O R U M


THE WORLD’s MOST EXCITING DOCUMENTARY<br />

& DIGITAL MEDIA FESTIVAL<br />

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& FAMOUS pARTIES<br />

at Sheffield Doc/Fest 2013<br />

FILM pROGRAMME SUBMISSIONS —<br />

Open Tuesday 30 October 2012<br />

Close Monday 04 February 2013<br />

sheffdocfest.com/view/submitafilm<br />

MEETMARkET SUBMISSIONS —<br />

Open Monday 07 January 2013<br />

Close Wednesday 20 March 2013<br />

sheffdocfest.com/meetmarket<br />

WWW.SHEFFDOCFEST.COM/REGISTRATION<br />

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fresh approach to digital media and new business models<br />

www.dokincubator.net<br />

a unique workshop for documentaries in a rough cut stage<br />

Deadline March 5th 2013


,ÁIK,ÁIK,ÁIKÁIKÁIK<br />

ÁIK<br />

AtA SK<br />

S É EK T K,<br />

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KI<br />

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Documentary Film<br />

Market organized<br />

by Institute<br />

of Documentary Film<br />

(IDF)<br />

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Caravan<br />

ČKFK<br />

TV Focus<br />

Silver Eye Award<br />

Streaming<br />

K,K<br />

É,Ů Next submission<br />

ŮK,ŮPŮdeadline:<br />

January 11, 2013<br />

More info at<br />

www.eastsilver.net<br />

Jihlava,<br />

October 23 — 28,<br />

2012<br />

Prague,<br />

March 5 — 10,<br />

2013 +QAY<br />

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15 ans<br />

RENCONTRES<br />

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DU DOCUMENTAIRE<br />

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15 years<br />

MONTREAL<br />

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FESTIVAL<br />

7 > 18 NOV. 2012<br />

ridm.qc.ca


INDUSTRY<br />

ZONE<br />

27 MAY — 1 JUNE 2013<br />

during 53rd Krakow Film Festival<br />

Meetings, workshops,<br />

screenings, presentations,<br />

panel discussions for film professionals<br />

KRAKOW FILM MARKET – digital videolibrary<br />

[ dealine for submissions: 8th February 2013 ]<br />

DRAGON FORUM – piching of documentary projects<br />

industry@kff.com.pl www.krakowfilmfestival.pl<br />

www.polishdocs.pl<br />

WINDOW TO THE WORLD OF POLISH DOCUMENTARY FILM


egional<br />

national<br />

international<br />

Films supported by MDM<br />

at <strong>DOK</strong> <strong>Leipzig</strong> 2012:<br />

MansFeld<br />

Director: Mario Schneider<br />

<strong>DOK</strong> <strong>Leipzig</strong> Industry<br />

and Training Offers<br />

supported by MDM:<br />

Digital <strong>DOK</strong> MarKet<br />

CO-PrODuCtiOn Meeting<br />

<strong>DOK</strong> SuMMitS<br />

<strong>DOK</strong> leiPzig net l ab<br />

<strong>DOK</strong>.inCubatOr<br />

CrOSS MeDia CaSe StuDieS & SCreeningS<br />

www.mdm-online.de<br />

credits<br />

thank you for your support<br />

Dok Market 2012 – an initiative of Dok leipzig and the Mitteldeutsche Medienförderung (MDM)<br />

with the support of the MeDia programme of the european union,<br />

the federal government commissionier for culture and the Media upon a Decision of the<br />

german Bundestag (BkM) and computer leipzig.<br />

doK main sponsor:<br />

doK supporter:<br />

doK media Partner:<br />

doK cooperations Partner:<br />

doK funds:<br />

more doK supporters and friends:<br />

addmission, arri media services, barbara hobbie & richard mancke, big cinema, botschaft des Königreichs der niederlande,<br />

botschaft des staates israel, botschaft von spanien – Kulturabteilung, bundesarchiv-filmarchiv, bundesfilmverband in ver.di,<br />

caia – council of arts and audiovisual industry of chile, centraltheater, chiledoc, cinemachile, cinémathèque leipzig e.v., creative<br />

scotland, culturtraeger, danish film institute, dirac – department of cultural affairs of the foreign ministry of chile, deutsches<br />

literaturinstitut leipzig, dr. arend oetker, estonian film foundation, eWs europäische Wirtschafts- und sprachenschulung<br />

gemeinnützige gmbh, filmverband sachsen e.v., finnish film foundation, gastromiete24.de, generalkonsulat der usa leipzig,<br />

goethe-institut bangalore, goethe-institut dhaka, goethe-institut Jakarta, goethe-institut Kabul, goethe-institut minsk,<br />

goethe-institut riga, grasbauer ug, hochschule für grafi k und buchkunst leipzig, hotel michaelis, hug & eberlein, ils medientechnik,<br />

institut français de leipzig, iq steuerberatungsgesellschaft mbh, Kalenda systems, leipziger messe, leona beatrice martinstarewitsch,<br />

Kreuzer, looKs film, maXxPrint, media antenne berlin-brandenburg, mephisto 97,6, mh müller handels gmbh, filiale<br />

leipzig Petersstraße, modulbox mo systeme, moritzbastei betriebs gmbh, nextbike, Passage Kinos leipzig, Peter schamoni film<br />

& medien gmbh, Polish film institute, Promenaden hauptbahnhof leipzig, ring-café leipzig, schwedisches honorarkonsulat leipzig,<br />

se-ma-for, shirtbuster gmbh, staatliche Porzellanmanufaktur meißen, swedish film institute, swiss films, tfd technischer<br />

filmdienst, visionauten, vng verbundnetz gas<br />

www.dok-leipzig.de<br />

doK sponsor:<br />

doK cinema Partner<br />

ARTHOUSE NOUVEAU.<br />

doK it Partner:

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