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29 October – 4 November<br />
2012<br />
55th International <strong>Leipzig</strong> Festival<br />
for Documentary and Animated Film<br />
<strong>DOK</strong><br />
MArKet<br />
CAtALOgue<br />
2012<br />
306 Films from 66 Countries
Dok leipzig<br />
Dok<br />
Market<br />
catalogue<br />
2012
imprint<br />
Publisher<br />
leipziger Dok-filmwochen gmbH<br />
katharinenstraße 17<br />
04109 leipzig, germany<br />
www.dok-leipzig.de<br />
editorial staff<br />
Diana arnold<br />
katharina Bergfeld<br />
Proofreader<br />
patrick Burkholder<br />
design<br />
Hug & eberlein<br />
www.hug-eberlein.de<br />
Print<br />
Druckerei Wagner<br />
Verlag und Werbung gmbH<br />
www.druckereiwagnergmbh.de<br />
isBn 978-3-932214-30-1<br />
table of contents<br />
general<br />
inforMation<br />
p. 5<br />
greetings<br />
p. 11<br />
filMs a-Z<br />
p. 23<br />
Dok leipZig teaM<br />
p. 330<br />
inDexes<br />
p. 333
general<br />
inforMation<br />
p. 5 – 10<br />
5
location<br />
festival centre, 2nd floor<br />
Museum der Bildenden künste<br />
katharinenstrasse 10<br />
04109 leipzig<br />
oPening hours<br />
sun 28 oct 14:00 – 18:00<br />
Mon 29 oct until sat 3 nov<br />
10:00 – 22:00<br />
sun 4 nov 10:00 – 14:00<br />
doK marKet is organised by doK leipzig with the<br />
support of the media Programme of the european<br />
union, the mitteldeutsche medienförderung<br />
(mdm) and the federal government commissioner<br />
for culture and the media (bKm).<br />
general information<br />
Digital Dok Market<br />
Viewing facilities<br />
The digital <strong>DOK</strong> Market consists of a video library<br />
with 30 viewing stations. It is open to all accredited guests<br />
with special market badge.<br />
reservations<br />
Decision makers are welcome to book one of the viewing<br />
booths in advance. Please contact us by mail or talk to<br />
the staff at the <strong>DOK</strong> Market desk during the festival week.<br />
procedure<br />
On your festival accreditation you will find your personal<br />
log-in code. This code enables you to view films in the<br />
<strong>DOK</strong> Market during the entire festival week. For details,<br />
please see the instructions displayed in every booth.<br />
If you have any questions, please contact our <strong>DOK</strong> Market<br />
staff. After you have screened a film, the computer<br />
will prompt you for a brief comment. We will forward these<br />
comments to the film makers in a <strong>DOK</strong> Market report.<br />
Moreover, you will receive a report showing the viewed<br />
films and your comments.<br />
Dok Market catalogue<br />
All documentary films available in the <strong>DOK</strong> Market will<br />
be promoted through the Market catalogue. The films<br />
are listed in alphabetical order by English title. Different<br />
indexes at the back help to find the films you are<br />
interested in.<br />
Please note that all animated films of the festival are also<br />
digitised. Descriptions can be found in the <strong>DOK</strong> <strong>Leipzig</strong><br />
Festival catalogue or as hand outs.<br />
location<br />
pfeffermühle café<br />
oPening hours<br />
tue 30 oct 17:00 – 18:00<br />
Wed 31 oct – sat 3 nov<br />
10:00 – 11:00<br />
tuesday, 30 october<br />
get together: cinemachile in<br />
cooperation with chileDoc<br />
18:30 – 19:30, festival centre<br />
trillerpfeiffenterrasse<br />
Dok lounge: MDr-treff<br />
22:00 – 1:30, ring-café<br />
Wednesday, 31 october<br />
reception: goethe-institute<br />
12:00 – 13:00, festival centre<br />
trillerpfeiffenterrasse<br />
get together: Hff konrad Wolf<br />
18:30 – 19:30, festival centre<br />
trillerpfeiffenterrasse<br />
Dok lounge:<br />
DokVille meets Dok leipzig<br />
22:00 – 3:00, ring-café<br />
thursday, 1 november<br />
get together: swiss films<br />
18:30 – 19:30, festival centre<br />
trillerpfeiffenterrasse<br />
Dok lounge: arte party<br />
22:00 – 3:00, Moritzbastei<br />
friday, 2 november<br />
get together: eu-osHa<br />
18:30 – 19:30, festival centre<br />
trillerpfeiffenterrasse<br />
general information<br />
Daily industry Highlights<br />
Dok industry talks<br />
Talks with industry experts and producers/filmmakers,<br />
covering topics such as distribution and marketing<br />
options for your film, as well as general introductions into<br />
film marketing, different markets and the who’s who<br />
of the international industry. All <strong>DOK</strong> Market and festival<br />
participants are warmly welcome to exchange experiences.<br />
All accredited guests are welcome.<br />
get togethers and Dok lounges<br />
<strong>DOK</strong> <strong>Leipzig</strong>’s evening events and the social highlight<br />
for accredited guests. This is where professional<br />
festivalgoers catch up over a drink and sometimes a bite<br />
to eat. Get Togethers take place during the blue hour<br />
between 18:30 to 19:30 h in the Festival Centre, 2nd floor.<br />
<strong>DOK</strong> Lounges are evening receptions that offer<br />
drinks and finger food, sitting and smoking areas as well<br />
as some background music. Both venues are open to<br />
everybody with a festival accreditation and are organised<br />
by <strong>DOK</strong> <strong>Leipzig</strong> in cooperation with its partners.<br />
All accredited guests are welcome.<br />
further events<br />
All offers of <strong>DOK</strong> Industry and <strong>DOK</strong> Training are listed<br />
in the blue Pocket Guide found in your festival bag.<br />
6 7
Dok leipzig<br />
official programme<br />
films which premiered after<br />
1 october 2011, many of<br />
them world, international<br />
or german premieres<br />
Dok leipzig<br />
special programmes<br />
general information<br />
Dok Market sections<br />
<strong>DOK</strong> International Competition<br />
The champion’s league of documentary film. Our selection<br />
is not determined by subject matter but by the highest<br />
standards of adequate form and narrative structure.<br />
<strong>DOK</strong> German Competition<br />
Strong stories made in Germany, fresh new works, most of<br />
them world premieres.<br />
<strong>DOK</strong> Young Cinema Competition<br />
A section to discover the best new talents and films which<br />
explore the boundaries of what documentary is today.<br />
<strong>DOK</strong> International Short Competition<br />
Sometimes it does not take more than five minutes to show<br />
us the world and to make us laugh or weep.<br />
<strong>DOK</strong> International Programme<br />
Hot political issues, strong emotions and captivating<br />
stories from all over the world. Films for a broad audience<br />
in the best sense of the word.<br />
Animadoc<br />
A speciality of <strong>DOK</strong> <strong>Leipzig</strong> – this is where documentary<br />
and animation merge, where real stories and fates<br />
are conveyed with the means of outstanding artistic and<br />
creative animation film making.<br />
Focus Latin America<br />
The best in current documentary production from<br />
Spanish-speaking Latin America – an opportunity<br />
to discover a new and exciting generation of filmmakers.<br />
Doc Alliance<br />
Six key European documentary film festivals have joined<br />
forces and nominated one outstanding debut documentary<br />
each. A jury of European film critics has chosen three<br />
and one will be awarded with the Doc Alliance Award at<br />
<strong>DOK</strong> <strong>Leipzig</strong>’s opening ceremony. Discover the films here.<br />
Best of TV –POV<br />
<strong>DOK</strong> <strong>Leipzig</strong> honours 25 years of POV with a selection<br />
of great documentaries dealing with the fragility of<br />
democracy.<br />
Dok leipzig<br />
guests present<br />
Dok industry<br />
films exclusively<br />
available at the<br />
digital Dok Market<br />
general information<br />
Dok Market sections<br />
Documentary Campus Masterschool<br />
Every year European producers and directors develop<br />
documentaries for an international audience in the<br />
framework of the Documentary Campus Masterschool<br />
– one of Europe’s best and long-running vocational<br />
training programmes. Two new, finished films are included<br />
in the <strong>DOK</strong> Market.<br />
FilmFestival Cottbus<br />
An outstanding, Eastern-European film awarded at the<br />
FilmFestival Cottbus last year.<br />
Focus Saxony<br />
Local and home-grown – three documentaries that have<br />
been made by filmmakers from Saxony.<br />
<strong>Leipzig</strong> Screening<br />
A showcase of four, brand new and outstanding German<br />
films, giving a glance of the contemporary documentary<br />
film landscape in Germany.<br />
<strong>DOK</strong> Market<br />
In addition to the above mentioned sections, the <strong>DOK</strong><br />
Market features films suitable for international audiences,<br />
promoting local and personal stories with cosmopolitan<br />
appeal and general sales potential. Those films have been<br />
recommended by our Festival selection committee<br />
or submitted by renowned international sales companies.<br />
Partner films<br />
In the framework of our <strong>DOK</strong> Festival and <strong>DOK</strong> Market<br />
exchange programme six different documentary<br />
institutions offer a fine selection of current films from their<br />
country and/or their programme:<br />
– ChileDoc, Chile<br />
– EastSilver & Institute of Documentary Film,<br />
Czech Republic<br />
– Hot Docs, Canada<br />
– Krakow Film Foundation & Polish Docs, Poland<br />
– StoryDoc, Greece<br />
– Visions du Réel & Swiss Films, Switzerland<br />
– <strong>DOK</strong>.Incubator, International training initiative<br />
for projects in post-production<br />
In the back of this catalogue, you will find an index of all<br />
market films sorted by those sections.<br />
8 9
ground floor<br />
second floor<br />
10<br />
Entrance Brühl<br />
general information<br />
festival centre<br />
in the Museum of fine arts<br />
lockers<br />
museum caissier<br />
museum<br />
book shop<br />
Entrance Katharinenstraße<br />
<strong>DOK</strong><br />
Get Together<br />
Entrance Reichsstraße<br />
<strong>DOK</strong><br />
Industry<br />
Lounge<br />
Pfe�ermühle, Kretschmanns Hof<br />
<strong>DOK</strong> Industry Talks,<br />
<strong>Leipzig</strong> Screening,<br />
<strong>DOK</strong>.Incubator Preview<br />
<strong>DOK</strong><br />
Guest Counter<br />
museum coffee shop<br />
lift<br />
lift<br />
<strong>DOK</strong><br />
Market<br />
Entrance Böttchergäßchen<br />
greetings<br />
p. 11 – 22<br />
11
greeting<br />
Dok leipzig<br />
The production process of a film is long and challenging<br />
for everybody involved. Film makers and producers<br />
struggle for developing, financing and realising their<br />
vision whilst financiers and supporters take risks and have<br />
to trust one another until the very end. To bring<br />
the film to its audience, to find international distribution<br />
and recognition is also<br />
Welcome to the<br />
demanding. Even though<br />
the huge world-wide<br />
55th International <strong>Leipzig</strong><br />
film and TV market might<br />
Festival for Documentary<br />
seem anonymous, people<br />
are standing behind<br />
and Animated Film<br />
it who are interested in<br />
and to our <strong>DOK</strong> Market!<br />
meeting the team behind<br />
the films and hearing<br />
a film’s heartbeat. To get to know each other is a key tool to<br />
enter the Film Industry and succeed. To be here at<br />
<strong>DOK</strong> <strong>Leipzig</strong> is a marketing tool which film professionals<br />
should capitalize on and enjoy.<br />
The <strong>DOK</strong> Market team is glad to welcome you to its 8th<br />
edition. We showcase all documentary and animated<br />
films from the official festival programme plus 175<br />
further brand new documentaries recommended by the<br />
selection committee or our partner organisations.<br />
We are happy to continue our partnership with Switzerland<br />
(Vision du réel and Swiss Films), Czech Republic<br />
(East Silver and Institute of Documentary Film), Chile<br />
(Chile Doc) and Poland (Krakow Film Foundation).<br />
This year we entered into new partnerships with Greece<br />
(StoryDoc) and Canada (Hot Docs). Moreover we are<br />
proud to present the first results of our new training<br />
initiative, <strong>DOK</strong>.Incubator, which supports documentaries<br />
in post-production.<br />
All presented films have been produced within the last<br />
year 2011 – 2012 and they reflect the philosophy of<br />
<strong>DOK</strong> <strong>Leipzig</strong>: They have a unique access to their subject,<br />
they prove the critical point of view of the director and<br />
they stand out for their aesthetic quality. The <strong>DOK</strong> Market<br />
is the place to discover new creative documentaries with<br />
international appeal. Here you have the opportunity<br />
to quickly get an overview of the festival’s programme<br />
and the current developments in documentary and<br />
animated film making – whenever your schedule in <strong>Leipzig</strong><br />
allows you to watch films. Our digital library is open for<br />
accredited guests with a Market badge during the<br />
whole week of the festival. Decision makers are welcome<br />
to book one of the 30 viewing booths in advance.<br />
12 13<br />
greeting<br />
Dok leipzig<br />
Four of the most outstanding and recent German<br />
documentary productions have been selected for an<br />
exclusive screening on the big screen: The <strong>Leipzig</strong> Screenings<br />
for International Buyers and Distributors take place on<br />
Monday.<br />
Since <strong>DOK</strong> <strong>Leipzig</strong> is a partner of the online distribution<br />
platform www.dafilms.com many of the best films of<br />
the festival programme will be available to all web users<br />
and documentary lovers after they have completed the<br />
festival circuit.<br />
The <strong>DOK</strong> Market in <strong>Leipzig</strong> is meant to be a personal<br />
networking place in a friendly atmosphere where you go to<br />
meet and discover films, talents, old and new partners<br />
and, of course, friends. Our aim is to help producers pro-<br />
moting their films to national and international<br />
industry representatives and to present a fine selection<br />
of documentary vintage 2011–2012.<br />
We also invite you to take advantage of the broad <strong>DOK</strong><br />
Industry and <strong>DOK</strong> Training offers in order to listen<br />
and discuss, to network and get inspired, to refresh your<br />
mind: Get Togethers, <strong>DOK</strong> Industry Talks, <strong>DOK</strong> Summits<br />
and Panels, Case Studies, the Wild At Heart Think-Tank and<br />
many more. Please check our Pocket Guide with detailed<br />
information about the different events.<br />
We want to say Thanks to our partners and supporters<br />
who enable us to get the <strong>DOK</strong> Market and our<br />
<strong>DOK</strong> Industry offers going. The <strong>DOK</strong> Market is mainly<br />
organised with the support of the Mitteldeutsche<br />
Medienförderung (MDM), the MEDIA Programme of<br />
the European Union and the Federal Government<br />
Commissioner for Culture and the Media (BKM). We are<br />
especially grateful to Dr. Hans-Werner Schmidt,<br />
Jörg Dittmer and the staff of the Museum of Fine Arts<br />
for accommodating <strong>DOK</strong> <strong>Leipzig</strong> and the <strong>DOK</strong> Market<br />
again this year in their wonderful locale.<br />
Have a fruitful time in <strong>Leipzig</strong> and enjoy many thrilling<br />
encounters in our <strong>DOK</strong> Market and at the <strong>DOK</strong><br />
Industry events. We are looking forward to a great festival<br />
week! All The Best,<br />
claas Danielsen<br />
festival Director<br />
katharina Bergfeld<br />
Dok Market coordinator
greeting<br />
MDM<br />
On behalf of the Mitteldeutsche Medienförderung (MDM),<br />
I bid you a warm welcome to the 55th International <strong>Leipzig</strong><br />
Festival for Documentary and Animated Film and to the<br />
2012 edition of the <strong>DOK</strong> <strong>Leipzig</strong> industry and training<br />
section. It is a very great pleasure to be among the funding<br />
partners to this extraordinary event which will once<br />
again prove to be one of the<br />
most prestigious and<br />
important meeting points<br />
in the world of documentary<br />
filmmaking.<br />
Following the steps of the<br />
<strong>DOK</strong> <strong>Leipzig</strong> film festival<br />
with its long tradition,<br />
the <strong>DOK</strong> industry segments<br />
have become an excellent and well established service<br />
platform delivering a rich variety of offers: high-quality<br />
international projects, excellent business contacts and<br />
an interesting framework programme in a nice, exclusive<br />
and concentrated atmosphere.<br />
During the next days you will find yourself in the company<br />
of 1400 selected international filmmakers, producers,<br />
financiers, distributors and commissioning editors. They<br />
all come here to find new ideas or new partners for<br />
their upcoming films or media projects. To meet your needs<br />
the <strong>DOK</strong> <strong>Leipzig</strong> team has again developed an extensive<br />
line-up of events – including the <strong>DOK</strong> Market, the<br />
International Co-Production Meeting, case studies and<br />
sessions on current international trends and financing<br />
strategies, to be discussed by renowned experts, as well as<br />
numerous opportunities for networking and learning.<br />
Having introduced its innovative training offers last year<br />
with the successful <strong>DOK</strong> Net Lab as well as the Cross<br />
Media workshops, <strong>DOK</strong> <strong>Leipzig</strong> has implemented another<br />
new training opportunity this year – at <strong>DOK</strong>.Incubator<br />
you can take a first look at brand new projects from Europe’s<br />
promising filmmakers.<br />
I wish all of you many good and fruitful meetings with<br />
reliable and enjoyable partners.<br />
The <strong>DOK</strong> Industry<br />
segments have become an excellent<br />
and well established<br />
service platform delivering a rich<br />
variety of offers.<br />
Manfred schmidt<br />
executive Director<br />
Mitteldeutsche Medienförderung gmbH<br />
Nowadays, big film festivals like <strong>DOK</strong> <strong>Leipzig</strong> no longer<br />
just function as a glittering platform for films to be<br />
presented or as an important meeting point for film and<br />
media professionals from all over the world. Their role<br />
as creative hub for knowledge transfer and information as<br />
well as for the sustainable support of film projects is<br />
be coming more and more important. In times of continuous<br />
shifts film festivals serve as change indicators<br />
and strengthen and support the development, production<br />
and distribution of creative documentary films.<br />
Therefore, <strong>DOK</strong> <strong>Leipzig</strong> has decided to extend its<br />
activities out through the year and is launching, together<br />
with us, the six-month training initiative <strong>DOK</strong>.Incubator.<br />
As times are challenging for the documentary market<br />
production companies are<br />
being forced to completely<br />
shift their way of thinking,<br />
film producing and<br />
distributing to make the<br />
genre viable.<br />
<strong>DOK</strong>.Incubator supports film<br />
makers and producers<br />
with projects in the rough<br />
cut stage – a time when usually crucial decisions about<br />
the future quality and success of the films are taken under<br />
extreme time and money pressures. Three workshop<br />
modules help them to fully discover the potential of their<br />
films, to further develop and focus the storytelling and<br />
dramaturgy and inspire them regarding creative ways for<br />
marketing and distribution of their projects.<br />
Our aim is to maximize the potential of the film by pro-<br />
viding creative input, plan a powerful film release and<br />
a target distribution strategy as well as inspiring producers<br />
and film makers to use new media tools, social networks<br />
and alternative financing models.<br />
On Wednesday morning, 31 October 2012, you are warmly<br />
invited to experience the results of our training pro-<br />
gramme at the first <strong>DOK</strong>.Incubator Preview. Eight producers<br />
and directors will present their brand new films in front<br />
of industry professionals and potential partners and<br />
will be looking forward to your inspiring feedback. Please<br />
come, enjoy and support!<br />
We are looking forward to welcoming you.<br />
andrea prenghyová<br />
Head of Dok.incubator<br />
14 15<br />
greeting<br />
Dok.incubator<br />
Production companies<br />
are being forced to completely shift<br />
their way of thinking, film<br />
producing and distributing to make<br />
the genre viable.
greeting<br />
east silver<br />
We are presenting<br />
the East Silver selection of<br />
documentary films<br />
from Central and Eastern Europe<br />
in the <strong>DOK</strong> Market.<br />
It is a great honour for us to continue our cooperation<br />
with <strong>DOK</strong> <strong>Leipzig</strong> by presenting the East Silver selection<br />
of documentary films from Central and Eastern Europe<br />
in the <strong>DOK</strong> Market.<br />
In 2012 East Silver is bringing three remarkable films to the<br />
festival program. Private Universe by Helena Třeštíková and<br />
Rudolf Šmíd’s docu-animation Chronicle of Oldřich S. are<br />
both Czech representatives.<br />
They are based on the<br />
narrative technique caught<br />
in private family chronicles,<br />
showing not only the life<br />
of ordinary families but also<br />
how the Czech society<br />
has changed in the last four<br />
decades.<br />
The third selected doc Mama Illegal is directed by Austrian<br />
filmmaker Ed Moschitz. It shows sad stories of three<br />
women from a small town in Moldavia, living now in Austria<br />
as cleaning women. On top of their hard job they live<br />
a life in illegality without documents, far away from their<br />
children and families for years.<br />
Another ten documentaries can be found at the <strong>DOK</strong><br />
Market. They are all part of the East Silver Market, which<br />
serves as a meeting point for the key industry professionals<br />
interested in exceptional, hand-picked creative East<br />
European documentaries. The best East European films<br />
of the East Silver Market are nominated in three<br />
categories (short, mid-length, and feature) for the Silver<br />
Eye Award which brings financial prizes and festival<br />
services all year round.<br />
The East Silver Caravan documentary showcase travels<br />
with a selection of the best creative documentaries from<br />
Central and Eastern Europe, in order to reach a wide<br />
international audience. We cooperate with 90 of the most<br />
prestigious film festivals and markets around the world.<br />
East Silver is organized by The Institute of Documentary<br />
Film. The main partner of the project is Jihlava International<br />
Documentary Film Festival.<br />
We wish you an inspiring festival and a successful market<br />
in <strong>Leipzig</strong>! Sincerely,<br />
Miriam ryndová (ex Šimková)<br />
east silver Manager<br />
16 17<br />
greeting<br />
krakow film foundation<br />
As it is every year, it is a great pleasure for me to present the<br />
newest Polish documentaries and animated films to<br />
<strong>DOK</strong> <strong>Leipzig</strong> guests as well as to the wonderful audiences<br />
again. The presence of Polish films at this year’s festival is<br />
a development of the continuous and growing cooperation<br />
between <strong>DOK</strong> <strong>Leipzig</strong> and the Krakow Film Foundation.<br />
Every year, thanks to the organizers, we have a unique<br />
opportunity to present within the framework of the <strong>DOK</strong><br />
Market, a carefully chosen set of the newest Polish<br />
documentary films. We are also more than happy that a<br />
great number of Polish films were chosen to be screened in<br />
this year’s Festival Programme. We strongly recommend<br />
the winner of this year’s Krakow Film Festival – Entangled,<br />
awarded with the Golden Hobby Horse for the director<br />
Lidia Duda as well as with the Best Cinematography Award<br />
for DoP Wojciech Staroń,<br />
already known to the <strong>DOK</strong><br />
<strong>Leipzig</strong> audience for his<br />
own documentary Argentinian<br />
Lesson, awarded with<br />
the Silver Dove last year.<br />
The film will be presented<br />
in the International<br />
Competition. I can also highly recommend the debut film<br />
from Wajda School graduate – Radka Franczak – Losing<br />
Sonia, screened here in the International Young Talent<br />
Competition – Generation <strong>DOK</strong>.<br />
Worth mentioning are also the four animated short films<br />
made by young filmmakers screened within the framework<br />
of the Anima Competition: What Happens When Children<br />
Don’t Eat Soup by Paweł Prewencki (Animadoc), Paper Box,<br />
by Zbigniew Czapla and Emperor’s Toys by Tomasz Godfryd,<br />
Jarosław Moździerz, Joanna Rusinek, Joanna Wójcik,<br />
Grzegorz Wierzchowski and New German Animation:<br />
Afternoon by Polish filmmaker Izabela Plucińska.<br />
As in other years, the participants of this year’s Krakow<br />
Film Market can watch films recommended by the<br />
organizers of <strong>DOK</strong> <strong>Leipzig</strong>, just as the viewers attending<br />
the <strong>DOK</strong> Market are more than welcome to see some<br />
of the projects promoted under Polish Docs in the digital<br />
video-library. I sincerely believe that our proposal is<br />
interesting to all film professionals (and not only) those<br />
visiting <strong>DOK</strong> <strong>Leipzig</strong> this year.<br />
I wish organizers, guests and viewers an exciting and<br />
fruitful Festival and Market,<br />
We are more than happy<br />
that a great number of Polish films<br />
were chosen to be screened<br />
in this year’s Festival Programme.<br />
katarzyna Wilk<br />
krakow film foundation<br />
polish Docs coordinator
greeting<br />
chiledoc<br />
Solidarity and film<br />
have been<br />
our touchstones.<br />
We are proud of our friends and thrilled to be members<br />
of <strong>DOK</strong> <strong>Leipzig</strong> for the third, consecutive year. The history<br />
of our documentary filmmakers’ relationship with the<br />
festival is a long one, built over decades, where solidarity<br />
and film have been our touchstones.<br />
We believe that the alliance we have today is part of that<br />
tradition, and the result of a relationship based on<br />
trust, collaboration, affection and a common interest to<br />
seek new alliances and expand documentary filmmaking<br />
horizons.<br />
Chiledoc is an organization whose objective is to internationalize<br />
the documentary productions of our country.<br />
In the last ten years, we have experienced constant<br />
growth and, therefore, we<br />
need to consolidate and<br />
create new networks. For this<br />
purpose, we have the support<br />
of the Chilean Council for<br />
the Arts and the Audiovisual<br />
Industry (CAIA), the<br />
Documentary Filmmakers Association of Chile (ADOC),<br />
many festivals and other national and international<br />
organizations, such as our partners in Germany, Dok<br />
<strong>Leipzig</strong>. It’s because of them that we are able to continue<br />
to project ourselves into the future. As a result of this<br />
collective endeavor we are very happy to coordinate, along<br />
with Cinemachile, this delegation of talented producers<br />
and directors, so they can attend and share their best<br />
projects. Our presence year after year has become stronger<br />
and this union consolidates the associative work that<br />
makes us a solid sector and boosts our films’ potential.<br />
The selected films for the festival competition, the Latin<br />
American section and those commercially available,<br />
offer a diverse array and strong images of our documentary<br />
cinema, which has been widely awarded and noted in<br />
the last years, due to its cinematographic language and<br />
subject matter. Our essence and idiosyncrasy can be clearly<br />
seen, marked by earthquakes and tsunamis, where lives<br />
and landscapes change constantly, where we fight our<br />
villains constantly and where we try to pursue our ideals.<br />
Today we can share with you this programming that<br />
reflects part of our spirit. We greet our colleagues and<br />
organizers of this version of Dok <strong>Leipzig</strong>, and we offer our<br />
warmest wishes for this to be an unforgettable festival.<br />
paola castillo & flor rubina<br />
co-directors chiledoc<br />
18 19<br />
greeting<br />
cinemachile<br />
<strong>DOK</strong> <strong>Leipzig</strong> is a space<br />
that offers a unique gathering<br />
between professionals<br />
from around the world.<br />
CinemaChile participation in this year’s <strong>DOK</strong> <strong>Leipzig</strong> is a<br />
source of great satisfaction.<br />
Firstly, to confirm that in Chile collective efforts outweigh<br />
individual ones. This is reflected in the partnership work<br />
that we are developing with our dear friends at Chiledoc.<br />
With them we share the interest in supporting the<br />
internationalization of Chilean documentary, making our<br />
directors and producers known around the world<br />
and encouraging co-production associations with foreign<br />
partners. This common interest to both organizations<br />
is complemented by the support provided by the Arts and<br />
the Audiovisual Industry Council (CAIA) and ProChile,<br />
both public entities that have consistently supported<br />
the Chilean audiovisual sector in its efforts to develop<br />
internationally.<br />
Our presence at <strong>DOK</strong> <strong>Leipzig</strong> is also the result of the<br />
systematic work between two of the most important<br />
associations in the country: APCT and ADOC, of which we<br />
are pleased and proud. The other major source of satisfaction<br />
is strengthening ties with <strong>DOK</strong> <strong>Leipzig</strong>, who by<br />
now we also recognize as partners and friends. In this third<br />
year of continuous participation in the festival, we are<br />
pleased to have documentaries in the Latin American<br />
section (Special Program), with projects in development<br />
and a number of films on the market. To complement<br />
this remarkable presence,<br />
we hope to draw attention to<br />
the Chilean documentary<br />
production through our 2012<br />
CinemaChile catalogue.<br />
For us <strong>DOK</strong> <strong>Leipzig</strong> is a<br />
space that offers a unique<br />
gathering between professionals<br />
from around the world, which is also a pleasant<br />
and inspiring experience that facilitates the development<br />
of more and better documentary projects of impact<br />
and significance. We wish a memorable festival to the<br />
organizers and all colleagues present in this new edition<br />
of <strong>DOK</strong> <strong>Leipzig</strong>!<br />
constanza arena<br />
cinemachile
greeting<br />
Hot Docs<br />
Hot Docs is North America’s largest documentary film<br />
festival and market event. This year we featured<br />
a diverse array of new Canadian documentaries. For the<br />
first time ever, we have compiled a selection of some<br />
of the highlights from this<br />
For the first time ever,<br />
we have compiled<br />
a selection of some of the highlights<br />
from this year’s festival.<br />
year’s festival.<br />
We have enclosed these<br />
films in order to promote<br />
Canadian documentary<br />
films and to generate<br />
an international interest in<br />
this diverse filmmaking<br />
community. Over 165,000 people attended Hot Docs this<br />
year, and each of these films attracted significant media<br />
and public interest, and scored very highly in our audience<br />
ratings. We are proud to present these films at <strong>DOK</strong><br />
Market <strong>Leipzig</strong>: Over My Dead Body by Brigitte Poupart,<br />
Buzkashi by Najeeb Mirza, The Final Member by Jonah<br />
Bekhor and Zach Mat, Herman’s House by Angad Bhalla,<br />
Indie Game: The Movie by James Swirsky and Lisanne Pajot,<br />
The World Before Her by Nisha Pahuja, Fists of Pride<br />
by Helene Choquette, Peace Out by Charles Wilkinson.<br />
All the best from Hot Docs and enjoy <strong>DOK</strong> Market<br />
<strong>Leipzig</strong>,<br />
chris McDonald<br />
executive Director<br />
Hot Docs<br />
StoryDoc is happy to be promoted as a <strong>DOK</strong> <strong>Leipzig</strong><br />
partner for the first time this year.<br />
StoryDoc is a non-profit international educational institute<br />
for documentaries based in Athens, Greece. StoryDoc<br />
specializes in providing professional development training<br />
to film makers, media producers and journalists. StoryDoc<br />
training sessions focus on concept/idea development,<br />
film structure, script development, production of professional<br />
trailers, preparation for participation in pitching<br />
forums, know-how and negotiations for international<br />
co-productions as well as an introduction to and promotion<br />
in the international television market. Since 2005,<br />
StoryDoc has been successfully organizing residential<br />
workshops, e-training, pitching and coaching sessions.<br />
So far, StoryDoc has organized 20 international workshops<br />
with a significant track record in producing results –<br />
documentary films.<br />
The workshops turn to filmmakers, media producers and<br />
journalists specializing in international affairs and<br />
investigative reports from<br />
all over Europe and the<br />
Middle East. Its activity is<br />
to train and provide<br />
consulting and marketing<br />
services through educational<br />
and professional<br />
training programs. This is<br />
accomplished through an<br />
annual e-training program<br />
which includes one to<br />
one advising and residential workshops where participants<br />
are assigned a personal tutor with whom they work<br />
together to develop and improve their project.<br />
Participants/Projects are selected after an international<br />
open/public call. StoryDoc offers significant opportunities<br />
to develop a complete production package and a professional<br />
trailer which can be presented to the prestigious<br />
international pitching forums. The last workshop/pitching<br />
of the year attracts decision makers from the television,<br />
media and film industries, international commissioning<br />
editors, film funds, directors, producers and distributors.<br />
MEDIA PROGRAM by the EU is one of our significant<br />
supporters. We are based in Athens, Greece.<br />
We wish all visitors and professionals a successful festival<br />
week and <strong>DOK</strong> Market. With kind regards,<br />
chara lampidou<br />
event/coordinator Manager<br />
storyDoc<br />
20 21<br />
greeting<br />
storyDoc<br />
The StoryDoc workshops<br />
turn to filmmakers, media producers<br />
and journalists specializing in<br />
international affairs and<br />
investigative reports from all over<br />
Europe and the Middle East.
22<br />
greeting<br />
Visions du réel<br />
A common interest<br />
in the creative documentary in<br />
all its diversity has<br />
led to an intense collaboration.<br />
For several years, the international film festival Visions du<br />
Réel, Nyon and the promotion agency Swiss Films have<br />
been presenting some of the newest and most interesting<br />
Swiss films at <strong>Leipzig</strong>’s <strong>DOK</strong> Market. A common<br />
interest in, and commitment to, the creative documentary<br />
in all its diversity has led to an intense and successful<br />
collaboration with <strong>DOK</strong><br />
<strong>Leipzig</strong>.<br />
The Swiss films presented<br />
here are part of the well<br />
known independent<br />
documentary film tradition<br />
in Switzerland, which<br />
is a result of a long history of<br />
support adopted by the state and the country’s regions,<br />
as well as by the public television broadcasters.<br />
Coming from all parts of Switzerland, the films share an<br />
aesthetic and ethic commitment in all their exciting<br />
diversity of genres, approaches, points of view and styles<br />
of writing and all have an individual fingerprint. They<br />
are made by experienced as well as new directors and<br />
producers. They explore collective memories or individual<br />
destinies, tell spectacular stories or impress by intimate<br />
narrative. Many of them got great responses by press<br />
and public in international film festivals and are going to<br />
be distributed worldwide and released in cinemas.<br />
Most of the films have been shown at the 2012 Visions du<br />
Réel in Nyon. You may notice that we are convinced<br />
that documentary filmmaking not only deals with subjects,<br />
but also and above all, with form and aesthetics. We invite<br />
you to join Visions du Réel’s next edition between<br />
19 and 26 April 2013. You will discover outstanding world<br />
and international premieres in the festival programme<br />
and attend inspiring encounters with film makers from all<br />
over the world. Within the large programme of the<br />
Doc Outlook International Market, you will find around<br />
350 selected films at the Media Library and may attend<br />
the Pitching du Réel, Docs in Progress, Focus Talk and Rough<br />
Cut Lab to discuss current subjects at the panels.<br />
See you soon,<br />
gudula Meinzolt<br />
Head of Doc outlook-international Market<br />
Visions du réel<br />
filMs a – Z<br />
p. 24 – 329<br />
23
film id<br />
2712<br />
11 iMages<br />
of a HuMan<br />
by Markku lehmuskallio, anastasia lapsui<br />
section<br />
Dok international<br />
competition<br />
The film is examining a man through the figures he<br />
has carved and painted on the rock. Cave paintings are<br />
mirrors through which ancient people are watching<br />
us as we are actually watching them. Do we understand<br />
each other ? Do we see ourselves in the stone age paintings<br />
? The film is a journey into the past and, at the same<br />
time, a portrait of a man, right here and right now.<br />
genre<br />
ethnology / religion<br />
History / politics / current affairs<br />
facts<br />
finland, 2012<br />
colour, Dcp<br />
75 min<br />
original title<br />
Yksitoista ihmisen kuvaa<br />
original language<br />
finnish<br />
Produced by<br />
Markku lehmuskallio<br />
giron filmi oy, finland<br />
in co-Production With<br />
erkki astala<br />
Yle, finland<br />
involved broadcasters<br />
Yle, finland<br />
sales contact<br />
Marja pallassalo<br />
the finnish film foundation<br />
kanavakatu 12<br />
Helsinki, finland<br />
marja.pallassalo@ses.fi<br />
www.ses.fi<br />
section<br />
Dok Market<br />
1712 Battle<br />
of tHe Baltic<br />
by florian Dedio<br />
In 1712, the Great Northern War had been devastating<br />
Northern Europe for twelve years. Sweden, the predominant<br />
power in Northern Europe, was challenged<br />
by an alliance of Denmark and Russia. Sweden had a<br />
mighty army stationed on the German island of Ruegen.<br />
But this army needed supplies, so Sweden sent over<br />
100 supply ships, escorted by its mighty battle fleet. This<br />
huge fleet was spotted along the way. Denmark sent<br />
its own warships – and the two fleets clashed somewhere<br />
north of the island of Ruegen. But where exactly this<br />
battle took place, how many ships were sunk, and how<br />
important it was has remained unknown for 300 years. In<br />
2011, a team of archaeologists and historians scoured<br />
the Baltic Sea’s murky waters and the naval archives of<br />
Sweden and Denmark. Using state-of-the-art technology,<br />
they uncovered several wrecks from the battle, as well<br />
as previously-lost documents, describing what a<br />
debacle for Sweden this battle turned out to be. The film<br />
accom panies the ongoing excavation and the scientists<br />
at work. Key moments are re-enacted, using the very few<br />
authentic sailing vessels from the 18th century in existence<br />
today. Combined with archaeological footage, both<br />
above and underwater, and digital reconstructions of<br />
the wrecks found, the film reveals the secrets of one of the<br />
biggest navel battles of the Baltic.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
germany, Denmark,<br />
sweden, 2012<br />
colour, HDcam<br />
52 min<br />
original title<br />
1712 Battle of the Baltic<br />
original language<br />
english<br />
sales contact<br />
Bettina oebel<br />
looks Distribution gmbH<br />
escherstraße 22<br />
30159 Hannover, germany<br />
oebel@looksfilm.tv<br />
www.looksfilm.tv<br />
24 25<br />
film id<br />
3144
film id<br />
635<br />
section<br />
Dok international<br />
competition short<br />
24 Buckets, 7 Mice,<br />
18 Years<br />
by Marius iacob<br />
A unique way of life that repeats itself every day, slowly<br />
transformed Imre and Piroska in some museum<br />
ex hibits. In a quiet and isolated world we meet a couple<br />
whose existence begins to depend on the inter action<br />
with a different world and the absurd within. Their line<br />
of work turned them into a sort of local attraction,<br />
and vacationing foreigners are brought to see ‘the bears’<br />
and photograph themselves with them. Their life<br />
stands still, like in a museum diorama, from which they<br />
are trying to break through.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
romania, 2012<br />
colour, DigiBeta<br />
30 min<br />
original title<br />
24 galeti, 7 soareci, 18 ani<br />
original language<br />
romanian<br />
Produced by<br />
pintilie adina<br />
Manekino film, romania<br />
www.manekinofilm.ro<br />
Public screenings<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
5 / 2012 krakow iff, poland<br />
8 / 2012 sarajevo iff, Bosnia<br />
sales contact<br />
Marius iacob<br />
Manekino film<br />
Banu Manta 18<br />
011226 Bucharest, romania<br />
marius.iacob@manekinofilm.ro<br />
www.manekinofilm.ro<br />
section<br />
Dok.incubator<br />
300 tons of golD<br />
by tibor kocsis<br />
The film follows the fight of a farmer, Eugen David, for<br />
the survival of his beautiful village and his happy<br />
life in the mountains of Romania. A Canadian company<br />
wants to open Europe’s largest opencast goldmine<br />
here. They plan to relocate the people and destroy four<br />
mountains along with part of Rosia Montana itself, a<br />
2,000-year-old settlement, with its historical monuments<br />
and unique, ancient galleries. The local population<br />
is made up of unemployed miners who support the plan<br />
while Eugen and his family are not willing to accept<br />
the local landscape being turned into something more<br />
similar to the surface of the moon. In their opinion,<br />
the planned construction of a cyanide mine and tailing<br />
pond will quite possibly create the biggest ecological<br />
time bomb Europe has ever seen. The plan splits the<br />
once peaceful community in two. Brothers and friends<br />
become enemies. Politicians come and go, but no one<br />
has passed a decision on the gigantic project so far.<br />
Eugen, the most powerful landholder, refuses to leave his<br />
home. He wants to protect his land, the churches and<br />
the cemeteries. In a fight against the Gold Corporation,<br />
our hero brings the battle from his farm all the way<br />
to Brussels.<br />
As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />
still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
Hungary, 2012<br />
colour, HDcam<br />
90 min<br />
original title<br />
300 tonna arany<br />
original language<br />
romanian<br />
Produced by<br />
tibor kocsis<br />
flora film international,<br />
Hungary<br />
www.florafilm.hu<br />
involved broadcasters<br />
nrk, norway<br />
sales contact<br />
tibor kocsis<br />
flora film international<br />
Madách imre út 8<br />
1075 Budapest, Hungary<br />
florafilm@florafilm.hu<br />
www.florafilm.hu<br />
26 27<br />
film id<br />
3341
film id<br />
2356<br />
section<br />
Dok Market<br />
tHe 5tH season<br />
by gunther Merz<br />
‘We are sometimes the people in the meadows, sometimes<br />
the people under the meadow …’ With this poem<br />
by Ernst Jandl, the seniors of the ensemble 5th season<br />
occupy every place in Stuttgart with their flashmob action.<br />
‘Living offside ? Thanks ! No need !’ The players face<br />
a parted response from the audience: in addition to<br />
enthusiasm and encouragement – rejection and lack of<br />
understanding. Moving beyond the offside age re-<br />
quires a lot: at her performances Marijke lays her shyness<br />
aside. Joseph, who forgets his pain while playing, or<br />
Manne who after his stroke, again finds the way back to<br />
the theatre group. They all come together to use their<br />
still remaining time.<br />
genre<br />
arts / culture / Music<br />
science<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
54 min<br />
original title<br />
Die 5te Jahreszeit<br />
original language<br />
german<br />
Produced by<br />
gunther Merz, germany<br />
www.merzfilm.de<br />
sales contact<br />
gunther Merz<br />
richard-sorge-str. 66<br />
10249 Berlin, germany<br />
gunther.merz@yahoo.com<br />
www.merzfilm.de<br />
74M2<br />
by paola castillo<br />
Iselsa and Catty chose, along with 150 families, to<br />
be part of a social experiment: to be inserted in a middle<br />
class neighbourhood in Valparaiso. As community<br />
leaders and friends they have worked together on the<br />
project and to be integrated in a neighbourhood<br />
that rejected them because they are considered potential<br />
delinquents. The documentary observes, over<br />
seven years, the struggle to obtain their homes, the inte-<br />
gration to the neighbourhood and the challenge to<br />
overcome their deep inherited disagreements through<br />
this process. If they don’t, the neighbourhood they<br />
have fought for will be put at risk.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
chile, usa, 2012<br />
colour, HDcam<br />
67 min<br />
original title<br />
74m2<br />
original language<br />
spanish<br />
Produced by<br />
paola castillo<br />
errante productions, chile<br />
www.errante.cl<br />
in co-Production With<br />
christi collier<br />
itVs, usa<br />
involved broadcasters<br />
Yle, finland<br />
Public screenings<br />
10 / 2012 Valdivia, chile<br />
sales contact<br />
paola castillo<br />
errante productions<br />
Holanda 3634 Ñuñoa<br />
cp 7790767 santiago,<br />
chile<br />
pcastillo@errante.cl<br />
www.errante.cl<br />
28 29<br />
film id<br />
3230<br />
section<br />
chileDoc
film id<br />
3044<br />
section<br />
Dok Market<br />
aBout face:<br />
superMoDels, tHen<br />
anD noW<br />
by timothy greenfield-sanders<br />
Portrait photographer Timothy Greenfield-Sanders’s<br />
lush new film is an intimate view of women whose<br />
images have defined our sense of beauty over the past<br />
five decades. An uncensored look at many of the<br />
biggest names in modeling, About Face reveals the stories<br />
behind the magazine covers displaying these multi-<br />
cultural pioneers. Each woman is candidly interviewed<br />
in the studio and shares her experiences, ideas on<br />
longevity, and philosophy of life in the fashion industry.<br />
Archival footage and interviews with designer Calvin<br />
Klein and agency head Eileen Ford round out this<br />
chronicle. About Face is a step back in time to a glamorous,<br />
yet complicated era when drugs were rampant and<br />
women were routinely harassed and mistreated. The<br />
divergent attitudes among the women about everything<br />
from the business of modeling, to aging and plastic<br />
surgery, are fascinating and priceless. About Face cele-<br />
brates the raw intelligence and staying power of these<br />
timeless icons.<br />
genre<br />
portrait<br />
facts<br />
usa, 2012<br />
colour, HDcam<br />
72 min<br />
original title<br />
about face: supermodels,<br />
then and now<br />
original language<br />
english<br />
Produced by<br />
timothy greenfield-sanders<br />
autlook filmsales, austria<br />
involved broadcasters<br />
HBo, usa<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
aDDiction<br />
by torsten königs, christoph tölle<br />
section<br />
Dok Market<br />
‘All men seek happiness. This is the motive of every<br />
action of every man, even of those who hang themselves.’<br />
(Blaise Pascal) Four people in Berlin. Their life is<br />
all about addiction. In Addiction we follow them around<br />
in their daily lives. Through them we get to know<br />
directly what it really means to be an addict. The film tells<br />
their stories strictly from their point of view. We as the<br />
viewers are present when their bodies ask for more, we<br />
watch how the heroin is bought, we observe preparation,<br />
consumption, having a high and suffering from the<br />
withdrawal symptoms. We see what the addiction has<br />
caused them to become and how they nevertheless<br />
want to live their lives. Four people, four heavy addicts,<br />
show their world to us and we are allowed to participate<br />
in their activities, their thoughts and their feelings.<br />
One would like to look the other way – and watch them<br />
closely at the same time. The film is not simply a<br />
document. Instead, it treats the topic in an essayistic<br />
manner. Does ‘addiction’ only mean an ‘illness’ – or<br />
doesn’t it also mean the quite general, human search for<br />
happiness which makes ‘addicts’ out of some of us ?<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, HD Videofile<br />
83 min<br />
original title<br />
sucht<br />
original language<br />
german<br />
Produced by<br />
christoph tölle, germany<br />
www.christoph-toelle.de<br />
in co-Production With<br />
torsten königs<br />
koenigsklub, germany<br />
sales contact<br />
christoph tölle<br />
Danckelmannstr. 48<br />
14059 Berlin, germany<br />
christoph-toelle@t-online.de<br />
www.christoph-toelle.de<br />
30 31<br />
film id<br />
2143
film id<br />
1752<br />
section<br />
focus saxony<br />
ag geige<br />
– an aMateur filM<br />
by carsten gebhardt<br />
Artist collective or avant-garde band – it is still uncertain<br />
how to describe the group of four young people from<br />
Karl-Marx-Stadt, who in the late 80s seized the unlikely<br />
opportunity by the state-operated (and state-con-<br />
trolled) youth radio station DT64 not only to be noticed<br />
favourably due to submitted cassettes featuring self-pro-<br />
duced music, but also to be broadcasted. Just a short<br />
time later the band was touring the country, their music<br />
was produced professionally by this very radio station,<br />
and only a couple of weeks before the German reuni-<br />
fication, they surprisingly found themselves in the recording<br />
studios of the nation’s sole record combine. And<br />
yet, all four of them weren’t even musicians, but autodidacts.<br />
Their gigs were rather performances than<br />
concerts: the oddly artificial costuming, the use of self-<br />
produced and over-painted films and videos, the lyrics,<br />
from strangely absurd to poetic. And a music which under<br />
the dictate of the omnipresent economic scarcity was<br />
produced with the aid of tape recordings and randomly<br />
gathered equipment and characterized by electronic<br />
sounds and samples. The film shows live recordings, still<br />
existing video material and tries to follow up the artistic<br />
intention and the peculiarities of the period by interview-<br />
ing and conversing with all the protagonists.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
80 min<br />
original title<br />
ag geige – ein amateurfilm<br />
original language<br />
german<br />
Produced by<br />
carsten gebhardt, germany<br />
www.carstengebhardt.eu<br />
sales contact<br />
carsten gebhardt<br />
Weststraße 44<br />
09112 chemnitz, germany<br />
dienstag@voxxx.de<br />
www.carstengebhardt.eu<br />
all HappY<br />
Mornings<br />
by omer Yefman<br />
section<br />
Dok Market<br />
A personal journey into bisexual being, the film exposes<br />
a piece of the passionate, wild world found by the<br />
filmmaker in documenting his relationship with Chen,<br />
a rising rock star. Facing the pressure all around him,<br />
Yefman tries to find a way to feel complete without hav-<br />
ing to explain and without feeing guilty. Alongside<br />
the personal dilemma is his singular family – his brother<br />
Gil, who keeps pushing the limits of gender, his sis-<br />
ter Rona, a photographer who lives in New York, and their<br />
grand childless parents, who are longing for the conti-<br />
nuity of their family tree. Like the men he talks to confi-<br />
dentially, they present him with the main conflicts in<br />
his life. As the inevitable crisis looms, a new factor emerges<br />
and illuminates things in a new light.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
israel, 2012<br />
colour, B / W, DigiBeta<br />
60 min<br />
original title<br />
kol Habkarim Ha’smechim<br />
original language<br />
Hebrew<br />
Produced by<br />
ari Davidovich<br />
HyperMedia, israel<br />
www.hypermedia.co.il<br />
involved broadcasters<br />
noga communication<br />
channel 8, israel<br />
Public screenings<br />
5 / 2012 Docaviv iff, israel<br />
6 / 2012 tlVfest, israel<br />
sales contact<br />
ari Davidovich<br />
HyperMedia<br />
27c Dubnov st’<br />
64957 tel aviv, israel<br />
ari@hypermedia.co.il<br />
www.hypermedia.co.il<br />
32 33<br />
film id<br />
1958
film id<br />
3236<br />
section<br />
Dok Market<br />
aMeer got His gun<br />
by naomi levari<br />
Ameer is about to enlist in the army. As opposed to the<br />
majority of eighteen-year-old boys in Israel, for whom<br />
army service is mandatory, Ameer is exempt from<br />
military service under the assumption that his enlistment<br />
may endanger Israel’s security. That is because<br />
Ameer is a Muslim Arab. And yet, Ameer has decided to<br />
volunteer. All alone, he sets out on a journey to civic<br />
and self-definition, while carefully navigating the thin<br />
line between Jewish and Arab societies. Ameer, an<br />
eternal optimist, wishes to be both a proud Arab and an<br />
enthusiastic Israeli, while his only enemy is reality.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
israel, 2011<br />
colour, DigiBeta<br />
58 min<br />
original title<br />
Bnei and not B'nei<br />
original language<br />
arabic, Hebrew<br />
Produced by<br />
saar Yogev<br />
Black sheep film productions<br />
israel<br />
www.bsheepfilms.com<br />
in co-Production With<br />
reshet channel 2, israel<br />
involved broadcasters<br />
reshet channel 2, israel<br />
Public screenings<br />
7 / 2011 Jerusalem iff, israel<br />
1 / 2012 fipa, france<br />
5 / 2012 london iff, united<br />
kingdom<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshine-berlin.de<br />
www.riseandshine-berlin.com<br />
section<br />
Dok Market<br />
aMong Men<br />
– gaY in<br />
east gerManY<br />
by ringo rösener, Markus stein<br />
Homosexuality was not an issue in the Socialist system.<br />
It was considered a ‘relic of decadent bourgeois morality’,<br />
and it was thought that it would automatically take<br />
care of itself. Section 175, the anti-homosexual provision<br />
of the German Criminal Code, which had been tightened<br />
by the Nazis during the Second World War, was<br />
retained in West Germany. In the East, it was returned<br />
to its pre-Nazi version. Here one could initially live<br />
more freely – just not talk about it. In this film, six men<br />
tell their story about how gay men lived and loved in<br />
the GDR – and by no means are they always in agreement.<br />
Among Men tells the story of individuality in a uniform<br />
system.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, B / W, HDcam<br />
91 min<br />
original title<br />
unter Männern – schwul in der<br />
DDr<br />
original language<br />
german<br />
Produced by<br />
olaf Jacobs<br />
Hoferichter & Jacobs gmbH<br />
germany<br />
www.hoferichterjacobs.de<br />
in co-Production With<br />
Björn koll<br />
salzgeber & co. Medien gmbH<br />
germany<br />
www.salzgeber.de<br />
involved broadcasters<br />
MDr, germany<br />
Public screenings<br />
2 / 2012 Berlinale, germany<br />
5 / 2012 filmkunstfest MV,<br />
germany<br />
6 / 2012 out takes, new Zealand<br />
8 / 2012 gender Docufilm fest<br />
rome, italy<br />
sales contact<br />
olaf Jacobs<br />
Hoferichter & Jacobs gmbH<br />
scheffelstr. 31a<br />
04277 leipzig, germany<br />
o.jacobs@hoferichterjacobs.de<br />
www.hoferichterjacobs.de<br />
34 35<br />
film id<br />
3349
film id<br />
2888<br />
section<br />
Doc alliance<br />
tHe anaBasis<br />
of MaY anD fusako<br />
sHigenoBu, Masao<br />
aDacHi, anD 27 Years<br />
WitHout iMages<br />
by eric Baudelaire<br />
Who are May and Fusako Shigenobu ? Fusako leader of a<br />
small extreme left-wing group, the Japanese Red<br />
Army– has been hiding in Beirut for nigh on 30 years.<br />
May, her daughter, only discovered Japan at the age of<br />
27. And Masao Adachi ? A screenwriter and radical,<br />
activist filmmaker, committed to the armed struggle.<br />
Amongst other things, he is also the instigator of a<br />
‘theory of landscape’ fukeiron: through filming landscapes<br />
Adachi seeks to reveal the patterns of oppression.<br />
Anabasis ? This, ever since Xenophon, has been the<br />
name given to difficult or even circuitous homeward<br />
journeys. It is this complex, dark story, always full of<br />
tension that Eric Baudelaire has chosen to evoke using<br />
the documentary format. Shot in Super 8, and in the<br />
manner of fukeiron, contemporary views of Tokyo and<br />
Beirut are blended in with archive footage, TV clips<br />
and excerpts from films to spread out the backdrop for<br />
May and Adachi’s voices and memories. They speak<br />
of everyday life, of being a little girl in hiding, of exile,<br />
politics and cinema and the fascinating relationships<br />
between them. Jean-Pierre Rehm<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
france, 2011<br />
colour, B / W, HDcam<br />
66 min<br />
original title<br />
l’ anabase de May et fusako<br />
shigenobu, Masao adachi et 27<br />
années sans images<br />
original language<br />
english, french, Japanese<br />
Produced by<br />
eric Baudelaire, france<br />
sales contact<br />
eric Baudelaire<br />
41bis, Quai de la loire<br />
75019 paris, france<br />
info@baudelaire.net<br />
anatoMY<br />
of a Departure<br />
by oliver tataru<br />
section<br />
Dok international programme<br />
Anatomy of a Departure presents the director’s family,<br />
who once lived in Ceausescu’s oppressive Romania,<br />
a country with no illusions for a brighter future. With<br />
many difficulties, they immigrated to Germany, to<br />
seek the promise of freedom. Together with this family,<br />
we go back to a haunting decision, which once taken,<br />
successively destroyed the place they called home.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, HD Videofile<br />
73 min<br />
original title<br />
anatomie des Weggehens<br />
original language<br />
german<br />
Produced by<br />
David lindner<br />
filmallee, germany<br />
www.filmallee.com<br />
involved broadcasters<br />
Br, germany<br />
sales contact<br />
David lindner<br />
filmallee<br />
Bayerisches filmzentrum<br />
Bavariafilmplatz 7<br />
82031 München, grünwald,<br />
germany<br />
david@filmallee.com<br />
www.filmallee.com<br />
36 37<br />
film id<br />
441
film id<br />
3214<br />
section<br />
Dok Market<br />
anD italY took<br />
fligHt<br />
by stefano tealdi<br />
Mario Marangoni and Giancarlo Zanardo are making<br />
a one hundred year-old dream come true. They have<br />
re-constructed the first air machine designed by Gianni<br />
Caproni and will make it fly. It is a massive vehicle<br />
with hand sown wings and a unique (and unreliable)<br />
4 piston engine. In 1910, it only flew 250 metres, but<br />
this time it will fly for real and the builders will be in the<br />
pilot’s seat. Following its reconstruction, the film<br />
narrates the adventures of the Italian Gianni Caproni,<br />
the man that gave birth to the most important air<br />
industry in Europe, at least until the second world war.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
italy, 2012<br />
colour, HD Videofile<br />
52 min<br />
original title<br />
e l'italia Volo<br />
original language<br />
italian<br />
Produced by<br />
elena filippini<br />
stefilm international, italy<br />
www.stefilm.it<br />
in co-Production With<br />
rodolfo concer<br />
kr Movie, italy<br />
involved broadcasters<br />
tsi, switzerland<br />
Public screenings<br />
5 / 2012 trento ff, italy<br />
sales contact<br />
elena filippini<br />
stefilm international<br />
Via galliari 5b<br />
10125 torino, italy<br />
elena@stefilm.it<br />
www.stefilm.it<br />
section<br />
Dok german competition<br />
anD WHo taugHt<br />
You to DriVe<br />
by andrea thiele<br />
Three expats learning to drive realize that the great<br />
challenge is not the strange traffic rules (in their<br />
new countries), but rather their ingrained behavioural<br />
patterns. They all need a driving license somewhat<br />
urgently. While taking lessons and trying to pass their<br />
tests, they realize how their cultures are entirely in<br />
their way. Their confusion over driving on the right<br />
or left side of the road, waving hand-signals or clicking<br />
are just the beginning of their ‘comedy of errors’.<br />
The film follows three people who learn life lessons<br />
much bigger than driving. Mirela, an impatient, decisive<br />
German woman launches her international design<br />
business in India – where buying a coffee can take 2<br />
hours. Jake, a very relaxed citizen of the USA, seduced<br />
by the glory and mystery of Tokyo, discovers that<br />
his favourite word ‘whatever’ does not translate into<br />
Japanese. HyeWon, meekly asking permission from her<br />
husband before making any decision in Korea, learns<br />
to live by herself alone in Germany ! This movie celebrates<br />
cultural diversity and questions our underlying<br />
structures and values which shape and challenge us:<br />
A fun, funny and dramatic story of people losing their<br />
way, finding another way, and discovering who they<br />
really are.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
90 min<br />
original title<br />
and Who taught You to Drive<br />
original language<br />
english, german, Hindi,<br />
Japanese, korean<br />
Produced by<br />
stefan kloos<br />
kloos & co. Medien gmbH,<br />
germany<br />
www.kloosundco.de<br />
involved broadcasters<br />
Br, germany<br />
sales contact<br />
stefan kloos<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
stefan.kloos@kloosundco.de<br />
www.riseandshine-berlin.com<br />
38 39<br />
film id<br />
2870
film id<br />
280<br />
section<br />
Dok international<br />
competition<br />
anotHer nigHt<br />
on eartH<br />
by David Muñoz<br />
Egypt, a country under revolution. Cairo, a mega-city<br />
with the worst traffic in the world. In endless traffic<br />
jams, passengers and taxi drivers talk and debate about<br />
their present and future. And we discover the details<br />
that draw their lives.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
spain, 2012<br />
colour, DigiBeta<br />
52 min<br />
original title<br />
otra noche en la tierra<br />
original language<br />
arabic<br />
Produced by<br />
David Muñoz<br />
Hibrida, spain<br />
www.davidmunoz.es<br />
sales contact<br />
David Muñoz<br />
Hibrida<br />
Burgos 21<br />
pozuelo de alarcon<br />
28223 Madrid, spain<br />
hibrida@hibrida.es<br />
www.davidmunoz.es<br />
appassionata<br />
by christian labhart<br />
Pianist Alena Cherny has been living in Switzerland for<br />
15 years. She has a dream: she wants to donate a grand<br />
piano to the music school of her Ukrainian hometown,<br />
as a sign of gratitude for having been able to make<br />
her first steps in music there. The grand piano’s journey<br />
becomes a moving search for traces in the places of<br />
her childhood and youth. When Alena Cherny speaks<br />
and plays the piano, one can feel everything that shaped<br />
her, from the contrasts and catastrophes she experienced,<br />
to the beginnings she made and the farewells she<br />
had to take. A film about the migration of a strong woman;<br />
full of sorrow, anger, enthusiasm and love.<br />
facts<br />
switzerland, 2012<br />
colour, Dcp<br />
83 min<br />
original title<br />
appassionata<br />
original language<br />
english, german, russian,<br />
ukrainian<br />
Produced by<br />
paul riniker<br />
riniker communications<br />
gmbH, switzerland<br />
www.rinikercommunications.ch<br />
involved broadcasters<br />
srf, switzerland<br />
sales contact<br />
Bea cuttat<br />
look now<br />
gasometerstrasse 9<br />
8005 Zürich, switzerland<br />
info@looknow.ch<br />
www.looknow.ch<br />
40 41<br />
film id<br />
2156<br />
section<br />
Visions du réel & swiss films<br />
genre<br />
portrait
film id<br />
2484<br />
section<br />
Dok international programme<br />
arBeit HeiMat opel<br />
by ulrike franke, Michael loeken<br />
Arbeit Heimat Opel profiles six young people, aged<br />
16 to 19, who began their apprenticeships as industrial<br />
mechanics at the Opel plant in Bochum, Germany<br />
in 2009. While they must learn to cope with a new phase<br />
in their lives, the start of their professional careers and<br />
approaching departure from the security of their<br />
parental homes, Opel itself is being sucked deeper and<br />
deeper into the maelstrom of the international financial<br />
crisis and facing ever-increasing economic pressure.<br />
We follow Jerome, André, Sinan, Tim, Marius and Marcel,<br />
with all their hopes and fears, through this period<br />
of radical change; we are introduced to their dreams for<br />
the future as well as their worries. They stand at the<br />
threshold of a professional life whose future is already<br />
uncertain. At the same time, Arbeit Heimat Opel contrasts<br />
the everyday lives of the Plant II apprentices with<br />
GM and Opel’s fortunes on the world stage on two seem-<br />
ingly unrelated levels. Despite their distance both in<br />
physical and in media terms, the two levels repeatedly<br />
intersect and come into contact with one another,<br />
connecting global strategies with local and personal life<br />
plans – and vice versa.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
90 min<br />
original title<br />
arbeit Heimat opel<br />
original language<br />
german<br />
Produced by<br />
ulrike franke, Michael loeken<br />
filmproduktion loeken franke,<br />
germany<br />
www.loekenfranke.de<br />
involved broadcasters<br />
WDr, germany<br />
sales contact<br />
ulrike franke<br />
filmproduktion loeken franke<br />
alvenslebenstraße 10<br />
50668 köln, germany<br />
franke@loekenfranke.de<br />
www.loekenfranke.de<br />
section<br />
Dok international<br />
competition<br />
are You listening !<br />
by kamar ahmad simon<br />
When rain comes to dyke, village women rush to collect<br />
rainwater … but with the fresh breeze coming in, Rakhi<br />
(27) takes her refuge in rain ! By the coastal belts of<br />
Bangladesh, in a small village named ‘Sutarkhali’, Rakhi<br />
lives with her man Soumen (32) and their son Rahul<br />
(6). Fighting against all the odds of the woods, along with<br />
around a 100 families, they cultivated the land for gen-<br />
erations. On May 27, 2009 … when Rahul was only 4 years<br />
old, a tidal surge hit the coastal belts of Bangladesh.<br />
Saline water flooded the land, ruining the harvest, home<br />
and everything and forced almost a million to take re-<br />
fuge in an age-old dyke. For Rakhi, Soumen and Rahul …<br />
life was not the same anymore. Are You Listening ! is<br />
about Rakhi’s hope to ensure a dignified future for her<br />
son Rahul. It’s about her jobless husband Soumen’s<br />
frustration for failing to provide for his family, and about<br />
a community’s struggle to get back the land they have<br />
lost. Seasons change topography, even relations … Yet after<br />
the rain … They go out with spades and shovels to re-<br />
claim the life again, Are You Listening !<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
Bangladesh, 2012<br />
colour, HDcam<br />
90 min<br />
original title<br />
shunte ki pao !<br />
original language<br />
Bengali<br />
Produced by<br />
sara afreen<br />
Beginning production,<br />
Bangladesh<br />
www.beginningproduction.com<br />
sales contact<br />
sara afreen<br />
Beginning production<br />
flat 4a (old), House-tobu, plot 1,<br />
road 4, Banani DoHs<br />
1206 Dhaka, Bangladesh<br />
info@beginningproduction.com<br />
www.beginningproduction.com<br />
42 43<br />
film id<br />
2410
film id<br />
3172<br />
section<br />
Dok Market<br />
tHe art of YoDeling<br />
by eivind tolas<br />
A hipster goes yodel. We follow the philosophy student<br />
and yodeler Polkabjørn on his way to the ultimate<br />
yodel experiences and to success. He and his musical<br />
companion Kleine Heine take their yodel act from<br />
the narrow fjords of Norway to huge stadium concerts,<br />
the world’s leading throat expert, the Faroe Islands,<br />
Texas and Germany. We meet their enthusiastic manager,<br />
a male stripper and one of the biggest yodel fans on<br />
earth. Why are they doing this ? Do they really like it ?<br />
And, will Polkabjørn ever meet the Jodlerkönig, his<br />
big yodel hero ?<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
norway, 2012<br />
colour, Beta sp<br />
58 min<br />
original title<br />
the art of Yodeling<br />
original language<br />
english, norwegian<br />
Produced by<br />
Johnny Hilmvag<br />
flimmer film, norway<br />
Public screenings<br />
10 / 2012 Bergen, norway<br />
sales contact<br />
esther van Messel<br />
first Hand films<br />
neunbrunnenstrasse 50<br />
8050 Zürich, switzerland<br />
esther.van.messel@<br />
firsthandfilms.com<br />
www.firsthandfilms.com<br />
as You like it<br />
by paula oneț<br />
If you could pick only one photograph of yourself for<br />
the next generations to remember you, which one would<br />
you choose ? The film brings together stories from<br />
people facing their gravestone picture while still being<br />
alive and focuses on the image of the self as a threshold of<br />
the visible world they leave behind. As this is an eter-<br />
nal memory for the descendants, people seem to be very<br />
keen on finding ‘the right’ portrait. How would you<br />
recognize your 82-year-old grandparents if their grave-<br />
stone portrait shows them as 16-year-old adolescents ?<br />
The graveyard picture is also part of the collective<br />
memory of the society we live in. That’s why Sabina, a<br />
72-year-old widow, wants to replace her gravestone<br />
picture because she is ‘too red’ and she will be misjudged<br />
as an alcoholic. Making a gravestone picture is not an<br />
easy task nowadays, as the photo ceramic companies offer<br />
a variety of shapes and backgrounds, from colourful<br />
curtains to natural landscapes or ‘heaven-like’ sceneries.<br />
While the audience discovers the graveyard as a public<br />
photo album and a living social document, the characters<br />
fall into a psychological process of finding the perfect<br />
image to-be-remembered.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
romania, 2012<br />
colour, HD Videofile<br />
21 min<br />
original title<br />
După fel și cHip<br />
original language<br />
romanian<br />
sales contact<br />
paula oneț<br />
Mihai Viteazul, nr. 10, ap. 3<br />
445100 carei, romania<br />
paula_onet@yahoo.com<br />
44 45<br />
film id<br />
3235<br />
section<br />
storyDoc
film id<br />
400<br />
section<br />
animadoc<br />
tHe BasketBall<br />
gaMe<br />
by Hart snider<br />
In 1983, nine-year-old Hart attends Jewish summer camp<br />
for the first time. A haven for Hart and other Jewish<br />
kids, camp is suddenly disrupted by the announcement<br />
of a special visit: kids from a nearby town will be their<br />
guests at a cultural mixer. But this is not just any group<br />
of visitors – these kids have been taught anti-Sem-<br />
itism and Holocaust denial in school. The night before<br />
they arrive, Hart and his friends speculate about what<br />
tomorrow will bring. They fear the worst, imagining the<br />
visitors might burn the camp down, or maybe even<br />
try to kill them. Incorporating animation, documentary<br />
and personal memoir, The Basketball Game unfolds<br />
from filmmaker Hart Snider’s point of view. Snider uses<br />
humour and suspense to tell a poignant tale of hope and<br />
tolerance in the face of fear and stereotypes.<br />
genre<br />
ethnology / religion<br />
facts<br />
canada, 2012<br />
colour, HD Videofile<br />
5 min<br />
original title<br />
the Basketball game<br />
original language<br />
english<br />
Produced by<br />
tracey friesen<br />
national film Board of canada<br />
canada<br />
www.nfb.ca<br />
Public screenings<br />
3 / 2012 global Visions ff, canada<br />
4 / 2012 reel 2 real iff, canada<br />
4 / 2012 Viewfinders iff, canada<br />
sales contact<br />
Élise labbé<br />
national film Board of canada<br />
3155, cote-de-liesse road<br />
H4n 2n4 saint-laurent, canada<br />
festivals@nfb.ca<br />
www.nfb.ca<br />
BatterY Man<br />
by Dusan saponja, Dusan cavic<br />
section<br />
east silver & iDf<br />
Meet a man whose life was changed by electricity. An<br />
extraordinary person who can fry a hot dog with his bare<br />
hands in an attempt to become the first human laser !<br />
Slavisa Pajkic, aka Biba Struja (Electric Biba), is capable<br />
of conducting electricity and he can consciously<br />
control its power while discharging it. The central story<br />
of the movie is the inner and outer journey of a rural<br />
superhero in his attempt to discover what exactly hap-<br />
pens in his body, but also to enter Guinness Book of<br />
Records before he loses his power. Is he an illusionist or<br />
a real superhero ?<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
serbia, 2012<br />
colour, Beta sp<br />
54 min<br />
original title<br />
Biba struja<br />
original language<br />
serbian<br />
Produced by<br />
snezana penev<br />
ciklotron, serbia<br />
www.ciklotron.net<br />
involved broadcasters<br />
tV ontario, canada<br />
Dr tV, Denmark<br />
orf, austria<br />
ur, sweden<br />
knowledge network, canada<br />
Public screenings<br />
4 / 2012 Beldocs, serbia<br />
6 / 2012 iDfa, netherlands<br />
sales contact<br />
snezana penev<br />
ciklotron<br />
omladinskih brigada 196 / 43<br />
11070 Belgrade, serbia<br />
snezana.penev@ciklotron.net<br />
www.ciklotron.net<br />
46 47<br />
film id<br />
1805
film id<br />
2164<br />
section<br />
Dok Market<br />
Beautiful faces<br />
by russell Martin<br />
Beautiful Faces offers a compelling look at one of the<br />
world’s most remarkable hospitals, the disfigured young<br />
patients to whom it offers new lives, and the team<br />
of surgeons, physicians, and medical professionals who<br />
believe it’s the best place in the world to practice<br />
their unique, life-transforming craft. Beautiful Faces<br />
interweaves the stories of patients and their families who<br />
come to the reconstructive plastic surgery unit at<br />
Hospital Gea Gonzalez seeking physical transformations<br />
that will renew their own and their loved ones lives<br />
with the personal stories of the enormously talented med-<br />
ical professionals whose work is both their passion and<br />
their gift to humankind. Beautiful Faces ultimately<br />
demonstrates that, in many ways, the distinction between<br />
patients and caregivers is only an illusory one, and that<br />
much more than cutting, sawing and sewing, the essen-<br />
tial task of the hospital is the freeing of the human<br />
spirit. It is work that allows doctors and patients alike to<br />
look comfortably in the mirror and understand that<br />
they are vitally important members of the human family.<br />
genre<br />
Human interest<br />
science<br />
facts<br />
Mexico, usa, 2012<br />
colour, DigiBeta<br />
75 min<br />
original title<br />
Beautiful faces<br />
original language<br />
english, spanish<br />
Produced by<br />
alvera de leon<br />
alma y arte productions,<br />
united kingdom<br />
in co-Production With<br />
kazz Basma<br />
sideways film, united kingdom<br />
www.sidewaysfilm.com<br />
sales contact<br />
kazz Basma<br />
sideways film<br />
7 Bouverie Mews, Bouverie road.<br />
n16 0al london,<br />
united kingdom<br />
kazz@sidewaysfilm.com<br />
www.sidewaysfilm.com<br />
section<br />
Dok Market<br />
Beer is cHeaper<br />
tHan tHerapY<br />
by simone de Vries<br />
‘I’m 22 years old and I must have killed 30 people. The<br />
same thing that you were given badges for over in<br />
Iraq, would have you considered a serial killer over here.<br />
That’s a very weird thought to have running around<br />
in your head when it’s dark, going to sleep or late at night.’<br />
There is no place for doubt, sadness and fear in the<br />
American army. Still, many soldiers struggle with these<br />
feelings. Beer is Cheaper than Therapy portrays<br />
what goes on behind the façade of heroism and the ‘John<br />
Wayne mentality’.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
netherlands, 2012<br />
colour, HDcam<br />
55 min / 78 min<br />
original title<br />
Beer is cheaper than therapy<br />
original language<br />
english<br />
Produced by<br />
frank van de engel<br />
Zeppers film, netherlands<br />
www.zeppers.nl<br />
involved broadcasters<br />
Vpro, netherlands<br />
Public screenings<br />
11 / 2011 iDfa, netherlands<br />
11 / 2011 Vpro, netherlands<br />
sales contact<br />
esther van Messel<br />
first Hand films<br />
neunbrunnenstrasse 50<br />
8050 Zürich, switzerland<br />
esther.van.messel@<br />
firsthandfilms.com<br />
www.firsthandfilms.com<br />
48 49<br />
film id<br />
1059
film id<br />
561<br />
BeerlanD<br />
by Matt sweetwood<br />
section<br />
Dok Young cinema<br />
competition<br />
and leipzig screening<br />
Matt Sweetwood – a Midwestern American in Germany<br />
– takes a humorous outside look at his complex<br />
new neighbours from a perspective he loves most but<br />
he knows the least about: beer. He believes that solving<br />
the mystery of the German beer culture may be the<br />
key to understanding German contradictions, misleading<br />
stereotypes, and insider drinking knowledge that<br />
Germans seem to share only among themselves. Germany<br />
is overrun with more beer styles, beer breweries, beers<br />
festivals, and beer history than Americans ever knew<br />
possible. Matt must learn to embrace people whose thick<br />
dialects he can hardly understand, and travel to parts<br />
of Germany far off the tourist path, light years from the<br />
famous Oktoberfest. Paving his own personal beer trail,<br />
he soon discovers a new side of Germany that is equally<br />
puzzling. This small country, divided by thousands<br />
of different traditions, rules and emotions, is seemingly<br />
tied together by beer. Finally, he finds his Germany,<br />
a place he called Beerland. It is a country filled with hun-<br />
dred heart-felt traditions and countless ways to enjoy<br />
beer. A home to German cosiness and cheesy folk songs,<br />
where friends are waiting to be discovered and world’s<br />
problems are easily solved.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, 2011<br />
colour, B / W, Dcp<br />
85 min<br />
original title<br />
Beerland<br />
original language<br />
english, german<br />
Produced by<br />
olaf Jacobs<br />
Hoferichter & Jacobs gmbH,<br />
germany<br />
www.hoferichterjacobs.de<br />
involved broadcasters<br />
Br, germany<br />
sales contact<br />
andrea seibert<br />
global screen<br />
sonnenstraße 21<br />
80331 München, germany<br />
andrea.seibert@globalscreen.de<br />
www.globalscreen.de<br />
section<br />
Dok Market<br />
tHe Bella Vista<br />
by alicia cano<br />
The Bella Vista is a story of a house starting as a football<br />
club, becoming a successful transvestite brothel only<br />
to be changed into a catholic chapel, all in a small conserv-<br />
ative village in Uruguay. In this playful documentary,<br />
two transvestites, one brothel’s Madam and a gaucho foot-<br />
ball player, will bring to life this battle for control<br />
over a single physical space, driven by the same motivation:<br />
passion.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
uruguay, germany, 2012<br />
colour, HDcam<br />
73 min / 52 min<br />
original title<br />
el Bella Vista<br />
original language<br />
spanish<br />
Produced by<br />
alicia cano, uruguay<br />
in co-Production With<br />
thomas Mauch<br />
filmproduktion thomas Mauch,<br />
germany<br />
sales contact<br />
Manuela Buono<br />
taskovski films<br />
7 granard Business centre<br />
Bunns lane<br />
nW7 2DQ london,<br />
united kingdom<br />
sales@taskovskifilms.com<br />
www.taskovskifilms.com<br />
50 51<br />
film id<br />
1040
film id<br />
3210<br />
section<br />
east silver & iDf<br />
Bells of Happiness<br />
by Marek sulik, Jana Bucka<br />
Mariena and Roman are cousins. They share one passion<br />
which has little to do with their everyday life –<br />
admiration of singer stars Karel Gott and Dara Rolins.<br />
They collect and exchange newspaper clips from<br />
tabloids, they rehearse together songs from the repertoire<br />
of their idols and borrow their identities under<br />
which they are known by their relatives and neighbours.<br />
In spite of all expectations, Mariena is Karel and Roman<br />
is Darinka (i.e. the girl is the male singer and the boy<br />
is the female singer). One day, they decide that they will<br />
sing their favourite hit ‘Zvonky šťastia’ and they will<br />
send it to Karel and Dara with their own video-clip on<br />
the DVD. For this project, they are accompanied by<br />
documentarists Marek Šulík and Jana Bučka. Thus, there<br />
arises a mutual play in which roles of protagonists and<br />
film-makers are exchanged, but also those of media stars<br />
and simple people from socially weaker classes.<br />
genre<br />
arts / culture / Music<br />
Human interest<br />
facts<br />
slovakia, 2012<br />
colour, Dcp<br />
62 min<br />
original title<br />
Zvonky šťastia<br />
original language<br />
slovak<br />
Produced by<br />
Jana Belisova<br />
oZ Zudro, slovakia<br />
www.zudro.sk<br />
Public screenings<br />
6 / 2012 artfilmfest, slovakia<br />
7 / 2012 karlovy Vary ff,<br />
czech republic<br />
sales contact<br />
Jana Belisova<br />
oZ Zudro<br />
Drazicka 20<br />
841 01 Bratislava, slovakia<br />
vasolibe@gmail.com<br />
www.zudro.sk<br />
section<br />
Dok Market<br />
BengHaZi:<br />
BeYonD<br />
tHe front line<br />
by natalia orozco<br />
On February 17th of 2011, the first images of the Libyan<br />
civil upheaval travelled across the world. After 42<br />
years under Gaddafi’s rule, the international community<br />
stood in awe at a country profoundly divided. On the<br />
one hand there were those loyal to the Regime and on the<br />
other an improvised and inexperienced opposition.<br />
The conflict escalated as protesters turned into armed<br />
rebels, confronting the Dictator’s army. But beyond<br />
the front line laid the most fascinating face of the Arab<br />
awakening. During an entire year the filmmakers<br />
portrayed the struggle of five civilian leaders that head-<br />
ed a different resistance: one of ideas. Among them are<br />
Libyan journalists whose colleagues were killed during<br />
the early days of the revolution; long-time political<br />
prisoners that saw freedom within their grasp. Courageous<br />
women that took to the streets in support for<br />
the rebels also became characters in our journey. Artists<br />
that challenged censorship and became the voice of<br />
the revolution. Through intimate portraits the film ex-<br />
plores the contradictions that coexist in the Libyans long-<br />
ing for justice and freedom. The moving stories allow<br />
us to travel across a society where uncertainty governs the<br />
future and hope promises peace.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
colombia, Mexico, france, 2012<br />
colour, DigiBeta<br />
52 min<br />
original title<br />
Benghazi: Beyond the front line<br />
original language<br />
arabic, english<br />
Produced by<br />
Jaime escallon<br />
lulo films, colombia<br />
www.lulofilms.com,<br />
ximena sotomayor<br />
lulo films, colombia<br />
www.lulofilms.com<br />
in co-Production With<br />
Jean-Michel rodrigo<br />
Mécanos productions, france<br />
involved broadcasters<br />
france Ô, france<br />
rcn, colombia<br />
tV5, france<br />
france 3 corse, france<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshine-berlin.de<br />
www.riseandshine-berlin.com<br />
52 53<br />
film id<br />
3240
film id<br />
3255<br />
section<br />
Dok Market<br />
Bert stern:<br />
original MaDMan<br />
by shannah laumeister<br />
Star photographer, original ‘Mad Man’ and cultural<br />
icon Bert Stern, who has made the world’s most gorgeous<br />
and sensual women his subject for the last 50 years<br />
(Marilyn Monroe, Audrey Hepburn, Sofia Loren, Eliza-<br />
beth Taylor, Claudia Cardinale, Brigitte Bardot,<br />
Twiggy, Stanley Kubrick’s Lolita, Kate Moss, Scarlett<br />
Johansson, etc.) now becomes the subject, revealing<br />
his untold, wild and spectacular life story to his long<br />
time-muse, including Bert’s infamous Last Sitting<br />
with Marilyn Monroe – which he shot six weeks before<br />
her tragic and untimely death.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
usa, 2011<br />
colour, HDcam<br />
87 min<br />
original title<br />
Bert stern: original Madman<br />
original language<br />
english<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
a Better life is<br />
elseWHere<br />
by rolando colla<br />
section<br />
Visions du réel & swiss films<br />
For eight years, Rolando Colla follows three people<br />
who are trying to change their lives: a lonely shepherd<br />
who has retreated into the mountains of Sarajevo;<br />
a Cuban psychiatrist and hard rock fan attempting to<br />
break out of the system and a Swiss single mother<br />
determined to emigrate. A long-term study of the way<br />
people wrestle endlessly with their dreams.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
switzerland, 2012<br />
colour, Dcp<br />
90 min<br />
original title<br />
Das Bessere leben ist anderswo<br />
original language<br />
Bosnian, spanish, swiss german<br />
Produced by<br />
elena peadrzzoli<br />
peacock film, switzerland<br />
www.peacock.ch<br />
in co-Production With<br />
almir sahinovic, Bosnia<br />
involved broadcasters<br />
srf, switzerland<br />
Public screenings<br />
10 / 2012 Busan iff, south korea<br />
10 / 2012 Hofer filmtage, germany<br />
sales contact<br />
elena peadrzzoli<br />
peacock film<br />
Mühlebachstrasse 113<br />
8008 Zürich, switzerland<br />
elena@peacock.ch<br />
www.peacock.ch<br />
54 55<br />
film id<br />
534
film id<br />
3292<br />
section<br />
Best of tV – poV<br />
Better tHis WorlD<br />
by kelly Duane de la Vega, katie galloway<br />
The story of Bradley Crowder and David McKay, who<br />
were accused of intending to firebomb the 2008<br />
Republican National Convention, is a dramatic tale of<br />
idealism, loyalty, crime and betrayal. Better This World<br />
follows the radicalization of these boyhood friends from<br />
Midland, Texas, under the tutelage of revolutionary<br />
activist Brandon Darby. The results: eight homemade<br />
bombs, multiple domestic terrorism charges and a<br />
high-stakes entrapment defence hinging on the actions<br />
of a controversial FBI informant. Better This World goes<br />
to the heart of the war on terror and its impact on civil<br />
liberties and political dissent in post-9 / 11 America.<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
usa, 2011<br />
colour, HD Videofile<br />
89 min<br />
original title<br />
Better this World<br />
original language<br />
english<br />
Produced by<br />
katie galloway<br />
loteria films, usa<br />
www.loteriafilms.com<br />
kelly Duane de la Vega<br />
loteria films, usa<br />
Mike nicholson, usa<br />
in co-Production With<br />
David layton, usa<br />
involved broadcasters<br />
american Documentary | poV,<br />
usa<br />
sales contact<br />
catherine le clef<br />
cat&Docs<br />
18 rue Quincampoix<br />
75004 paris, france<br />
cat@catndocs.com<br />
www.catndocs.com<br />
section<br />
Dok Market<br />
BetWeen tWo-spirit<br />
by laurence périgaud<br />
Becoming a woman at sixty. Chris feels neither a man<br />
nor a woman, but more like a ‘Two-Spirit’: in between<br />
both genders. Now turning sixty, this professor of<br />
management is taking the big plunge. One year in his /<br />
her life, from the operation in Thailand, through the<br />
apprenticeship of femininity back in Switzerland, to the<br />
coming out as a woman. A year in which Chris takes<br />
wing as a female to become Christa.<br />
genre<br />
ethnology / religion<br />
portrait<br />
facts<br />
switzerland, 2012<br />
colour, HDcam<br />
77 min<br />
original title<br />
entre il et ailes<br />
original language<br />
english, french, german,<br />
swiss german<br />
Produced by<br />
laurence périgaud, switzerland<br />
www.entreiletailes.com<br />
involved broadcasters<br />
tsr, switzerland<br />
Public screenings<br />
4 / 2012 Visions Du réel,<br />
switzerland<br />
sales contact<br />
stephan riguet<br />
andanafilms<br />
le Village<br />
07170 lussas, france<br />
contact@andanafilms.com<br />
www.andanafilms.com<br />
56 57<br />
film id<br />
638
film id<br />
2620<br />
section<br />
Dok german competition<br />
BeYonD WrieZen<br />
– a MoVie aBout<br />
life after serVing<br />
tiMe in Jail<br />
by Daniel abma<br />
A movie about life after serving time in jail. This docu-<br />
mentary tells the story about three delinquent<br />
adolescents Imo (22), Jano (17) and Marcel (25) three<br />
years after the day of their release from prison in<br />
Wriezen (Brandenburg, Germany). We see children<br />
being born, furniture torn to pieces, driving lessons<br />
on a pig-farm and drug deals on Berlin-Alexanderplatz.<br />
Beyond Wriezen (AT) observes life through the per-<br />
spective of the adolescents, and shows their hopes, pride,<br />
thoughts and fears.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
88 min<br />
original title<br />
nach Wriezen – ein film über das<br />
leben nach der Haft<br />
original language<br />
german<br />
Produced by<br />
Hff konrad Wolf, germany<br />
sales contact<br />
cristina Marx<br />
Hff konrad Wolf<br />
Marlene-Dietrich-allee 11<br />
14482 potsdam, germany<br />
distribution@hff-potsdam.de<br />
www.hff-potsdam.de<br />
Big BoYs gone<br />
Bananas !*<br />
by fredrik gertten<br />
section<br />
Dok international programme<br />
What is a big corporation capable of in order to protect<br />
its brand ? Swedish filmmaker Fredrik Gertten’s<br />
experienced this recently. His previous film Bananas !*<br />
(2009) recounts the lawsuit that 12 Nicaraguan<br />
plantation workers brought against the fruit giant Dole<br />
Food Company. The film was selected for competition<br />
by the Los Angeles Film Festival. Nothing wrong so<br />
far, right ? But then Gertten gets a strange message: the<br />
festival removes Bananas !* from competition. Then,<br />
a scathing article appears in the Los Angeles Business<br />
Journal about the film, and Gertten subsequently<br />
receives a letter from Dole’s attorney threatening him<br />
with legal action. What follows is an unparalleled<br />
thriller that has Gertten capturing the entire process –<br />
from DOLE attacking the producers with a defamation<br />
lawsuit, bullying scare tactics, to media-control<br />
and PR-spin. This personal film reveals precisely how<br />
a multinational will stop at nothing to get its way – freedom<br />
of speech is at stake. As Dole’s PR company puts<br />
it, ‘It is easier to cope with a bad conscience than a bad<br />
reputation.’<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
sweden, 2012<br />
colour, Dcp<br />
90 min<br />
original title<br />
Big Boys gone Bananas !*<br />
original language<br />
english, spanish, swedish<br />
Produced by<br />
Margarete Jangård<br />
Wg film, sweden<br />
www.wgfilm.com<br />
Public screenings<br />
11 / 2011 iDfa, netherlands<br />
sales contact<br />
peter Jäger<br />
autlook filmsales<br />
trappelgasse 4 / 17<br />
1040 Vienna, austria<br />
peter@autlookfilms.com<br />
www.autlookfilms.com<br />
58 59<br />
film id<br />
258
film id<br />
3256<br />
section<br />
Dok Market<br />
BirDers,<br />
tHe central park<br />
effect<br />
by Jeff kimball<br />
New York’s Central Park acts as a beacon to travel weary<br />
feathered fliers throughout the year. Dozens of different<br />
birds, and their calls, make an appearance here as<br />
the seasons cycle through. Bird numbers everywhere may<br />
be declining, but to anyone with binoculars, in Central<br />
Park the little fliers are still the best thing going. ‘Birders’,<br />
a colourful documentary about birds and birders<br />
in New York’s Central Park is a delight for everyone. Bird<br />
watchers will find affirmation and even explanation for<br />
their vocation. People who can’t tell a sparrow from a lark<br />
will just wonder at the sheer beauty of it all.<br />
genre<br />
Human interest<br />
facts<br />
usa, 2012<br />
colour<br />
58 min<br />
original title<br />
Birders, the central park effect<br />
original language<br />
english<br />
Produced by<br />
Jeff kimball<br />
alternate image productions inc.,<br />
usa<br />
Public screenings<br />
3 / 2012 sxsW, usa<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
514 8443358<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
Bitter seeDs<br />
by Micha x. peled<br />
section<br />
Dok Market<br />
Every 30 minutes, a farmer in India kills himself in<br />
despair because he can no longer provide for his family.<br />
How is it that a hardworking farmer and father arrives<br />
at a point in life where the most sensible course of<br />
action is to kill himself by drinking a bottle of pesticide ?<br />
It all makes horrible sense once you understand the<br />
forces at work: the tragic intersection of genetically<br />
modified agriculture, the global economy and a traditional<br />
culture. Micha Peled’s vivid, rich and deep new documentary<br />
Bitter Seeds takes us to an Indian village at the<br />
centre of the suicide crisis region. It follows Ram Krishna,<br />
a cotton farmer and his family over a season as they<br />
struggle to hold on to their land. It’s also the story of the<br />
neighbours’ daughter, Manjusha, who is determined<br />
to overcome village traditions and become a journalist.<br />
Ram Krishna’s plight becomes her first assignment.<br />
Bitter Seeds raises critical questions about the human cost<br />
of genetically modified agriculture and the future of<br />
how we grow things. This is the third film in Micha<br />
Peled’s globalization trilogy, following the award-winning<br />
Store Wars: When Wal Mart Comes to Town and ‘China Blue’.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
usa, 2011<br />
colour, HDcam<br />
57 min<br />
original title<br />
Bitter seeds<br />
original language<br />
english<br />
Produced by<br />
Micha x. peled<br />
teddy Bear films, usa<br />
involved broadcasters<br />
itVs, usa<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
60 61<br />
film id<br />
484
film id<br />
2068<br />
BlenDer<br />
by susann reck<br />
section<br />
Dok Market<br />
Blender is an autobiographical, inspired documentary<br />
film. In the 70s, my parents founded a mental hospital<br />
on top of a mountain in the German alps called<br />
Blender. Until today my siblings are working there and<br />
I´m the only one who left the place. The film Blender<br />
is about six inhabitants of the hospital, Friedlieb, Julius,<br />
Marie, Lars, Herr Kraus and Herr Stuhler. Four of<br />
them had to leave the place during the film. The reasons<br />
are typical for patients in mental hospitals: it´s about<br />
alcohol, death, multiple personalities and violence. The<br />
film tells the stories of my protagonists in a light way<br />
showing an apparently idyllic place, that changes more<br />
and more into sadness and drama. Their leaving is<br />
also the main connection to my childhood, where people<br />
were coming and going all the time and I didn´t know<br />
at all what was going on. The protagonists of my film are<br />
appealingly direct and undisguised, though they never<br />
lose dignity. All of them are fully aware of their situa-<br />
tions and act with their own internal logic. For the main<br />
part Blender is not about being foolish or different. The<br />
film unfolds multifaceted forms of human existences, all<br />
condemned to be lonely in life.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
120 min<br />
original title<br />
Blender<br />
original language<br />
german<br />
Produced by<br />
susann reck<br />
red island prod., germany<br />
www.susannreck.com<br />
sales contact<br />
susann reck<br />
red island prod.<br />
gustav-Müller-str.10<br />
10829 Berlin, germany<br />
susareck@t-online.de<br />
www.susannreck.com<br />
tHe BlockaDe<br />
by igor Bezinović<br />
section<br />
Dok international programme<br />
The Blockade is a unique view from within on the most<br />
massive, longest and politically most significant student<br />
protest in the country, since 1971, that started in April<br />
of 2009 at the Faculty of humanities and Social Sciences<br />
in Zagreb. The struggle against the commercialization<br />
of education and the blockade of teaching classes lasted<br />
for 34 days. The rebellion spread onto more than 20<br />
faculties across the country and the students became an<br />
active and relevant political subject. The director<br />
followed everything: from the exhilarating preparation<br />
meetings and blocking of classes to the first signs of<br />
exhaustion, through personal situations and discussions<br />
late at night, from the initial support of most faculty<br />
members to the moment they turned their back to<br />
the movement and the attempt to reach the missing minis-<br />
ter of education. This film shows that the blockade was<br />
not just physical and that it has a much broader meaning.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
croatia, 2012<br />
colour, DigiBeta<br />
92 min<br />
original title<br />
Blokada<br />
original language<br />
croatian<br />
Produced by<br />
nenad puhovski<br />
factum Documentary project<br />
croatia<br />
www.factum.com.hr<br />
in co-Production With<br />
oliver sertic<br />
restart Media centar, croatia<br />
www.restarted.hr<br />
Public screenings<br />
3 / 2012 ZagrebDox, croatia<br />
sales contact<br />
nenad puhovski<br />
factum Documentary project<br />
nova Ves 18<br />
10 000 Zagreb, croatia<br />
info@factum.com.hr<br />
www.factum.com.hr<br />
62 63<br />
film id<br />
1071
film id<br />
3257<br />
section<br />
Dok Market<br />
BorDerline, an un-<br />
setting JourneY<br />
along tHe WorlD’s<br />
longest un-<br />
DefenDeD BorDer<br />
by Daniel sekulich<br />
Borderline explores the aftermath of the 9 / 11 terrorist<br />
attacks as experienced by ordinary people living<br />
and working along the Canada-U. S. Border following<br />
filmmaker and journalist Daniel Sekulich as he<br />
treks across North America from the Atlantic to the<br />
Pacific on both sides of the international line. Via an<br />
assortment of characters along their journey they<br />
discover/describe how lives have been altered by 9 / 11.<br />
They encounter fishermen, farmers, military personnel,<br />
ranchers, shop owners, truckers, Native leaders, im-<br />
migrants, border officials, former RCMP officers and any-<br />
one else with a story to tell. It is a scenic, humorous<br />
and above all thought-provoking cross-country journey<br />
that reveals how its almost scary obsession with security<br />
has changed the United States since the September<br />
attacks and where this could lead us …<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
canada, 2012<br />
colour,<br />
52 min<br />
original title<br />
Borderline, an unsetting Journey<br />
along the World’s longest un-<br />
Defended Border<br />
original language<br />
english<br />
Produced by<br />
edward peill<br />
tell tale productions inc.<br />
www.telltale.tv<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
section<br />
Dok international<br />
competition short<br />
BoucHBennerscH<br />
otto / HoW to treat<br />
Differentness<br />
by Janina Jung<br />
Bouchbennersch Otto (born Otto Müller) was born<br />
in Emmerichenhain, Germany in 1907. He witnessed two<br />
world wars, was trained as a bookbinder and later<br />
became police-servant for the community, announced<br />
news in Emmerichenhain and the surrounding vil-<br />
lages with a bell. Everyone knew Otto, but no one knew<br />
who he really was. Otto was different. Unlike all<br />
the others. The documentary Bouchbennersch Otto looks<br />
behind the facade of a village and depicts how people<br />
treat each other.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, B / W, HDcam<br />
29 min<br />
original title<br />
Bouchbennersch otto / vom<br />
umgang mit andersartigkeit<br />
original language<br />
german<br />
Produced by<br />
ute Dilger<br />
kunsthochschule für Medien<br />
köln, germany<br />
www.khm.de<br />
sales contact<br />
Janina Jung<br />
kunsthochschule für Medien köln<br />
peter-Welter-platz 2<br />
50676 köln, germany<br />
janina_jung@yahoo.de<br />
www.khm.de / pm / projekte /<br />
projekt / paview/3555<br />
64 65<br />
film id<br />
2084
film id<br />
2174<br />
section<br />
Dok german competition<br />
BreatHing eartH<br />
– susuMu sHingu’s<br />
DreaM<br />
by thomas riedelsheimer<br />
75-year-old Japanese artist Susumu Shingu talks with<br />
nature through his sculptures. His lifelong dialogue with<br />
the wind and with water has given the world uniquely<br />
beautiful works of fluid, unpredictable and ever-changing<br />
movement. Susumu renders visible the veiled and<br />
the unseen and opens to us new perspectives. Thomas<br />
Riedelsheimer accompanies this quiet and unassuming<br />
man in pursuit of a dream, a quest to create an awareness<br />
of our planet, our breathing earth and our human<br />
values. Breathing Earth is a film about the wind, the<br />
philosophy of a wise person, about art, love and dreams.<br />
genre<br />
arts / culture / Music<br />
facts<br />
germany, united kingdom, 2012<br />
colour, Dcp<br />
93 min<br />
original title<br />
Breathing earth – susumu<br />
shingu’s Dream<br />
original language<br />
english, german, italian,<br />
Japanese<br />
Produced by<br />
stefan tolz<br />
filmpunkt gmbH, germany<br />
www.filmquadrat.de<br />
involved broadcasters<br />
WDr/arte, germany<br />
sales contact<br />
stefan tolz<br />
filmpunkt gmbH<br />
Worringer str. 22<br />
50968 köln, germany<br />
stefan@filmpunkt.com<br />
www.filmquadrat.de<br />
tHe Brussels<br />
Business<br />
by friedrich Moser, Matthieu lietaert<br />
section<br />
Dok Market<br />
Who runs the European Union ? A high-profile, political<br />
docu-thriller unveiling the EU´s untold story. In the<br />
early 90s, two young men discover the enormous influ-<br />
ence of lobbying in Brussels. Olivier Hoedeman becomes<br />
the EU’s leading lobby-watchdog. Pascal Kerneis becomes<br />
a high profile lobbyist for multinational industries<br />
and today claims to represent 50% of the GDP of the<br />
EU. With Olivier’s investigations and Pascal’s career the<br />
film takes us on a journey into the corridors of power<br />
of the biggest economy on earth – the European Union.<br />
Lobby groups, consultancies, think tanks and law firms<br />
teaming up with the EU’s political elite are the secretive<br />
networks that steer the life of 500 million Europeans.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
austria, Belgium, 2012<br />
colour, Dcp<br />
58 min / 85 min<br />
original title<br />
the Brussels Business<br />
original language<br />
english<br />
Produced by<br />
friedrich Moser<br />
Blue+green communication, italy<br />
www.blue-and-green.com<br />
in co-Production With<br />
stephen Visualantics, Belgium<br />
involved broadcasters<br />
orf, austria<br />
rtBf, Belgium<br />
ZDf / arte, germany<br />
Public screenings<br />
3 / 2012 Wien Burgkino, poland<br />
4 / 2012 Millenium iff, Belgium<br />
5 / 2012 krakow iff, poland<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshine-berlin.de<br />
www.riseandshine-berlin.com<br />
66 67<br />
film id<br />
1777
film id<br />
3170<br />
section<br />
Documentary campus<br />
Masterschool<br />
BurY MY Heart in<br />
DresDen<br />
by Bettina renner<br />
A Catholic cemetery in Dresden, Germany. In the<br />
middle of a meadow, a small grave. And at the foot of the<br />
grey and weathered gravestone, waving in the wind,<br />
a small American flag. The inscription chiselled into the<br />
old stone reveals who was laid to his final rest here<br />
in 1914: the Native American Edward Two-Two, a Sioux<br />
chief. How did a Sioux Indian end up in a place like<br />
Dresden so long ago ? And why was he buried there at<br />
his own request, so far from his native lands and contrary<br />
to all Indian traditions ? The film tries to find answers<br />
by tracing the extraordinary life story of the Indian chief<br />
Edward Two-Two at Pine Ridge Reservation in South<br />
Dakota.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, B / W, HDcam<br />
90 min<br />
original title<br />
Begrabt mein Herz in Dresden<br />
original language<br />
english, german<br />
Produced by<br />
Heino Deckert<br />
ma.ja.de filmproduktion,<br />
germany<br />
www.majade.de<br />
involved broadcasters<br />
MDr, germany<br />
sales contact<br />
Heino Deckert<br />
Deckert Distribution<br />
Marienplatz 1<br />
04103 leipzig, germany<br />
info@deckert-distribution.com<br />
www.deckert-distribution.com<br />
BuZkasHi !<br />
by Mirza najeeb<br />
From the shadows of the majestic Pamir Mountains of<br />
Tajikistan comes a story of Azam, a shepherd and<br />
Buzkashi champion, who faces the pressures of mod-<br />
ernization in the sport and in his own personal life.<br />
Azam plays as an individual for honor and integrity, but<br />
his success is increasingly thwarted by organized<br />
alliances, or ‘mafias’, encouraged by his rival Khurshed,<br />
a member of Tajikistan’s nouveau riche. Khurshed be-<br />
lieves that team play is the future of the sport. Between<br />
challenges on the field and within his own family, Azam<br />
tries to find a place for himself in the new Tajikistan.<br />
genre<br />
Human interest<br />
facts<br />
canada, 2012<br />
colour, HDcam<br />
82 min<br />
original title<br />
Buzkashi !<br />
original language<br />
russian, tajik, uzbek<br />
Produced by<br />
Micheline shoebridge<br />
Buzkashi production, france<br />
in co-Production With<br />
Mirza najeeb<br />
Buzkashi production, france<br />
Public screenings<br />
4 / 2012 Hot Docs, canada<br />
sales contact<br />
Maëlle guenegues<br />
cat&Docs<br />
18 rue Quincampoix<br />
75004 paris, france<br />
maelle@catndocs.com<br />
www.catndocs.com<br />
68 69<br />
film id<br />
2782<br />
section<br />
Hot Docs
film id<br />
2925<br />
tHe calM<br />
by fernando Vílchez rodríguez<br />
section<br />
focus latin america<br />
A man who narrowly survived an earthquake caught<br />
in the din of the clearing up efforts and his agonising<br />
desire to find stability again.<br />
genre<br />
Human interest<br />
facts<br />
peru, 2011<br />
colour, DigiBeta<br />
20 min<br />
original title<br />
la calma<br />
original language<br />
spanish<br />
Produced by<br />
intro films s. r. l., peru<br />
www.introfilmsperu.com<br />
sales contact<br />
intro films s. r. l.<br />
av. del parque norte 1050<br />
of. 302, san Borja<br />
pe-41 lima, peru<br />
info@introfilmsperu.com<br />
www.introfilmsperu.com<br />
section<br />
Dok german competition<br />
caMp 14<br />
– total control<br />
Zone<br />
by Marc Wiese<br />
Shin Dong-Huyk was born November 19th 1983 as<br />
a political prisoner in a North Korean re-education camp.<br />
He was a child of two prisoners who have been married<br />
by order of the wardens. He spent his entire child-<br />
hood and youth in camp 14, in truth a death camp. Forced<br />
labour since he was six years old, hunger, beatings<br />
and torture. Always at the mercy of the wardens. He knew<br />
nothing of the world outside the barbed-wire fences.<br />
He thinks everybody is living that way. At the age of 23,<br />
with the help of an older prisoner, he succeeds in<br />
escaping. For months he journeys through North Korea<br />
and China and finally to South Korea, where he en-<br />
counters a world completely strange to him.<br />
genre<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
111 min<br />
original title<br />
camp 14 – total control Zone<br />
original language<br />
korean<br />
Produced by<br />
axel engstfeld<br />
engstfeld film gmbH, germany<br />
www.engstfeldfilm.de<br />
involved broadcasters<br />
WDr/ arte, germany<br />
Br, germany<br />
Public screenings<br />
8 / 2012 locarno, switzerland<br />
sales contact<br />
sonia Mehandjiyska<br />
global screen<br />
sonnenstraße 21<br />
80331 München, germany<br />
sonia.mehandjiyska@<br />
globalscreen.de<br />
www.globalscreen.de<br />
70 71<br />
film id<br />
446
film id<br />
2080<br />
section<br />
Dok international<br />
competition<br />
tHe captain<br />
anD His pirate<br />
by andy Wolff<br />
Imagine you are the captain of a container ship: You<br />
get hijacked by Somali pirates. After three weeks,<br />
suddenly, the pirates gather the hostages and say: ‘There<br />
is no ransom offer from your shipping company. We<br />
will execute you.’ The pirates drag you onto the deck;<br />
push you on your knees. One of them aims his gun<br />
at your head and shoots. The bullet hits the wall behind<br />
you. Drenched in cold sweat you fall unconscious and<br />
lie on the ship’s deck. Only a few weeks after his liberation<br />
this very captain tells me: ‘The pirates’ boss was human.<br />
There were times on board when he was the only<br />
one to back me up. There were even moments when I<br />
felt safe with him.’ The seizure of the Hansa Stavanger<br />
is one of the most notorious cases in modern piracy<br />
and the longest hostage taking at sea known in German<br />
history. My documentary is about the complex relationship<br />
arising between culprit and victim under a death<br />
threatening hostage situation. The film tells the intimate<br />
story of the friendship between Captain Kotiuk and<br />
the pirates Ahado in a drama lasting over four months.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
85 min<br />
original title<br />
Der kapitän und sein pirat<br />
original language<br />
german, somali<br />
Produced by<br />
andy Wolff<br />
Brockhaus & Wolff, germany<br />
www.brockhauswolff.com<br />
in co-Production With<br />
Marion Hänsel<br />
Man’s films productions, Belgium<br />
involved broadcasters<br />
WDr, germany<br />
sales contact<br />
Daniela elstner<br />
Doc & film international<br />
13 rue portefoin<br />
75003 paris, france<br />
d.elstner@docandfilm.com<br />
www.docandfilm.com<br />
section<br />
Visions du réel & swiss films<br />
captain<br />
tHoMas sankara<br />
by christophe cupelin<br />
On 4 August 1983, Thomas Sankara becomes the<br />
president of Upper Volta after a coup d’état. A year later,<br />
he definitively creates a turning point in the history<br />
and identity of his country, renaming it Burkina Faso,<br />
literally ‘Land of Upright Men’. He brings enormous<br />
hope to a great portion of African youth far beyond the<br />
boundaries of his country. By conducting a ‘democratic<br />
and popular’ revolution, he brings more progress to<br />
the people during the four years of his presidency than<br />
during half a century of French colonial rule. Blending<br />
together rare and meticulously assembled archives,<br />
director Christophe Cupelin offers a panoramic vision<br />
of the intellectual and political inheritance of this<br />
atypical head of state. Giving his documentary the en-<br />
ergy of a punk manifesto, between idealism and irony, he<br />
faithfully restitutes the originality of a president as<br />
striking in his action as in his words. In 2012, twenty five<br />
years after his tragic and still not officially elucidated<br />
death, the film offers an opportunity to see and listen to<br />
the voice of one of the most important African leaders<br />
of the 20th century.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
switzerland, 2012<br />
colour, B / W, DigiBeta<br />
101 min<br />
original title<br />
capitaine thomas sankara<br />
original language<br />
french<br />
Produced by<br />
christophe cupelin<br />
laïka films, switzerland<br />
www.laika.info<br />
Public screenings<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
sales contact<br />
christophe cupelin<br />
laïka films<br />
rue de la coulouvrenière 11<br />
case postal 5476<br />
1211 genève 11, switzerland<br />
christophe@laika.info<br />
www.laika.info<br />
72 73<br />
film id<br />
2622
film id<br />
3300<br />
section<br />
Dok Market<br />
tHe carBon rusH<br />
by amy Miller<br />
Who has not seen a recent request to offset carbon<br />
pollution but who knows what this all means …<br />
An up-close look at the insidious tango between govern-<br />
ment and big polluters and investigates whether or<br />
not carbon offsets are distracting us from what’s really<br />
required to tackle the climate crisis. We learn that<br />
the carbon market does little if anything to reduce<br />
greenhouse gases and that these offset projects are<br />
nothing more than schemes that provide false solutions.<br />
To date, there has been over three hundred billion<br />
dollars of carbon transactions worldwide. Instead of<br />
focusing resources to move away from a fossil fuel<br />
economy, massive international trading ventures have<br />
been established as the solution.<br />
genre<br />
Human interest<br />
facts<br />
usa, 2012<br />
colour, HDcam<br />
60 min<br />
original title<br />
the carbon rush<br />
original language<br />
english<br />
Produced by<br />
amy Miller<br />
carbon rush inc., canada<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
section<br />
Dok Market<br />
castles anD palaces<br />
of europe<br />
by Jeremy J. p. fekete, gero von Boehm<br />
No other part of the world boasts as many castles and<br />
palaces as Europe. Kings and Princes built their palaces<br />
and summer residences in the most beautiful and<br />
strategically located spots. In the miniseries Castles and<br />
Palaces of Europe. Following in the footsteps of Kings we<br />
introduce individuals who walk the tightrope between<br />
tradition and modern-day reality by living and work-<br />
ing in castles, châteaux and palaces or in their immediate<br />
vicinity. They will open doors that are normally closed<br />
to the outside world and reveal captivating stories.<br />
European history, regional traditions and ancient leg-<br />
ends will come alive as we meet people who spend much<br />
of their time within the ancient walls of these ‘stone<br />
giants’ or have fallen under their spell at some point in<br />
their lives.‘Castles and Palaces of Europe’ is a miniseries<br />
of 5 films. Each episode present three castles or other<br />
royal residences of a specific European region along with<br />
special features of their surroundings. A breath-taking<br />
aerial view leads us through the Loire Valley in<br />
France, to southern Germany, the southeast of England,<br />
the Piedmont in Italy and along Portugal’s coast.<br />
genre<br />
arts / culture / Music<br />
facts<br />
germany, france, italy, 2012<br />
colour, HDcam<br />
52 min / 5×52 min<br />
original title<br />
schlösserwelt europa<br />
original language<br />
english, french, german, italian,<br />
portuguese<br />
Produced by<br />
axelle Hourrier<br />
interscience film, germany<br />
www.intersciencefilm.de<br />
in co-Production With<br />
stefano tealdi<br />
stefilm international, italy<br />
www.stefilm.it<br />
isabel Machado<br />
c. r. i. M., portugal<br />
www.crim-productions.com<br />
involved broadcasters<br />
ZDf/ arte, germany<br />
sales contact<br />
axelle Hourrier<br />
interscience film<br />
Ziegelhäuser landstraße 23<br />
69120 Heidelberg, germany<br />
hourrier@intersciencefilm.de<br />
www.intersciencefilm.de<br />
74 75<br />
film id<br />
3165
film id<br />
977<br />
centrefolD<br />
by ellie land<br />
section<br />
animadoc<br />
Over the past decade, female genital cosmetic surgery<br />
has increased by a staggering 500%. Centrefold is a<br />
unique animated documentary that takes an innovative<br />
and balanced approach to this controversial topic.<br />
Created by award winning filmmaker Ellie Land and<br />
funded by the Wellcome Trust, the film follows three<br />
women, aged 24–41 through their different experiences<br />
of labiaplasty (surgery to trim or remove the labia).<br />
‘My labia was long, dark, stretchy, shriveled up and I was<br />
quite embarrassed about it. I’ve never thought that<br />
my genital area and labia was normal’ (Anonymous – explaining<br />
her reasons for having a labiaplasty). By documenting<br />
what is involved in the procedure and its<br />
varying outcomes, the film seeks to offer a non-judgemental<br />
view of labia surgery and to encourage informed<br />
discussion: Is labiaplasty anti-female ‘pornification’,<br />
or an empowering personal choice ? Centrefold provides<br />
the facts. You decide.<br />
genre<br />
Human interest<br />
science<br />
facts<br />
united kingdom, 2012<br />
colour, Dcp<br />
9 min<br />
original title<br />
centrefold<br />
original language<br />
english<br />
Produced by<br />
siobhan fenton<br />
lynchpin productions, united<br />
kingdom<br />
www.thecentrefoldproject.org<br />
Public screenings<br />
7 / 2012 rushes soho shorts, usa<br />
8 / 2012 scinema, australia<br />
9 / 2012 fantoche iff, germany<br />
10 / 2012 Doccartoon, italy<br />
sales contact<br />
siobhan fenton<br />
lynchpin productions<br />
79 greenbank road<br />
Dl36en Darlington,<br />
united kingdom<br />
siobhan@lynchpin.org<br />
www.thecentrefoldproject.org<br />
cHeck point<br />
by Hamed alizadeh<br />
section<br />
Dok Market<br />
Shipping containers line the side of the road. This<br />
is one of the main entry points into Kabul. At this police<br />
station, fifteen officers work, eat and sleep, machine<br />
gun in hand. They come from nearby villages but their<br />
lives are spent here, at this intersection. Day and<br />
night, they keep watch, search vehicles, check drivers’<br />
and passengers’ ID. Their job is neither free of risk<br />
nor inconvenience: terrorist attacks, angry motorists or<br />
criticism against the Afghan police force. They are<br />
accused of corruption, abuse of power, trafficking weap-<br />
ons and uniforms and raping women.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, DigiBeta<br />
74 min<br />
original title<br />
check point<br />
original language<br />
arabic, german<br />
Produced by<br />
stéphane Jourdain<br />
la Huit production, france<br />
www.lahuit.com<br />
Public screenings<br />
1 / 2012 festival des 3 continents,<br />
france<br />
3 / 2012 Visions du réel,<br />
switzerland<br />
sales contact<br />
Julien Beaunay<br />
la Huit production<br />
218 bis rue de charenton<br />
75012 paris, france<br />
distribution@lahuit.fr<br />
www.lahuit.com<br />
76 77<br />
film id<br />
1741
film id<br />
761<br />
section<br />
Visions du réel & swiss films<br />
cHronicle<br />
of a forgotten<br />
DeatH<br />
by pierre Morath<br />
Over the course of two and a half years, the man did not<br />
move from the couch of his Geneva apartment. For<br />
two and a half years, his neighbours and friends thought<br />
he was gone or in convalescence. His letterbox was<br />
full, his post returned. Electricity had eventually been<br />
cut off and the real estate agency was about to evict.<br />
When, finally, the police forced the door, they discovered<br />
a flat infested by vermin and in the middle, the de-<br />
composed body of Michel Christen, a 53 years-old Swiss<br />
man, well known in the neighbourhood. Of him only<br />
remained bones, hair and teeth. The investigation held<br />
in the film shows that his death dates back 28 months.<br />
But the date on the death certificate is the one of the day<br />
the body was found. This is the regulation … How<br />
could this man, who had a family and who was followedup<br />
by medical and social services, fall into oblivion in<br />
such a way ?<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
switzerland, 2012<br />
colour, HDcam<br />
62 min<br />
original title<br />
chronique d’une Mort oubliée<br />
original language<br />
french<br />
Produced by<br />
David rihs<br />
point prod, switzerland<br />
www.pointprod.ch<br />
in co-Production With<br />
irène challand<br />
tsr, switzerland<br />
www.tsr.ch<br />
Public screenings<br />
4 / 2012 Visions du réel, france<br />
sales contact<br />
David rihs<br />
point prod<br />
41B route des Jeunes<br />
1227 carouge, switzerland<br />
david.rihs@pointprod.ch<br />
www.pointprod.ch<br />
section<br />
Dok Market<br />
cHronicles<br />
of tHe last teMple<br />
by Davis simanis<br />
This documentary deals with faith, human aging,<br />
a struggle to fulfil your vision and above all – one<br />
particular building. In its poetical minimalism the film<br />
observes the construction of the new Latvian National<br />
Library, which has become a metaphor for a temple,<br />
a boiling-point for an entire nation. From an empty<br />
construction pit to the accomplished edifice, this visual<br />
symphony of cinematic images captures the whole<br />
process of creation. Besides two human characters, the<br />
chief architect and a jib crane operator are chosen<br />
to reveal the eternal conflict between the greatness of<br />
a conception and the inevitable sacrifice to realize it.<br />
genre<br />
arts / culture / Music<br />
author’s point of View<br />
facts<br />
latvia, 2012<br />
colour, Dcp<br />
58 min<br />
original title<br />
pedeja temple hronikas<br />
original language<br />
latvian, russian<br />
Produced by<br />
guntis trekteris<br />
ego Media, latvia<br />
www.egomedia.lv<br />
involved broadcasters<br />
ltV1 & ltV7, latvia<br />
sales contact<br />
guntis trekteris<br />
ego Media<br />
Baznicas iela 8–20<br />
lV 1010 riga, latvia<br />
guntis@egomedia.lv<br />
www.egomedia.lv<br />
78 79<br />
film id<br />
2274
film id<br />
585<br />
closeD sea<br />
by andrea segre, stefano liberti<br />
section<br />
Dok Market<br />
This documentary-film aims to tell the unknown<br />
side of the story about the migrations of who escaped<br />
from Libya during the war in 2011. Many of these<br />
migrants in fact, had been previously pushed back by<br />
Italy as a result of an agreement signed by Berlusconi<br />
and Gaddafi in 2009. We met them in Shousha refugee<br />
camp at the border between Libya and Tunisia, and<br />
in two reception camps for asylum seekers (C.A.R.A.) in<br />
southern Italy. They described what actually happened<br />
on the boats and what happened after their deportation<br />
to Libya. Their interviews constitute the main part<br />
of the documentary, along with a session of the European<br />
Court of Human Rights in Strasbourg, where one of<br />
our witnesses sued Italy.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
italy, 2012<br />
colour, DigiBeta<br />
62 min<br />
original title<br />
Mare chiuso<br />
original language<br />
amharic, somali<br />
Produced by<br />
andrea segre, italy<br />
giulia Moretti<br />
zalab, united kingdom<br />
Public screenings<br />
3 / 2012 cinema farnese, italy<br />
11 / 2012 festival cinema<br />
africano, asia e america latina,<br />
italy<br />
sales contact<br />
kazz Basma<br />
sideways film<br />
7 Bouverie Mews, Bouverie road.<br />
n16 0al london, united kingdom<br />
kazz@sidewaysfilm.com<br />
www.sidewaysfilm.com<br />
section<br />
Dok international<br />
competition<br />
clouDY Mountains<br />
by Zhu Yu<br />
The southern foot of the mountains in Lop Nur in<br />
western China is rich in asbestos. The workers<br />
are making dusts while exploiting the asbestos. From<br />
far away, it looks like a cloud-making machine, puff-<br />
ing clouds into the air. The usage of big machines<br />
increased the asbestos mining capacity but the lack of<br />
relevant environmental protection facilities leads to<br />
a large amount of dust blotting out the sun. No matter<br />
inside or outside, workers only use scarves or masks<br />
to protect themselves. But actually, these textile<br />
products are easily susceptible to dust. The workers are<br />
suffering from the environmental pollution. Though<br />
people working in such a harsh environment live a<br />
hard and isolated life, they do not lose their joy of living,<br />
because they have found a way to make money, which<br />
gives them hope. However, they don’t really know<br />
or care about what consequences the environment here<br />
can bring to them. The movie describes the living<br />
state of a 17-year-old guy, who is stubborn, diligent, and<br />
naughty, his father, who experiences various hard-<br />
ships but is happy and likes kidding and various workers<br />
around them.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
china, 2012<br />
colour, HDcam<br />
85 min<br />
original title<br />
cloudy Mountains<br />
original language<br />
chinese<br />
Produced by<br />
Han lei<br />
Documentary channel<br />
(sMg), china<br />
www.dc.smg.cn<br />
involved broadcasters<br />
Documentary channel<br />
(sMg), china<br />
sales contact<br />
Han lei<br />
Documentary channel (sMg)<br />
no.298 Weihai rd.<br />
200041 shanghai, china<br />
luidy_xia@yahoo.com.cn<br />
www.dc.smg.cn<br />
80 81<br />
film id<br />
1501
film id<br />
703<br />
section<br />
Dok international<br />
competition<br />
coloMBianos<br />
by tora Mårtens<br />
Fernando’s life in Stockholm seems to be going<br />
nowhere. He is struggling with substance abuse and his<br />
despairing mother, Olga, wants him to go and spend<br />
time with his older brother Pablo in Colombia. Pablo has<br />
a plan on how to get Fernando clean in six months –<br />
but is Fernando ready to make a change ? The painful<br />
effects of co-dependency take their toll as the once-<br />
enthusiastic Pablo gradually loses faith in his mission.<br />
Colobianos won the Golden Starfish Award for Best<br />
Documentary Feature Film, Hamptons International<br />
Film Festival (USA) 2012.<br />
genre<br />
Human interest<br />
facts<br />
sweden, 2012<br />
colour, HDcam<br />
90 min<br />
original title<br />
colombianos<br />
original language<br />
spanish, swedish<br />
Produced by<br />
antonio russo Merenda<br />
Hysteria film aB, sweden<br />
www.hysteriafilm.se<br />
in co-Production With<br />
ulla simonen<br />
Made ow, finland<br />
www.made.fi<br />
involved broadcasters<br />
sVt, sweden<br />
Yle, finland<br />
Public screenings<br />
2 / 2012 göteborg iff, sweden<br />
3 / 2012 tempo ff, sweden<br />
4 / 2012 Hot Docs, canada<br />
10 / 2012 Hamptons iff, usa<br />
sales contact<br />
antonio russo Merenda<br />
Hysteria film aB<br />
Völundsgatan 10<br />
11321 stockholm, sweden<br />
antonio@hysteriafilm.se<br />
www.hysteriafilm.se<br />
section<br />
east silver & iDf<br />
colors of MatH<br />
by ekaterina eremenko<br />
To most people math appears abstract, mysterious.<br />
Complicated. Inaccessible. But math is nothing but a<br />
different language to express the world. Math can<br />
be sensual. Math can be tasted, it smells, it creates sound<br />
and colour. One can touch it – and be touched by it …<br />
genre<br />
Human interest<br />
science<br />
facts<br />
russia, germany, 2012<br />
colour, HDcam<br />
59 min<br />
original title<br />
colors of Math<br />
original language<br />
english, french, russian<br />
Produced by<br />
Yuri tschinkel<br />
courant institute of Mathematical<br />
sciences nYu, usa<br />
Public screenings<br />
6 / 2012 Moscow iff, russia<br />
sales contact<br />
ekaterina eremenko<br />
eefilms ekaterina eremenko films<br />
savignyplatz 1<br />
10623 Berlin, germany<br />
ee@eefilms.de<br />
www.eefilms.de<br />
82 83<br />
film id<br />
1619
film id<br />
2473<br />
section<br />
Dok international programme<br />
coMparing noW<br />
anD tHen<br />
by nina Wiesnagrotzki<br />
The short documentary Now ! (1965) of Santiago Alvarez<br />
on the struggle for civil rights of black people in the<br />
U. S. is a document of a revolutionary movement, which<br />
began with one specific desire: equality of human<br />
beings. It grew, inspirited people and finally took over.<br />
It was an essential initiating part of the ’68 revolt. Today,<br />
the rate of pictures in which you can see the ultimate<br />
ratio of governmental power is increasing once again. For<br />
this reason, the remake shows nearly equal pictures of<br />
the latest liberation movements and inhumanity world-<br />
wide. It is trying to translate the original message into<br />
current times. Where are the similarities, where are the<br />
differences ? Are we in a revolutionary situation today ?<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
germany, 2012<br />
colour, B / W,<br />
Beta sp<br />
5 min<br />
original title<br />
comparing now and then<br />
original language<br />
english<br />
Produced by<br />
nina Wiesnagrotzki, germany<br />
sales contact<br />
nina Wiesnagrotzki<br />
Duschweg 25<br />
22769 Hamburg, germany<br />
ninja-femail@gmx.de<br />
corta<br />
by felipe guerrero<br />
section<br />
focus latin america<br />
Corta is a film about the hypnotic extenuation generated<br />
by the body movements of sugar cane cutters in the<br />
Valle del Cauca (Colombia). Corta is a contemplation film<br />
of the gestures of hand labour while the surrounding<br />
plantations disappear, a pure cinematic experience about<br />
the natural and everyday ritual of a timeless world.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
colombia, argentina, france,<br />
2012<br />
colour, Dcp<br />
69 min<br />
original title<br />
corta<br />
original language<br />
spanish<br />
Produced by<br />
felipe guerrero<br />
mutokino, argentina<br />
www.paraisofilm.blogspot.com<br />
in co-Production With<br />
antoine segovia<br />
atopic, france<br />
www.playfilm.fr<br />
gema Juárez allen<br />
gema films, argentina<br />
www.gemafilms.com<br />
Public screenings<br />
1 / 2012 rotterdam iff,<br />
netherlands<br />
2 / 2012 ficci cartagena<br />
de indias, colombia<br />
4 / 2012 Bafici, argentina<br />
4 / 2012 Jeonju iff, south korea<br />
sales contact<br />
felipe guerrero<br />
mutokino<br />
la pampa 3098<br />
1428 Buenos aires, argentina<br />
mutokino@gmail.com<br />
www.paraisofilm.blogspot.com<br />
84 85<br />
film id<br />
75
film id<br />
2923<br />
section<br />
Dok Market<br />
crackle of tiMe<br />
– cHristopH<br />
scHlingensief anD<br />
His opera Village<br />
in Burkina faso<br />
by sibylle Dahrendorf<br />
An African Bayreuth ? An Opera in Africa ? Christoph<br />
Schlingensief, the German film, theatre and opera<br />
director had a vision for an opera village in Africa.<br />
Despite cancer, he made regular trips to Burkina Faso,<br />
such was his devotion and conviction. Crackle of Time<br />
tells the story of an impossible project: To build an opera<br />
village in Burkina Faso, a space combining art and life,<br />
with a school, theatre, hospital and living quarters. From<br />
the initial location search in May 2009, to the official<br />
opening of the school in October 2011, the documentary<br />
takes us up close to the man and his architect Francis<br />
Kéré. We get behind their vision and witness the<br />
struggles and hurdles to get the ‘opera village’ off the<br />
ground. Christoph Schlingensief died in August 2010.<br />
But his dream lives on. Last year Christoph Schlingensief<br />
was posthumously awarded the Golden Lion at<br />
the Venice Biennale for his stage installation, ‘fluxus<br />
oratorium – church of fear’ in the German pavilion.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
germany, austria, 2012<br />
colour, Dcp<br />
106 min<br />
original title<br />
knistern der Zeit – christoph<br />
schlingensief und sein operndorf<br />
in Burkina faso<br />
original language<br />
afrikaans, french, german<br />
Produced by<br />
Michael Bogar<br />
perfect shot films gmbH,<br />
germany<br />
www.perfectshotfilms.com<br />
Public screenings<br />
8 / 2012 Dokfest München<br />
germany<br />
sales contact<br />
frieder schlaich<br />
filmgalerie 451<br />
saarbrücker str. 24<br />
10405 Berlin, germany<br />
info@filmgalerie451.de<br />
www.filmgalerie451.de<br />
section<br />
Dok Market<br />
criMson Mask<br />
by Marco eisenbarth<br />
Crimson Mask is a feature length documentary that<br />
follows German ‘Ultra Violence Wrestler’ Thumbtack<br />
Jack a.k.a. Alexander Bedranowsky in and outside<br />
of the wrestling ring. It is more than just a review of this<br />
unique athlete’s career but an honest and surprising<br />
portrait of this seemingly insane and brutal character<br />
that is Thumbtack Jack, who mutilates himself and his<br />
opponents with barbed wire, thumbtacks, glass, syringes<br />
and even fire. Crimson Mask shows the man on the<br />
other side. From his career high touring the United States<br />
of America, over the feud with his arch enemy, Drake<br />
Younger to his very last ‘Death Match’ against his long<br />
time friend and mentor ‘Hate’, the filmmaker Marco<br />
Eisenbarth never leaves Thumbtack Jack’s side.<br />
But then an incident occurs that will change Alexander<br />
Bedranowsky’s life forever …<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
germany, usa, 2012<br />
colour, B / W, DigiBeta<br />
74 min<br />
original title<br />
crimson Mask<br />
Produced by<br />
Marco eisenbarth, germany<br />
www.ironbeardimages.de<br />
sales contact<br />
Marco eisenbarth<br />
andreasstraße 11<br />
65929 frankfurt, germany<br />
mail@ironbeardimages.de<br />
www.ironbeardimages.de<br />
86 87<br />
film id<br />
2035
film id<br />
3201<br />
section<br />
filmfestival cottbus<br />
crulic – tHe patH<br />
to BeYonD<br />
by Dr. anca Damian<br />
The true story of a man who got tangled up and perished<br />
in the red tape of European bureaucracy. A master-<br />
fully animated ballad about the decline of humanity.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
romania, poland, 2011<br />
colour<br />
73 min<br />
original title<br />
crulic – Drumul spre dincolo<br />
original language<br />
romanian<br />
Produced by<br />
Dr. anca Damian<br />
aparte film<br />
romania<br />
www.apartefilm.net<br />
Public screenings<br />
11 / 2011 filmfestival cottbus,<br />
germany<br />
sales contact<br />
loic Magneron<br />
Wide Management<br />
40 rue sainte anne<br />
75002 paris, france<br />
lm@widemanagement.com<br />
wwww.widemanagement.com<br />
section<br />
Dok Market<br />
cuBa – Mafia’s<br />
paraDise – tHe<br />
HistorY of a gangster<br />
DoMain<br />
by Bernhard pfletschinger<br />
In Havana, illegal dealings with gambling, prostitution,<br />
drug dealing, protection racketeering and money-<br />
laundering flourish whilst the Cuban people are increas-<br />
ingly exploited and sinking into poverty. The Mafia<br />
is also supported by its numerous contacts to corrupt<br />
U. S.-American politicians, intelligence services<br />
and industrialists. While these groups are working<br />
on Havana to become the Mafia’s capital city in the<br />
world, the rebels around Fidel Castro and Che Guevara<br />
land on the island’s east coast in December 1956.<br />
The poverty stricken people start to support them in<br />
short order and thus the rebels soon manage to gain<br />
victories against Batista’s army. And despite the Mafia,<br />
the U. S. intelligence services, the industrialists,<br />
bankers and their supporters continue their doings in<br />
Havana throughout 1958 as the revolutionists come<br />
into power in early 1959 and put an end to the criminal<br />
dealings.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
germany, 2011<br />
colour, HDcam<br />
48 min<br />
original title<br />
cuba – Mafia’s paradise<br />
– the History of a gangster<br />
Domain<br />
original language<br />
english, german<br />
sales contact<br />
andrea seibert<br />
global screen<br />
sonnenstraße 21<br />
80331 München, germany<br />
andrea.seibert@globalscreen.de<br />
www.globalscreen.de<br />
88 89<br />
film id<br />
3246
film id<br />
2293<br />
section<br />
Dok Market<br />
cult Witness<br />
by samuel stefan, nick oakley<br />
At the age of 19 Samuel Stefan, consumed by crisis, was<br />
drawn into a cult. It would be 10 years before he was<br />
able to escape. Using a technique called ‘love-bombing’,<br />
cults prey on the vulnerable, recruiting new members<br />
with love and warmth. After a period of brain-washing,<br />
members are forbidden to leave, enslaved through<br />
psychological control, and in Samuel’s case, even vio-<br />
lence. He was finally able to escape in the dead of night,<br />
pursued by other members and seeking help. Cult<br />
Witness is an intelligent exploration of how cults attract<br />
and manipulate their followers, sharing the disturb-<br />
ing firsthand experiences of Cult Witness director<br />
Samuel Stefan and six others who have freed themselves<br />
from cults. Analytical insights into the cult experience<br />
are provided by leadership expert Betty Sue Flowers;<br />
Benjamin Zablocki, chair of the Department of Sociology<br />
at Rutgers University; UCLA Professor Emeritus<br />
Bertram Raven, an expert on interpersonal influence<br />
and social power relationships; psychotherapist Miguel<br />
Perlado, who specializes in cult-related problems;<br />
and Urs Eschmann, a specialist in legal issues involving<br />
cults. Cult Witness unravels the hidden world of cults;<br />
the hold they have on their victims, the reasons peo-<br />
ple form and fall prey to them and what takes place within.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
switzerland, france, germany,<br />
usa, united kingdom, 2012<br />
colour, DigiBeta<br />
58 min<br />
original title<br />
cult Witness<br />
original language<br />
english<br />
Produced by<br />
samuel stefan, united kingdom<br />
sales contact<br />
kazz Basma<br />
sideways film<br />
7 Bouverie Mews, Bouverie road.<br />
n16 0al london, united kingdom<br />
kazz@sidewaysfilm.com<br />
www.sidewaysfilm.com<br />
DaMascus,<br />
MY first kiss<br />
by lina al abed<br />
section<br />
Dok international programme<br />
Asmaa’ Kaftaro, the granddaughter of a former Mufti<br />
of Syria, says ‘I wasn’t aware what marriage is when I got<br />
married at the age of 16. When one of my girls men-<br />
struates, I celebrate the event … a full-blown celebration,<br />
and I think that would alleviate her anxiety’. Lina<br />
Chachati, a Christian 48 year-old lady and a daughter<br />
of a well-known liberal family that owns one of the<br />
biggest libraries in Syria, says ‘I still don’t know my body<br />
that well’. Questions and answers take us into the<br />
close and personal details of how two outstanding women<br />
and the filmmaker understand their relationship with<br />
their bodies and the society. Thoughts and feelings – what<br />
it means to be a woman in Syria.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
syria, lebanon, Qatar, 2012<br />
colour, HDcam<br />
42 min<br />
original title<br />
Dimashq Qublati al-ula<br />
original language<br />
arabic<br />
Produced by<br />
lina al abed<br />
sakaDo productions, lebanon<br />
Public screenings<br />
10 / 2011 Doha tribeca ff, Qatar<br />
sales contact<br />
sasha ayoub<br />
proaction film<br />
4-1340 – M. s. ghnayem str.<br />
Dummar easet 11118<br />
p. o. Box 60353<br />
00963 Damascus, syria<br />
sasha.ayoub@gmail.com<br />
90 91<br />
film id<br />
2532
film id<br />
3348<br />
section<br />
Dok.incubator<br />
Dance for Me<br />
by katrine philp<br />
In Denmark, the dance halls are bursting with dancers<br />
of high international standards. It is all about getting<br />
the right partner, when you want to go to the top. But in<br />
a small country like Denmark, this is not always as<br />
easy as it sounds. Mie (14) is an elite dancer. When her<br />
partner stops, the family decides to search for a new<br />
one abroad. Russian Egor (15) finds out that his mother<br />
has set up a tryout for him, and if it turns out well,<br />
Egor will stay with Mie in Denmark. Since May 2011 he<br />
has lived with Mie and her parents in Denmark. All<br />
eyes are on the young couple, the pressure is on and they<br />
are expected to make it to the top. Dance for Me is a<br />
film about a vulnerable young male dancer that has left<br />
everything behind for a new life in a totally strange<br />
family and completely different culture. With sensitivity<br />
and insight director Katrine Philp unravels the story<br />
with poetry and aesthetics. Dance for Me is a modern tale<br />
of migration and pursuit of success and it questions<br />
what you are willing to sacrifice to create the life you want.<br />
As this film is part of the <strong>DOK</strong>.Incubator workshop 2012<br />
and still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />
genre<br />
arts / culture / Music<br />
author’s point of View<br />
facts<br />
Denmark, 2012<br />
colour, HDcam<br />
75 min<br />
original title<br />
Dans for Mig<br />
original language<br />
Danish<br />
Produced by<br />
lise saxtrup<br />
klassefilm aps, Denmark<br />
www.klassefilm.dk<br />
sales contact<br />
stefan kloos<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
stefan.kloos@kloosundco.de<br />
www.riseandshine-berlin.com<br />
section<br />
Dok german competition<br />
Dancing alone<br />
by Biene pilavci<br />
A feature length documentary about the power of family<br />
and how it shapes us.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
95 min<br />
original title<br />
alleine tanzen<br />
original language<br />
german, turkish<br />
Produced by<br />
Max Milhahn<br />
telekult film- und Medien-<br />
produktion gmbH, germany<br />
www.telekult.de<br />
sales contact<br />
Max Milhahn<br />
telekult film- und<br />
Medienproduktion<br />
kremmener str. 6<br />
10435 Berlin, germany<br />
milhahn@telekult.de<br />
www.telekult.de<br />
92 93<br />
film id<br />
1511
film id<br />
3276<br />
section<br />
Dok Market<br />
DanuBe Hospital<br />
by nikolaus geyrhalter<br />
Danube Hospital, a portrait of one of Europe’s largest<br />
hospitals, shows the daily routines and work processes<br />
at a powerful and highly complex institution. By<br />
depicting a modern healthcare facility, Danube Hospital<br />
holds a mirror to our society to show how it deals with<br />
health and illness, life and death.<br />
genre<br />
Human interest<br />
science<br />
facts<br />
austria, 2012<br />
colour, HDcam<br />
75 min<br />
original title<br />
Donauspital<br />
original language<br />
german<br />
Produced by<br />
nikolaus geyrhalter,<br />
Wolfgang Widerhofer,<br />
Michael kitzberger,<br />
Markus glaser<br />
nikolaus geyrhalter<br />
filmproduktion, austria<br />
www.geyrhalterfilm.com<br />
sales contact<br />
andrea Hock<br />
autlook filmsales<br />
trappelgasse 4 / 17<br />
1040 Wien, austria<br />
andrea@autlookfilms.com<br />
www.autlookfilms.com<br />
DaugHter<br />
by María paz gonzález<br />
section<br />
focus latin america<br />
Mother and daughter cross Chile in search of a relative<br />
they both don’t know. The mother hopes to find her<br />
sister while the daughter expects to find her real father.<br />
Along a 2,000 km road, they will be forced to confront<br />
their childhood expectations with a present which may<br />
prove to be even more uncertain and hostile than the<br />
fantasies involved in building their identities. Daughter<br />
is a journey where lies become reality and where the<br />
reality takes the shape of a film: that of a documentary<br />
road movie based on imaginary facts.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
chile, 2011<br />
colour, HDcam<br />
83 min / 58 min<br />
original title<br />
Hija<br />
original language<br />
spanish<br />
Produced by<br />
flor rubina<br />
chile Doc, chile<br />
www.hija.cl<br />
Public screenings<br />
6 / 2011 fiDocs, chile<br />
3 / 2012 thessaloniki, greece<br />
4 / 2012 Bafici, argentina<br />
9 / 2012 rejkjavik ff, iceland<br />
sales contact<br />
Manuela Buono<br />
taskovski films<br />
7 granard Business centre<br />
Bunns lane<br />
nW7 2DQ london,<br />
united kingdom<br />
sales@taskovskifilms.com<br />
www.taskovskifilms.com<br />
94 95<br />
film id<br />
1794
film id<br />
2306<br />
DeatH of a<br />
ceMeterY<br />
by Jeanie Dizon<br />
section<br />
Dok Market<br />
Manila North Cemetery in the Philippines is a place of<br />
rest for 3,000 people, all of whom are alive. When<br />
rich families first erected mausoleums for their dead in<br />
the 1800s, they needed caretakers to maintain them<br />
and guard any valuables buried within. In exchange for<br />
their work, the caretakers were allowed to live inside the<br />
mausoleums, and a cemetery community was born.<br />
Grave keepers grow gardens around tombs; chefs cook<br />
up hearty fare in pop-up restaurants alongside crypts;<br />
and children play basketball in between school and<br />
funerals. Manila North Cemetery has become a home to<br />
those without a home. But the graveyard is not always<br />
peaceful. One caretaker must face the task of burying<br />
his own relative in the cemetery, and another – only<br />
13 years old – must undergo an exorcism lest forever be<br />
possessed by the spirits he disturbed. Yet in a place<br />
where exhumations, ghosts, and witch doctors are part<br />
of daily routine, the biggest dangers residents face are<br />
universal to the human experience.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
philippines, usa, 2012<br />
colour, DigiBeta<br />
51 min<br />
original title<br />
Death of a cemetery<br />
original language<br />
english<br />
Produced by<br />
phil Britton<br />
empyreal productions,<br />
united kingdom<br />
in co-Production With<br />
Jeanie Dizon, united kingdom<br />
sales contact<br />
kazz Basma<br />
sideways film<br />
7 Bouverie Mews, Bouverie road.<br />
n16 0al london, united kingdom<br />
kazz@sidewaysfilm.com<br />
www.sidewaysfilm.com<br />
DefenDing<br />
karaDZic<br />
by aleksandar nikolic<br />
section<br />
Dok.incubator<br />
How can you defend someone like Radovan Karadzic ?<br />
As one of the key members of his defence team, Marko is<br />
very much used to that question, but for him, each<br />
accused is innocent until proven guilty and the defence<br />
is an integral part of the judicial process. As a Serb<br />
who spent his youth protesting against the nationalist<br />
politics of his leaders, Marko knows that these trials<br />
can help his people come to terms with what was done<br />
in their name, but he also knows they can only do that if<br />
they are impeccably fair. Following Marko over the<br />
length of the trial, the film is detailing his struggles both<br />
externally and internally. How do you fight against<br />
the financial and political pressures on The Court ?<br />
How do you go against the media’s one-sided view of the<br />
conflict ? Is it possible to establish a truth that every-<br />
body agrees on ? Are you really helping with the recon-<br />
ciliation or are you making things worse ? Are you<br />
getting too close to the accused ? What is your job doing<br />
to your relationships with friends and family ? Ultimately,<br />
the film asks the question: ‘What does it do to a man<br />
to defend evil ?’<br />
As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />
still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, united kingdom, 2012<br />
colour, HDcam<br />
52 min / 80 min<br />
original title<br />
Defending karadzic<br />
original language<br />
english, serbian<br />
Produced by<br />
gregor streiber<br />
inselfilm produktion, germany<br />
www.inselfilm.info<br />
sales contact<br />
gregor streiber<br />
inselfilm produktion<br />
strausberger platz 18<br />
10243 Berlin, germany<br />
gregor@inselfilm.info<br />
www.inselfilm.info<br />
96 97<br />
film id<br />
2937
film id<br />
2486<br />
section<br />
storyDoc<br />
DeMokratia,<br />
tHe WaY<br />
of tHe cross<br />
by Marco gastine<br />
The 6th of May parliamentary election in Greece, held<br />
in the context of an unprecedented economic, social<br />
and moral crisis was an historical moment for Greece, a<br />
challenge for democracy. The campaign was a great<br />
opportunity to look very closely at Greek politics, largely<br />
responsible for the current situation of the country.<br />
Following the steps of candidates that tried to re-establish<br />
their contact with their voters was a unique opportu-<br />
nity to explore the current situation of a society deeply<br />
touched by the crisis. Through this everyday portrait<br />
of the practice of ‘public affairs’, we tried to raise the ques-<br />
tion of ‘living together’, so crucial today in the country<br />
that invented democracy. We followed the campaign of<br />
four candidates to parliament; belonging to four<br />
different parties that played a leading role in the election;<br />
having four different answers to the crucial dilemma<br />
that divides the country; being at four different steps<br />
in their political career; representing four different ways<br />
to do politics and, last but not least, being four very<br />
different persons, interesting enough to be the heroes of<br />
a character-driven documentary film.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
greece, 2012<br />
colour, DigiBeta<br />
91 min / 52 min<br />
original title<br />
Demokratia, o Dromos<br />
tou stavrou<br />
original language<br />
greek<br />
Produced by<br />
Marco gastine<br />
Minimal films, greece<br />
Public screenings<br />
8 / 2012 doclisboa, portugal<br />
sales contact<br />
Marco gastine<br />
Minimal films<br />
fotiou patriarchou 5<br />
11471 athen, greece<br />
fminimal@otenet.gr<br />
section<br />
east silver & iDf<br />
Disease of tHe<br />
tHirD poWer<br />
by Zuzana piussi<br />
A political documentary about black holes in the Slovak<br />
judiciary system and about the state of law in Slovakia.<br />
The film from the backstage of the Slovak judiciary<br />
system is also an essay about a peculiar form of power that<br />
effaces itself in order to adopt a new name later – justice.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
slovakia, 2012<br />
colour, DigiBeta<br />
52 min<br />
original title<br />
nemoc tretej moci<br />
original language<br />
slovak<br />
Produced by<br />
robert kirchhoff<br />
atelier.doc, slovakia<br />
www.atelierdoc.sk<br />
Public screenings<br />
7 / 2011 pohoda festival, slovakia<br />
11 / 2011 iff Bratislava, slovakia<br />
3 / 2012 one World iff,<br />
czech republic<br />
sales contact<br />
robert kirchhoff<br />
atelier.doc<br />
galandova 5<br />
811 06 Bratislava, slovakia<br />
rkirchhoff@gmail.com<br />
www.atelierdoc.sk<br />
98 99<br />
film id<br />
3213
film id<br />
2796<br />
section<br />
Dok international<br />
competition<br />
DocuMentarian<br />
by ivars Zviedris, inese klava<br />
Inta is a bruesque, crusty woman who lives alone on the<br />
edge of a picturesque marsh. One day her solitude<br />
is intruded upon by the arrival of a documentary film-<br />
maker. In his eyes Inta is an outstanding would-be<br />
film protagonist but the wild woman would rather put a<br />
curse on the importunate intruder than let herself<br />
be filmed. But the filmmaker’s persistance finally succeeds<br />
in melting the ice of Inta’s heart … just in order to break<br />
it soon afterwards.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
latvia, 2012<br />
colour, Dcp<br />
82 min<br />
original title<br />
Dokumentālists<br />
original language<br />
latvian<br />
Produced by<br />
aija Berzina<br />
Vfs films, latvia<br />
www.vfs.lv<br />
in co-Production With<br />
ivars Zviedris<br />
ansis epner’s film studio ‘aVe’,<br />
latvia<br />
involved broadcasters<br />
lnt, latvia<br />
sales contact<br />
aija Berzina<br />
Vfs films<br />
lapu street 17<br />
lV1002 riga, latvia<br />
aija@vfs.lv<br />
www.vfs.lv<br />
DoWneast<br />
by David redmon, ashley sabin<br />
section<br />
Dok international programme<br />
In 2010, the last sardine-canning factory in the United<br />
States – the Stinson / Bumble Bee Seafood cannery<br />
in Prospect Harbor, Maine – closed its doors, devastating<br />
the already economically depressed area and laying<br />
off 130 workers, some of whom had worked at the facility<br />
for 40 years or more. Enter Antonio Bussone, an Italian<br />
immigrant and owner of a Boston-based seafood<br />
company, who decides to buy the factory and convert it<br />
into a lobster-processing facility. Where others see<br />
the end of an era, Antonio sees opportunity: not only to<br />
build a new business, but also to bring exported jobs<br />
back to New England and revitalize a region. In a time<br />
when most U. S. industries have moved offshore,<br />
Antonio’s idea seems almost foolhardy, but it galvanizes<br />
the community and makes him into a local hero to<br />
some and a nemesis to others. Still, Antonio will have<br />
to overcome small-town politics, bank hurdles, and<br />
overwhelming financial odds to see his dream to fruition.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
portrait<br />
facts<br />
usa, 2012<br />
colour, HDcam<br />
78 min<br />
original title<br />
Downeast<br />
original language<br />
english, italian<br />
Produced by<br />
David redmon<br />
carnivalesque films, usa<br />
www.carnivalesquefilms.com<br />
Public screenings<br />
4 / 2012 tribeca, usa<br />
4 / 2012 Hot Docs, canada<br />
6 / 2012 silverDocs, usa<br />
sales contact<br />
David redmon<br />
carnivalesque films, usa<br />
mgmadeinchina@yahoo.com<br />
www.carnivalesquefilms.com<br />
100 101<br />
film id<br />
1659
film id<br />
1614<br />
section<br />
Dok international programme<br />
Dragan WenDe –<br />
HoW tHe traBant<br />
inVaDeD West-Berlin<br />
anD ruineD MY<br />
uncle’s kingDoM<br />
by Dragan von petrovic, lena Müller<br />
In this tragicomical documentary set between West-<br />
Berlin and former Yugoslavia, the young cameraman<br />
Vuk from Belgrade embarks on the trail of his eccentric<br />
uncle Dragan Wende who, 30 years earlier became<br />
the street king of West-Berlin’s 1970s hedonistic disco<br />
scene. Thanks to his Yugoslav passport, he could<br />
easily pass from West- to East-Berlin and profited from<br />
the Wall like few others. But in 1989, the Wall fell.<br />
Suddenly it was open to everyone and everything<br />
changed. 20 years later, Vuk’s uncle is an aged alcoholic<br />
who lives off social welfare and memories of his youth.<br />
He has not set foot in East Berlin ever since and seldom<br />
leaves his surreal West-Berlin. Vuk and his camera<br />
discover and confront his uncle’s bizarre and tragicomic<br />
world of veteran Yugo-immigrants, fallen millionaires<br />
and post-Wall-losers. We observe the survival strategies<br />
of a group of immigrants who once had it easy and<br />
who cannot help but wish for a return of The Wall – the<br />
Fall of which is held responsible for their financial<br />
hardship. Seen through his nephew’s eyes, a microcosm<br />
of underdogs and their survival strategies unfolds in<br />
this family tale about the ‘Losers of Change’ in a still-<br />
divided city.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, serbia, 2012<br />
colour, HDcam<br />
90 min<br />
original title<br />
Dragan Wende – West Berlin<br />
original language<br />
english, german, serbian<br />
Produced by<br />
lena Müller<br />
von.müller.film, germany<br />
www.von-muller-film.com<br />
in co-Production With<br />
rolf Bergmann<br />
rBB, germany<br />
involved broadcasters<br />
rBB, germany<br />
Public screenings<br />
4 / 2012 Hot Docs, canada<br />
sales contact<br />
lena Müller<br />
von.müller.film<br />
skalitzer str. 69<br />
10997 Berlin, germany<br />
lenamuller@gmail.com<br />
www.von-muller-film.com<br />
DraWing for<br />
MeMorY<br />
by andy glynne<br />
During the war in Afghanistan, Ali, now ten, fled his<br />
country with his grandmother, leaving behind his<br />
parents who were unable to leave. This film explores his<br />
pain of being separated from them, as well as living for<br />
years without knowing whether they were alive. Despite<br />
now having contact with them, they are still unable to<br />
be united, and Ali describes his hopes of one day seeing<br />
them again. This is part of a series using real-life<br />
stories of young refugees and asylum seekers, told by<br />
the children themselves.<br />
genre<br />
ethnology / religion<br />
History / politics / current affairs<br />
facts<br />
united kingdom, 2012<br />
colour, HD Videofile<br />
3 min<br />
original title<br />
Drawing for Memory<br />
original language<br />
english<br />
Produced by<br />
andy glynne<br />
Mosaic films, united kingdom<br />
www.mosaicfilms.com<br />
involved broadcasters<br />
BBc, united kingdom<br />
Public screenings<br />
6 / 2012 BBc two, united kingdom<br />
sales contact<br />
andy glynne<br />
Mosaic films<br />
4th floor shacklewell studios, 28<br />
shacklewell lane<br />
e8 2eZ london, united kingdom<br />
andy@mosaicfilms.com<br />
www.mosaicfilms.com<br />
102 103<br />
film id<br />
2296<br />
section<br />
animadoc
film id<br />
1775<br />
section<br />
animadoc<br />
DreaM JoBs<br />
by piyanan suntasiri, gail piyanan suntasiri<br />
Childhood dreams are fulfilled with fascinations and<br />
imaginations. Dream Jobs is about what people really<br />
wanted to be when they were younger. However, when<br />
time passes by, many of them start to forget … This<br />
film aims to remind people of their dreams, and encourage<br />
them not to give up.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
united kingdom, 2012<br />
colour, HD Videofile<br />
2 min<br />
original title<br />
Dream Jobs<br />
original language<br />
english<br />
Produced by<br />
gail piyanan suntasiri<br />
kingston university, thailand<br />
www.gailgailgail.com<br />
geoff grandfield<br />
kingston university,<br />
united kingdom<br />
www.geoffgrandfield.co.uk<br />
Public screenings<br />
6 / 2012 kingston university<br />
Degree show, united kingdom<br />
9 / 2012 D&aD new Blood,<br />
united kingdom<br />
sales contact<br />
gail piyanan suntasiri<br />
70 / 11 Mooban na-uthayan,<br />
uthayan road, thawee-Watthana<br />
District<br />
10170 Bangkok, thailand<br />
gailgailgail.piyanan@hotmail.com<br />
www.gailgailgail.com<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
DreaM of san Juan<br />
by Joaquin Del paso, Jan paweł trzaska<br />
A village in the Sierra Madre is inhabited by the last<br />
representatives of an ancient Mixteco culture. Deprived<br />
of their identity by modern civilization, they are<br />
facing an even bigger threat: a landslide that may destroy<br />
the village during torrential rains. The local leader<br />
tries to prevent the disaster. He wants to invite a geologist<br />
to the village, so that the approaching danger could<br />
be officially confirmed. But no help is coming and the<br />
inhabitants may just humbly wait for the disaster<br />
to happen.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
poland, 2012<br />
colour, HDcam<br />
44 min<br />
original title<br />
el el sueno de san Juan<br />
original language<br />
spanish<br />
Produced by<br />
piotr kempa,<br />
Jan paweł trzaska<br />
Delord sp. zo. o., poland<br />
Public screenings<br />
5 / 2012 krakow ff, poland<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
104 105<br />
film id<br />
2697
film id<br />
628<br />
section<br />
focus saxony<br />
Dress to iMpress<br />
by falk schuster<br />
A hedgehog and a bird run into each other, become<br />
friends and help each other with their problems.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, HD Videofile<br />
8 min<br />
original title<br />
kleider machen freunde<br />
original language<br />
german<br />
Produced by<br />
falk schuster, germany<br />
www.falkschuster.com<br />
Public screenings<br />
4 / 2012 filmfest Dresden,<br />
germany<br />
4 / 2012 kurzsüchtig leipzig,<br />
germany<br />
5 / 2012 Zlin, czech republic<br />
5 / 2012 Hamburg short ff,<br />
germany<br />
sales contact<br />
falk schuster<br />
ernst-könig straße 1<br />
06108 Halle / saale, germany<br />
falk.schuster@gmail.com<br />
www.falkschuster.com<br />
section<br />
Dok international programme<br />
DriVers WanteD<br />
by Joshua Z. Weinstein<br />
Drivers Wanted reveals the impossibly eclectic community<br />
inhabiting NYC’s most famous taxi garage. Located<br />
directly across from the UN, the garage is a refugee<br />
camp in the heart of NY, where drivers come for protec-<br />
tion from human rights abuses, racism and economic<br />
instability. The film follows Eric, a new immigrant from<br />
China who left because of his country’s one child policy.<br />
With dreams of his own business, and a wife and two<br />
young sons to support, he turns to a simple job: driving<br />
a taxicab. But the easy route proves to be a Herculean<br />
struggle for Eric, who can neither speak the language of<br />
his customers nor navigate the city’s 6,174 miles of<br />
streets. Along for Eric’s ride, we meet classic New York<br />
personalities, including the city’s oldest taxi driver, the<br />
rumoured inspiration behind Danny DeVito’s Louie<br />
DePalma, and a melting pot of immigrants with dreams<br />
of making it in America. Each day, a million New Yorkers<br />
depend on the anonymous faces behind the wheels,<br />
the men who tirelessly drive the city that doesn’t sleep.<br />
Drivers Wanted takes the viewer into the taxi seat to<br />
experience accidents, blizzards, and the late night streets<br />
of New York.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
usa, 2012<br />
colour, HDcam<br />
54 min<br />
original title<br />
Drivers Wanted<br />
original language<br />
chinese, english<br />
Produced by<br />
Jean tsien, usa<br />
Public screenings<br />
6 / 2012 silverdocs, usa<br />
sales contact<br />
Joshua Z. Weinstein<br />
Weinstein film production<br />
201 eastern parkway, 5r<br />
nY Brooklyn, usa<br />
fooefilm@gmail.com<br />
weinsteinfilm.com<br />
106 107<br />
film id<br />
2089
film id<br />
718<br />
DrougHt<br />
by everardo gonzález<br />
section<br />
focus latin america<br />
The desert cowboys of ‘Cuates de Australia’ face death<br />
every year, avoiding the drought that threatens the<br />
ranch. While the community is forced into an exodus,<br />
the Ejido is abandoned and eventually the desert<br />
animals take over the place. They wait for the first drops<br />
of rain in order to return.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
Mexico, 2011<br />
colour, HDcam<br />
84 min<br />
original title<br />
cuates de australia<br />
original language<br />
spanish<br />
Produced by<br />
Martha orozco<br />
cienega Docs s. a. de c. V.,<br />
Mexico<br />
Public screenings<br />
11 / 2011 iDfa, netherlands<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
4 / 2012 Hot Docs, canada<br />
6 / 2012 los angeles ff, usa<br />
sales contact<br />
Heino Deckert<br />
Deckert Distribution<br />
Marienplatz 1<br />
04103 leipzig, germany<br />
info@deckert-distribution.com<br />
www.deckert-distribution.com<br />
section<br />
Dok Market<br />
DuBlin’s trap:<br />
anotHer siDe of<br />
tHe greek crisis<br />
by Bryan carter<br />
Through the story of an Afghan asylum seeker who won<br />
a historic victory at the European Court of Human<br />
Rights, this film shines a new light on the consequences<br />
of migration policies in the crisis-affected country of<br />
Greece. Dublin’s Trap gives an equal voice to politicians,<br />
intellectuals, activists, immigrants and extremists.<br />
This approach highlights how austerity measures, com-<br />
bined with an unprecedented influx of immigrants,<br />
foster racial tensions, increased nationalism, and a hu-<br />
manitarian crisis at Europe’s external borders. Further<br />
aggravating the situation is an uneven EU repatriation<br />
mechanism known as Dublin II.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
Belgium, 2012<br />
colour, HDcam<br />
51 min<br />
original title<br />
Dublin’s trap: another side of<br />
the greek crisis<br />
original language<br />
english, french, greek<br />
Produced by<br />
Jean-pierre Borloo<br />
association des Journalistes<br />
professionnels de<br />
Belgique, Belgium<br />
www.fondspourlejournalisme.be<br />
Public screenings<br />
11 / 2011 canal Z, Belgium<br />
3 / 2012 thessaloniki<br />
Documentary ff, greece<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
108 109<br />
film id<br />
486
film id<br />
2423<br />
section<br />
Dok Market<br />
Duck BeacH to<br />
eternitY<br />
by stephen frandsen, Hadleigh arnst, laura naylor<br />
Every Memorial Day weekend, nearly a thousand<br />
Mormon singles flock to Duck Beach, N. C., for a spring<br />
break gathering. They assemble in rental houses<br />
and host parties (without alcohol), hook up (without<br />
sex), and strut their stuff for three days on the beach.<br />
The weekend has been referred to in the media<br />
as, variously, the ‘Mormon Jersey Shore’ and ‘Mormon<br />
Singles Gone Mild.’ Duck Beach To Eternity follows<br />
four singles in their 20s and 30s who are all feeling the<br />
pressure of finding the right person. After all, at<br />
their age, according to Mormon culture, they should<br />
have been married years ago. The film explores the<br />
many distinctive aspects of Mormon single life – primarily<br />
the paramount pursuit of an eternal companion<br />
to fulfill their purpose on earth. The filmmakers handle<br />
the topic gracefully and treat their subjects respect-<br />
fully, with compelling and entertaining results. Duck<br />
Beach To Eternity deals with the complexities, contradictions,<br />
struggles, and confusion that are a part of being<br />
a single person of faith in modern America.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
usa, 2012<br />
colour, DigiBeta<br />
80 min<br />
original title<br />
Duck Beach to eternity<br />
original language<br />
english<br />
Produced by<br />
stephen frandsen,<br />
Hadleigh arnst,<br />
laura naylor<br />
Big iron productions, usa<br />
Public screenings<br />
6 / 2012 seattle iff, usa<br />
sales contact<br />
tim sparke<br />
Mercury Media<br />
7 Baseline studios<br />
Whitchurch road<br />
W11 4at london, united kingdom<br />
tsparke@mercurymedia.org<br />
www.mercurymedia.org<br />
section<br />
Dok Market<br />
eaMes:<br />
tHe arcHitect anD<br />
tHe painter<br />
by Jason cohn, Bill Jersey<br />
Charles and Ray Eames are widely considered America’s<br />
most important designers. Perhaps best remembered<br />
for their plywood and fibreglass furniture, they also cre-<br />
ated a bewildering variety of other products, from<br />
splints for wounded military, to photography, interiors,<br />
multi-media exhibits, graphics, games, films and toys.<br />
The ultimate documentary about Eames, it draws from<br />
a trove of archival material, films and photographs<br />
produced in mind-boggling volume by the hyper-creative<br />
forty years of their existence.<br />
genre<br />
arts / culture / Music<br />
Human interest<br />
facts<br />
usa, 2011<br />
colour, HDcam<br />
83 min<br />
original title<br />
eames: the architect and<br />
the painter<br />
original language<br />
english<br />
Produced by<br />
camille servan-schreiber<br />
catticus corporation, usa<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
110 111<br />
film id<br />
3258
film id<br />
813<br />
eartH<br />
by Victor asliuk<br />
section<br />
Dok international<br />
competition short<br />
There are places where the Second World War has not<br />
been finished yet. On the former battlefields, which<br />
are now covered with woods, thousands of soviet soldiers<br />
lie unburied. Every year some volunteers come here<br />
to search for these human remains. They do that so that<br />
they can bury them properly. To dig out bones just<br />
in order to bury them again, this apparently absurd cycle<br />
opens a new sense. The earth not only reveals the past<br />
as the forest ghosts are rising from archive footage like<br />
spirits of those soldiers killed seventy years ago; it<br />
is transforming it to the future as teenagers, who have<br />
been brought here by their parents, face death for<br />
the first time in their lives and yet they start playing war<br />
on the spot. The film is an elegy which one more time<br />
reminds us about the frailty of human existence.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
Belarus, 2012<br />
colour, B / W, DigiBeta<br />
30 min<br />
original title<br />
Ziamlia<br />
original language<br />
russian<br />
Produced by<br />
Jaroslav kamienski<br />
Belsat tV, poland<br />
www.belsat.eu<br />
Public screenings<br />
3 / 2012 cinéma du réel, france<br />
3 / 2012 Huesca ff, spain<br />
sales contact<br />
Jaroslav kamienski<br />
Belsat tV<br />
pl.powstancow Warsuawy 7<br />
00999 Warsaw, poland<br />
office@belsat.eu<br />
www.belsat.eu<br />
eMperor’s toYs<br />
by Joanna Wojcik, Jaroslaw Mozdzierz, tomasz godfryd, grzegorz<br />
Wierzchowski, Joanna rusinek<br />
Documentary film mixed with animation which tells<br />
about an unusual collection of toys. Like most of<br />
his peers, the protagonist began by collecting stamps,<br />
drink labels and stickers. Presently, his collection<br />
consists of a couple hundred thousand objects and he<br />
became known as the Emperor of Collectors. Thanks<br />
to imagination the toys from his collection are not<br />
merely inanimate objects.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, HD Videofile<br />
10 min<br />
original title<br />
Zabawki cesarza<br />
original language<br />
polish<br />
Produced by<br />
ewa Jastrzebska<br />
polish filmmakers association<br />
Munk studio, poland<br />
www.studiomunka.pl<br />
Public screenings<br />
9 / 2012 stoptrik, slovenia<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
112 113<br />
film id<br />
2355<br />
section<br />
animadoc
film id<br />
3176<br />
section<br />
focus latin america<br />
tHe eMploYMent<br />
by santiago ‘Bou’ grasso<br />
A man performs his usual trip to work, immersed in a<br />
world where the use of people is an everyday thing.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
argentina, 2008<br />
animated film, colour,<br />
Beta sp<br />
6 min<br />
original title<br />
el empleo<br />
original language<br />
without dialogue<br />
Produced by<br />
patricio gabriel plaza, argentina<br />
pakuplaza.blogspot.com<br />
sales contact<br />
patricio gabriel plaza<br />
525 bis nº 1781<br />
1900 la plata, Buenos aires,<br />
argentina<br />
info@patricioplaza.com.ar<br />
pakuplaza.blogspot.com<br />
section<br />
Dok Market<br />
enD of tHe roaD<br />
by tim Delmastro<br />
In 2008 the world experienced financial turmoil.<br />
Markets around the world crashed, stock prices plummeted,<br />
and major financial institutions, once thought to<br />
be invincible, collapsed. Governments responded<br />
quickly, issuing massive bailouts and stimulus packages<br />
in an effort to keep the world economy afloat. Although<br />
we’ve been told that these drastic measures pre-<br />
vented a total collapse of our system, a growing sense of<br />
unease still pervades. What lies ahead as a result of<br />
these bold money printing measures ? Was the financial<br />
crisis solved or were the problems merely kicked<br />
down the road ? End of The Road asks eleven influential<br />
commentators within the finance and investment com-<br />
munities to share their knowledge regarding where<br />
we are. Through each of their narratives, a story is built<br />
which chronicles the current economic dilemma<br />
and paints a gloomy picture of our likely financial future.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
australia, 2012<br />
colour, DigiBeta<br />
55 min<br />
original title<br />
end of the road<br />
original language<br />
english<br />
Produced by<br />
tim Delmastro<br />
100th MonkeY filMs, australia<br />
www.100thmonkeyfilms.com<br />
sales contact<br />
tim sparke<br />
Mercury Media<br />
7 Baseline studios<br />
Whitchurch road<br />
W11 4at london, united kingdom<br />
tsparke@mercurymedia.org<br />
www.mercurymedia.org<br />
114 115<br />
film id<br />
3066
film id<br />
2745<br />
section<br />
Dok international<br />
competition<br />
tHe enD of tiMe<br />
by peter Mettler<br />
Working at the limits of what can easily be expressed,<br />
filmmaker Peter Mettler takes on the elusive subject<br />
of time, and once again turns his camera to filming the<br />
unfilmable. From the particle accelerator in Switzer-<br />
land, where scientists seek to probe regions of time we<br />
cannot see, to lava flows in Hawaii which have overwhelmed<br />
all but one home on the south side of Big Island;<br />
from the disintegration of inner city Detroit, to a<br />
Hindu funeral rite near the place of Buddha’s enlight-<br />
enment, Mettler explores our perception of time.<br />
He dares to dream the movie of the future while also<br />
immersing us in the wonder of the everyday. The<br />
End of Time, at once personal, rigorous and visionary,<br />
Peter Mettler has crafted a film as compelling and<br />
magnificent as its subject.<br />
genre<br />
author’s point of View<br />
science<br />
facts<br />
switzerland, canada, 2012<br />
colour, Dcp<br />
114 min<br />
original title<br />
the end of time<br />
original language<br />
english<br />
Produced by<br />
cornelia seitler<br />
maximage, switzerland<br />
www.maximage.ch<br />
Public screenings<br />
8 / 2012 locarno film festival,<br />
switzerland<br />
9 / 2012 toronto international<br />
film festival, canada<br />
10 / 2012 Busan int. film festival<br />
sales contact<br />
cornelia seitler<br />
maximage<br />
neugasse 6<br />
cH-8005 Zürich, switzerland<br />
cseitler@maximage.ch<br />
www.maximage.ch<br />
entangleD<br />
by lidia Duda<br />
section<br />
Dok international<br />
competition<br />
The definition of the perpetrator and the victim is<br />
crystal clear in paedophilia cases. This unambiguous<br />
relationship may, however, become upset after<br />
some time. As a child, the film character was abused by<br />
his neighbour. Later, as a teenager, he tried to take<br />
revenge on him twice. The roles are now reversed: the<br />
paedophile is afraid of his victim. This mutual<br />
dependence, which lasted ten years, is presented from<br />
the perspective of the closest persons to both men.<br />
The story based on hatred and fear seems to have no end.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, DigiBeta<br />
51 min<br />
original title<br />
uwiklani<br />
original language<br />
polish<br />
Produced by<br />
anna kepinska,<br />
Maciej kubicki<br />
telemark sp. zo. o., poland<br />
www.telemark.com.pl<br />
in co-Production With<br />
Barbara paciorkowska<br />
tVp2, poland<br />
www.international.tvp.pl<br />
involved broadcasters<br />
tVp2, poland<br />
Public screenings<br />
6 / 2012 krakow ff, poland<br />
sales contact<br />
anna kepinska<br />
telemark sp. zo. o.<br />
ul. ordynacka 14 / 9<br />
00-358 Warsaw, poland<br />
anna.kepinska@telemark.com.pl<br />
www.telemark.com.pl<br />
116 117<br />
film id<br />
2698
film id<br />
2371<br />
section<br />
Dok Market<br />
erWin WurM<br />
– tHe artist<br />
WHo sWalloWeD<br />
tHe WorlD<br />
by laurin Merz<br />
Listed as one of the Top 20 contemporary artists, the<br />
Austrian Erwin Wurm criticizes the encrusted<br />
affluent society with seemingly simple sculptures that<br />
meet the current zeitgeist. The film explores the<br />
artist, his biography and his provocative and cheerful<br />
oeuvre which is an incredible, worldwide success.<br />
genre<br />
arts / culture / Music<br />
Human interest<br />
facts<br />
austria, germany, switzerland,<br />
2012<br />
colour, HDcam<br />
52 min<br />
original title<br />
erwin Wurm – Der künstler der<br />
die Welt verschluckt<br />
original language<br />
german<br />
Produced by<br />
reto caduff, switzerland<br />
retocaduff.com<br />
sales contact<br />
andrea Hock<br />
autlook filmsales<br />
trappelgasse 4 / 17<br />
1040 Wien, austria<br />
andrea@autlookfilms.com<br />
www.autlookfilms.com<br />
section<br />
Dok Market<br />
escape froM<br />
paraDise<br />
by ernest saj<br />
An account on how the ideal country for a family life<br />
and a peaceful existence might turn into a nightmare<br />
one day due to overprotective social policies. It is a<br />
hidden-camera investigation report on how desperate<br />
parents attempt to get back their beloved 9-year-old<br />
daughter. 9-year-old Nikola and her parents arrived to<br />
Norway five years ago. On 18th June, the girl has<br />
been unexpectedly taken away from her parents by the<br />
Norwegian authorities on grounds of realization that<br />
Nikola ‘has been in a sad mood at school.’ The Norwegian<br />
officials did not investigate the reasons of sadness nor<br />
talked to parents, before placing the child in a Norwegian<br />
foster family, where the girl had been supposed to<br />
await a future adoption. Desperate father hired Krzysztof<br />
Rutkowski – the Polish private detective, to help him<br />
to regain the girl. The film shows an attempt to rescue the<br />
child, through planning stages to the action of taking<br />
away Nikola back to her parents.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
poland, 2011<br />
colour, DigiBeta<br />
24 min<br />
original title<br />
ucieczka z raju<br />
original language<br />
polish<br />
Produced by<br />
andrzej fidyk<br />
tVp1, poland<br />
www.tvp.pl<br />
involved broadcasters<br />
tVp1, poland<br />
Public screenings<br />
5 / 2012 input, australia<br />
9 / 2012 Dallas ff, usa<br />
sales contact<br />
Barbara Bilinska-kepa<br />
tVp sa<br />
17, J. p. Woronicza str.<br />
00-999 Warsaw, poland<br />
sales@tvp.pl<br />
www.international.tvp.pl<br />
118 119<br />
film id<br />
659
film id<br />
957<br />
section<br />
Dok Market<br />
eVerYtHing Will<br />
not Be fine<br />
by arash t. riahi<br />
2000–2001 the director Arash T. Riahi filmed the<br />
inhabitants of a transitional residential home for home-<br />
less women, who, for many different reasons, fell<br />
through the cracks of our achievement-oriented society.<br />
Nine years after, the director went looking for some<br />
of these women to see how they fare after such a long<br />
time. What became of their dreams and wishes,<br />
was a return to the cold of an unsheltered world possible<br />
at all ?<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
austria, 2012<br />
colour, HDcam<br />
94 min<br />
original title<br />
nerven Bruch Zusammen<br />
original language<br />
german<br />
Produced by<br />
arash t. riahi<br />
golden girls filmproduktion,<br />
austria<br />
www.goldengirls.at<br />
www.everydayrebellion.com<br />
involved broadcasters<br />
orf, austria<br />
Public screenings<br />
3 / 2012 Diagonale ff, austria<br />
7 / 2012 Marseille iff, france<br />
9 / 2012 Zürich ff, switzerland<br />
sales contact<br />
arash t. riahi<br />
golden girls filmproduktion<br />
seidengasse 15 / 3 / 20<br />
1070 Vienna, austria<br />
arash@goldengirls.at<br />
www.goldengirls.at<br />
www.everydayrebellion.com<br />
exit point<br />
by Jagoda szelc<br />
The film character has an unusual passion. He is ready to<br />
sacrifice a lot for it, including his own life. Exit Point is<br />
a film about decision making; in order to be free one must<br />
sometimes slavishly follow one’s nature. This is also a<br />
story of sacrifice in the name of superior values. What’s the<br />
prize of being free and is freedom indeed worth the<br />
biggest sacrifice.<br />
facts<br />
poland, 2012<br />
colour, DigiBeta<br />
17 min<br />
original title<br />
punkt wyjscia<br />
original language<br />
polish<br />
Produced by<br />
Marcin Malatyński<br />
pWsftvit (polish national film<br />
school), poland<br />
www.filmschool.lodz.pl<br />
Public screenings<br />
5 / 2012 Monaco charity ff,<br />
Monaco<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
120 121<br />
film id<br />
2714<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
genre<br />
portrait
film id<br />
857<br />
faMilY Meals<br />
by Dana Budisavljevic<br />
section<br />
east silver & iDf<br />
Do you remember when was the last time you talked to<br />
your parents ? What did you talk about ? Did you go<br />
a step beyond weather forecast and daily politics ? Can a<br />
conversation about buried family secrets help you eat<br />
without cramps in your stomach ? Can a failed birthday<br />
cake help you embrace the past ? A birthday celebration<br />
brings together an ordinary four member family five<br />
years after their last gathering. They start questioning<br />
what made them turn away from each other. Through<br />
the ritual of family meals, the film unveils how important<br />
it is to feel accepted by our loved ones.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
croatia, 2012<br />
colour, HDcam<br />
50 min<br />
original title<br />
nije ti život pjesma Havaja<br />
original language<br />
croatian<br />
Produced by<br />
olinka Vistica<br />
Hulahop film & art production,<br />
croatia<br />
www.hulahop.hr<br />
in co-Production With<br />
sophie de Hijes<br />
survivance, france<br />
Public screenings<br />
3 / 2012 ZagrebDox, croatia<br />
7 / 2012 Dokufest, serbia<br />
8 / 2012 liburnia ff, croatia<br />
7 / 2012 sarajevo ff, Bosnia<br />
sales contact<br />
Manuela Buono<br />
taskovski films<br />
7 granard Business centre<br />
Bunns lane<br />
nW7 2DQ london,<br />
united kingdom<br />
sales@taskovskifilms.com<br />
www.taskovskifilms.com<br />
fiDaï<br />
by Damien ounouri<br />
section<br />
Dok international<br />
competition<br />
During the Algerian revolution, my great-uncle joined<br />
his sister in France and integrated a secret NLF (Na-<br />
tional Liberation Front) armed group. Settling of scores,<br />
attempted murder, hiding, imprisonment and finally<br />
expulsion in 1962, his personal journey tells the story<br />
of countless ex-fighters for Algerian independence, and<br />
echoes the current effervescence of the Arab World.<br />
Today, at the age of seventy, El Hadi reveals this dark<br />
part of his life. We are following the itinerary of El Hadi<br />
during the Algerian Revolution. By his words and the<br />
discussions with people he meets, we discover his story<br />
on the different given localities of his acts, in Algeria<br />
and France. A dialogue between his personal story and<br />
the official history is being created.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
france, algeria, china, 2012<br />
colour, Dcp<br />
84 min<br />
original title<br />
fidaï<br />
original language<br />
arabic<br />
Produced by<br />
Mathieu Mullier<br />
kafard films, france<br />
www.kafardfilms.fr<br />
in co-Production With<br />
Jia Zhangke<br />
xstream pictures, china<br />
Public screenings<br />
8 / 2012 tiff, canada<br />
sales contact<br />
Mathieu Mullier<br />
kafard films<br />
8 passage Montbrun<br />
75014 paris, france<br />
matmullier@kafardfilms.fr<br />
www.kafardfilms.fr<br />
122 123<br />
film id<br />
2808
film id<br />
3184<br />
section<br />
Dok Market<br />
tHe fielD of Magic<br />
by Mindaugas survila<br />
‘The Field of Magic’ is a docu-poem about people living<br />
for over two decades in Buda forest near the closed<br />
down Kariotiškės dump, 40 km from Vilnius, Lithuania.<br />
A result of four year’s work, the film captures the<br />
perspective of the dump dwellers in telling the story of<br />
a dissolving community, its uniqueness, daily rhythm,<br />
peculiar way of life, every-day joys and sorrows.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
lithuania, 2011<br />
colour, Dcp<br />
61 min<br />
original title<br />
stebuklų laukas<br />
original language<br />
lithuanian, russian<br />
Public screenings<br />
1 / 2012 Docpoint Helsinki,<br />
finland<br />
4 / 2012 Hot Docs toronto,<br />
canada<br />
3 / 2012 Vilnius iff, lithuania<br />
sales contact<br />
Heino Deckert<br />
Deckert Distribution<br />
Marienplatz 1<br />
04103 leipzig, germany<br />
info@deckert-distribution.com<br />
www.deckert-distribution.com<br />
tHe final MeMBer<br />
by Jonah Bekhor, Zach Math<br />
Thirty miles from the Arctic Circle, in the northern<br />
Icelandic town of Husavik, stands the Icelandic<br />
Phallological Museum – the world’s only Penis museum.<br />
Over 40 years, the founder and curator has collected<br />
every specimen from every mammal except for<br />
one elusive penis needed to complete his collection:<br />
The Human Specimen. The film follows the curator’s<br />
incredible, sublimely comic, often shocking quest<br />
to complete his eccentric collection, and the two intrepid<br />
men who have raised their hands to be the first<br />
human donor.<br />
genre<br />
Human interest<br />
science<br />
facts<br />
canada, 2012<br />
colour, HDcam<br />
75 min<br />
original title<br />
the final Member<br />
original language<br />
english<br />
Produced by<br />
Jonah Bekhor,<br />
Zach Math<br />
otis Jones films, canada<br />
Public screenings<br />
4 / 2012 Hot Docs, canada<br />
sales contact<br />
Jonah Bekhor<br />
otis Jones films<br />
920 Yonge street suite 1000<br />
M4W 3c7 toronto, canada<br />
jb@citizenjonesfilms.com<br />
124 125<br />
film id<br />
3250<br />
section<br />
Hot Docs
film id<br />
2217<br />
section<br />
Dok Market<br />
fire in tHe BlooD<br />
by Dylan Mohan gray<br />
An intricate tale of ‘monopoly, medicine and mass<br />
murder’, Fire in the Blood is the story of how Western<br />
pharmaceutical companies and governments<br />
blocked access to low-cost AIDS drugs for the countries<br />
of the global south during the 2000’s – causing ten<br />
million or more unnecessary deaths – and the<br />
improbable group of people who decided to fight back.<br />
Shot on four continents and including contributions<br />
from global figures such as Bill Clinton, Desmond Tutu<br />
and Joseph Stiglitz, here is the important, never-<br />
before-told story of the unlikely alliance which came<br />
together to stop ‘the crime of the century’ and<br />
save millions of lives in the process.<br />
genre<br />
History / politics / current affairs<br />
science<br />
facts<br />
india, united kingdom, 2012<br />
colour, HDcam<br />
60 min<br />
original title<br />
fire in the Blood<br />
original language<br />
english, Hindi<br />
Produced by<br />
Dylan Mohan gray<br />
sparkwater india, india<br />
www.sparkwater.com<br />
Public screenings<br />
6 / 2012 sheffield,<br />
united kingdom<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
fists of priDe<br />
by Helene choquette<br />
‘Thai children have more money. Burmese children have<br />
no money. They are rich. We are poor. That’s all.’<br />
This is how 13-year-old Pho Kyaw ‘Panda’ sees the world<br />
while training to challenge a Thai boxer at the annual<br />
Water Festival along the Burmese-Thai border. If he<br />
wins, his family receives prize money from bets placed<br />
by his coaches. Losing isn’t an option. For sons of<br />
migrant workers, the Thai boxing camp is their best<br />
hope to escape the dangerous and impoverished life that<br />
otherwise awaits them. The boys’ militaristic training<br />
regime and their daily routines reveal their courage and<br />
fear as they face the ring. The coaches provide another<br />
fascinating layer, as their gambling success determines<br />
the boys’ well-being. The film is a powerful allegory<br />
for a cultural and political battle that continues to be<br />
waged, through the eyes of children who inherited<br />
a bruised and battered history.<br />
genre<br />
ethnology / religion<br />
portrait<br />
facts<br />
canada, 2012<br />
colour, DigiBeta<br />
63 min<br />
original title<br />
les poings de la fierté<br />
original language<br />
thai<br />
Produced by<br />
isabelle fortier<br />
freelance producer at aviva<br />
communications, canada<br />
fistsofpride.com<br />
involved broadcasters<br />
radio-canada, canada<br />
Public screenings<br />
4 / 2011 Hot Docs, canada<br />
sales contact<br />
Helene choquette<br />
aviva communications<br />
3800 a saint-Hubert<br />
H2l 4a5 Montreal, canada<br />
helenechoquette@gmail.com<br />
www.fistsofpride.com<br />
126 127<br />
film id<br />
1332<br />
section<br />
Hot Docs
film id<br />
1170<br />
section<br />
focus latin america<br />
tHe floWers of<br />
MY faMilY<br />
by Juan ignacio fernández Hoppe<br />
90-year-old Nivia faces an unexpected change.<br />
Her daughter Alicia has found a new husband after years<br />
of widowhood and wants to move in with him.<br />
Nivia disapproves of the relationship and accuses her<br />
daughter of abandoning her. Both women embark<br />
on a profound and revealing journey where the longing<br />
for a new love and the fear of growing old alone<br />
inevitably lead to a clash between mother and daughter.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
uruguay, 2012<br />
colour, HDcam<br />
75 min<br />
original title<br />
las flores de mi familia<br />
original language<br />
spanish<br />
Produced by<br />
Juan ignacio fernández Hoppe<br />
Hoppefilms, uruguay<br />
in co-Production With<br />
carolina campo<br />
lobo Hombre, uruguay<br />
Public screenings<br />
4 / 2012 Bafici, argentina<br />
6 / 2012 fiDocs, chile<br />
7 / 2012 Doc Montevideo,<br />
uruguay<br />
sales contact<br />
nazarena Mattera<br />
austral films<br />
gral. urquiza 1998 depto 1<br />
Buenos aires, argentina<br />
nmattera@australfilms.com<br />
www.australfilms.com<br />
section<br />
Dok Market<br />
for You nakeD<br />
by sara Broos<br />
An intimate and beautifully told love story between<br />
one of Scandinavia’s most highly regarded modern<br />
painters, Lars Lerin and a young Brazilian dancer,<br />
Manoel Marques (Junior). Two men with a dark past and<br />
from two completely different worlds, desperately<br />
searching for true love. They get in touch on Skype and<br />
can’t communicate in any language, yet they decide<br />
to meet and find out if they can fall in love. This is the<br />
beginning of an unpredictable love story, humorous and<br />
warm but with dark undertones of domination and<br />
control. About how hard it can be to fall in love again<br />
after years of alcoholism, drug abuse and a broken heart.<br />
And to show even your most dark sides and sometimes<br />
be brutally honest about your doubts and fear. We closely<br />
follow their struggle for a happy existence and their<br />
search for a life where someone loves you – regardless of<br />
how vastly difficult it can be to love one self. The film<br />
received a Dragon Award at Gothenburg International<br />
Film Festival 2012 for Best Swedish Documentary.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
sweden, 2012<br />
colour, Dcp<br />
74 min<br />
original title<br />
för dig naken<br />
original language<br />
portuguese, swedish<br />
Produced by<br />
sara Broos<br />
alma film, sweden<br />
www.almafilm.se<br />
in co-Production With<br />
carina ekman<br />
film i Värmland, sweden<br />
charlotte Hellström<br />
sVt, sweden<br />
www.svt.se<br />
involved broadcasters<br />
sVt, sweden<br />
Public screenings<br />
2 / 2012 göteborg iff, sweden<br />
3 / 2012 tempo ff, sweden<br />
6 / 2012 karlovy Vary iff,<br />
czech republic<br />
10 / 2012 side by side, russia<br />
sales contact<br />
sara Broos<br />
alma film<br />
rådom 36<br />
6861 sunne, sweden<br />
sarabroos@gmail.com<br />
www.almafilm.se<br />
128 129<br />
film id<br />
1459
film id<br />
891<br />
section<br />
Visions du réel & swiss films<br />
forBiDDen Voices<br />
by Barbara Miller<br />
Their voices are suppressed, prohibited and censored.<br />
But Yoani Sánchez, Zeng Jinyan and Farnaz Seifi are<br />
not frightened of their dictatorial regimes. These fearless<br />
women stand for a new, networked generation of<br />
modern rebels. In Cuba, China and Iran their blogs<br />
shake the foundations of the state information<br />
monopoly – thereby putting their lives at risk. Barbara<br />
Miller’s film Forbidden Voices accompanies these<br />
modern young rebels on their dangerous journey and<br />
traces their use of social medias like Facebook, Youtube<br />
and Twitter to denounce and combat the maladministration<br />
in their countries – thereby triggering international<br />
resonance by building up enormous political<br />
pressure. ‘TIME’ counts them among the world’s most<br />
influential voices. Based on their moving eyewitness<br />
reports and clandestine photography, Forbidden Voices<br />
pays homage to their courageous battle.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
switzerland, 2012<br />
colour, Dcp<br />
95 min<br />
original title<br />
forbidden Voices<br />
original language<br />
chinese, english, french,<br />
persian, spanish<br />
Produced by<br />
philip Delaquis<br />
Das kollektiv für audiovisuelle<br />
Werke gmbH, switzerland<br />
www.daskollektiv.ch<br />
in co-Production With<br />
Hedi Wyss, switzerland<br />
involved broadcasters<br />
arte g. e. i. e., france<br />
srf, switzerland<br />
Public screenings<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
sales contact<br />
carol spycher<br />
accent films international ltd.<br />
46, rue de la gare<br />
1820 Montreux, switzerland<br />
cspycher@accent-films.com<br />
www.accent-films.com<br />
forget Me not<br />
by David sieveking<br />
section<br />
Dok german competition<br />
Filmmaker David Sieveking introduces us with<br />
astonishing candour to the life of his mother Gretel, an<br />
Alzheimer’s patient. His father Malte has been taking<br />
care of Gretel ever since he retired. The still youthful<br />
mathematics professor had imagined life after university<br />
a little differently, because it takes a lot of strength<br />
and time to care constantly for a person who forgets<br />
everything. She wants to go home even though she<br />
is at home. She refuses to co-operate and prefers to stay<br />
in bed. The son moves back home for a few weeks<br />
with a small film crew to relieve his father and document<br />
daily life with a dementia patient from up close.<br />
Sieveking uses the chance to get closer to his mother<br />
again. The more Gretel takes her leave from this<br />
world, the more Sieveking finds out about her and her<br />
past. Leftist revolutionary circles, an ‘open relationship’,<br />
women’s circles. Malte decides to read his wife’s<br />
diaries. The son talks to his father, his mother’s lover and<br />
her female friends. A biography gradually takes shape.<br />
This quiet, touching film is a declaration of love for<br />
a mother and a family, but also a gradual farewell from<br />
a woman who may still be physically present but has long<br />
since become a different person.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
88 min<br />
original title<br />
Vergiss mein nicht<br />
original language<br />
german<br />
Produced by<br />
Martin Heisler<br />
lichtblick Media, germany<br />
www.lichtblick-media.de<br />
in co-Production With<br />
carl-ludwig rettinger<br />
lichtblick film- und fernseh-<br />
produktion, germany<br />
www.lichtblick-film.de<br />
involved broadcasters<br />
Br/ arte, germany<br />
Br, germany<br />
Public screenings<br />
8 / 2012 locarno, switzerland<br />
sales contact<br />
sascha lubrich<br />
farbfilm verleih gmbH<br />
Boxhagener straße 106<br />
10245 Berlin, germany<br />
s.lubrich@farbfilm-verleih.de<br />
www.farbfilm-verleih.de<br />
130 131<br />
film id<br />
2324
film id<br />
3304<br />
section<br />
Dok Market<br />
fouaD’s DreaM<br />
by Martin Duckworth, ian Mclaren<br />
Fouad Sahyoun was born to an Arab-Christian family<br />
in Haifa in 1943. His family was forced to leave in 1948,<br />
when he was four years old. Fouad has ‘made it’ in his<br />
adopted country: Canada. But Fouad wants to go back to<br />
Haifa and re-establish himself in the city of his birth.<br />
He remembers the city as a jewel of Muslim-Jewish-<br />
Christian multi-faith and multi-ethnic harmony, before<br />
1948. However, his dream to establish business and<br />
cultural links between his world and Haifa, is fraught<br />
with difficulties – familial as well as political. But<br />
he believes that entrepreneurship can succeed where<br />
diplomacy and war have failed.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
canada, 2012<br />
colour, HDcam<br />
58 min<br />
original title<br />
fouad’s Dream<br />
original language<br />
english<br />
Produced by<br />
ian Mclaren<br />
grand nord, canada<br />
www.grandnord.ca<br />
Public screenings<br />
10 / 2012 MipcoM, france<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
section<br />
Dok Market<br />
tHe four Year plan<br />
by Mat Hodgson<br />
In 2007, Queens Park Rangers Football Club, facing<br />
relegation and bankruptcy, was rescued by high-<br />
profile billionaires Flavio Briatore, Bernie Ecclestone,<br />
Lakshmi Mittal and Amit Bhatia. Their vision:<br />
to take a community of reluctant fans, semi-talented<br />
players and a roster of ever-changing managers to<br />
Premiership glory. The new owners, risking ridicule and<br />
commercial failure, allowed cameras unprecedented<br />
access to record the roller-coaster ride. Witness one of<br />
modern football’s most extraordinary tales as we see<br />
boardroom battles, clashing egos, and behind the scenes<br />
drama. Facing difficulties at every stage, the story<br />
culminates when QPR heroically win promotion to the<br />
Premier League after four turbulent and dramatic<br />
seasons.<br />
genre<br />
Human interest<br />
facts<br />
united kingdom, 2011<br />
colour, DigiBeta<br />
90 min<br />
original title<br />
the four Year plan<br />
original language<br />
english<br />
Produced by<br />
Dan glynn<br />
ad Hoc films, united kingdom<br />
www.adhocfilms.com<br />
Public screenings<br />
10 / 2011 Marbella ff, spain<br />
11 / 2011 iDfa, netherlands<br />
3 / 2012 BBc, united kingdom<br />
6 / 2012 sheffield Doc / fest,<br />
united kingdom<br />
sales contact<br />
tim sparke<br />
Mercury Media<br />
7 Baseline studios<br />
Whitchurch road<br />
W11 4at london, united kingdom<br />
tsparke@mercurymedia.org<br />
www.mercurymedia.org<br />
132 133<br />
film id<br />
3095
film id<br />
2656<br />
freestYle life<br />
by adam palenta<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
Freestyle life is a story of the art of putting up a fight,<br />
when the game involves the most competitive<br />
rivals – ourselves. Resistance to the determinism leads<br />
towards stubbornness, challenging ourselves to<br />
consecutive duels. The surface of the screen that precisely<br />
keeps the viewer from reality resembles the surface<br />
of water that separates swimmers from their disability.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, DigiBeta<br />
10 min<br />
original title<br />
Zycie stylem dowolnym<br />
original language<br />
polish<br />
Produced by<br />
ewa Jastrzebska<br />
polish filmmakers association<br />
Munk studio, poland<br />
www.studiomunka.pl<br />
Public screenings<br />
6 / 2012 krakow ff, poland<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
section<br />
Dok Market<br />
froM HollYWooD<br />
to nureMBerg –<br />
JoHn forD, saMuel<br />
fuller, george<br />
steVens<br />
by christian Delage<br />
Through restored archives, often unreleased,<br />
by mythical American filmmakers, we rediscover World<br />
War II from the allied landing to the Nuremberg<br />
trial. Their footage which served as essential historical<br />
evidence of the war crimes are also an aesthetic<br />
testimony of their cinematographic experimentation<br />
and genius.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
france, 2012<br />
colour, B / W<br />
56 min<br />
original title<br />
from Hollywood to nuremberg<br />
– John ford, samuel fuller,<br />
george stevens<br />
original language<br />
english, french<br />
sales contact<br />
pauline Mazenod<br />
Windrose sas<br />
7, rue civiale<br />
75010 paris, france<br />
pmazenod@windrose.fr<br />
www.windrose.fr<br />
134 135<br />
film id<br />
3164
film id<br />
1453<br />
section<br />
Dok Market<br />
tHe future’s past<br />
by susanne Brandstätter<br />
Using the Khmer Rouge Tribunal as a starting point,<br />
award-winning filmmaker Susanne Brandstätter<br />
takes a deeper look into the lives of young people on the<br />
brink of adulthood. As the trial accusing a perpetrat<br />
or of the Pol Pot regime progresses, it becomes a catalyst<br />
for a new generation of Cambodians questioning their<br />
parents, families and neighbours about the inhumani-<br />
ties their nation has suffered. Brandstätter accompanies<br />
three families on two different continents – two<br />
Cambodian families and an immigrated Cambodian<br />
family in Paris, France – recognizing that the truth<br />
is only to be found among those who survived and that<br />
the past can best be questioned by those who are<br />
about to build a future.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
austria, luxembourg, 2012<br />
colour, 35 mm<br />
91 min<br />
original title<br />
the future’s past<br />
original language<br />
french, khmer<br />
Produced by<br />
alexander Dumreicher-ivanceanu<br />
amour fou filmproduktion,<br />
austria<br />
www.amourfou.at<br />
in co-Production With<br />
Bady Minck<br />
Minotaurus film, luxembourg<br />
www.minotaurusfilm.lu<br />
involved broadcasters<br />
orf, austria<br />
Public screenings<br />
3 / 2012 Diagonale, austria<br />
sales contact<br />
ula okrojek<br />
amour fou Vienna<br />
lindengasse 32<br />
1070 Vienna, austria<br />
marketing@amourfoufilm.com<br />
www.amourfoufilm.com<br />
tHe gang<br />
by susanne schulz<br />
section<br />
Dok international programme<br />
Six, ten year old girls shoot a film about what is most<br />
important to them: friendship, the gang. The<br />
making of shows their friendship on the brink of<br />
childhood. A film for children and adults.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, 2011<br />
colour, DigiBeta<br />
13 min<br />
original title<br />
Die Bande<br />
original language<br />
german<br />
Produced by<br />
susanne schulz, germany<br />
sales contact<br />
Holm taddiken<br />
cine impuls leipzig<br />
altenburger str. 9<br />
04275 leipzig, germany<br />
leipzig@cine-impuls.de<br />
www.cine-impuls.de<br />
136 137<br />
film id<br />
587
film id<br />
3179<br />
section<br />
Dok Market<br />
generation sMs<br />
by Bill couturié<br />
In the triumphant spirit of films focusing on<br />
tournaments you never knew existed, comes this portrait<br />
of six teens in their quest for the U. S. National<br />
Texting Championship. Armed with two thumbs and<br />
a cell phone, the contestants compete in New York City<br />
for a $50,000 prize. So who are these teens who<br />
spend their lives text messaging, and why do they do it<br />
so obsessively ? Academy Award®–winner Bill Couturié<br />
(producer, Common Threads: Stories from the<br />
Quilt) turns his camera on these unique individuals as<br />
they ready their thumbs for the main event, defying<br />
techie-geek stereotypes by showcasing their ability to<br />
excel socially as well as in the classroom.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
usa, 2011<br />
colour, DigiBeta<br />
52 min / 75 min<br />
original title<br />
generation sMs<br />
original language<br />
english<br />
Produced by<br />
gary cohen<br />
DocuMentor, usa<br />
sales contact<br />
esther van Messel<br />
first Hand films<br />
neunbrunnenstrasse 50<br />
8050 Zürich, switzerland<br />
esther.van.messel@<br />
firsthandfilms.com<br />
www.firsthandfilms.com<br />
section<br />
Dok Market<br />
gilaD anD<br />
all tHat JaZZ<br />
by golriz kolahi<br />
Gilad Atzmon is one of modern music’s most respected<br />
musicians. He is also a controversial public opponent<br />
of Israel. A gentle giant, warm, charismatic and somewhat<br />
shy, Gilad is a complex character. Born into a pro-<br />
Zionist family and serving briefly in the first Lebanon<br />
War, Gilad had a dramatic turnaround. He quit the<br />
army, picked up his sax and exiled himself to London,<br />
declaring himself an enemy of the Israeli state.<br />
Since then he has produced some of the modern era’s<br />
greatest Jazz albums. The film follows Gilad in the most<br />
flourishing time of his career as he records with the<br />
Blockheads, gigs with Nigel Kennedy, and appears on<br />
TV programs and panel events all over the globe.<br />
At the same time he antagonises his critics to the point<br />
of receiving death threats. Gilad and All That Jazz<br />
offers insight into the life, ideas, music and motivations<br />
driving the great Saxophonist.<br />
genre<br />
arts / culture / Music<br />
facts<br />
united kingdom, 2012<br />
colour, HDcam<br />
61 min<br />
original title<br />
gilad and all that Jazz<br />
original language<br />
english<br />
Produced by<br />
David alamouti<br />
contra image, united kingdom<br />
www.contraimage.com<br />
Public screenings<br />
4 / 2012 logan ff, usa<br />
5 / 2012 london iDff,<br />
united kingdom<br />
sales contact<br />
tim sparke<br />
Mercury Media<br />
7 Baseline studios<br />
Whitchurch road<br />
W11 4at london, united kingdom<br />
tsparke@mercurymedia.org<br />
www.mercurymedia.org<br />
138 139<br />
film id<br />
2377
film id<br />
3339<br />
section<br />
Dok.incubator<br />
tHe girl BeHinD tHe<br />
caMera (Wt)<br />
by paula schargorodsky<br />
35 year old girl – 10 years of a life registered – 5 boyfriends<br />
– 2 wedding proposals – still single – Why ?<br />
An investigation on love affairs that poses a question<br />
about the choices you take in life.<br />
As this film is part of the <strong>DOK</strong>.Incubator workshop<br />
2012 and still in post-production, <strong>DOK</strong> Market presents<br />
only a trailer.<br />
genre<br />
arts / culture / Music<br />
author’s point of View<br />
facts<br />
spain, argentina, 2012<br />
colour, HDcam<br />
75 min<br />
original title<br />
la chica detras la camera (Wt)<br />
original language<br />
spanish<br />
Produced by<br />
paula schargorodsky,<br />
gabriel arndur<br />
talatala, argentina/spain<br />
www.talatala.net<br />
sales contact<br />
paula schargorodsky<br />
talatala<br />
ramsay 1945<br />
c. f. Buenos aires, argentina<br />
paulaschargo@gmail.com<br />
www.talatala.net<br />
section<br />
Dok Market<br />
gloBal HoMe<br />
by eva stotz<br />
As soon as filmmaker Eva Stotz found out about the<br />
Couchsurfing network, she had to know more. What was<br />
this online community providing; a free place to sleep<br />
anywhere in the world, a chance look in on the lives of<br />
complete strangers and an opportunity to reach out<br />
beyond the internet after only a few emails ? Eva packed<br />
her camera and set off on her travels. How does a<br />
Tuareg man in Mali use new media ? What took a British<br />
environmental activist to the West Bank and what is a<br />
Brazilian dancer doing out in provincial Turkey ? How is<br />
a Japanese teacher helping kids in Tokyo to discover<br />
their natural surroundings ? And who is this person in<br />
San Francisco who started up Couchsurfing ?<br />
Global Home tells the fascinating stories of those who<br />
see globalization and the internet as an opportunity<br />
to meaningfully connect and interact more with others.<br />
Eva Stotz takes us along on her journey and shows us<br />
that the rest of the world is not as different as we imagine.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
92 min<br />
original title<br />
global Home<br />
original language<br />
arabic, english, french, german,<br />
Japanese<br />
Produced by<br />
karsten aurich<br />
sabotage films gmbH, germany<br />
www.sabotage-films.de<br />
in co-Production With<br />
Jan schütte<br />
Deutsche film- und fernseh-<br />
akademie, germany<br />
www.dffb.de<br />
involved broadcasters<br />
ZDf, germany<br />
Public screenings<br />
3 / 2012 sxsW, usa<br />
9 / 2012 raindance,<br />
united kingdom<br />
sales contact<br />
karsten aurich<br />
sabotage films gmbH<br />
kastanienallee 56<br />
10119 Berlin, germany<br />
karsten@sabotage-films.de<br />
www.sabotage-films.de<br />
140 141<br />
film id<br />
1481
film id<br />
690<br />
section<br />
Dok Market<br />
going up tHe stairs<br />
by rokhsareh ghaemmmaghami<br />
A warm, revealing and often surprisingly funny portrait<br />
of an unlikely artist shows us that true talent will<br />
refuse to be stifled and you don’t need an education to<br />
channel your emotions into art. Akram is an illiterate,<br />
50-year-old Iranian woman who became a painter<br />
unexpectedly and created an explosion of powerful,<br />
primitive and colourful paintings, which she hid<br />
under a carpet from possibly disapproving eyes. When<br />
she tells her Western educated children about her<br />
work, they arrange for her to have an exhibition in far-off<br />
Paris. The only hitch in this plan is that Akram must<br />
obtain permission from her husband – who she married<br />
when she was 8 and he was in his 30s – in order to<br />
attend. Their comfortable bickering covers up Akram’s<br />
frustrations and fears that her chance for recognition<br />
of her magical talent lays completely in the hands of this<br />
conservative and traditional Iranian man.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
iran, 2011<br />
colour, HDcam<br />
52 min<br />
original title<br />
going up the stairs<br />
original language<br />
persian<br />
Produced by<br />
rokhsareh ghaemmmaghami,<br />
iran<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
section<br />
Dok Market<br />
tHe great<br />
Book roBBerY<br />
by Benny Brunner<br />
Chronicles of a cultural destruction: the story of<br />
70,000 Palestinian books that were looted by the newly<br />
created State of Israel in 1948. The film interweaves<br />
various story lines in a structure that is dramatically<br />
compelling and emotionally unsettling. The film’s<br />
interviews center on eyewitness accounts and cultural<br />
critiques that place the book plunder affair in a larger<br />
historical-cultural context. The Great Book Robbery<br />
sheds new light on the Palestinian tragedy of 1948, also<br />
known as the Nakba (or ‘catastrophe’), when some<br />
725,000 Palestinians were dispossessed to make way for<br />
a Jewish-majority Israeli state. In the intervening years,<br />
Israel has constructed a moralistic and heroic narrative<br />
of the 1948 war. The film aims to deconstruct this<br />
imperial history and to prevent this story from fading<br />
into oblivion by passing it on to future generations.<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
israel, netherlands, 2012<br />
colour, B / W, HDcam<br />
57 min / 48 min<br />
original title<br />
the great Book robbery<br />
original language<br />
english, Hebrew<br />
Produced by<br />
Benny Brunner<br />
2911foundation, netherlands<br />
www.thegreatbookrobbery.org<br />
in co-Production With<br />
alexandra Jansse<br />
xela films, netherlands<br />
www.xelafilms.com<br />
involved broadcasters<br />
aljazeera english,<br />
united kingdom<br />
Public screenings<br />
5 / 2012 aljazeera english (tV),<br />
Qatar<br />
11 / 2012 iDfa, netherlands<br />
9 / 2012 st petersburg int ff /<br />
Message to Man, russia<br />
9 / 2012 Hamburg int ff, germany<br />
sales contact<br />
Benny Brunner<br />
2911foundation<br />
Weteringschans 40 / 1<br />
1017sH amsterdam, netherlands<br />
2911foundation@gmail.com<br />
www.thegreatbookrobbery.org<br />
142 143<br />
film id<br />
912
film id<br />
2265<br />
section<br />
Dok international programme<br />
tHe great fallacY<br />
by Dirk Heth, olaf Winkler<br />
A cameraman confesses: ‘I never doubted that I was<br />
doing the right thing. After all, I loved what I did.<br />
But now everything has changed and I wonder: How can<br />
one be happy if your market value is zero ?’ Suddenly<br />
confronted with the reality of his own vanishing market<br />
value, the cameraman stumbles upon an extraordinary<br />
vision which could transform society as we know<br />
it today. A cinematic travelogue through five years in<br />
Germany – a time capsule addressed to the cameraman’s<br />
children to open one day as adults.<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
germany, 2012<br />
colour, B / W, HDcam<br />
105 min<br />
original title<br />
Der große irrtum<br />
original language<br />
german<br />
Produced by<br />
Dirk Heth, olaf Winkler<br />
contract 99 filmrealisation<br />
Heth / Winkler gbr, germany<br />
www.contract99.de<br />
sales contact<br />
Dirk Heth<br />
teltower straße 15<br />
14109 Berlin, germany<br />
dirk.heth@arcor.de<br />
section<br />
east silver & iDf<br />
tHe gYpsY Vote<br />
by Jaroslav Vojtek<br />
A documentary featuring the attempt by Gypsy leader<br />
Vlado Sendrei and his team to win elections in<br />
‘white’ Slovakia. What are the chances that Roma activist<br />
Vlado Sendrei and his election team can succeed<br />
in a society of ‘whites’ ? Despite expert help from an<br />
American foundation, one experiences an<br />
unbelievably lively campaign, tragicomical moments,<br />
and a glimpse into Roma ghettoes at the edge of<br />
society. Vlado’s wife Jana openly claims her husband’s<br />
activities are harmful to his family and Roma values,<br />
increasing tensions between them. The Big Day –<br />
election day – turns original emotions on their head.<br />
The new film by Jaro Vojtek renders a world of<br />
deception, and it’s only the Gypsy fortune-teller who<br />
tells the truth !<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
slovakia, 2012<br />
colour, Dcp<br />
72 min<br />
original title<br />
cigáni idú do volieb<br />
original language<br />
slovak<br />
Produced by<br />
tomáš kaminský<br />
Mandala pictures, slovakia<br />
www.mandalapictures.eu<br />
sales contact<br />
tomáš kaminský<br />
Mandala pictures<br />
Mariánska 18<br />
900 31 stupava, slovakia<br />
tomas@mandalapictures.eu<br />
www.mandalapictures.eu<br />
144 145<br />
film id<br />
1384
film id<br />
1797<br />
section<br />
Dok Market<br />
HappY BirtHDaY<br />
eMilY<br />
by Marcelo kiwi<br />
Elisa and Benjamin have been married for over<br />
50 years. Now retired and with their children living<br />
outside of Chile, they have devoted all their love to<br />
Emily, a sausage dog. The affection and love for this pet<br />
has led them to do crazy and unbelievable things,<br />
one of those is to celebrate the ‘Birthday of Emily’ in a<br />
particular party where other pets (and owners) have<br />
also been invited. Like in all children’s birthday parties<br />
we can find a Piñata, a birthday cake, gifts, and<br />
fights among the guests for who will receive the most<br />
attention. This short film is a thesis about the times<br />
of loneliness in today’s society, where it becomes very<br />
much alive the celebrated Mark Twain phrase:<br />
‘The more I know people, the more I love my dog.’<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
chile, 2012<br />
B / W, Dcp<br />
12 min<br />
original title<br />
feliz cumpleaños emily<br />
original language<br />
spanish<br />
Produced by<br />
Juan eduardo castellon,<br />
Marcelo godoy<br />
potemkin, chile<br />
www.potemkin.cl<br />
sales contact<br />
Marcelo kiwi<br />
potemkin<br />
eliodoro Yañez 1258, piso 2.<br />
providencia<br />
7500605 santiago, chile<br />
kiwi@potemkin.cl<br />
www.marcelokiwi.com<br />
section<br />
Dok Market<br />
HappY serious saD<br />
by franziska von Malsen-ponickau<br />
Dario and Markus have been a couple for 13 years.<br />
Both well earning businessmen, they enjoy a perfectly<br />
happy life in London. Just one wish is yet unfulfilled:<br />
they want to raise a kid. After a lengthy review process,<br />
the social authority has given permission for the two<br />
men to become adoptive fathers. Things turn difficult,<br />
as they are proposed not only one child, but two<br />
brothers at once. During the discussion, whether they<br />
should adopt one or two children, fundamental question<br />
are raised again and again: Why do I want a child ?<br />
What is a family ? Are we happier together than alone ?<br />
The film portrays the couple on how they set off<br />
to adopt six year old Jacob, who was neglected by his<br />
biological parents.<br />
genre<br />
Human interest<br />
facts<br />
germany, united kingdom, 2012<br />
colour, HDcam<br />
60 min<br />
original title<br />
Happy serious sad<br />
original language<br />
english, german<br />
Produced by<br />
franziska von Malsen-ponickau,<br />
germany<br />
involved broadcasters<br />
Br, germany<br />
sales contact<br />
franziska von Malsen-ponickau<br />
rottmannstr. 16<br />
80333 München, germany<br />
franziskavonmalsen@gmail.com<br />
146 147<br />
film id<br />
2436
film id<br />
3297<br />
HaVa nagila<br />
– tHe MoVie<br />
by roberta grossmann<br />
section<br />
Dok Market<br />
Here is the fun, exciting and interesting story of the<br />
song that has transcended its origins and became<br />
a worldwide hit. Bob Dylan sang it. Elvis, too. And that’s<br />
only the beginning when it comes to Hava Nagila.<br />
Follow the infectious party song on its fascinating<br />
journey from the shtetls of Eastern Europe to the<br />
cul-de-sacs of America in this hilarious and surprisingly<br />
deep film. Featuring interviews with Harry Belafonte,<br />
Connie Francis, Glen Campbell, Leonard Nimoy,<br />
Regina Spektor and more, Hava Nagila (The Movie)<br />
takes viewers from Ukraine and Israel to the Catskills,<br />
Greenwich Village, Hollywood – and even Bollywood<br />
– using the song as a springboard to explore<br />
Jewish history and identity and to spotlight the<br />
cross-cultural connections that can only be achieved<br />
through music.<br />
genre<br />
arts / culture / Music<br />
facts<br />
usa, 2012<br />
colour, HDcam<br />
49 min<br />
original title<br />
Hava nagila – the Movie<br />
original language<br />
english<br />
Produced by<br />
roberta grossmann<br />
katahdin foundation, usa<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
section<br />
Visions du réel & swiss films<br />
He Was a giant<br />
WitH BroWn eYes<br />
by eileen Hofer<br />
After her parents’ divorce, Sabina followed her mother<br />
to Switzerland while her sister, Narmina, stayed<br />
with their father in Baku. Five years later, the 17 and 19<br />
year old sisters are reunited when Sabina comes to<br />
spend her summer vacation in Azerbai- jan. Yet, Sabina’s<br />
vacation has a secret motive: she wants to move back<br />
home to live with the father she loves so deeply. He, too,<br />
has a project of his own: he wishes to marry for the<br />
third time and has to break the news to his daughters.<br />
Sabina, torn between two cultures, ends up following<br />
her father’s advice and leaves for the countryside<br />
with her uncle. She sets out on a journey of discovery,<br />
whilst her sister, Narmina, is left to lament her<br />
boyfriend’s departure for the army.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
switzerland, 2012<br />
colour, Dcp<br />
80 min<br />
original title<br />
c'était un géant aux Yeux Bruns<br />
original language<br />
russian<br />
Produced by<br />
eileen Hofer<br />
5 to five team prod, switzerland<br />
www.eileenhofer.ch<br />
Public screenings<br />
1 / 2012 rotterdamm iff,<br />
netherlands<br />
4 / 2012 indielisboa, portugal<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
7 / 2012 femina rio film festival,<br />
Brazil<br />
sales contact<br />
eileen Hofer<br />
5 to five team prod<br />
21 rue rothshchild<br />
1202 geneva, switzerland<br />
info@eileenhofer.ch<br />
www.eileenhofer.ch<br />
148 149<br />
film id<br />
562
film id<br />
2643<br />
section<br />
Dok german competition<br />
Heino Jaeger<br />
– look<br />
Before You kuck<br />
by gerd kroske<br />
The German painter and cabaret artist Heino Jaeger<br />
was once a celebrated radio star. Nevertheless, this<br />
popularity seemed to ‘hurt’ Jaeger as a painter. After ten<br />
years, he abruptly discontinued his broadcasting<br />
work and began to drink. Weighed down by trauma from<br />
World War II and characterized by anarchic madness,<br />
but far from being an eccentric, arrogant artist,<br />
Heino Jaeger died in a psychiatric ward in 1997 at the<br />
early age of 59. He spent his last twelve years there<br />
as an alcoholic schizophrenic. The documentary shows<br />
the pictures, drawings, photographs, film footage,<br />
friends and colleagues of Heino Jaeger, reporting on his<br />
life in a wealthy West Germany which left him behind.<br />
A film about an artist, through whom one can focus<br />
on German history like with a magnifying glass. Wars<br />
may end, but they cannot be overcome.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, B / W, Dcp<br />
120 min<br />
original title<br />
Heino Jaeger – look Before<br />
You kuck<br />
original language<br />
german<br />
Produced by<br />
gerd kroske<br />
realistfilm, germany<br />
www.realistfilm.de<br />
sales contact<br />
Heino Deckert<br />
Deckert Distribution<br />
Marienplatz 1<br />
04103 leipzig, germany<br />
info@deckert-distribution.com<br />
www.deckert-distribution.com<br />
HerMan’s House<br />
by angad Bhalla<br />
The injustice of solitary confinement and the<br />
transformative power of art are explored in Herman’s<br />
House, a feature documentary that follows the<br />
unlikely friendship between a New York artist and one<br />
of America’s most famous inmates as they collaborate<br />
on an acclaimed art project.<br />
genre<br />
arts / culture / Music<br />
facts<br />
canada, 2012<br />
colour, B / W, HDcam<br />
82 min<br />
original title<br />
Herman’s House<br />
Produced by<br />
ed Barreveld, lisa Valenciasvensson,<br />
loring Mcalpin<br />
storyline entertainment, canada<br />
www.storylineentertainment.com<br />
Public screenings<br />
3 / 2012 true / false ff, usa<br />
4 / 2012 Hot Docs, canada<br />
6 / 2012 full frame, usa<br />
sales contact<br />
catherine le clef<br />
cat&Docs<br />
18 rue Quincampoix<br />
75004 paris, france<br />
cat@catndocs.com<br />
www.catndocs.com<br />
150 151<br />
film id<br />
1720<br />
section<br />
Hot Docs
film id<br />
1907<br />
HerstorY<br />
by Jun-ki kim<br />
section<br />
animadoc<br />
This animation tells a girl’s story who was taken to Java<br />
island as a comfort woman. Chung Seo-woon, the<br />
real victim of World War, narrates her story with her<br />
real voice.<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
south korea, 2011<br />
colour, HD Videofile<br />
11 min<br />
original title<br />
Herstory<br />
original language<br />
korean<br />
Produced by<br />
Jun-ki kim, south korea<br />
Public screenings<br />
10 / 2011 Busan ff, south korea<br />
7 / 2012 sicaf, south korea<br />
sales contact<br />
Hyeseung Yoo<br />
kiafa aniseeD<br />
2f 282-6, ahyeon-Dong,<br />
Mapo-gu<br />
121-859 seoul, south korea<br />
kiafanews@naver.com<br />
www.kiafa.org<br />
section<br />
Dok Market<br />
HistorY sHorts<br />
by claudia Hentze<br />
Scenes from the 20th century, mostly shot between<br />
1909 and 1976 by world-wide operating newsreel<br />
cameramen, present a new, glimpse-like view on the<br />
past. Whether of big historic events or unknown<br />
moments in every-day life, in colour or black & white,<br />
these images take effect on all viewers, no matter<br />
where they are from. Selected for their visual criteria,<br />
the films stand alone without much further explanation<br />
needed. Country, place and date along with small,<br />
mostly surprising details being shown on a designed<br />
stripe at the side of the screen help classify the<br />
images. But the focus remains on the ‘film document’<br />
itself and the message it conveys. Two clips are always<br />
combined – either about the same subject but at<br />
different locations or moments in time, or about diverse<br />
events happening at the same place or date. Thus,<br />
each pair opens a new perspective and transports<br />
variable emotions – on a story or an epoch. Suitable for<br />
multi-platform use, the series’ aim is to amaze its<br />
viewers, make them think, laugh and cry.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
germany, united kingdom, 2011<br />
colour, B / W, HDcam<br />
25 × 3 min / 100 × 3 min<br />
original title<br />
History shorts<br />
original language<br />
english<br />
sales contact<br />
Bettina oebel<br />
looks Distribution gmbH<br />
escherstraße 22<br />
30159 Hannover, germany<br />
oebel@looksfilm.tv<br />
www.looksfilm.tv<br />
152 153<br />
film id<br />
3155
film id<br />
637<br />
section<br />
Visions du réel & swiss films<br />
a HoMe far aWaY<br />
by peter entell<br />
The extraordinary destiny of two people. After the<br />
Second World War, Lois is an actress in Broadway<br />
theatre, television and Hollywood films. Her husband,<br />
Edgar Snow, is world famous. A pioneer fascinated<br />
by China, he is the first journalist to film and interview<br />
Mao Zedong. Suspected by the American authorities<br />
of Communist sympathies, Ed and Lois are blacklisted.<br />
Together with their two small children, they go<br />
to Switzerland, mid-way between China and America,<br />
where they find a new home. A story of revolution,<br />
utopia, disillusionment, and hope …<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
switzerland, 2012<br />
colour, B / W, HDcam<br />
100 min<br />
original title<br />
a Home far away<br />
original language<br />
english<br />
Produced by<br />
peter entell<br />
show and tell films, switzerland<br />
www.ahomefaraway.com<br />
involved broadcasters<br />
tsr, switzerland<br />
arte g. e. i. e., france<br />
Public screenings<br />
4 / 2012 Visions du réel, france<br />
sales contact<br />
peter entell<br />
show and tell films<br />
chemin de pacoty 22<br />
1297 founex, switzerland<br />
info@shakethedeviloff.com<br />
www.ahomefaraway.com<br />
section<br />
Dok Market<br />
tHe House i liVe in<br />
by eugene Jarecki<br />
For over forty years, America’s ‘War on Drugs’ has<br />
accounted for 45 million arrests, made America<br />
the world’s largest jailer, and damaged poor communities<br />
at home and abroad. Yet for all that, drugs in America<br />
are cheaper, purer, and more available today than<br />
ever before. Filmed in more than twenty U. S. states,<br />
The House I Live in captures heart-wrenching<br />
stories at all levels of America’s drug war – from the<br />
dealer to the grieving mother, the narcotics officer<br />
to the senator, the inmate to the federal judge. Together,<br />
these stories pose urgent questions: What caused<br />
the war ? What perpetuates it ? And what can be done<br />
to stop it ?<br />
genre<br />
History / politics / current affairs<br />
facts<br />
usa, 2012<br />
colour, HDcam<br />
105 min<br />
original title<br />
the House i live in<br />
original language<br />
english<br />
Produced by<br />
Melinda shopsin<br />
charlotte street films,<br />
united kingdom<br />
Public screenings<br />
1 / 2012 sundance, usa<br />
6 / 2012 sheffield,<br />
united kingdom<br />
sales contact<br />
Vesna cudic<br />
Dogwoof global<br />
211 Hatton square Business<br />
centre<br />
16 Baldwins gardens<br />
ec1n 7rJ london, united<br />
kingdom<br />
vesna@dogwoof.com<br />
www.dogwoof.com<br />
154 155<br />
film id<br />
3090
film id<br />
3347<br />
section<br />
Dok Market<br />
HoW ping pong<br />
saVeD<br />
tHe WorlD<br />
by ed Mabe<br />
How Ping-Pong Saved the World recounts the events of<br />
April 1971 when a U. S. Table Tennis team became<br />
the first Americans allowed to enter communist China<br />
in decades. Their invitation paved the way for<br />
President Nixon’s landmark visit just eight months later.<br />
For eight days, 15 unlikely American Ping-Pong<br />
playing diplomats discovered the little known world<br />
behind the Bamboo Curtain. These unlikely diplomats<br />
were about to reshape history and in the process<br />
make a breakthrough of historic proportions and in doing<br />
so, foster the beginning of the end of the cold war.<br />
Ping-Pong soon became a metaphor for the on-going<br />
difficult relations between the United States and<br />
China – two ideological opposites on the brink of<br />
detente. ‘Ping-Pong Diplomacy’ marked the beginning<br />
of a new relationship between the United States<br />
and the People’s Republic of China; one that over the<br />
next 40 years would evolve into the world’s most<br />
important bilateral alliance.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
usa, 2012<br />
colour, DigiBeta<br />
74 min<br />
original title<br />
How ping pong saved the World<br />
original language<br />
english<br />
Produced by<br />
ed Mabe<br />
nascar, united kingdom<br />
sales contact<br />
kazz Basma<br />
sideways film<br />
7 Bouverie Mews, Bouverie road.<br />
n16 0al london, united kingdom<br />
kazz@sidewaysfilm.com<br />
www.sidewaysfilm.com<br />
el Huaso<br />
by carlo guillermo proto<br />
Gustavo Proto moved his family from Chile to Toronto<br />
to provide them with a better life. His father<br />
committed suicide when Gustavo was just 16. Now 58,<br />
he ponders his life and the possibility of ending it<br />
himself before he becomes a burden to those he loves.<br />
Before he makes this final decision, he wants to<br />
live out his childhood dream of returning to Chile and<br />
becoming a huaso, a Chilean cowboy. Carlo Guillermo<br />
Proto moves brilliantly between the complex roles<br />
of director and son, dissolving unspoken barriers to<br />
reveal an emotional and heart-wrenching portrait<br />
of a family torn between respecting Gustavo’s choices<br />
and confronting him with the burden he places on<br />
those left behind. As the film travels between continents,<br />
tensions rise. Carlo allows himself to become a<br />
vulnerable character, imbuing the film with a rare and<br />
compelling honesty about familial responsibility<br />
and personal freedom.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
canada, chile, 2012<br />
colour, Dcp<br />
72 min<br />
original title<br />
el Huaso<br />
original language<br />
english, spanish<br />
Produced by<br />
carlo guillermo proto<br />
the Handshake productions,<br />
canada<br />
www.thehandshake.org<br />
Public screenings<br />
6 / 2012 DocsBarcelona, spain<br />
4 / 2012 Bafici, argentina<br />
8 / 2012 Hot Docs, canada<br />
10 / 2012 Hamptons iff, usa<br />
sales contact<br />
carlo guillermo proto<br />
the Handshake productions<br />
1766 rue Wolfe<br />
H2l 3J8 Montreal, canada<br />
carlo@thehandshake.org<br />
www.thehandshake.org<br />
156 157<br />
film id<br />
56<br />
section<br />
chileDoc
film id<br />
1397<br />
section<br />
Visions du réel & swiss films<br />
Huerfano ValleY<br />
by elisa larvego<br />
The archaeology of a hippie commune in Colorado,<br />
USA: the few remaining members lead a tour through<br />
the ruins of the abandoned houses and tell stories<br />
of the intense life once lived in this commune. The right<br />
touch of irony produces an honest and reflective<br />
consideration of the dreams a generation once pursued.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
switzerland, 2012<br />
colour, HDcam<br />
67 min<br />
original title<br />
Huerfano Valley<br />
original language<br />
english<br />
Produced by<br />
elisa larvego, switzerland<br />
www.vego.ch<br />
Public screenings<br />
4 / 2012 Visions du réel, france<br />
sales contact<br />
elisa larvego<br />
6 ch. de surville<br />
1213 petit-lancy, switzerland<br />
larvegoelisa@gmail.com<br />
www.vego.ch<br />
section<br />
Dok Market<br />
tHe HuMan Zoo<br />
by Hans Mulchi<br />
At the end of the XIX century, four groups of<br />
indigenous people (a total of 25 people, from infants to<br />
the elderly) were taken from Chile by a German<br />
businessman and were shown as animals in different<br />
fairs and public exhibitions in several Europeans cities,<br />
including Berlin, <strong>Leipzig</strong>, and symbolic places such<br />
as the area surrounding the Eiffel Tower. The Human Zoo<br />
retraces the disturbing and moving journey of the<br />
abducted natives and surprises with every new discovery<br />
– including the remains of five members of the<br />
Kawésqar culture found at the Anthropological<br />
Department of the University of Zurich. The repatriation<br />
of the remains reveals how racism and the lack<br />
of respect for the indigenous population continues<br />
to present day.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
chile, 2011<br />
colour, HDcam<br />
80 min<br />
original title<br />
the Human Zoo<br />
original language<br />
english<br />
Produced by<br />
Hans Mulchi<br />
el taller producciones, chile<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
158 159<br />
film id<br />
3299
film id<br />
47<br />
section<br />
Dok Market<br />
HungrY MinDs<br />
by Beatrix schwehm<br />
‘Words and literature are like ants or water, they spread<br />
everywhere, permeating even the tiniest cracks and<br />
crevices.’ As this sentence from Orhan Pamuk is written<br />
out, at reading speed, on a black background, you hear<br />
the creaking of a ship, the splashing water and voices<br />
from a distant land. Thus begins the new film from the<br />
Grimme-Prize winning director Beatrix Schwehm.<br />
The film tells of books and people, from the love of<br />
literature, and how the written word makes its way into<br />
the most remote corners of this world. The 90-minute<br />
documentary follows 3 mobile libraries: in Kenya,<br />
Mongolia and Bangladesh.The Bengalese architect<br />
Mohammed Rezwan builds library boats that can bring<br />
books to people even during the monsoon season.<br />
The Mongolian author of children’s books Jambyn<br />
Dashdondog packs two boxes full of books each<br />
summer to provide reading material to children in<br />
remote areas. The Kenyan librarian Abdullah Osman<br />
leads caravans of camels loaded with boxes of<br />
books to the nomadic tribes bordering Somalia. Despite<br />
the heat, wind, rain or snow, they still manage their<br />
long journeys with their mobile libraries. A film about<br />
the love of literature and the respect for knowledge<br />
that accepts no boundaries.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
87 min<br />
original title<br />
erlesene Welten<br />
original language<br />
Bengali, english, Mongolian,<br />
somali, swahili<br />
Produced by<br />
Beatrix schwehm<br />
beatrix schwehm film, germany<br />
www.trifilm.de<br />
involved broadcasters<br />
radio Bremen / arte, germany<br />
Public screenings<br />
8 / 2012 fünf seen festival,<br />
germany<br />
10 / 2012 nordische filmtage<br />
lübeck, germany<br />
sales contact<br />
Beatrix schwehm<br />
beatrix schwehm film<br />
am Dobben 105<br />
28203 Bremen, germany<br />
beatrix.schwehm@trifilm.de<br />
www.trifilm.de<br />
section<br />
Dok Market<br />
i aM louisa Jules<br />
by roberto Manhães reis, Viola scheuerer<br />
Louisa is 19 years old and looking for something.<br />
As a small child, Louisa was adopted and grew up with<br />
three brothers in a family in Berlin. While she was<br />
growing up, she noticed similarities in her brothers and<br />
parents which she did not share with them. Louisa<br />
asks herself what she has inherited from her physical<br />
parents. Louisa’s physical parents are of Madagascan<br />
origin, more she doesn’t know. Through her own efforts<br />
and after searching for a long time, she actually found<br />
her father and her mother. The father, whom she thought<br />
had died, is a geology professor. Her mother works<br />
as a high school teacher. While studying in Kiev in the<br />
Soviet era, her mother had given her up for adoption.<br />
19 years old, Louisa is looking forward, together with<br />
her ‘Berlin family’, to visiting the country of her African<br />
parents and grandparents. How will her parents –<br />
who have since separated – react to seeing their long<br />
lost daughter again ? Will Louisa at last find the similar-<br />
ity to her mother ? Will she feel like a Madagascan in<br />
the foreign country or more like a black German ? What<br />
stories does Louisa carry with her without knowing ?<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
92 min<br />
original title<br />
ich Bin louisa Jules<br />
original language<br />
german<br />
Produced by<br />
sidney Martins<br />
cinemanegro filmproduktion,<br />
germany<br />
sales contact<br />
sidney Martins<br />
cinemanegro filmproduktion<br />
schönhauser allee 32<br />
10435 Berlin, germany<br />
info@cinemanegro.de<br />
160 161<br />
film id<br />
1308
film id<br />
3243<br />
section<br />
Dok Market<br />
i Want MY<br />
countrY Back<br />
by astrid schult<br />
In the year of the presidential elections, America is<br />
fighting relentlessly with itself, with its driving<br />
force being its infuriated citizens: supporters and<br />
sympathizers of the Tea Party movement. The<br />
dissatisfied, the disappointed and the unassured have<br />
come together in countless groups. They’re making<br />
a stand against Obama’s healthcare system and against<br />
the strengthening of rights for black people and the<br />
unemployed – achievements that are seen in Europe<br />
as a basic requirement for any fair and socially<br />
responsible society. Who are the people behind these<br />
groups that are protesting so vehemently and<br />
loudly ? What pushes a U.S.-citizen towards the<br />
right of the Republican Party ?<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, DigiBeta<br />
52 min<br />
original title<br />
i Want My country Back<br />
original language<br />
english<br />
Produced by<br />
christian Drewing<br />
eikon südwest gmbH, germany<br />
www.eikon-suedwest.de<br />
in co-Production With<br />
Melanie andernach knut losen<br />
Made in germany, germany<br />
www.madeingermany-film.de<br />
involved broadcasters<br />
sWr / arte, germany<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshine-berlin.de<br />
www.riseandshine-berlin.com<br />
section<br />
Dok Market<br />
i Was Born in DelHi<br />
by Bishnu Dev Halder<br />
Two sisters, Josna and Hasina run away from poverty,<br />
marriage and the impending kitchen-centric life in their<br />
conservative village, to the city, Delhi, for a new life.<br />
After six years in the city, the sisters are hounded by<br />
insecurity. Ironically, they find marriage to be their only<br />
path to a secure life. They get desperate as they find<br />
it difficult to get married. Their desperation calls for<br />
desperate choices. The film follows the sisters for five<br />
years and documents their changing priorities over<br />
the period of time; the choices they make and the impact<br />
of the same on their lives.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
india, 2011<br />
colour, DigiBeta<br />
93 min / 52 min<br />
original title<br />
i Was Born in Delhi<br />
original language<br />
Bengali, Hindi<br />
Produced by<br />
Bishnu Dev Halder<br />
Bee pee Motion pictures, india<br />
involved broadcasters<br />
nHk, Japan<br />
Public screenings<br />
11 / 2011 iDfa, netherlands<br />
6 / 2012 planet Doc review,<br />
poland<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshine-berlin.de<br />
www.riseandshine-berlin.com<br />
162 163<br />
film id<br />
2054
film id<br />
3303<br />
section<br />
Dok Market<br />
iceBounD:<br />
tHe storY of tHe<br />
1925 alaska seruM<br />
run<br />
by Daniel anker<br />
On January 28, 1925, newspapers and radio stations<br />
headlined a terrifying story: Diphtheria had broken out<br />
among the children of Nome, Alaska, separated from<br />
the rest of the world for seven months by a frozen ocean.<br />
With barely enough antitoxin on hand to treat half a<br />
dozen people, the death toll for Nome and surroundings<br />
could potentially reach into the thousands. With<br />
aviation still in its infancy, and one of the harshest winters<br />
on record in Interior Alaska, only ancient means –<br />
dogsled – could save the town. In temperatures as low<br />
as minus 60, more than twenty men, and at least 150 dogs,<br />
set out via dogsled to relay the antitoxin across<br />
674 miles of Alaskan wilderness to save the town from<br />
the lethal epidemic. Icebound is a riveting journey back<br />
in time, an ageless adventure that has captured the<br />
imagination of children and adults throughout the world<br />
for almost a century: The Greatest Dog Story Ever Told.<br />
genre<br />
Human interest<br />
facts<br />
usa, 2011<br />
colour, HDcam<br />
90 min<br />
original title<br />
icebound: the story of the 1925<br />
alaska serum run<br />
original language<br />
english<br />
Produced by<br />
Daniel anker<br />
Daniel anker productions, usa<br />
Public screenings<br />
10 / 2012 MipcoM, france<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
section<br />
east silver & iDf<br />
icelanD Year Zero<br />
by sigurður Hallmar Magnússon<br />
In October 2008, the three main banks in Iceland<br />
collapsed, driving a nation into bankruptcy;<br />
causing thousands of people to lose their jobs, their<br />
personal savings − and hope. How does a nation,<br />
once one of the richest and most developed countries<br />
in the capitalist world, react to a total economic<br />
collapse ? In a landscape where ‘to be rich’ used to be a<br />
virtue, who is really to blame for the collapse of a<br />
far-too-fast-and-greedy banking system ? Or rather, is<br />
the decline of the capitalist values maybe the best<br />
thing that could have happened to Iceland ?<br />
genre<br />
History / politics / current affairs<br />
facts<br />
iceland, czech republic,<br />
france, 2012<br />
colour, DigiBeta<br />
52 min<br />
original title<br />
iceland année zéro<br />
original language<br />
english, french, icelandic<br />
Produced by<br />
Veronika Janatková<br />
axman production,<br />
czech republic<br />
www.axmanproduction.com<br />
in co-Production With<br />
nadim cheikrouha<br />
Jade production, france<br />
Dúi J. landmark<br />
landmark kvikmyndagerð,<br />
iceland<br />
sales contact<br />
Dr international sales<br />
emil Holms kanal 20<br />
Dk-0999 kobenhavn c,<br />
Denmark<br />
drsales@dr.dk<br />
www.drsales.dk<br />
164 165<br />
film id<br />
3209
film id<br />
1773<br />
section<br />
Dok international programme<br />
if i Wasn’t Born<br />
by Hendrik schäfer<br />
If I Wasn’t Born takes a deep look into the film makers’<br />
photographic album. It’s a journey through personal<br />
years during the last years of the GDR and Fall of<br />
the Wall. The film asks about life’s possibilities and those<br />
of a young mother without a son.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
germany, 2012<br />
B / W, HDcam<br />
7 min<br />
original title<br />
Wenn ich nicht geboren wäre<br />
original language<br />
german<br />
Produced by<br />
charles eric Breitkreuz<br />
filmakademie Baden-<br />
Württemberg, germany<br />
Public screenings<br />
7 / 2012 open eyes ff, germany<br />
sales contact<br />
sigrid gairing<br />
filmakademie<br />
Baden-Württemberg<br />
akademiehof 10<br />
71638 ludwigsburg, germany<br />
sigrid.gairing@filmakademie.de<br />
www.filmakademie.de<br />
i’ll stop crYing<br />
if You stop crYing<br />
by andy glynne<br />
Hamid, aged ten, is from Eritrea. His father had been<br />
receiving threats from people in the government,<br />
and so told Hamid and his mother to flee the country as<br />
it was becoming increasingly dangerous for them<br />
to be there. Hamid and his mother escaped to the UK<br />
when he was just seven. His father also tried to escape<br />
but couldn’t and was later killed. Hamid describes<br />
the struggles of coming to terms with his father’s death,<br />
as well as settling into a new country. This film is<br />
part of a series entitled Seeking Refuge using the real-life<br />
stories of young refugees and asylum-seekers who<br />
have fled their homeland, told by the children themselves.<br />
genre<br />
ethnology / religion<br />
History / politics / current affairs<br />
facts<br />
united kingdom, 2012<br />
colour, HD Videofile<br />
4 min<br />
original title<br />
i'll stop crying if You stop crying<br />
original language<br />
english<br />
Produced by<br />
andy glynne<br />
Mosaic films, united kingdom<br />
www.mosaicfilms.com<br />
involved broadcasters<br />
BBc, united kingdom<br />
Public screenings<br />
5 / 2012 BBc two, united kingdom<br />
sales contact<br />
andy glynne<br />
Mosaic films<br />
4th floor shacklewell studios, 28<br />
shacklewell lane<br />
e8 2eZ london, united kingdom<br />
andy@mosaicfilms.com<br />
www.mosaicfilms.com<br />
166 167<br />
film id<br />
2298<br />
section<br />
animadoc
film id<br />
1043<br />
section<br />
Dok Market<br />
iMpenetraBle<br />
by Daniele incalterra, fausta Quattrini<br />
This is a genuine Western in one of the world’s last<br />
virgin territories: the Paraguayan Chaco. The director<br />
wants to establish a 12,355-acre national park<br />
with the land left to him by his father, but his neighbours,<br />
petrol companies and transgenic soybean<br />
growers, who destroy the forest, do not seem too keen<br />
on the idea …<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
france, argentina, 2012<br />
colour, HDcam<br />
95 min<br />
original title<br />
el impenetrable<br />
original language<br />
italian, spanish<br />
Produced by<br />
richard copans<br />
les films d'ici, france<br />
www.lesfilmsdici.fr / en<br />
in co-Production With<br />
Daniele incalterra<br />
Daniele incalcaterra url, france<br />
sales contact<br />
Daniela elstner<br />
Doc & film international<br />
13 rue portefoin<br />
75003 paris, france<br />
d.elstner@docandfilm.com<br />
www.docandfilm.com<br />
section<br />
Dok Market<br />
in BetWeen<br />
– tHe BritisH artist<br />
ricHarD Deacon<br />
by claudia schmid<br />
British-born artist Richard Deacon ranks as one<br />
of the most important sculptors in contemporary art.<br />
His profound interest in the nature of materials<br />
and the ways in which they can be manipulated, and<br />
his innovative approach to form, make him one of<br />
the most inventive artists working today. With his<br />
essential contemplation of space and form, Deacon has<br />
paved the way for a whole new perspective. More<br />
than any other sculptor, he draws out all possibilities of<br />
expression, creating a complex spatial dynamic<br />
from an organic and industrial language of form. The<br />
physical approach taken with the different materials<br />
is a key element in this regard. His sweeping, wave-like<br />
sculptures, with their rhythmic interweaving and<br />
biomorphic-looking structures are among the most<br />
complex works in modern sculpture. The multi-layered<br />
nature of the works reflects the innate complexity of<br />
life and stirs the beholder to intensive reflection. Film-<br />
maker Claudia Schmid has been observing Richard<br />
Deacon’s work for two years. Mutual understanding and<br />
trust grew during this intense time, making it possi-<br />
ble to portray this shy artist, even in quiet moments away<br />
from the public eye. All of which results in a unique<br />
insight into the personality of the artist and his work.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, HD Videofile<br />
90 min<br />
original title<br />
in Between – Der britische<br />
künstler richard Deacon<br />
original language<br />
english<br />
Produced by<br />
Birgit schulz<br />
Bildersturm filmproduktion<br />
gmbH, germany<br />
www.bildersturm-film.de<br />
sales contact<br />
Monika Mack<br />
Bildersturm<br />
köln, germany<br />
info@bildersturm-film.de<br />
www.bildersturm-film.de<br />
168 169<br />
film id<br />
2489
film id<br />
866<br />
section<br />
Dok Market<br />
tHe increDiBles<br />
by David Valero<br />
The story of three everyday heroes: Broken Wing, The<br />
Iron Lady and Radioactive Woman. Three people<br />
who suffer the adversities that life throws up and fight<br />
the most terrifying villains: death, lack of affection<br />
and loneliness. We accompany them in their daily lives<br />
of suffering and rejection. But they never give up –<br />
they continue their struggle to find happiness, because<br />
they are heroes … Ninety-four year old María (aka ‘The<br />
Iron Lady’) survived cancer twice at a younger age. Now<br />
she finds herself outliving friends and relatives. But<br />
strong-minded María has lost none of her zest for life …<br />
Juan (52), ‘Broken Wing’, struggles with depression and<br />
is desperate to find a love to free him from his loneli-<br />
ness. After a motorcycle accident years ago, his right<br />
arm is paralysed – a turning point in his life, which also<br />
cost him his marriage. Joana (‘Radioactive Woman’)<br />
receives a cancer diagnosis shortly before her 31st birth-<br />
day. Her fight for survival begins. A battle that will<br />
leave its mark on Joana’s relationships and whose outcome<br />
remains uncertain … The Incredibles is the feature-<br />
length début of director David Valero. Between bound-<br />
less sadness and heart-warming tenderness, some-<br />
times wonderfully bizarre or painful but always full<br />
of humanity.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, spain, 2012<br />
colour, Dcp<br />
82 min<br />
original title<br />
los increibles<br />
original language<br />
spanish<br />
Produced by<br />
luisa romeo<br />
frida films, spain<br />
www.fridafilms.com<br />
in co-Production With<br />
natalia imaz<br />
parabellum film gmbH, germany<br />
www.parabellumfilm.de<br />
Juanjo Jiménez<br />
salto de eje s. l., spain<br />
www.saltodeeje.com<br />
Public screenings<br />
9 / 2012 international film<br />
festival san sebastián, spain<br />
sales contact<br />
elena Mera<br />
treeline Distribution<br />
la rosa 34, 1º c<br />
15701 santiago de compostela,<br />
spain<br />
elena.mera@<br />
treelinedistribution.com<br />
www.treelinedistribution.com<br />
inDie gaMe:<br />
tHe MoVie<br />
by lisanne pajot, James swirsky<br />
Witness a portrait of a new breed of artist: the video-<br />
game designer. At first, the only way to make it as<br />
a designer in the video game industry was to work with<br />
major developers. Now, like in the film industry<br />
a generation ago, a new breed of independent auteurs<br />
have taken their industry by storm. These programmers<br />
have spent years of their lives building entirely new<br />
games from the bottom up. Risking everything, their<br />
results are deeply personal, visionary works whose<br />
success has redefined the gaming industry.<br />
genre<br />
arts / culture / Music<br />
facts<br />
canada, 2012<br />
96 min<br />
original title<br />
indie game: the Movie<br />
original language<br />
english<br />
Produced by<br />
lisanne pajot, canada<br />
James swirsky, canada<br />
Public screenings<br />
1 / 2012 sundance, usa<br />
3 / 2012 sxsW, usa<br />
4 / 2012 Hot Docs, canada<br />
6 / 2012 sheffield,<br />
united kingdom<br />
sales contact<br />
andrew Herwitz<br />
the film sales company<br />
165 Madison avenue, suite 601<br />
10016 new York, usa<br />
contact@filmsalescorp.com<br />
www.filmsalescorp.com<br />
170 171<br />
film id<br />
3251<br />
section<br />
Hot Docs
film id<br />
3345<br />
infiltraDos<br />
by Juan rendon<br />
section<br />
Dok Market<br />
Infiltrados takes an in-depth look at FARC, one of<br />
the world’s oldest and deadliest terrorist organisations,<br />
examining the Colombian National Police and the<br />
involvement of its intelligence division in the recent<br />
lethal strikes against the FARC. Featuring firsthand<br />
accounts from spies who infiltrated FARC, living<br />
for many years among them before relaying intelligence<br />
back to the Colombian military, these brave people<br />
undertook what were to be the most dangerous missions<br />
ever conceived of. Those who were discovered were<br />
tortured and murdered as a warning to other undercover<br />
agents, and the threat of exposure lingered through-<br />
out their missions. Added to this is the threat of ambush<br />
from their own employers – the Colombian military –<br />
as well as the difficulty in returning with intelligence<br />
as deserters are executed. The chances of survival are<br />
slim. For the first time the terrifying experiences of<br />
these people who left their lives in the cities of Colombia<br />
to live for years in the jungle as FARC members, are<br />
captured on film, and their stories recreated through<br />
animations to protect their identities.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
usa, 2012<br />
colour, DigiBeta<br />
74 min / 52 min<br />
original title<br />
infiltrados<br />
original language<br />
english<br />
Produced by<br />
Juan rendon<br />
univision, united kingdom<br />
in co-Production With<br />
kazz Basma<br />
sideways film, united kingdom<br />
www.sidewaysfilm.com<br />
sales contact<br />
kazz Basma<br />
sideways film<br />
7 Bouverie Mews, Bouverie road.<br />
n16 0al london, united kingdom<br />
kazz@sidewaysfilm.com<br />
www.sidewaysfilm.com<br />
intiMatta<br />
by ramuntcho Matta<br />
‘Intimatta is not a film about Matta, It’s an object-Matta,<br />
belonging to his world and nothing else, take it or<br />
leave it. Of course, I take it but I can understand some<br />
people can feel disoriented. It’s a risk one has to take,<br />
but it is really worth it.’ (Chris Marker) Intimatta is not a<br />
documentary but an artist film about Matta, based<br />
on video recordings made by his son Ramuntcho, director<br />
of this project, and about interviews to contemporaries<br />
who knew Matta very well. Thanks to dozens of tapes<br />
with Roberto Matta painting, talking, walking and even<br />
sleeping; recorded between 1986 and 2000, through<br />
his working notebooks, his letters, Intimatta shows us<br />
a way of thinking. It also reveals to us some crucial bio-<br />
graphical milestones of Matta, when he first arrives<br />
in Europe, his life in Spain and France, the constant link<br />
with the architecture, his relationships with persona-<br />
lities of the 20th century’s art (Le Corbusier, Duchamp,<br />
Breton, etc.), the surrealist movement, evolution of<br />
his painting, the birth of Abstract Expressionism, his<br />
political commitment, etc. With this unpublished<br />
material, Intimatta immerses us into the artist’s creative<br />
and intimate world, stating some universal questions<br />
about transmission, fatherhood and how to share intimacy.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
chile, france, 2011<br />
colour, HDcam<br />
119 min<br />
original title<br />
intimatta<br />
original language<br />
english, french, spanish<br />
Produced by<br />
rodrigo Jorquiera<br />
gfilms s. a., chile<br />
www.gfilms.tv<br />
in co-Production With<br />
ramuntcho Matta, chile<br />
Public screenings<br />
6 / 2012 Hirshhorn Museum,<br />
usa<br />
9 / 2012 abaton Hamburg,<br />
germany<br />
sales contact<br />
rodrigo Jorquiera<br />
gfilms s. a.<br />
isidora goyenechea 3250, piso 4<br />
las condes<br />
7550083 santiago, chile<br />
rj@gfilms.tv<br />
www.gfilms.tv<br />
172 173<br />
film id<br />
3232<br />
section<br />
chileDoc
film id<br />
921<br />
section<br />
Dok Market<br />
tHe inVisiBle string<br />
by Jan Bäss<br />
'The Invisible String' is a feature-length documentary<br />
on the ever evolving history of the flying disc movement.<br />
The film takes the audience on a trip from the very<br />
beginning of pie pin tossing at the Frisbie’s Pie Bakery<br />
in Connecticut back at the turn of the century to the<br />
Rose Bowl World Championships in the late 1970s up to<br />
the greatest international tournaments and the hottest<br />
spots of today. It’s a journey into the heart and mind of<br />
the people that started it all by inventing games, skills,<br />
and creating a global family. The most influential people<br />
give their personal accounts as remarkable stories are<br />
told revolving around living with flying discs. In the<br />
1970s and 1980s playing Frisbee grew to become even<br />
more popular than skateboarding. Rare archive footage<br />
interwoven with Monthy Pythonesque animations<br />
depict playfully the history of the joy of throwing flying<br />
objects. The hottest moves and throws the most<br />
eccentric protagonists are able to perform allow an<br />
intimate insight on some of the different disciplines like<br />
Ultimate, Disc Golf or Freestyle. The Invisible String aims<br />
at reminding every single person of the importance of<br />
doing one thing: to keep playing !<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
94 min<br />
original title<br />
the invisible string<br />
original language<br />
english<br />
Produced by<br />
Jonas knudsen<br />
Joroni produktions- und Verleih,<br />
germany<br />
www.joroni.de<br />
Public screenings<br />
4 / 2012 achtung berlin, germany<br />
9 / 2012 DMZ Docs, south korea<br />
sales contact<br />
christian struck<br />
Boomtown Media intl.<br />
fuggerstr. 33<br />
10777 Berlin, germany<br />
christian.struck@<br />
boomtownmedia.de<br />
www.boomtownmedia.com<br />
irisH folk furniture<br />
by tony Donoghue<br />
In Ireland, old hand painted furniture is often associated<br />
with hard times, with poverty and with a time many<br />
would rather forget. Because of this association much of<br />
the country’s furniture lies abandoned in barns and<br />
sheds. In the making of this film, 16 pieces of abandoned<br />
folk furniture were restored and returned back into<br />
daily use. An animated documentary about repair and<br />
recycling in rural Ireland. This film was shot in a green<br />
and environmentally friendly way using local crafts-<br />
people, local narrators and inexpensive second-hand<br />
equipment. Only natural light was used to shoot this film.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
ireland, 2012<br />
colour, HD Videofile<br />
8 min<br />
original title<br />
irish folk furniture<br />
original language<br />
english<br />
Produced by<br />
cathal Black<br />
Mayfly films ltd., ireland<br />
Public screenings<br />
7 / 2012 galway film fleadh,<br />
ireland<br />
8 / 2012 Darklight ff, ireland<br />
10 / 2012 kerry ff, ireland<br />
10 / 2012 Jihlava iDff,<br />
czech republic<br />
sales contact<br />
tony Donoghue<br />
Mayfly films limited<br />
Ballinderry<br />
00 nenagh, county tipperary,<br />
ireland<br />
tonydonoghue@gmail.com<br />
www.mayflyfilms.com<br />
174 175<br />
film id<br />
1965<br />
section<br />
animadoc
film id<br />
1652<br />
isQat al niZaM<br />
– at tHe<br />
regiMe BorDer<br />
by antonio Martino<br />
section<br />
Dok international programme<br />
It’s not easy to forecast what’s going to happen in Syria.<br />
The hope of many is that the Assad family will democratically<br />
step down, after 40 years of dictatorship<br />
but many people fear that they will drag the population<br />
to hell before disappearing from the scene. Most<br />
of the Syrian population wishes that the revolution will<br />
remain in the hands of young people and continue<br />
peacefully as a symbol of Hope, although some can’t help<br />
firing back when the regime brings blood to the popu-<br />
lation. Some hope for an intervention from a foreign<br />
country, but are also afraid that this would bring a civil<br />
war. Isqat al Nizam is a crude and touching story that<br />
sheds some light on the ‘Syrian Spring’: from the initial<br />
violent reactions of the regime, to the heartbreaking<br />
escape of more than 20,000 refugees to Turkey; from the<br />
constant activity of the rebels through social net-<br />
works to the ongoing defection of soldiers and former<br />
officials. The collection of exclusive interviews with<br />
locals and stolen footage of the events make this film a<br />
unique account.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
italy, 2012<br />
colour, HDcam<br />
78 min<br />
original title<br />
isqat al nizam – viaggio ai confini<br />
del regime<br />
original language<br />
arabic<br />
Produced by<br />
roberto ruini, gloria giorgianni<br />
pulsemedia, italy<br />
www.pulsemedia.it<br />
sales contact<br />
edward caffrey<br />
Journeyman pictures<br />
4 High street<br />
kt7 0rY thames Ditton, united<br />
kingdom<br />
films@journeyman.tv<br />
www.journeyman.tv<br />
italY loVe<br />
it or leaVe it<br />
by gustav Hofer, luca ragazzi<br />
section<br />
Dok Market<br />
Tuscan fields, bel canto arias, slow food and movie<br />
stars are some of the images synonymous with one of<br />
the world’s most adored cultures. Yet many of film-<br />
makers Luca Ragazzi and Gustav Hofer’s disenchanted<br />
friends have recently emigrated from Italy. Before<br />
following suit, the Italian couple decides to take a six-<br />
month road trip across the country to investigate<br />
the extent to which current realities outweigh the icons<br />
of la dolce vita. Throughout their exploration they<br />
witness multiple examples of staggering corruption, an<br />
increasingly lower standard of living, environmental<br />
hazards and intransigent fanaticism. Simultaneously,<br />
however, they encounter loyal crusaders who feel<br />
unequivocally compelled to make their homeland a better<br />
place. In an astute manner and with quirky Fellini-esque<br />
animation, the film further tantalizes us with Italy’s<br />
glorious past and future potential. Will the pair decide<br />
to leave or stay ? Their journey tells it all.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, italy, 2012<br />
colour, HDcam<br />
92 min<br />
original title<br />
italy love it or leave it<br />
original language<br />
english<br />
Produced by<br />
gustav Hofer<br />
hiq productions, italy<br />
www.italyloveitorleave.it<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
176 177<br />
film id<br />
3298
film id<br />
3211<br />
section<br />
east silver & iDf<br />
Jakarta DisorDer<br />
by ascan Breuer<br />
It is only the second time that Indonesians can vote<br />
for their own president. Two charismatic women,<br />
however, are not satisfied with mere elections. Grandma<br />
Dela, who lives in a slum of the tropical megacity,<br />
and the intellectual Wardah Hafidz are setting out to<br />
collect 1.5 million signatures of the poorest, who<br />
are constantly threatened by local arbitrary justice and<br />
the desires of global capitalism. Can the power of a<br />
small elite really be overthrown by the power of many,<br />
or is ‘real democracy’ just an ideal ? With this political<br />
road-documentary the director portrays social changes<br />
and improvements in his mother’s old homeland.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
austria, 2012<br />
colour, HDcam<br />
88 min<br />
original title<br />
Jakarta Disorder<br />
original language<br />
indonesian<br />
Produced by<br />
arash t. riahi<br />
golden girls<br />
filmproduktion & filmservices,<br />
austria<br />
www.goldengirls.at<br />
sales contact<br />
arash t. riahi<br />
golden girls<br />
filmproduktion & filmservices<br />
seidengasse 15 / 3 / 20<br />
1070 Vienna, austria<br />
office@goldengirls.at<br />
www.goldengirls.at<br />
section<br />
Dok Market<br />
Jason Becker:<br />
not DeaD Yet<br />
by Jesse Vile<br />
Jason Becker: Not Dead Yet is a feature-length documen-<br />
tary that tells the extraordinary story of Jason<br />
Becker, a musical prodigy and guitar legend, who has<br />
been battling with ALS for 22 years. A paralyzing,<br />
terminal illness with no cure, the disease has trapped<br />
Jason inside of his body rendering him completely<br />
paralyzed. Using an eye communication system invented<br />
by his father, Jason is able to escape the confines<br />
of his body and release the music that is trapped inside<br />
of his mind. Jason Becker: Not Dead Yet is a story of<br />
dreams, love and the strength of the human spirit.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
united kingdom, 2012<br />
colour, HDcam<br />
87 min<br />
original title<br />
Jason Becker: not Dead Yet<br />
original language<br />
english<br />
Produced by<br />
Jesse Vile, united kingdom<br />
Public screenings<br />
3 / 2012 cinequest ff, usa<br />
4 / 2012 Hot Docs, canada<br />
6 / 2012 Biografilm festival, italy<br />
4 / 2012 Boston independent ff,<br />
usa<br />
sales contact<br />
Vesna cudic<br />
Dogwoof global<br />
211 Hatton square Business<br />
centre<br />
16 Baldwins gardens<br />
ec1n 7rJ london, united<br />
kingdom<br />
vesna@dogwoof.com<br />
www.dogwoof.com<br />
178 179<br />
film id<br />
2481
film id<br />
3181<br />
Joe fraZier:<br />
WHen tHe<br />
sMoke clears<br />
by Mike todd<br />
section<br />
Documentary campus<br />
Masterschool<br />
They say Philadelphia is the capital of boxing and Joe<br />
Frazier’s gym is the Whitehouse. Joe Frazier, one of the<br />
most famous athletes of the 20th century, is lost in the<br />
legend of one of the greatest rivalries in the history of<br />
sport. Filmed during the final years of the iconic boxer’s<br />
life and told through the voice of son Marvis, this<br />
documentary reveals the story of the real Joe Frazier for<br />
the first time. For over forty years, since the last of his<br />
million dollar bouts with Ali, Foreman and others, Joe’s<br />
commitment to his adopted Philadelphia neighbourhood<br />
kept his landmark gym alive. Now, tragically, it has<br />
to close.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
united kingdom, 2011<br />
colour, Bluray Disc<br />
72 min<br />
original title<br />
Joe frazier: When the smoke<br />
clears<br />
original language<br />
english<br />
Produced by<br />
Mike todd<br />
riverhorse, united kingdom<br />
www.riverhorse.tv<br />
Public screenings<br />
11 / 2011 Doc nYc, usa<br />
5 / 2012 espn, united kingdom<br />
sales contact<br />
Heather White<br />
espn<br />
3 Queen caroline street,<br />
Hammersmith,<br />
W6 9pe london, united kingdom<br />
heather.white@espn.com<br />
section<br />
Dok Market<br />
tHe JoY DoWn tHere<br />
by Matthias Ditscherlein, Dagmar Borchert<br />
After World War II, hundreds of women worked in<br />
mines in East Germany. They were employed against all<br />
state regulations. Four of these women between the<br />
ages of 77 and 90 talk about their time down there,<br />
about hard work, continuous risks and the joy of<br />
working as a miner in coal, potash and copper mines in<br />
Saxony, Saxony-Anhalt and Thuringia. In addition, the<br />
movie shows the everyday work life of one of two young<br />
women who decided to start an apprenticeship in<br />
mining in Germany after this was allowed again by the<br />
German government in 2009.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, B / W, HD Videofile<br />
56 min<br />
original title<br />
Das glück da unten<br />
original language<br />
german<br />
Produced by<br />
Matthias Ditscherlein, germany<br />
www.matthias-ditscherlein.de<br />
Dagmar Borchert<br />
freie Journalistin / produzentin,<br />
germany<br />
sales contact<br />
Matthias Ditscherlein<br />
lindenthaler straße 62<br />
04155 leipzig, germany<br />
kontakt@matthias-ditscherlein.de<br />
www.matthias-ditscherlein.de<br />
180 181<br />
film id<br />
3048
film id<br />
1516<br />
section<br />
Dok Market<br />
keep up<br />
tHe gooD Work<br />
by konstantin faigle<br />
It is a fetish, a mantra, a secret religion to modern man:<br />
work. In times of the financial crisis and massive job<br />
reductions, this documentary movie questions work as<br />
our ‘hallow’ sense in life in a way that both humours<br />
and pains us.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, 35 mm<br />
26 min<br />
original title<br />
frohes schaffen – ein film zur<br />
senkung der arbeitsmoral<br />
original language<br />
english, french, german<br />
Produced by<br />
erik Winker<br />
Hupe film- und fernseh-<br />
produktion, germany<br />
www.hupefilm.de<br />
in co-Production With<br />
konstantin faigle<br />
kHM köln, germany<br />
involved broadcasters<br />
ZDf, germany<br />
sales contact<br />
erik Winker<br />
Hupe film- und<br />
fernsehproduktion<br />
antwerpenerstr.14<br />
50672 köln, germany<br />
ew@hupefilm.de<br />
www.hupefilm.de<br />
kern<br />
by severin fiala, Veronika franz<br />
section<br />
Dok Young cinema<br />
competition<br />
Two directors shoot a documentary about the controversial<br />
director and pugnacious actor Peter Kern. But he<br />
cannot be easily rammed into the classical form of a doc.<br />
He questions, criticizes and rebels while the camera is<br />
rolling – and the two directors applaud.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
austria, 2012<br />
colour, Dcp<br />
98 min<br />
original title<br />
kern<br />
original language<br />
german<br />
Produced by<br />
ulrich seidl<br />
ulrich seidl filmproduktion,<br />
austria<br />
www.ulrichseidl.com<br />
Public screenings<br />
8 / 2012 locarno, switzerland<br />
9 / 2012 san sebastian, spain<br />
sales contact<br />
ulrich seidl<br />
ulrich seidl filmproduktion<br />
Wasserburgergasse 5 / 7<br />
1090 Vienna, austria<br />
office@ulrichseidl.at<br />
www.ulrichseidl.com<br />
182 183<br />
film id<br />
3098
film id<br />
1167<br />
section<br />
Dok international programme<br />
tHe kHMer rouge<br />
anD tHe Man<br />
of non-Violence<br />
by Bernard Mangiante<br />
A brand-new courthouse in the still devastated land<br />
of Cambodia. Before the judges, one of the 20th centuries<br />
worst criminals: Douch, a Khmer Rouge leader<br />
and head of the S 21 torture centre. 16,000 prisoners,<br />
7 survivors. At his side, two court-appointed attorneys<br />
faced with the challenge of defending him. ‘Every<br />
sick person has a right to a doctor,’ says Kar Savuth, the<br />
Cambodian who survived Pol Pot’s jails. ‘I always<br />
try to seek out the man in the torturer,’ says François<br />
Roux, a disciple of Gandhi and defender of the sup-<br />
porters of civil disobedience and non-violence for the<br />
last thirty years.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
france, cambodia, 2011<br />
colour, DigiBeta<br />
90 min<br />
original title<br />
le khmer rouge et le non violent<br />
original language<br />
english, french, khmer<br />
Produced by<br />
serge lalou<br />
les films d'ici, france<br />
www.lesfilmsdici.fr<br />
in co-Production With<br />
rithy panh<br />
Bophana center, cambodia<br />
www.bophana.org<br />
Public screenings<br />
3 / 2012 figra, france<br />
5 / 2012 Documenta Madrid,<br />
spain<br />
5 / 2012 liDf, united kingdom<br />
3 / 2012 cinéma du réel, france<br />
sales contact<br />
serge lalou<br />
les films d'ici<br />
62 Boulevard Davout<br />
75020 paris, france<br />
celine.paini@lesfilmsdici.fr<br />
www.lesfilmsdici.fr<br />
section<br />
Dok Market<br />
tHe kiD<br />
anD tHe cloWn<br />
by ida grøn<br />
At a children’s cancer ward in Denmark we follow the<br />
hospital clown Angus and the six-year old boy Tobias in<br />
their common fight to keep living and to enjoy life<br />
while fighting. Together they duel in Guitar Hero, roam<br />
the halls as masked bandits, play Uno and eat gravy –<br />
lots of gravy. Their relationship evolves into a friendship<br />
which just might help Tobias on his way to beating<br />
the cancer – and which definitely helps how Tobias feels<br />
about the months spent at the hospital.<br />
genre<br />
Human interest<br />
facts<br />
Denmark, 2011<br />
colour, DigiBeta<br />
53 min / 41 min<br />
original title<br />
klovn for livet<br />
original language<br />
Danish<br />
Produced by<br />
signe Byrge sørensen<br />
spor Media, Denmark<br />
www.spormedia.dk<br />
in co-Production With<br />
anne köhncke<br />
final cut for rent, Denmark<br />
www.final-cut.dk<br />
involved broadcasters<br />
tV2, norway<br />
Public screenings<br />
11 / 2011 iDfa, netherlands<br />
4 / 2012 aljazeera iDff,<br />
united kingdom<br />
4 / 2012 Hot Docs, canada<br />
7 / 2012 krakow iff, poland<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshine-berlin.de<br />
www.riseandshine-berlin.com<br />
184 185<br />
film id<br />
3241
film id<br />
3063<br />
kiran<br />
by Bettina timm, alexander riedel<br />
section<br />
Dok international<br />
competition short<br />
The film tells the story of Kiran, who lives with his<br />
mother in a yurt in the Pyrenees. Kiran is eight<br />
year-old and knows how to plant salad, which meadowplants<br />
taste good and which you should not eat. But<br />
he has no idea what’s going on in the evening on TV and<br />
cannot deal with the computer. His greatest wish is<br />
to go to a public school to learn to read and write at last …<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
30 min<br />
original title<br />
kiran<br />
original language<br />
french<br />
Produced by<br />
alexander riedel, Bettina timm<br />
pelle film, germany<br />
www.pellefilm.de<br />
involved broadcasters<br />
ZDf/ 3sat, germany<br />
sales contact<br />
alexander riedel,<br />
Bettina timm<br />
pelle film<br />
Baaderstr. 45 rgb<br />
80469 München, germany<br />
info@pellefilm.de<br />
timm@pelle-film.de<br />
www.pellefilm.de<br />
section<br />
Dok Young cinema<br />
competition<br />
tHe lanD<br />
BeneatH tHe fog<br />
by shalahuddin siregar<br />
In Genikan – a remote mountain village on the slope of<br />
Merbabu (Central Java), a quiet community is facing<br />
change without understanding why it is happening. As a<br />
community of farmers who relies on the traditional<br />
Javanese calendar system to read the seasons, they become<br />
puzzled by the dramatic change of seasons. Muryati<br />
(30 years old) and Sudardi (32 years old), a farmer<br />
family, try to understand why it rains more than in the<br />
previous years. Failed harvests and cheap sale prices<br />
become a threat. Meanwhile, Arifin (12 years old)<br />
is facing a different question: what does the future offer<br />
him ? At a very young age, he has to deal with the<br />
complicated public school system. In the rhythm of a slow<br />
visual journey The Land Beneath the Fog takes an intimate<br />
look at family relations in Genikan. Describing a<br />
life on the brink of vanishing, this documentary offers<br />
deep insights into an invisible and disenfranchised<br />
society which is struggling hard to maintain its existence.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
indonesia, germany, 2011<br />
colour, HDcam<br />
105 min<br />
original title<br />
negeri di Bawah kabut<br />
original language<br />
indonesian<br />
Produced by<br />
shalahuddin siregar<br />
studiokecil, indonesia<br />
www.studiokecil.com<br />
Public screenings<br />
12 / 2011 Dubai iff, united arab<br />
emirates<br />
3 / 2012 south east asian ff,<br />
singapore<br />
8 / 2012 osian-cinefan ff, india<br />
11 / 2012 Hanoi iff, Vietnam<br />
sales contact<br />
shalahuddin siregar<br />
studiokecil<br />
griya suryo asri 1 no.c2<br />
55141 Yogyakarta, indonesia<br />
s.siregar@me.com<br />
www.studiokecil.com<br />
186 187<br />
film id<br />
640
film id<br />
2752<br />
section<br />
Dok Market<br />
lang lang<br />
– tHe art of Being<br />
a Virtuoso<br />
by thomas grube<br />
The Chinese pianist Lang Lang is considered the world’s<br />
No. 1 classical music star. The Art Of Being A Virtuoso<br />
links him and his piano hero, Franz Liszt. Two men, who<br />
made their childhood dreams come true and ascended<br />
to the ranks of the greatest musicians the world has seen.<br />
Acclaimed filmmaker Thomas Grube (Rhythm Is It !,<br />
Trip To Asia) was granted exclusive access this summer<br />
and accompanied Lang Lang through China, the<br />
U. S. and Europe. His film offers a revealing inside view<br />
into the life and mind of the modern virtuoso. The<br />
documentary was produced with high production value<br />
over the course of five months in Shanghai, Shenzhen,<br />
Chicago, Milan, London, New York and Berlin.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
germany, united kingdom, italy,<br />
china, usa, 2011<br />
colour, HD Videofile<br />
72 min<br />
original title<br />
lang lang – the art of Being<br />
a Virtuoso<br />
original language<br />
chinese, english, german, italian<br />
Produced by<br />
uwe Dierks, thomas grube<br />
Boomtown Media, germany<br />
www.boomtownmedia.de<br />
involved broadcasters<br />
ZDf, germany<br />
Public screenings<br />
8 / 2012 Jecheon Music festival,<br />
south korea<br />
10 / 2011 ZDf, germany<br />
sales contact<br />
christian struck<br />
Boomtown Media intl.<br />
gmbH & co kg<br />
fuggerstr. 33<br />
10777 Berlin, germany<br />
christian.struck@<br />
boomtownmedia.de<br />
www.boomtownmedia.com<br />
lapsus<br />
by Juan pablo Zaramella<br />
section<br />
focus latin america<br />
Never underestimate the power of the dark side.<br />
genre<br />
arts / Music / culture<br />
author’s point of view<br />
facts<br />
argentina, 2007<br />
animated film, B / W,<br />
HD Videofile<br />
4 min<br />
original title<br />
lapsus<br />
original language<br />
without dialogue<br />
sales contact<br />
Juan pablo Zaramella<br />
JpZtudio<br />
castro 1148-Dpto 8<br />
1237aaB Buenos aires,<br />
argentina<br />
contact@zaramella.com.ar<br />
www.zaramella.com.ar<br />
188 189<br />
film id<br />
3178
film id<br />
3342<br />
section<br />
Dok.incubator<br />
tHe last Black<br />
sea pirates<br />
by svetoslav stoyanov<br />
The last Black Sea pirates get by on questionable<br />
means, swimming in alcohol fumes, testosterone, and<br />
rugged tenderness on a pristine beach far from civi-<br />
lization. For the last 20 years, Captain Jack and his crew<br />
have been looking for a legendary treasure hidden<br />
in the gully. If they could have it their way, the Pirates<br />
would die where they live today. But in city halls and<br />
corporate high rises across Europe, the powers<br />
that be have other plans for the pirates' paradise. When<br />
news of the imminent change begins to find its way<br />
to this remote oasis, the pirates' world begins to unravel.<br />
Doubts erode the foundations of trust, conflicts<br />
brew and tensions are on the rise. In this crisis emerges<br />
a contemporary real-life story about the treasure we<br />
hunt and the treasures we find.<br />
As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />
still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />
genre<br />
Human interest<br />
facts<br />
Bulgaria, 2013<br />
colour, HDcam<br />
70 min<br />
original title<br />
poslednite chernomorski pirati<br />
original language<br />
Bulgarian<br />
Produced by<br />
Martichka Bozhilova<br />
agitprop, Bulgaria<br />
www.agitprop.bg<br />
involved broadcasters<br />
knowledge network, canada<br />
sales contact<br />
Martichka Bozhilova<br />
agitprop<br />
68 Budapesta str., ap.1<br />
1202 sofia, Bulgaria<br />
producer@agitprop.bg<br />
www.agitprop.bg<br />
www.bdcwebsite.com<br />
section<br />
leipzig screening<br />
tHe last catcH<br />
by Markus schmidt<br />
The European blue fin tuna measures up to 5 metres<br />
long and weighs as much as 600 kg. Every year,<br />
it travels across the Atlantic Ocean, returning to the<br />
Mediterranean to spawn. Although it has long<br />
been established that overfishing has left the tuna<br />
stocks close to collapse, these days the whole swarm<br />
is captured while spawning, thus preventing the<br />
replenishing of resources. No other fish in the world<br />
fetches such high prices. In Japan, it feeds a profit-<br />
driven machinery of gigantic proportions. The fishermen,<br />
too, are facing imminent extinction. The less<br />
tuna remaining, the more ruthless the fight for the last<br />
of this valuable resource becomes: Raphaël stretches<br />
every legal loophole to the limit; his boats have repeatedly<br />
been impounded. Roger is one of the few who has<br />
stuck to the EU quotas and is now forced to sell his boat.<br />
Roberto got out of the business years ago and is now<br />
fighting desperately for a fishing moratorium in a last<br />
ditch effort to save the remaining spawning grounds.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
91 min<br />
original title<br />
Der letzte fang<br />
original language<br />
english, french, Japanese<br />
Produced by<br />
carl-ludwig rettinger<br />
lichtblick film- und fernsehproduktion,<br />
germany<br />
www.lichtblick-film.de<br />
involved broadcasters<br />
WDr, germany<br />
sales contact<br />
ulrike schröder<br />
global screen gmbH<br />
sonnenstrasse 21<br />
80331 München, germany<br />
ulrike.schroeder@<br />
globalscreen.de<br />
www.globalscreen.de<br />
190 191<br />
film id<br />
2304
film id<br />
3062<br />
section<br />
Dok international<br />
competition<br />
tHe last station<br />
by cristian soto, catalina Vergara<br />
A documentary film about old age that takes place in<br />
nursing homes. Under the contemplative look of a<br />
camera, the life and moments some old people face in<br />
their last stage are portrayed in an atmosphere of<br />
solitude and abandonment. These homes, and their long<br />
lasting passage of time, are the last station in life<br />
before setting out on the inevitable journey to death.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
chile, 2012<br />
colour, Dcp<br />
90 min<br />
original title<br />
la Última estación<br />
original language<br />
spanish<br />
Produced by<br />
philip gröning<br />
philip gröning filmproduktion,<br />
germany<br />
sales contact<br />
catalina Vergara<br />
catalina Vergara films /<br />
globo rojo<br />
abadía 204<br />
7591233 santiago, chile<br />
catavergara@yahoo.com<br />
section<br />
Dok Market<br />
legenDs<br />
for Beginners<br />
by karsten schleitzer<br />
At present, insiders of the German track and field<br />
athletics scene watch attentively an outsider phenomenon<br />
in the youth area of the pole vault event. Almost from<br />
nowhere, two teenage girls take up a position on top of<br />
the world rankings of pole vault. The father of this<br />
success is Olaf Hilker, an independent, self taught coach<br />
without a coaching license, widely regarded as an<br />
awkward customer. According to his own point of view,<br />
a person who handles things differently, at his own<br />
risk, without support, but with perspective and success.<br />
Why is he and his rare outsider team so extraordi-<br />
narily successful ? The first doping samples of the two<br />
exceptional, teenage vaulters didn’t yield any further<br />
notes to this.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
75 min<br />
original title<br />
elf freunde sollst Du sein<br />
original language<br />
german<br />
Produced by<br />
karsten schleitzer, germany<br />
www.ks-undertainment.de<br />
sales contact<br />
karsten schleitzer<br />
ebersstraße 4<br />
10827 Berlin, germany<br />
info@ks-undertainment.de<br />
www.ks-undertainment.de<br />
192 193<br />
film id<br />
586
film id<br />
803<br />
leontina<br />
by Boris peters<br />
section<br />
chileDoc<br />
For 82 years, Leontina Miranda Sandoval has lived in the<br />
isolated lands of southern Chile. Alone, separated<br />
from an absent family and to modern developments, she<br />
seeks refuge in her own world. We will know her<br />
memories and her intimacy, her everyday rituals and her<br />
worldview. We discover a secret that takes her to the<br />
past and we join her back on the sea after 50 years. This<br />
documentary is a grandson’s tribute to his grandmother.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
chile, 2012<br />
colour, B / W, HDcam<br />
75 min<br />
original title<br />
leontina<br />
original language<br />
spanish<br />
Produced by<br />
roberto aschieri<br />
peters&peters, chile<br />
Public screenings<br />
3 / 2012 iff guadalajara, Mexico<br />
8 / 2012 festival gramado, Brazil<br />
8 / 2012 sanfic 8, chile<br />
9 / 2012 pueBla, Mexico<br />
sales contact<br />
roberto aschieri<br />
peters&peters<br />
eleodoro Yañez 1070,<br />
providencia.<br />
832-0142 santiago, chile<br />
oaingil@gmail.com<br />
letter tape<br />
by rowena crowe<br />
Letter tape is an animated documentary film about<br />
two engaged lovers separated by time zones and several<br />
oceans. The soundtrack is an actual tape recording<br />
Cathy (the director’s mother) made on a hired audio<br />
machine in London in 1957 to communicate intimately<br />
with her fiancé after frustrated broken telephone<br />
conversations. This old tape recorded message has been<br />
lovingly animated to provide a glimpse back in time.<br />
Cathy describes a wintry London, heaving under a cloud<br />
of smog and fantasizes about when they can be to-<br />
gether again. It is a letter that is excitedly looking forward<br />
to the possibilities of a relationship in its heady early<br />
days of romance and desire. Imbued with an infectious<br />
sense of hope, this fascinating time capsule suffuses with<br />
the atmosphere of a time and place now passed.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
australia, 2011<br />
colour, B / W, HD Videofile<br />
9 min<br />
original title<br />
letter tape<br />
original language<br />
english<br />
Produced by<br />
Mitzi goldman<br />
looking glass pictures, australia<br />
www.lookingglasspictures.com.au<br />
Public screenings<br />
6 / 2012 sydney film festival,<br />
australia<br />
6 / 2012 edinburgh iff,<br />
united kingdom<br />
7 / 2012 east end film festival,<br />
united kingdom<br />
10 / 2012 antenna Documentary<br />
film festival, australia<br />
sales contact<br />
rowena crowe<br />
planciusplein 6c<br />
4812 sg Breda, netherlands<br />
rowena@jkledit.com<br />
194 195<br />
film id<br />
60<br />
section<br />
animadoc
film id<br />
3233<br />
section<br />
Dok Market<br />
tHe life anD tiMes<br />
of paul tHe<br />
psYcHic octopus<br />
by alexandre philippe<br />
The Life and Times of Paul the Psychic Octopus tells the<br />
official and exclusive story of the world’s most<br />
beloved and scorned cephalopod, whose remarkable<br />
string of eight correct ‘predictions’ during the<br />
2010 Soccer World Cup made him a worldwide superstar.<br />
Whether Paul is an honest-to-goodness 21st<br />
century oracle, or a tentacled sham, remains a hotly<br />
debated topic. What is certain, though, is that<br />
Paul’s unmatched string of correct predictions has<br />
affected us, made us dream, and impacted popu-<br />
lar culture. The Life and Times of Paul the Psychic Octopus<br />
is a biopic of tentacular proportions – one that<br />
explores celebrity mania at its most outrageous, the<br />
science of probabilities, and the possibility of<br />
higher powers.<br />
genre<br />
arts / culture / Music<br />
Human interest<br />
facts<br />
usa, switzerland, 2012<br />
colour, HDcam<br />
58 min<br />
original title<br />
the life and times of paul the<br />
psychic octopus<br />
original language<br />
english, german, italian,<br />
russian, spanish<br />
Produced by<br />
alexandre philippe<br />
cinema Vertige, usa<br />
www.cinemavertige.com<br />
in co-Production With<br />
robert Muratore<br />
exhibit a pictures, usa<br />
Public screenings<br />
6 / 2012 edinburgh iff,<br />
united kingdom<br />
6 / 2012 sheffield Doc / fest,<br />
united kingdom<br />
sales contact<br />
Youn Ji<br />
autlook filmsales<br />
trappelgasse 4 / 17<br />
1040 Wien, austria<br />
youn@autlookfilms.com<br />
www.autlookfilms.com<br />
section<br />
focus latin america<br />
tHe lifeguarD<br />
by Maite alberdi<br />
Mauricio is a scrupulous lifeguard, punctual and<br />
meticulous almost to the point of obsession, in running<br />
his tower and making the rules respected on the<br />
largest and most famous beach in Chile. The Sunday<br />
trippers often cannot stand his attitude, like his<br />
colleague/rival, but the small aspiring lifeguard has<br />
chosen him to learn the job. Many wonder why Mauricio<br />
never goes into the water. Until there is a drama.<br />
Oscillating between the pure observation of reality and<br />
the suspense of fiction, the documentary by the young<br />
director Maite Alberdi cleverly questions the theme of<br />
responsibility.<br />
genre<br />
author’s point of View<br />
ethnology / religion<br />
Human interest<br />
facts<br />
chile, 2011<br />
colour, HDcam<br />
64 min<br />
original title<br />
el salvavidas<br />
original language<br />
spanish<br />
Produced by<br />
paola castillo<br />
errante productions, chile<br />
www.errante.cl<br />
sales contact<br />
catherine le clef<br />
cat&Docs<br />
18 rue Quincampoix<br />
75004 paris, france<br />
cat@catndocs.com<br />
www.catndocs.com<br />
196 197<br />
film id<br />
1796
film id<br />
708<br />
section<br />
Dok international<br />
competition<br />
like stone lions<br />
at tHe gateWaY into<br />
nigHt<br />
by olivier Zuchuat<br />
Between 1947 and 1950, more than 80,000 Greek<br />
citizens were imprisoned on the isle of Makronisos<br />
(Greece) in re-education camps created to ‘fight<br />
the spread of communism’. Among these exiles were<br />
a number of writers and poets, including Yannis<br />
Ritsos and Tassos Livaditis. Despite the deprivation<br />
and torture, these prisoners succeeded in composing<br />
poems, which describe their struggle for survival<br />
in this world of internment. These texts, some of them<br />
buried in the camps, were later found. Like Lions<br />
of Stone at the Gateway of Night blends these poetic<br />
writings with the re-education propaganda constantly<br />
piped through the camps’ loudspeakers. Long track-<br />
ing shots take us on a trance-like journey through the<br />
camp ruins, interrupted along the way by segments<br />
from photographic archives. A cinematic essay, which<br />
revives the memory of forgotten ruins and a battle lost.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
switzerland, greece, france,<br />
2012<br />
colour, B / W, Dcp<br />
87 min<br />
original title<br />
comme des lions de pierre<br />
à l’entrée de la nuit<br />
original language<br />
french, greek<br />
Produced by<br />
pierre-alain Meier<br />
prince film sa, switzerland<br />
www.princefilms.ch<br />
in co-Production With<br />
olivier Zuchuat, switzerland<br />
www.olivierzuchuat.net<br />
xavier carniaux<br />
aMip, france<br />
www.amip-multimedia.fr<br />
involved broadcasters<br />
tsr, switzerland<br />
Public screenings<br />
4/2012 Visions du réel, france<br />
sales contact<br />
Daniela elstner<br />
Doc & film international<br />
13 rue portefoin<br />
75003 paris, france<br />
d.elstner@docandfilm.com<br />
www.docandfilm.com<br />
section<br />
Dok international<br />
competition short<br />
lisa, go HoMe !<br />
by oksana Buraja<br />
The soul of the child does not want to reconcile<br />
with her surroundings. The film-makers made the effort<br />
to record what reflects the generation gap between<br />
the little girl Lisa and the world of adults in her family.<br />
Parts of the continuing conflicts that were recorded<br />
occur because of Lisa’s running away from home. ‘Why<br />
are you always running away ? What are you missing ?’<br />
The little girl hears these questions relentlessly. However,<br />
how is it possible to explain, what is only clear to<br />
her own soul – what is within the indescribably fragile<br />
existence of a child ? This is a world that is surrounded<br />
by coarse and brutal realities … How long will the<br />
child be able to resist this environment and safeguard<br />
her own dream ?<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
lithuania, estonia, 2012<br />
colour, Dcp<br />
27 min<br />
original title<br />
liza, namo !<br />
original language<br />
russian<br />
Produced by<br />
uljana kim<br />
studio uljana kim, lithuania<br />
in co-Production With<br />
arko okk<br />
acuba film, estonia<br />
sales contact<br />
uljana kim<br />
studio uljana kim<br />
antakalnio 94–25<br />
lt10202 Vilnius, lithuania<br />
kim@lfc.lt<br />
198 199<br />
film id<br />
2717
film id<br />
1745<br />
section<br />
Dok international<br />
competition short<br />
little afgHanistan<br />
by Basir seerat<br />
Vintage horse-drawn carriages used as taxis mingle with<br />
heavy automobile traffic down a very long street. The<br />
coachmen attempt to resist the pressing urban planning<br />
desires of the riverbank inhabitants, a modernization<br />
which would make them disappear.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
afghanistan, 2011<br />
colour, DigiBeta<br />
28 min<br />
original title<br />
petite afghanistan<br />
original language<br />
persian<br />
Produced by<br />
stéphane Jourdain<br />
la Huit production, france<br />
www.lahuit.com<br />
Public screenings<br />
5 / 2012 festival indo-persan<br />
Marseille, france<br />
6 / 2012 festival des 3 continents,<br />
france<br />
sales contact<br />
Julien Beaunay<br />
la Huit production<br />
218 bis rue de charenton<br />
75012 paris, france<br />
distribution@lahuit.fr<br />
www.lahuit.com<br />
section<br />
Dok Market<br />
little perestroJka<br />
by Bernhard pötscher<br />
Shailo Djekshenbaev is a photographer living in<br />
Bishkek. For years, he has documented in his work the<br />
changes in his country, Kyrgystan. The little known<br />
republic in Central Asia, its tradition interwoven with<br />
the legacy of Genghis Khan and the mystique of the<br />
Silk Road, was under Soviet rule until 1991. Following a<br />
revolution in April 2010, Kyrgystan became the first<br />
country in Central Asia to introduce a parliamentary<br />
democracy. But the road to democracy has proved long<br />
and treacherous. Ethnic conflicts between Usbeks<br />
and Kyrgyz led to terrible riots in June 2010. We join<br />
Shailo on a journey to the turbulent South.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
austria, 2012<br />
colour, HDcam<br />
90 min<br />
original title<br />
kleine perestrojka<br />
original language<br />
kirghiz, russian<br />
Produced by<br />
Bernhard pötscher<br />
sixpackfilm, austria<br />
Public screenings<br />
3 / 2012 Diagonale graz, austria<br />
4 / 2012 crossing europe, austria<br />
8 / 2012 5seenfestival, germany<br />
9 / 2012 one World Human rights<br />
ff, kyrgyzstan<br />
sales contact<br />
Bernhard pötscher<br />
sixpackfilm<br />
neubaugasse 45<br />
1070 Wien, austria<br />
office@sixpackfilm.com<br />
200 201<br />
film id<br />
1515
film id<br />
2240<br />
section<br />
Dok Market<br />
liVe or<br />
Die in enteBBe<br />
by eyal Boers<br />
‘Operation Entebbe’ is considered one of the most<br />
brilliant rescue missions in military history. However,<br />
Israel’s most heroic myth is the Mimouni family’s<br />
greatest tragedy because 35 years later, the mysterious<br />
death of 19 year old French hostage Jean – Jacques<br />
Mimouni during the raid remains an unsolved mystery.<br />
In this emotionally charged documentary, Yonathan,<br />
the spitting image of his uncle Jean – Jacques, wishes<br />
to gather all the testimonies and reconstitute the scenario<br />
that would explain his uncle’s death.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
israel, 2012<br />
colour, B / W, HDcam<br />
52 min<br />
original title<br />
lichyot o lamut Be entebbe<br />
original language<br />
english, french, Hebrew<br />
Produced by<br />
eyal Boers<br />
Dynamic flash, israel<br />
in co-Production With<br />
Jean-Michel trèves<br />
J. M. t. films Distribution &<br />
Worldwide sales, israel<br />
www.jmtfilms.com<br />
involved broadcasters<br />
src, canada<br />
sales contact<br />
Michael treves<br />
JMt films Distribution,<br />
co-productions & world sales<br />
20 Bialik street<br />
63324 tel aviv, israel<br />
michael@jmtfilms.com<br />
section<br />
Dok international programme<br />
loDen –<br />
tHe little Monk<br />
by andré Hörmann<br />
Two years ago, the then 10 year old farmer’s son<br />
Sanjaya moved from his parents' farm to the far away<br />
monastery Manang high up in the mountains of<br />
Nepal. Ever since then he has been called Karma Loden.<br />
At first he had a hard time adjusting to his new life<br />
but now he likes the strictly organized daily routine.<br />
Karma is one of the most ambitious students at the<br />
monastery and in April he will have to pass very impor-<br />
tant exams in all subjects, if he wants to reach his big<br />
dream: Karma wants to become a big Lama.<br />
genre<br />
ethnology / religion<br />
portrait<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
25 min<br />
original title<br />
loden – Der kleine Mönch<br />
original language<br />
nepali<br />
Produced by<br />
Heike kunze<br />
telekult film- und Medien-<br />
produktion gmbH, germany<br />
www.telekult.de<br />
involved broadcasters<br />
rBB, germany<br />
sales contact<br />
Heike kunze<br />
telekult film- und Medien-<br />
produktion gmbH<br />
kremmener str. 6<br />
10435 Berlin, germany<br />
kunze@telekult.de<br />
www.telekult.de<br />
202 203<br />
film id<br />
2677
film id<br />
2578<br />
section<br />
Dok Market<br />
long Vacation<br />
by Damjan kozole<br />
Thirteen year-old Alex went on vacation to Serbia. For<br />
four years, he was unable to return home to the country<br />
where he was born. He stayed on ‘vacation’ for twenty<br />
years. Nisveta arrived from Bosnia thirty years ago. After<br />
the independence, she gave birth to a daughter who<br />
did not officially exist for the first two years of her life.<br />
When she was a teenager, Katarina lost her parents,<br />
her flat, and her documents … Three stories of young<br />
people who the state of Slovenia erased from all records<br />
in February 1992, just over half a year after it gained<br />
independence. They became the so-called ‘erased’. So<br />
did approximately 20,000 others.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
slovenia, 2012<br />
colour, B / W, Dcp<br />
34 min<br />
original title<br />
Dolge pocitnice<br />
original language<br />
slovene<br />
Produced by<br />
Danijel Hocevar<br />
Vertigo emotionfilm, slovenia<br />
www.emotionfilm.si<br />
in co-Production With<br />
peter povh<br />
rtV, slovenia<br />
www.rtvslo.si<br />
involved broadcasters<br />
rtV, slovenia<br />
Public screenings<br />
7 / 2012 sarajevo ff, Bosnia<br />
7 / 2012 Dokufest prizren, serbia<br />
9 / 2012 festival of slovenian<br />
films, slovenia<br />
sales contact<br />
Damjan kozole<br />
Vertigo emotionfilm<br />
kersnikova 4<br />
1000 ljubljana, slovenia<br />
damjan@emotionfilm.si<br />
www.emotionfilm.si<br />
losing sonia<br />
by radka franczak<br />
section<br />
Dok Young cinema<br />
competition<br />
Losing Sonia shows how a seemingly rigid monastery<br />
can be a place full of life, beauty and artistic expression.<br />
Sonia, a young nun, paints icons at night and then<br />
sleeps until noon. She has a dog, cats, exotic birds, and<br />
a body that rebelled against the strict rigour of the<br />
monks. Trying to understand her and the meaning of<br />
her life choices, we come to Sonia’s family, marked<br />
with the history of Russia. At the same time, the film is<br />
a journey inside the Orthodox church, showing that<br />
the deep spirituality of the nation is being reborn. Losing<br />
Sonia tells the story of an unusual woman who, within<br />
the walls of the monastery, is trying to rebuild the values<br />
that Russian society has lost under successive politi-<br />
cal regimes.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
poland, 2012<br />
colour, HDcam<br />
50 min<br />
original title<br />
gdzie jest sonia<br />
original language<br />
russian<br />
Produced by<br />
katarzyna slesicka<br />
Wajda studio, poland<br />
Public screenings<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow<br />
poland, 122946945<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
204 205<br />
film id<br />
2366
film id<br />
3102<br />
section<br />
Dok Young cinema<br />
competition<br />
and Dok.incubator<br />
tHe<br />
MacHine WHicH<br />
Makes eVerYtHing<br />
Disappear<br />
by tinatin gurchiani<br />
A film director returns to her home country after a long<br />
break. She wants to shoot a film and is in search of<br />
a main character – a modern day hero. She announces a<br />
casting for 15–23 year old youths in order to find him.<br />
This search brings her to different locations: villages and<br />
cities, mountains and plains, fields and upscale clubs.<br />
There are a lot of people who come to the casting<br />
on their own and they all have different motivations: some<br />
are interested in becoming part of a film, some want<br />
to be like Jean-Claude Van Damme, others are ready to<br />
share their sentimental stories or seek for strength<br />
to carry out their major resolutions … Those who prove to<br />
be interested enough are followed through various<br />
dramatic situations. One more chance to think about<br />
the meaning of life and destiny, about wars, dreams<br />
and happiness. Intense and authentic.<br />
genre<br />
arts / culture / Music<br />
author’s point of View<br />
facts<br />
georgia, germany, 2012<br />
colour, Dcp<br />
95 min<br />
original title<br />
Manqana, romelic kvelafers<br />
gaaqrobs<br />
original language<br />
georgian<br />
Produced by<br />
tamar gurchiani<br />
ttfilms, georgia<br />
in co-Production With<br />
kakha Macharashvili<br />
kamachi, georgia<br />
sales contact<br />
Heino Deckert<br />
Deckert Distribution<br />
Marienplatz 1<br />
04103 leipzig, germany<br />
info@deckert-distribution.com<br />
www.deckert-distribution.com<br />
section<br />
Dok Market<br />
MaD. a WorlD<br />
of fasHion<br />
by anna Di francisca<br />
Maddalena Sisto – Mad’s sketches for Armani, Fiorucci<br />
and Ferré recount 30 years of Italian fashion. Her<br />
drawings reflect the influence that fashion had on women<br />
and how it was then reinterpreted. Using Mad’s<br />
work as a visual reference, the famous fashion designers<br />
in Milano tell the story of Italian fashion in the golden<br />
years of the 70’s, 80’s and 90’s. Mad left 12,000 drawings<br />
which were animated specifically for the film !<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
switzerland, italy, 2012<br />
colour, HD Videofile<br />
52 min<br />
original title<br />
il Mondo Di Mad<br />
original language<br />
italian<br />
Produced by<br />
elena filippini<br />
stefilm international, italy<br />
www.stefilm.it<br />
in co-Production With<br />
nicolas Burlet<br />
nadasdyfilm, switzerland<br />
www.nadasdyfilm.ch<br />
involved broadcasters<br />
tsr, switzerland<br />
aVro, netherlands<br />
Yle, finland<br />
sVt, sweden<br />
sales contact<br />
elena filippini<br />
stefilm international<br />
Via galliari 5b<br />
10125 torino, italy<br />
elena@stefilm.it<br />
www.stefilm.it<br />
206 207<br />
film id<br />
3215
film id<br />
3157<br />
section<br />
Dok Market<br />
Magic skies<br />
– a HistorY<br />
of fireWorks<br />
by Henrike sandner<br />
Fireworks enchant our senses – for a short but wonderful<br />
moment. Old family businesses have saved the<br />
tradition of fireworks to the present day. The film shows<br />
how this art form has developed over the centuries:<br />
Starting in China over a thousand years ago, we journey<br />
through the opulent Baroque era in Italy, Germany<br />
and France, experience Japanese hanabi artists in action<br />
and are also on hand to experience Guy Fawkes’<br />
Night in the UK. We see how fireworks were democratised,<br />
becoming something that everyone could enjoy and<br />
have access to – before arriving in the present where the<br />
art of fireworks is again what it was in its heyday, a<br />
celebration of money, power and beauty. Each era is<br />
interwoven with contemporary stories and artists from<br />
Asia to the United States, because anyone in the<br />
21st century who has dedicated himself to pyrotechnics<br />
is working in many similar ways to the artists of several<br />
hundred years ago. The film combines gorgeous<br />
firework displays of today with the past explaining how<br />
the makers are aiming to reconnect with the tradi-<br />
tions of their art. Fireworks are and have always been a<br />
passion and a lifestyle.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
germany, united kingdom, 2012<br />
colour, HDcam<br />
52 min<br />
original title<br />
Magic skies – a History<br />
of fireworks<br />
original language<br />
english<br />
sales contact<br />
Bettina oebel<br />
looks Distribution gmbH<br />
escherstraße 22<br />
30159 Hannover, germany<br />
oebel@looksfilm.tv<br />
www.looksfilm.tv<br />
section<br />
focus latin america<br />
Magic WorDs<br />
(to Break a spell)<br />
by Mercedes Moncada rodríguez<br />
This story starts from a child’s imagination where death<br />
is romantic and heroic, then grows with the deepest<br />
love and beauty, the pain of loss and through betrayal and<br />
finally up into space. Magic Words (to break a spell) is<br />
my emotional perspective of the revolution in Nicaragua.<br />
genre<br />
arts / culture / Music<br />
Human interest<br />
facts<br />
Mexico, guatemala,<br />
nicaragua, 2012<br />
colour, HDcam<br />
82 min<br />
original title<br />
palabras Mágicas<br />
(para romper un encantamiento)<br />
original language<br />
spanish<br />
Produced by<br />
Jorge sánchez sosa<br />
amaranta sa de cV, Mexico<br />
sales contact<br />
Jorge sánchez sosa<br />
amaranta sa de cV<br />
atletas no.2 col: contry club<br />
04220 Distrito federal, Mexico<br />
jsanchezsosa@yahoo.com.br<br />
208 209<br />
film id<br />
2781
film id<br />
982<br />
MaMa illegal<br />
by ed Moschitz<br />
section<br />
Dok international programme<br />
They gave the smugglers all their money and risked<br />
their lives on their journey across borders: Three women<br />
from a small town in Moldavia, living now in Austria<br />
as cleaning women. On top of their hard job they live a life<br />
in illegality without documents, far away from their<br />
children and family for years.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
austria, 2011<br />
colour, HDcam<br />
95 min<br />
original title<br />
Mama illegal<br />
original language<br />
german, italian, romanian,<br />
russian<br />
involved broadcasters<br />
orf, austria<br />
Public screenings<br />
5 / 2012 Hot Docs, canada<br />
3 / 2012 one World,<br />
czech republic<br />
5 / 2012 aye aye iff, france<br />
4 / 2012 DocsDf, Mexico<br />
sales contact<br />
Hwa-seon choi<br />
Doc & film international<br />
13 rue portefoin<br />
75003 paris, france<br />
hs.choi@docandfilm.com<br />
ManDala<br />
by christoph Hübner, gabriele Voss<br />
section<br />
Dok Market<br />
Six monks from Bhutan. For most of them it is their first<br />
trip abroad. The monks have come to Germany to<br />
create something extraordinary in the ‘Jahrhunderthalle’<br />
in Bochum: a traditional sand mandala measuring<br />
five by five meters. It is thought to be the largest sand-<br />
mandala ever created so far. It will take the monks<br />
ten days to strew the Chakrasamvara-Mandala, working<br />
from morning until dawn in extreme concentration.<br />
Images from divinities, palaces, walls, spirits and many<br />
symbols of astonishing subtilety, diversity and color<br />
will arise. They make us be astonished at the diversity of<br />
the representation and its numerous colours. And<br />
then, almost like a shock, as soon as the Mandala is<br />
created it will be dismanteled in a ritual ceremony. The<br />
sand is swept up to a grey mass and then it is poured<br />
into a river near by so that it can return to the cycle of<br />
nature. We watch and and try to give our images the<br />
concentration, calm and precision of the monks' work.<br />
Ist strangeness as well. Now and again one of the monks<br />
explains what we are seeing, what is happening, and<br />
how it relates to the sand and the motifs of the mandala.<br />
The film dispenses with any other explanations or<br />
commentaries by third parties. As a result the film itself<br />
is a kind of visual meditation, not esoteric or superficial<br />
but rather calm, quiet, concentrated.<br />
genre<br />
arts / culture / Music<br />
ethnology / religion<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
70 min<br />
original title<br />
Mandala<br />
original language<br />
english<br />
Produced by<br />
christoph Hübner<br />
christoph Hübner film-<br />
produktion, germany<br />
in co-Production With<br />
gabriele Voss, germany<br />
Public screenings<br />
9 / 2012 Docu.arts, germany<br />
sales contact<br />
christoph Hübner<br />
christoph Hübner filmproduktion<br />
in der lake 12<br />
58456 Witten, germany<br />
huebner-film@t-online.de<br />
210 211<br />
film id<br />
2613
film id<br />
1736<br />
section<br />
Dok german competition<br />
tHe Man’s fielD<br />
by Mario schneider<br />
A magical film about the mysteries of childhood and<br />
a thousand-year-old custom. Tom, Sebastian and Paul are<br />
three children from very different families. They<br />
live in a small village in Mansfelder Land, an area where<br />
the demise of mining has left its scars. Despite the<br />
changing times, the villagers have retained an archaic<br />
custom over the centuries. Just once a year, the younger<br />
ones are able to triumph over their elders, and this<br />
is the first hint at the changing of generations: springtime<br />
drives out winter, and thus the young drive out the<br />
old. That’s the way it’s always been, and how it will always<br />
be – and once a year, this old magic returns to hearts<br />
of the villagers. The Man’s field is a film that takes us back<br />
to our own childhoods. All of a sudden we find ourselves<br />
back sitting on the school bench, wandering through<br />
the woods, or being afraid of the dark.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, B / W, Dcp<br />
98 min<br />
original title<br />
Mansfeld<br />
original language<br />
german<br />
Produced by<br />
Mario schneider<br />
42film gmbH, germany<br />
www.42film.de<br />
involved broadcasters<br />
MDr, germany<br />
Public screenings<br />
9 / 2012 tiff, canada<br />
10 / 2012 Warsaw iff, poland<br />
9 / 2012 locarno, switzerland<br />
10 / 2012 philadelphia iff, usa<br />
sales contact<br />
Mario schneider<br />
42film gmbH<br />
geiststr. 49<br />
06108 Halle, germany<br />
org@42film.de<br />
www.42film.de<br />
section<br />
Dok international programme<br />
MattHeW’s laWs<br />
by Marc schmidt<br />
Director Marc Schmidt films his childhood friend<br />
Matthew, who, due to his autistic disorder, desperately<br />
tries to create order in the chaos around him.<br />
Schmidt follows him close to the heart. Explosive con-<br />
frontations with the outside world are alternated<br />
with stylized observations and personal confessions.<br />
Little by little, the film unravels Matthew’s complex<br />
way of thinking and shows the catastrophic consequences<br />
it eventually has for him.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
netherlands, 2012<br />
colour, HDcam<br />
72 min<br />
original title<br />
De regels van Matthijs<br />
original language<br />
Dutch<br />
Produced by<br />
simone van den Broek<br />
Basaltfilm, netherlands<br />
www.basaltfilm.nl<br />
involved broadcasters<br />
ncrV, netherlands<br />
Public screenings<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
sales contact<br />
salma abdalla<br />
autlook filmsales<br />
trappelgasse 4 / 17<br />
1040 Vienna, austria<br />
salma@autlookfilms.com<br />
www.autlookfilms.com<br />
212 213<br />
film id<br />
944
film id<br />
3275<br />
Men’s lust<br />
by gabi schweiger<br />
section<br />
Dok Market<br />
Five extremely different men over the age of 60 talk<br />
about themselves and their lives when they were<br />
younger, when their egos and their sex drive dominated<br />
their thoughts and behaviour. They reflect on how a<br />
man’s life changes after his hormones settle down, and<br />
on failed relationships, pain, feelings of guilt and the<br />
never-ending search for love.<br />
genre<br />
Human interest<br />
facts<br />
austria, 2012<br />
colour, HDcam<br />
65 min<br />
original title<br />
Die lust der Männer<br />
original language<br />
german<br />
Produced by<br />
nikolaus geyrhalter,<br />
Wolfgang Widerhofer,<br />
Michael kitzberger,<br />
Markus glaser<br />
nikolaus geyrhalter<br />
filmproduktion, austria<br />
www.geyrhalterfilm.com<br />
sales contact<br />
andrea Hock<br />
autlook filmsales<br />
trappelgasse 4 / 17<br />
1040 Wien, austria<br />
andrea@autlookfilms.com<br />
www.autlookfilms.com<br />
Milana<br />
by Madina Mustafina<br />
section<br />
Dok Young cinema<br />
competition<br />
Milana is about a mother and a daughter who live in the<br />
woods near the outskirts of an anonymous large city<br />
in Russia. They live on the edge of civilization, making<br />
money by selling stolen scrap metal. They are a long<br />
way from that existence that other people call ‘every-<br />
day life’. The film tells the story of what is left when<br />
people have lost everything – family and family values,<br />
good friends, their job, property, and home.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
russia, 2011<br />
colour, Beta sp<br />
58 min<br />
original title<br />
Milana<br />
original language<br />
russian<br />
Produced by<br />
Julia Mishkinene<br />
Vita aktiva, russia<br />
Public screenings<br />
11 / 2011 artDokfest Moscow,<br />
russia<br />
7 / 2012 Dokufest prizren, kosovo<br />
9 / 2012 Message to Man iff,<br />
russia<br />
sales contact<br />
Heino Deckert<br />
Deckert Distribution<br />
Marienplatz 1<br />
04103 leipzig, germany<br />
info@deckert-distribution.com<br />
www.deckert-distribution.com<br />
214 215<br />
film id<br />
1820
film id<br />
3296<br />
section<br />
Best of tV – poV<br />
tHe Most<br />
Dangerous Man<br />
in aMerica: Daniel<br />
ellsBerg anD<br />
tHe pentagon papers<br />
by Judith ehrlich, rick goldsmith<br />
In 1971, Daniel Ellsberg, a leading Vietnam War<br />
strategist, concludes that America’s role in the war is<br />
based on decades of lies. He leaks 7,000 pages of<br />
top-secret documents to The New York Times, a daring<br />
act of conscience that leads directly to Watergate,<br />
President Nixon’s resignation and the end of the<br />
Vietnam War. Ellsberg and a who’s-who of Vietnam-era<br />
movers and shakers give a riveting account of those<br />
world-changing events in POV’s The Most Dangerous Man<br />
in America: Daniel Ellsberg and the Pentagon Papers by<br />
award-winning filmmakers Judith Ehrlich (The Good War<br />
and Those Who Refused to Fight It) and Rick Goldsmith<br />
(Tell the Truth and Run: George Seldes and the American Press).<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
usa, 2009<br />
colour, HDcam<br />
94 min<br />
original title<br />
the Most Dangerous Man in<br />
america: Daniel ellsberg and the<br />
pentagon papers<br />
original language<br />
english<br />
Produced by<br />
Judith ehrlich<br />
kovno communications inc., usa<br />
www.mostdangerousman.org<br />
rick goldsmith<br />
involved broadcasters<br />
american Documentary | poV,<br />
usa<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
MotHer 24 / 7<br />
by Marcin Janos krawczyk<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
Film is a journey into human hearts. It takes its origins<br />
in the copy of the picture of Black Madonna of<br />
Częstochowa that for the last 55 years has been traveling<br />
accross Poland visiting cities and small villages.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
poland, 2012<br />
colour, DigiBeta<br />
50 min<br />
original title<br />
Matka 24h<br />
original language<br />
polish<br />
Produced by<br />
Marcin Janos krawczyk, poland<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
216 217<br />
film id<br />
3231
film id<br />
2642<br />
MotHer’s DaY<br />
by Bin chuen choi<br />
section<br />
Dok Young cinema<br />
competition<br />
At 11, I met my mother for the first time; then she<br />
vanished again. Later, I recognized her in a magazine<br />
article. I wasn’t sure if she was really my mother, so<br />
I looked up her birth certificate to compare my mother’s<br />
name with the person’s in the magazine. Only then I<br />
learned that my mother was Yeh Su Nee, one of the most<br />
popular Hong Kong writers whose novels fill entire<br />
shelves in any bookstore. So far, I have successfully re-<br />
pressed my mother from my life: wouldn’t it be better to<br />
continue like that ? Is it not too late for a 44-year-old<br />
who has a child of his own to search for his 65-year-old<br />
mother whom he doesn’t even know and flood her<br />
with questions ? I am sure to find her and try to imagine<br />
her voice. How nervous will I be calling her ? I’ll<br />
probably say something like, ‘Hello, it’s me, Bin Chuen<br />
Choi, your son. Long time no see. Shall we meet ?’<br />
But how will she react ? Perhaps she’ll refuse to see me<br />
or say, ‘It did take you very long to call. Let’s go eat<br />
Dim Sum. I know a good spot downtown.’<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
80 min<br />
original title<br />
Mother’s Day<br />
original language<br />
chinese, german<br />
Produced by<br />
gunter Hanfgarn, andrea ufer<br />
Hanfgarn & ufer filmproduktion,<br />
germany<br />
www.hu-film.de<br />
Public screenings<br />
8 / 2012 locarno, switzerland<br />
sales contact<br />
gunter Hanfgarn<br />
Hanfgarn & ufer filmproduktion<br />
apostel-paulus-straße 6a<br />
10823 Berlin, germany<br />
hanfgarn@hu-film.de<br />
www.hu-film.de<br />
Mountain<br />
loVe storY<br />
by eliza kubarska<br />
section<br />
Dok Market<br />
A TV launch of the extraordinary romance where Polish<br />
alpinists Eliza Kubarska and David Kaszlikowski<br />
take a journey inside the fjords of southern Greenland to<br />
reach the world’s highest sea cliff. The huge granite<br />
wall is reachable only by Kayak across an eerie, stormridden<br />
and freezing sea. Capsizing in this area<br />
means hypothermia and death within minutes. Several<br />
days of risky cliff climbing follow – all for a kiss at<br />
1500 metres. An extraordinary romance in one of the<br />
most beautiful landscapes you have ever seen. TV release<br />
of the 63’ festival version called What Happened on<br />
Pam Island ?, which has been shown and awarded at a<br />
large number of festivals around the world.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
poland, 2011<br />
colour, Beta sp<br />
52 min / 63 min<br />
original title<br />
Mountain love story<br />
original language<br />
polish<br />
Produced by<br />
eliza kubarska<br />
Vertical Vision film studio,<br />
poland<br />
www.studiowspin.com.pl<br />
Public screenings<br />
2 / 2012 Vancouver Mountain iff,<br />
canada<br />
6 / 2012 open city london Doc<br />
ff, united kingdom<br />
11 / 2012 Berg & abenteuer iff<br />
graz, austria<br />
5 / 2012 Mountainfilm telluride,<br />
usa<br />
sales contact<br />
esther van Messel<br />
first Hand films<br />
neunbrunnenstrasse 50<br />
8050 Zürich, switzerland<br />
esther.van.messel@<br />
firsthandfilms.com<br />
www.firsthandfilms.com<br />
218 219<br />
film id<br />
3171
film id<br />
2658<br />
Musics<br />
by agnieszka gonczarek, patryk kizny<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
Muzyki (Musics) is a creative documentary about the<br />
stimulative process of making music, materialized in an<br />
artistic collaboration of the musician Michał Zygmunt<br />
and filmmakers Aga Gonczarek & Patryk Kizny. It<br />
explores the inspirations, the quest for one’s roots, the<br />
artistic meetings and the musical journey into the<br />
unknown, which all lead to the creation of a unique<br />
music album and a series of exceptional live music<br />
performances. It reveals a modern interpretation of<br />
Polish roots culture by means of music and imagery.<br />
genre<br />
arts / culture / Music<br />
facts<br />
poland, 2012<br />
colour, DigiBeta<br />
36 min<br />
original title<br />
Muzyki<br />
original language<br />
polish<br />
Produced by<br />
patryk kizny, poland<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
section<br />
Dok Market<br />
MY fatHer<br />
anD tHe<br />
Man in Black<br />
by Jonathan Holiff<br />
Before there was Johnny and June, there was Johnny and<br />
Saul. In a secret storage locker a son searches for<br />
clues to his father’s suicide – and discovers his father’s<br />
audio diaries. Imagine finding 60 hours of audio<br />
diaries and telephone calls between your father and<br />
Johnny Cash recorded when you were a child: during the<br />
1960s and 1970s – the singer’s most talked about<br />
but least examined years. That’s exactly what happened to<br />
Jonathan Holiff after his father, Cash’s former manager,<br />
Saul Holiff, committed suicide – without leaving a<br />
note. This is no ordinary music documentary. What if the<br />
father you rejected was not the man you thought<br />
he was ? An explosive new talent meets the man who will<br />
take him to the top, in a story about a cold and distant<br />
father whose suicide brings about reconciliation in a<br />
most unexpected and remarkable way. My Father and The<br />
Man In Black tells the inside story of ‘bad boy’ Johnny<br />
Cash, his talented and troubled manager, Saul Holiff, and<br />
a son searching for his father in the shadow of a legend.<br />
genre<br />
arts / culture / Music<br />
author’s point of View<br />
Human interest<br />
portrait<br />
facts<br />
canada, 2012<br />
colour, Dcp<br />
90 min<br />
original title<br />
My father and the Man in Black<br />
original language<br />
english<br />
Produced by<br />
Jeff paikin<br />
new chapter productions inc.,<br />
canada<br />
www.tiny.cc / Johnny_and_saul<br />
involved broadcasters<br />
rogers Media inc., canada<br />
Public screenings<br />
10 / 2012 Vancouver iff, canada<br />
10 / 2012 raindance,<br />
united kingdom<br />
sales contact<br />
Jonathan Holiff<br />
new chapter productions inc.<br />
50 charles street e., #123<br />
M4Y 2l4 toronto, canada<br />
Holifffame@gmail.com<br />
www.tiny.cc / Johnny_and_saul<br />
220 221<br />
film id<br />
485
film id<br />
2253<br />
section<br />
Dok international programme<br />
MY first Mountain<br />
– a rigi filM<br />
by erich langjahr<br />
‘Of all the mountain films I have made, the film My First<br />
Mountain marks the conclusion of my cinematic<br />
reflections on rural and Alpine Switzerland. I grew up at<br />
the gateway to Central Switzerland with a view of<br />
Mt. Rigi. Since my childhood, the sweeping backdrop of<br />
this mountain has never ceased to impress me.<br />
Mt. Rigi is also the first mountain for the Alpine herdsman<br />
Märtel Schindler. Just like his ancestors, he grew up on<br />
it and lives and works on this mountain, a popular<br />
tourist and recreation destination. In this film I attempt<br />
to probe the heart – the heart of a magnificent landscape<br />
and the heart of a personal account, to capture an<br />
image of time from the heart of Switzerland.’<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
switzerland, 2012<br />
colour, Dcp<br />
97 min<br />
original title<br />
Mein erster Berg – ein rigi film<br />
original language<br />
german<br />
Produced by<br />
erich langjahr<br />
langjahr film gmbH, switzerland<br />
www.langjahr-film.ch<br />
sales contact<br />
erich langjahr<br />
langjahr film gmbH<br />
luzernerstraße 16<br />
6037 root, switzerland<br />
info@langjahr-film.ch<br />
www.langjahr-film.ch<br />
MY House<br />
WitHout Me<br />
by Magdalena szymkow<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
Two women, one house. An intimate story about a Pole<br />
and a German placed by war on enemy sides and<br />
their parallel lives accidentally brought together. The<br />
film reflects on the concepts of invader, victim,<br />
guilt and forgiveness. It confronts different experiences<br />
and their paradoxical similarities. It deals with the<br />
controversial subject of the post-war accounts. The visual<br />
narration is flowing, guided by memories and archives.<br />
Traditional documentation confronts experimental<br />
use of archival footage in this cinematic impression about<br />
displacement.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, DigiBeta<br />
28 min<br />
original title<br />
Moj dom<br />
original language<br />
german, polish<br />
Produced by<br />
katarzyna slesicka<br />
Wajda studio, poland<br />
Public screenings<br />
6 / 2012 krakow ff, poland<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
222 223<br />
film id<br />
2368
film id<br />
3308<br />
MY stuff<br />
by petri luukkainen<br />
section<br />
Dok.incubator<br />
What are the things we really need in life – and what<br />
about all that stuff ? In order to find out, a young<br />
man makes himself the subject of a one year human<br />
experiment. The concept: Put all of your stuff<br />
into storage, and bring back only one item per day.<br />
The result ? An everyday adventure driving him<br />
deeper and deeper into the empty spot in his heart.<br />
You’re right: this would be borderline insane<br />
even without his decision of constantly filming him-<br />
self. Meet Petri, 26. Amidst an existential crisis, he<br />
arrives at the idea that his happiness might be found<br />
by rebuilding his everyday existence. Buck naked<br />
at his flat, it’s another story – not a pretty one but damn<br />
fun to watch.<br />
As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />
still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
finland, 2012<br />
colour, HD Videofile<br />
85 min<br />
original title<br />
tavarataivas<br />
original language<br />
finnish<br />
Produced by<br />
petri luukkainen,<br />
anssi perttala<br />
unifilm oy, finland<br />
www.unifilm.fi<br />
sales contact<br />
anssi perttala<br />
unifilm oy<br />
eurantie 12–14 lH1<br />
Helsinki, finland<br />
ap@unifilm.fi<br />
www.unifilm.fi<br />
tHe nigHt<br />
of tHe Bear<br />
by sam guillaume, fred guillaume<br />
A night at the Bears’ where animals talk about their lives.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
switzerland, 2012<br />
colour, Dcp<br />
22 min<br />
original title<br />
la nuit de l'ours<br />
original language<br />
french<br />
Produced by<br />
sam guillaume<br />
cine3d, switzerland<br />
www.cine3d.ch<br />
involved broadcasters<br />
rts, switzerland<br />
Public screenings<br />
9 / 2012 fantoche, switzerland<br />
sales contact<br />
fred guillaume<br />
sam guillaume<br />
cine3d<br />
rte du petit moncor 1c<br />
1752 Villars-s-glâne, switzerland<br />
f.guillaume@cine3d.ch<br />
www.cine3d.ch,<br />
224 225<br />
film id<br />
2686<br />
section<br />
animadoc
film id<br />
2798<br />
section<br />
Dok international<br />
competition short<br />
nigHt’s Drifters<br />
by Bijan anquetil<br />
The story of a friendship. Soban and Hamid, two young<br />
Afghans, after several years of wandering, have<br />
ended up in Paris. By the light of a camp fire on a canal,<br />
they meet again. It’s here, by the light of a rough fire<br />
on the canal, that they meet again. Night’s Drifters is a<br />
film about passengers crossing Europe by night.<br />
It is about young Afghans living in exile and writing their<br />
own clandestine stories by acts, words and cell phones.<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
france, 2012<br />
colour, Dcp<br />
45 min<br />
original title<br />
la nuit remue<br />
original language<br />
persian<br />
Produced by<br />
Joanna sitowska<br />
le grec, france<br />
Public screenings<br />
7 / 2012 fiD Marseille, france<br />
sales contact<br />
Joanna sitkowska<br />
g. r. e. c.<br />
14 rue alexandre parodi<br />
75010 paris, france<br />
jsitkowska@grec-info.com<br />
www.grec-info.com<br />
section<br />
Dok international programme<br />
no Business<br />
like sHoWBusiness<br />
by Martin schilt, Bernhard Weber<br />
Twenty Farmers get famous. Until a short time ago, the<br />
rituals of the Wiesenbergers were simple. The sing-<br />
ing mountain dwellers met once a week in the chapel in<br />
order to rehearse together, and they would yodel for<br />
weddings and birthdays. Now, their whole world has been<br />
turned on its head. Their CDs are storming the hit<br />
parades and they are overwhelmed by concert requests –<br />
show business is calling them. Now they are about to<br />
appear at the World Exhibition in Shanghai. The enticing<br />
offer became a potential rift. A film about yodelling<br />
mountain dwellers who attempt to remain authentic<br />
between tradition and show business.<br />
genre<br />
arts / culture / Music<br />
Human interest<br />
portrait<br />
facts<br />
switzerland, 2012<br />
colour, Dcp<br />
85 min<br />
original title<br />
Die Wiesenberger<br />
original language<br />
swiss german<br />
Produced by<br />
Martin schilt<br />
luckyfilm gmbH, switzerland<br />
www.luckyfilm.tv<br />
in co-Production With<br />
robert Müller<br />
Zeitraum film gmbH,<br />
switzerland<br />
www.zeitraumfilm.ch<br />
involved broadcasters<br />
srf, switzerland<br />
Public screenings<br />
1 / 2012 solothurner filmtage<br />
switzerland<br />
sales contact<br />
cyril thurston<br />
xenix filmdistribution<br />
langstrasse 64<br />
cH-8026 Zürich, switzerland<br />
c.thurston@xenix.ch<br />
www.xenix.ch<br />
226 227<br />
film id<br />
105
film id<br />
570<br />
no HarM Done<br />
by nadia el fani, alina isabel perèz<br />
section<br />
Dok international programme<br />
My rebelliousness grows trough my family history, it is<br />
not trivial to be a daughter of Communists, I feel a<br />
deep need and desire for freedom. I always thought that<br />
my films only spoke of it: ‘The Freedom’. During the<br />
filming of Laicité Inch’Allah ! I have no choice. I confront<br />
the Islamists: war is declared ! In parallel, I discovered<br />
the corridors of the Tenon Hospital in November, in<br />
Paris. I must therefore face a second enemy: my Cancer.<br />
Why should I have made a film ? I wanted to explain<br />
the ‘repercussions of my previous movie’ ? It allows me to<br />
continue the fight and saying, once again, that ‘those<br />
who live are those who fight’. (Victor Hugo)<br />
genre<br />
author’s point of View<br />
ethnology / religion<br />
facts<br />
france, 2012<br />
colour, HDcam<br />
66 min<br />
original title<br />
Même pas mal<br />
original language<br />
arabic, french<br />
Produced by<br />
Jan Vasak<br />
k'ien productions, france<br />
www.kien.fr<br />
sales contact<br />
Jan Vasak<br />
k'ien productions<br />
24, rue Meslay<br />
75003 paris, france<br />
jan@vasak.fr<br />
www.kien.fr<br />
nurse gretel #2<br />
– escape<br />
by Barbara Hlali<br />
Being on the run involuntarily. Standing next to<br />
the street at dusk, not knowing where to go. Waiting<br />
at the station for days for the next train to come.<br />
Being robbed of the little possessions that were left.<br />
Hiding from assaults by enemy soldiers. Being<br />
scared for the life of one’s own child. But also: getting<br />
help from strangers again and again. Having a roof<br />
over one’s head thanks to lucky circumstances. Discovering<br />
humanity in strangers. Unexpectedly experiencing<br />
moments of peace and quiet. As an elderly woman,<br />
nurse Gretel tells her story of her escape from Silesia to<br />
West Germany at the end of World War II. The per-<br />
sonal fate of one woman that today still is suffered by<br />
thousands in the same manner every day.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, B / W, HD Videofile<br />
24 min<br />
original title<br />
schwester gretel #2 – flucht<br />
original language<br />
german<br />
Produced by<br />
Barbara Hlali, germany<br />
www.barbara-hlali.de<br />
sales contact<br />
Barbara Hlali<br />
Deutsch-luxemburger-str. 151<br />
44225 Dortmund, germany<br />
barbara.hlali@gmx.de<br />
www.barbara-hlali.de<br />
228 229<br />
film id<br />
1337<br />
section<br />
animadoc
film id<br />
1889<br />
nYosHa<br />
by liran kapel, Yael Dekel<br />
section<br />
animadoc<br />
A true story based on a testimony of Holocaust survivor,<br />
the late Nomi Kapel. Nyosha is a ten year old girl<br />
that lives with her mother in a small village in Poland.<br />
Nyosha has a seemingly naive and simple dream, to<br />
buy herself a pair of shoes. But a ruthless war is arriving,<br />
and her dream is put aside. In the midst of a terrible<br />
action, when she stands face to face with death and the<br />
fatal moment she is torn from her mother and taken<br />
to the truck, Nyosha believes that her shoes are the ones<br />
that convinced the Nazi soldier who held her to spare<br />
her life. A range of animation techniques brings to-<br />
gether the dream and the reality and tells Nyosha’s story.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
israel, 2012<br />
colour, HD Videofile<br />
12 min<br />
original title<br />
nyosha<br />
original language<br />
Hebrew<br />
Produced by<br />
liran kapel<br />
sapir academic college, israel<br />
Public screenings<br />
8 / 2012 asif animation festival,<br />
israel<br />
9 / 2012 stoptrik, poland<br />
sales contact<br />
Michael treves<br />
JMt films Distribution,<br />
co-productions & world sales<br />
20 Bialik street<br />
63324 tel aviv, israel<br />
michael@jmtfilms.com<br />
tHe oatH<br />
by laura poitras<br />
section<br />
Best of tV – poV<br />
Filmed in Yemen and Guantánamo Bay, Cuba, The Oath<br />
interweaves the stories of Abu Jandal, Osama bin<br />
Laden’s former bodyguard, and Salim Hamdan, a prisoner<br />
at Guantánamo facing war crimes charges. Directed<br />
by Laura Poitras (Flag Wars, POV 2003; the Oscar-nominated<br />
My Country, My Country, POV 2006), The Oath<br />
unfolds via a narrative rife with plot reversals and<br />
betrayals that ultimately leads to Osama bin Laden, 9 / 11,<br />
Guantánamo and the U. S. Supreme Court.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
usa, 2010<br />
colour, DigiBeta<br />
96 min<br />
original title<br />
the oath<br />
original language<br />
arabic, english<br />
Produced by<br />
laura poitras<br />
praxis films, usa<br />
in co-Production With<br />
Jonathan oppenheim,<br />
nasser arrabyee, aliza kaplan,<br />
usa<br />
involved broadcasters<br />
american Documentary | poV,<br />
usa<br />
sales contact<br />
catherine le clef<br />
cat&Docs<br />
18 rue Quincampoix<br />
75004 paris, france<br />
cat@catndocs.com<br />
www.catndocs.com<br />
230 231<br />
film id<br />
3295
film id<br />
2364<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
one Meter<br />
aBoVe grounD<br />
by tomasz Wiszniewski<br />
Sergey, who is Ukrainian, was a soldier of the Soviet fleet<br />
until both his feet and his fingers were amputated<br />
due to frostbite. Over 10 years, he underwent 29 operations<br />
and lived with severe disability. Suffering deprived<br />
him of his will to live. One day, thanks to a spiritual<br />
transformation, Sergey completely changed his attitude.<br />
Today, he is dreaming of building a house for those<br />
who suffered a similar fate. He sees the world from the<br />
perspective of one meter above the ground and thinks<br />
it is more beautiful than ever.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, DigiBeta<br />
42 min<br />
original title<br />
Metr nad ziemia<br />
original language<br />
russian<br />
Produced by<br />
Henryk Dedo<br />
fundacja głos ewangelii, poland<br />
Public screenings<br />
6 / 2012 krakow ff, poland<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
tHe otHer DaY<br />
by ignacio agüero<br />
The filmmaker’s house in Santiago has a door that leads<br />
to the sidewalk, which separates two spaces: the inner<br />
space, the house itself and the outer space; the city.<br />
There is a corridor in the inner space which has a large<br />
window that leads to a small patio. The wisteria,<br />
the bougainvillea and the old vine trunk struggle among<br />
them, co-existing with a variety of birds that drink<br />
water from a fountain and bathe in it, plus one cat that<br />
belongs to the adjacent houses. Sunlight comes through<br />
the window as it moves during the changing seasons.<br />
Inside the house, there are many objects from which the<br />
director takes stories that he tells with his own voice.<br />
These stories are interrupted when acquaintances and<br />
strangers ring the bell. The director opens the door. He<br />
asks about their address and goes to their houses to<br />
knock on their doors, creating a net of links between his<br />
house and the strangers’ houses. This net is drawn on<br />
a large map of the city found inside the house. This way, a<br />
braid of characters, spaces, time and stories is built.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
chile, 2012<br />
colour, Dcp<br />
120 min<br />
original title<br />
el otro Dia<br />
original language<br />
spanish<br />
Produced by<br />
ignacio agüero<br />
ignacio agüero & asoc., chile<br />
in co-Production With<br />
cristian aspee<br />
suricato, chile<br />
Public screenings<br />
10 / 2012 ValDiVa, chile<br />
11 / 2012 festival Dei popoli, italy<br />
sales contact<br />
amalric de pontcharra<br />
avda carlos antunez 2329,<br />
providencia<br />
7510347 santiago, chile<br />
amaldep@gmail.com<br />
232 233<br />
film id<br />
2659<br />
section<br />
chileDoc
film id<br />
345<br />
section<br />
Dok international<br />
competition short<br />
our DaYs,<br />
aBsolutelY, HaVe to<br />
Be enligHteneD<br />
by Jean-gabriel périot<br />
28th May, 2011, Orléans. Inmates gave a concert<br />
inside the prison. The sound was broadcasted outside<br />
for the audience.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
france, 2012<br />
colour, DigiBeta<br />
22 min<br />
original title<br />
nos Jours, absolument,<br />
Doivent être illuminés<br />
original language<br />
french<br />
Produced by<br />
cécile lestrade<br />
alter ego production, france<br />
www.alterego-prod.com<br />
in co-Production With<br />
paul laurent<br />
association Mixar, france<br />
Public screenings<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
3 / 2012 timishort, romania<br />
7 / 2012 karlovy Vary iff,<br />
czech republic<br />
8 / 2012 festival silhouette,<br />
france<br />
sales contact<br />
cécile lestrade<br />
alter ego production<br />
48 rue de Bourgogne<br />
45000 orléans, france<br />
info@alterego-prod.com<br />
www.alterego-prod.com<br />
oVer MY DeaD BoDY<br />
by Brigitte poupart<br />
Dancer and choreographer Dave St-Pierre is adored<br />
by critics and audiences alike. His subversive, innovative<br />
works are taking Europe by storm. But his own<br />
body is failing him. Dave is 34 and has cystic fibrosis.<br />
The average life expectancy for sufferers is 37. His<br />
doctors have given him two years to live unless he has a<br />
lung transplant. With the sense of urgency growing,<br />
his best friend and creative partner, director and actress<br />
Brigitte Poupart, turns her camera on the daily life<br />
of a man who is waiting for a life-or-death call from the<br />
doctor. A call that could come at any moment. United by<br />
art and friendship, the two create a space in which<br />
creativity emerges as a vital act. Over My Dead Body<br />
is an engrossing private diary that accepts neither taboos<br />
nor fate. It features testimonials from Dave’s friends,<br />
loved ones and collaborators, as well as excerpts from<br />
his works.<br />
genre<br />
arts / culture / Music<br />
Human interest<br />
facts<br />
canada, 2012<br />
colour, HDcam<br />
80 min<br />
original title<br />
over My Dead Body<br />
original language<br />
french<br />
Produced by<br />
Virginie Dubois<br />
coop Video de Montréal, canada<br />
www.coopvideo.ca<br />
Public screenings<br />
2 / 2012 rendez-vous du cinéma<br />
Québécois, canada<br />
4 / 2012 Hot Docs, canada<br />
5 / 2012 MoMa, usa<br />
sales contact<br />
anne paré<br />
les films du 3 Mars<br />
2065, rue parthenais<br />
Bureau 277<br />
H2k 3t1 Montreal, canada<br />
info@f3m.ca<br />
www.f3m.ca<br />
234 235<br />
film id<br />
1142<br />
section<br />
Hot Docs
film id<br />
1857<br />
oVertiMe<br />
by gürcan keltek<br />
section<br />
Dok international<br />
competition short<br />
Istanbul, the present. The city is one big machine<br />
where we listen to the voices of young male and female<br />
workers. A Kurdish girl rebels against the family<br />
tradition. The last young member of a diminished clan<br />
remembers the past. A child worker turns into his<br />
family’s leader. A young male sells himself in front of<br />
The Blue Mosque. Shot entirely on Super 8, Fazlamesai<br />
chronicles the desperation and hope in the econom-<br />
ically / culturally marginalized Muslim working class.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
turkey, 2012<br />
B / W, HDcam<br />
20 min<br />
original title<br />
fazlamesai<br />
original language<br />
kurdish, turkish<br />
Produced by<br />
gürcan keltek<br />
29p, turkey<br />
www.cargocollective.com/<br />
29p-films<br />
Public screenings<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
sales contact<br />
gürcan keltek<br />
29p<br />
evliya celebi Mah. Mesrutiyet<br />
cad<br />
ersoy Han no:102 / 4<br />
sishane – Beyoglu<br />
34430 istanbul, turkey<br />
gurcankeltek@gmail.com<br />
www.cargocollective.<br />
com/29p-films<br />
section<br />
Dok Young cinema<br />
competition<br />
paBlo’s Winter<br />
by chico peirera<br />
Pablo needs to stop smoking. Why ? Because his wife,<br />
family and doctor say he should. But Pablo is a stub-<br />
born man. He’s worked in the mercury mines of Almaden,<br />
Spain, risking his life daily. He’s had five severe heart<br />
attacks and smoked 20 Fortuna’s a day since he was 12.<br />
Surely this simple divine pleasure can’t be killing<br />
him, but could his wife’s firm, persistent words be the<br />
key to finally quitting ? Pablo’s Winter captures the<br />
comical essence of everyday life in a small town that<br />
strives to survive after the closure of the most productive<br />
mercury mines in history.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
united kingdom, 2012<br />
colour, HDcam<br />
76 min<br />
original title<br />
pablo’s Winter<br />
original language<br />
spanish<br />
Produced by<br />
finlay pretsell<br />
scottish Documentary institute,<br />
united kingdom<br />
www.scottishdocinstitute.com<br />
sales contact<br />
finlay pretsell<br />
scottish Documentary institute<br />
74 lauriston place<br />
eH3 9Df edinburgh,<br />
united kingdom<br />
finlay@scottishdocinstitute.com,<br />
f.pretsell@eca.ac.uk<br />
www.scottishdocinstitute.com<br />
236 237<br />
film id<br />
121
film id<br />
1115<br />
tHe palace<br />
by tomasz Wolski<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
The Palace of Culture and Science in Warsaw was a<br />
despised gift from Stalin. After the system transformation<br />
in Poland some suggested pulling it down. But the<br />
palace is still standing and doing fine, pulsating with the<br />
life of hundreds of offices, hosting a theatre, concert<br />
hall, cinema and even a swimming pool as well as a city<br />
council room. Having already visited a clinic, hospital and<br />
registry office, this time Wolski, with his camera,<br />
enters the building that is a reflection of Poland’s every-<br />
day life and history. The nooks and crannies of the<br />
building make a backdrop for apt and witty observations<br />
as well as an inspiration to more general diagnoses.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, HDcam<br />
82 min<br />
original title<br />
palac<br />
original language<br />
polish<br />
Produced by<br />
anna gawlita<br />
kijora, poland<br />
Public screenings<br />
5 / 2012 planete+ Doc ff, poland<br />
6 / 2012 krakow ff, poland<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
paperBox<br />
by Zbigniew czapla<br />
In May 2010, after record rainfall, flash floods broke<br />
embankments of the Vistula near Wilków. Catastrophic<br />
flooding deprived thousands of people of all their<br />
possessions and roofs over their heads. A few weeks later,<br />
Zbigniew Czapla found a box of old photographs in<br />
his family house also ravaged by the elements. The unique<br />
family mementoes left were destroyed by water, mud<br />
and mould. This film is a desperate attempt to keep<br />
memories, reconstruct people and events of the past. An<br />
impression on the transitory nature of memory, inevita-<br />
bility of fading and the destructive force of the elements.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, HD Videofile<br />
9 min<br />
original title<br />
papierowe pudełko<br />
original language<br />
polish<br />
Produced by<br />
Zbigniew czapla, poland<br />
www.zbigniewczapla.pl<br />
Public screenings<br />
5 / 2012 krakow iff, poland<br />
8 / 2012 Hiroshima<br />
animation iff, Japan<br />
9 / 2012 Message to Man iff,<br />
russia<br />
10 / 2012 london animation iff,<br />
united kingdom<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
238 239<br />
film id<br />
818<br />
section<br />
animadoc
film id<br />
2758<br />
papirosen<br />
by gastón solnicki<br />
section<br />
focus latin america<br />
Flight, a new beginning and the social rise of a Jewish<br />
family in Argentina. The home movie genre tran-<br />
scended in a gripping family epic that encompasses<br />
four generations.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
argentina, 2012<br />
(none), HD Videofile<br />
74 min<br />
original title<br />
papirosen<br />
original language<br />
spanish<br />
Produced by<br />
pablo chernov<br />
filmy Wiktoria, argentina<br />
sales contact<br />
gastón solnicki<br />
filmy Wiktoria<br />
o'Higgins 1665<br />
1426 Buenos aires, argentina<br />
gastonsolnicki@gmail.com<br />
peace out<br />
by charles Wilkinson<br />
Peace Out asks and answers the question: are we ripp-<br />
ing up our back yard for energy – or not ? The film seeks<br />
to engage those of us who do not connect our daily<br />
decisions with global land use issues. It focuses on the<br />
North Western Canadian wilderness, however the<br />
issues are universal. The film pits energy executives,<br />
Tar Sands reps, nuclear spokesmen against academics<br />
and activists in an intelligent debate that leaves the<br />
viewer to decide what to believe. The film presents a<br />
beautiful, thought provoking look at a rapidly transforming<br />
landscape.<br />
genre<br />
History / politics / current affairs<br />
science<br />
facts<br />
canada, 2011<br />
colour, HDcam<br />
81 min<br />
original title<br />
peace out<br />
original language<br />
english<br />
Produced by<br />
tina schliessler<br />
apple pie pictures inc., canada<br />
www.tina-schliessler.com<br />
Public screenings<br />
4 / 2012 Hot Docs, canada<br />
sales contact<br />
charles Wilkinson<br />
shore films inc.<br />
617 Beachview Drive<br />
V7g1p8 north Vancouver,<br />
canada<br />
cw@charleswilkinson.com<br />
www.charleswilkinson.com<br />
240 241<br />
film id<br />
3252<br />
section<br />
Hot Docs
film id<br />
3070<br />
a people<br />
uncounteD<br />
by aaron Yeger<br />
section<br />
Dok Market<br />
The Roma, commonly referred to as Gypsies, are<br />
outsiders who have been both romanticised and vilified<br />
in popular culture. Lacking the kind of social hier-<br />
archy and political power that could otherwise advocate<br />
collectively for their rights and tell their history, the<br />
Roma struggle with chronic poverty and disenfranchisement.<br />
They have endured centuries of intolerance<br />
and persecution in Europe – an estimated 500,000 were<br />
murdered during World War II. Shot in 11 countries<br />
and featuring dozens of Roma – including Holocaust<br />
survivors, historians, activists and musicians. A People<br />
Uncounted documents their culturally rich yet<br />
often difficult lives and demonstrates how their present<br />
state has been shaped by the tragedies of the past.<br />
As ethnic intolerance flares across Europe again, the film<br />
sheds light on this unique culture, placing the Romani<br />
story within a larger context of racism and genocide.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
canada, 2012<br />
colour, B / W, DigiBeta<br />
57 min<br />
original title<br />
a people uncounted<br />
original language<br />
english<br />
Produced by<br />
Marc swenker<br />
urbinder films, canada<br />
Public screenings<br />
10 / 2012 rtV, slovenia<br />
sales contact<br />
tim sparke<br />
Mercury Media<br />
7 Baseline studios<br />
Whitchurch road<br />
W11 4at london, united kingdom<br />
tsparke@mercurymedia.org<br />
www.mercurymedia.org<br />
section<br />
Best of tV – poV<br />
a perfect canDiDate<br />
by r. J. cutler, David van taylor<br />
Disproving the adage that there are no second acts in<br />
American life, Iran/Contra legend Oliver North<br />
re-emerged to challenge incumbent Charles Robb in<br />
a hotly contested 1994 Virginia senatorial race.<br />
R. J. Cutler and David Van Taylor weave a modern-day<br />
parable about leadership in America and campaign<br />
culture in a cynical age. The result is a clear-eyed exami-<br />
nation of the electoral process, where issues take a<br />
back seat to the machinations of spin doctors, and voter<br />
interests are lost in a media hall of mirrors.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
usa, 1996<br />
B / W, HDcam<br />
105 min<br />
original title<br />
a perfect candidate<br />
original language<br />
english<br />
Produced by<br />
r. J. cutler, actual reality<br />
pictures, usa<br />
David van taylor, usa<br />
in co-Production With<br />
Dan partland, ted skillman,<br />
usa<br />
involved broadcasters<br />
american Documentary | poV,<br />
usa<br />
sales contact<br />
andrew catauro<br />
american Documentary | poV<br />
32 Broadway 14th floor<br />
nY 10004, usa<br />
acatauro@pov.org<br />
www.pov.org<br />
242 243<br />
film id<br />
3307
film id<br />
402<br />
section<br />
animadoc<br />
petra’s poeM<br />
by shira avni<br />
In this visually compelling, colourful short, Toronto<br />
artist Petra Tolley performs a candid soliloquy<br />
about what it feels like to be ‘in the middle.’ Petra has<br />
Down syndrome, and draws from her emotional<br />
experiences of living and working in the flux between<br />
societal order and personal chaos to produce a dis-<br />
tinctive take on the social self. Award-winning director<br />
Shira Avni (Tying Your Own Shoes, John and Michael)<br />
employs rotoscopy and hand-drawn animation<br />
techniques to enhance and interact with Petra’s performance.<br />
But Petra is not alone – a troupe of adults<br />
with Down syndrome rallies around Petra in a theatrical<br />
movement that explores the dynamics of seclusion,<br />
societal expectations and social support. In subtle<br />
stereoscopic 3D, Petra engages the camera with unflinching<br />
and tender directness, heightening our sense<br />
of intimacy, alienation, bonding and innately, dignity.<br />
genre<br />
Human interest<br />
facts<br />
canada, 2012<br />
colour, HD Videofile<br />
4 min<br />
original title<br />
petra’s poem<br />
original language<br />
english<br />
Produced by<br />
roddy McManus, David Verrall<br />
national film Board of canada,<br />
canada<br />
Public screenings<br />
4 / 2012 Hot Docs, canada<br />
sales contact<br />
Élise labbé<br />
national film Board of canada<br />
3155, cote-de-liesse road<br />
H4n 2n4 saint-laurent, canada<br />
festivals@nfb.ca<br />
www.nfb.ca<br />
places otHer<br />
people HaVe liVeD<br />
by laura Yilmaz<br />
Places Other People Have Lived is a mixed media exploration<br />
of the relationship between memory and place, as<br />
examined through the sale of a childhood home. Using<br />
old photographs, recorded interviews with family<br />
members, and multiple animation techniques, the film<br />
deconstructs room-by-room a house that was a family<br />
home for more than 25 years. What begins as a biography<br />
of a house, told through bittersweet and sometimes<br />
humorous personal anecdotes, ultimately raises larger<br />
questions about the emotional content of physical<br />
spaces, and what happens to our histories when we leave<br />
those places behind.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
usa, 2011<br />
colour, HD Videofile<br />
7 min<br />
original title<br />
places other people Have lived<br />
original language<br />
english<br />
Produced by<br />
laura Yilmaz, usa<br />
Public screenings<br />
2 / 2012 Black Maria film & Video<br />
festival, usa<br />
5 / 2012 seattle iff, usa<br />
7 / 2012 toronto animation arts<br />
festival international, croatia<br />
9 / 2012 animafest Zagreb<br />
panorama, canada<br />
sales contact<br />
laura Yilmaz<br />
735 e kensington road<br />
90026 los angeles, usa<br />
laura.yilmaz@gmail.com<br />
244 245<br />
film id<br />
404<br />
section<br />
animadoc
film id<br />
3182<br />
plaYBack<br />
by antoine cattin, pavel kostomarov<br />
section<br />
Visions du réel & swiss films<br />
Director Alexey German has spent almost 7 years<br />
shooting a film based on the story by the Strugatsky<br />
brothers, Trudno Byt’ Bogom (It’s Difficult to<br />
Be God). The film tells the story of a man who is sent<br />
to a planet which bears a strong resemblance to<br />
Earth during the Middle Ages. There he must monitor<br />
events. Meanwhile, the film crew has also been<br />
monitored during their epic film project – by a director<br />
from Switzerland. For him, Russia is another planet.<br />
In his eyes, life on the great director’s film set is a mirror<br />
of Russian reality.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
switzerland, 2012<br />
colour, B / W, DigiBeta<br />
67 min<br />
original title<br />
playback<br />
original language<br />
russian<br />
involved broadcasters<br />
tsr, switzerland<br />
Public screenings<br />
6 / 2012 karlovy Vary iff,<br />
czech republic<br />
8 / 2012 locarno, czech republic<br />
sales contact<br />
elena Hill<br />
les films Hors-champ<br />
l'epignau 1<br />
1373 chavorney, switzerland<br />
films@hors-champ.ch<br />
www.hors-champ.ch<br />
section<br />
Dok Market<br />
polisH illusions<br />
by Jacob Dammas, Helge renner<br />
Retired U. S. Army helicopter pilot, Mark Buller has<br />
settled in small-town Poland to find a new home for his<br />
growing collection of military vehicles and his final<br />
missing piece … a wife. He finds help in the young local<br />
admirer of ‘America’, Michał Niewczas, who accom-<br />
panies the American on his pursuit as the friend, driver<br />
and translator. At the other end of town Jan Konstantynow,<br />
the aging magician, must fight for his place in the<br />
spotlight when the local Culture Centre appoints a new<br />
director looking to bring the cultural program into<br />
the 21st century. While Mark, Mike and Jan are struggling<br />
to find their place in the town, Darłowo is going through<br />
a time of modernization. New ways of tourism have<br />
replaced fishing and farming as the main source of income.<br />
genre<br />
Human interest<br />
facts<br />
germany, poland, france,<br />
Denmark, 2012<br />
colour, HDcam<br />
79 min / 52 min<br />
original title<br />
pommersche illusionen<br />
original language<br />
english, german, polish<br />
Produced by<br />
Helge renner<br />
graniza, germany<br />
Jacob Dammas<br />
graniza, poland<br />
www.graniza.net<br />
involved broadcasters<br />
MDr, germany<br />
arte g. e. i. e. germany / france<br />
tVp s. a. channel 1, poland<br />
Yle tV 1, finland<br />
Public screenings<br />
7 / 2012 karlovy Vary,<br />
czech republic<br />
sales contact<br />
Jacob Dammas<br />
graniza polska, Warszawa, polen<br />
jacob.dammas@graniza.pl<br />
Helge renner<br />
graniza deutschland<br />
Berlin, germany<br />
helge.renner@graniza.de<br />
246 247<br />
film id<br />
1094
film id<br />
599<br />
section<br />
animadoc<br />
ponDering<br />
by collective: xx children (françois d'assise ouedraogo,<br />
arzouma Mahamadou Dieni, Moumouni Jupiter sodré)<br />
To leave or to stay ? Citizens from Ouagadougou express<br />
themselves. Between those who dream of leaving for<br />
the West and those who want to stay, a pattern emerges:<br />
a strong will to leave poverty behind, but also a fear<br />
of failing to find a job ‘over there’, or of being made to feel<br />
unwelcome. Beyond the image of the West as an El<br />
Dorado, their thoughts reflect one common aspiration:<br />
to find a better life.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
Belgium, 2012<br />
colour, HD Videofile<br />
9 min<br />
original title<br />
cogitations<br />
original language<br />
french<br />
Produced by<br />
Jean-luc slock<br />
camera-etc, Belgium<br />
www.camera-etc.be<br />
sales contact<br />
Dimitri kimplaire<br />
camera-etc<br />
rue de Visé, 490<br />
B-4020 liège, Belgium<br />
dimitri.kimplaire@camera-etc.be<br />
www.camera-etc.be<br />
tHe postMan<br />
by Wahid nazir<br />
section<br />
Dok international programme<br />
The mailman’s inextricable difficulties as he does his<br />
rounds in the streets of Kabul, where addresses are<br />
often mysterious and deliveries akin to treasure hunts.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
afghanistan, 2011<br />
colour, Beta sp<br />
19 min<br />
original title<br />
une Journée du facteur<br />
khan agha<br />
original language<br />
persian<br />
Produced by<br />
stéphane Jourdain<br />
la Huit production, france<br />
www.lahuit.com<br />
Public screenings<br />
12 / 2011 festival des 3 continents,<br />
france<br />
sales contact<br />
Julien Beaunay<br />
la Huit production<br />
218 bis rue de charenton<br />
75012 paris, france<br />
distribution@lahuit.fr<br />
www.lahuit.com<br />
248 249<br />
film id<br />
1744
film id<br />
2419<br />
presence<br />
by Yashaswini raghunandan, ekta Mittal<br />
section<br />
Dok international<br />
competition short<br />
Presence is a film that explores haunting phenomenon<br />
through the nightmares and ghostly encounters<br />
of migrant workers in a city that is transforming rapidly.<br />
The ghost is not simply a dead or a missing person,<br />
but a social figure, and investigating lead[s] to that dense<br />
site where history and subjectivity make social life.<br />
The way of the ghost is haunting and haunting is a very<br />
particular way of knowing what has happened or is<br />
happening. The workers’ presence in the city is a ghostly<br />
matter as he enters and leaves the city invisibly. As<br />
they carry these stories in and out of many cities, the cities<br />
bear witness to these fragments positing an unsettling<br />
feeling between what we see and what we know. The film<br />
navigates through the here and now, with a quaint<br />
reference to the past and an uncertainty of the future. In<br />
the midst of this transformation is where our film is<br />
located to delve into the subconscious of the city and<br />
the worker who’s seething presence continues to linger<br />
in the air.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
india, 2012<br />
colour, B / W, HDcam<br />
18 min<br />
original title<br />
presence<br />
original language<br />
Hindi<br />
Produced by<br />
ekta Mittal<br />
Maraa, india<br />
www.tinsheets.in<br />
in co-Production With<br />
Yashaswini raghunandan<br />
cctV, india<br />
www.tinsheets.in<br />
Public screenings<br />
4 / 2012 le triennale- intense<br />
proximity, france<br />
6 / 2012 london indian film<br />
festival, united kingdom<br />
sales contact<br />
Yashaswini raghunandan<br />
cctV<br />
ii floor, no.3, 4th cross,<br />
Michaelpalya 2nd stage<br />
560075 Bangalore, india<br />
yashaswini.r@gmail.com<br />
www.tinsheets.in<br />
section<br />
Dok international programme<br />
priVate uniVerse<br />
by Helena třeštíková<br />
Honza was born in 1974 into the cheerless era of<br />
socialism in Czechoslovakia. At that time, his parents<br />
Jana and Petr lived in one room in the apartment of<br />
Jana’s divorced mother and her widowed grandmother.<br />
A few years later, the family moved from Prague to<br />
Liberec where Petr found a job and a little house for the<br />
family. When Honza was born, his father began writ-<br />
ing a family chronicle and he has continued to do so for<br />
37 years. ‘Family Diary’ shows not only the life of one<br />
ordinary family but also how Czech society has changed<br />
in the last four decades. Who are we, where do we come<br />
from and where are we going ?<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
czech republic, 2012<br />
colour, B / W, Dcp<br />
83 min<br />
original title<br />
soukromy Vesmir<br />
original language<br />
czech<br />
Produced by<br />
katerina cerna, pavel strnad<br />
negativ film productions<br />
czech republic<br />
www.negativ.cz<br />
involved broadcasters<br />
czech tV, czech republic<br />
Public screenings<br />
4 / 2012 Hot Docs, canada<br />
sales contact<br />
Zuzana Bielikova<br />
negativ, s. r. o.<br />
ostrovní 30<br />
110 00 prague, czech republic<br />
zuzana@negativ.cz<br />
www.negativ.cz<br />
250 251<br />
film id<br />
1304
film id<br />
2382<br />
section<br />
Dok international programme<br />
proJect Z: tHe final<br />
gloBal eVent<br />
by phillip gara<br />
At once a road-trip, detective story, and zombie<br />
flic, Project Z presents startling evidence that the world<br />
is heading toward a final global event. Combining<br />
rare footage from inside the war machine with corrosive<br />
commentary by leading critics of global violence, the<br />
film imaginatively envisions an event to end all events.<br />
Project Z is an experimental collaboration by James<br />
Der Derian (Human Terrain, After 9 / 11, VY2K), Phillip<br />
Gara (first-time filmmaker) and the Global Media Project<br />
(Watson Institute, Brown University).<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
usa, 2012<br />
colour, B / W, HDcam<br />
70 min<br />
original title<br />
project Z: the final global event<br />
original language<br />
english<br />
Produced by<br />
James Der Derian<br />
global Media project, usa<br />
www.globalmediaproject.net<br />
sales contact<br />
phillip gara<br />
global Media project<br />
Watson institute for international<br />
studies<br />
Brown university/1970<br />
111 thayer street<br />
02912 providence, usa<br />
james_der_derian@brown.edu<br />
www.globalmediaproject.net<br />
section<br />
Dok Market<br />
protect<br />
eVerYone i loVe<br />
by franziska schönenberger, anne M. Hilliges<br />
What does it mean to have a child, if you’re completely<br />
physically handicapped ? Luis’ favourite thing is to ride<br />
on his mummy’s electric wheel chair. The three-year-old<br />
screams happily while he sits on her lap. Sabrina (28),<br />
Luis’ mother, suffers from Friedreich ataxy, an incurable<br />
neuropathic disease. Her health condition deteriorates<br />
constantly and her life expectancy is not very high.<br />
Protect Everyone I Love is a film about a little boy who makes<br />
his mother’s life liveable.<br />
genre<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, DigiBeta<br />
54 min<br />
original title<br />
schütze alle, die ich lieb<br />
original language<br />
german<br />
Produced by<br />
ferdinand freising<br />
Hff München, germany<br />
www.hff-muc.de<br />
in co-Production With<br />
franziska schönenberger,<br />
germany<br />
sales contact<br />
franziska schönenberger<br />
Haberstr. 2a<br />
80999 München, germany<br />
franzi.schoenenberger@gmail.<br />
com<br />
252 253<br />
film id<br />
2242
film id<br />
702<br />
section<br />
Dok Market<br />
tHe punk sYnDroMe<br />
by Jukka kärkkäinen, J-p passi<br />
The Punk Syndrome is a documentary film about Finnish<br />
punk-rock band Pertti Kurikka’s Name Day, formed<br />
in 2009 by four developmentally disabled guys. The film<br />
follows the band’s journey from their rehearsal room<br />
to cult success. It shows the love and hate between the<br />
guys, the crying and the laughter.<br />
genre<br />
arts / culture / Music<br />
Human interest<br />
facts<br />
finland, norway, sweden, 2012<br />
colour, HDcam<br />
58 min<br />
original title<br />
kovasikajuttu<br />
original language<br />
finnish, swedish<br />
Produced by<br />
sami Jahnukainen<br />
Mouka filmi oy, finland<br />
www.mouka.fi<br />
sales contact<br />
andrea Hock<br />
autlook filmsales<br />
trappelgasse 4 / 17<br />
1040 Wien, austria<br />
andrea@autlookfilms.com<br />
www.autlookfilms.com<br />
section<br />
Dok Market<br />
pusHWagner<br />
by even g. Benestad, auguat B. Hanssen<br />
Pushwagner is a personal portrait of a small man with a<br />
great personality. Pop agitator, whip smart renegade<br />
and celebrated graphic artist Hariton Pushwagner lives<br />
life on the edge. ‘There’s a difference in living like<br />
life was real and deep like a thousand kisses.’ Pushwagner<br />
grabs you and doesn’t let go, his puzzling and pro-<br />
found statements keep you glued, hanging on his every<br />
word. Meaningful or meaningless, maybe there’s<br />
no difference, especially since he thinks ‘words are like<br />
viruses.’ The man infects the screen with his paranoia<br />
and need for control until you realize that it’s not all<br />
inside his head. As Pushwagner faces a former assistant<br />
in court, fighting for legal control of his career, image<br />
and art work, it all begins to make sense.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
norway, 2011<br />
colour, DigiBeta<br />
68 min / 49 min<br />
original title<br />
pushwagner<br />
original language<br />
norwegian<br />
Produced by<br />
carsten aanonsen<br />
indie film, norway<br />
www.indiefilm.no<br />
in co-Production With<br />
torstein grude,<br />
piraya film as, norway<br />
www.piraya.no<br />
lise lense-Möller, cecilia Valsted<br />
Magic Hour films, Denmark<br />
www.magichourfilms.dk<br />
klara Björk<br />
filmkreatörerna, sweden,<br />
www.filmkreatorerna.com<br />
Jessica ask<br />
film i Väst, sweden<br />
www.filmivast.se<br />
involved broadcasters<br />
sVt, sweden<br />
Dr, Denmark<br />
nrk, norway<br />
Dr, Denmark<br />
Public screenings<br />
9 / 2011 Haugesund iff, norway<br />
4 / 2012 norwegian iDff, norway<br />
4 / 2012 Hot Docs, canada<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshine-berlin.de<br />
www.riseandshine-berlin.com<br />
254 255<br />
film id<br />
3238
film id<br />
1901<br />
ranDlanD<br />
by leopold grün, Dirk uhlig<br />
section<br />
Dok german competition<br />
A small one-street village in the open landscape of East<br />
Germany, marked by the political changes of the past<br />
decade and long forgotten by the rest of society. Dream of<br />
Wischershausen is a trip to the periphery of society.<br />
How do people like Maxe the farmer, mother-of-five Gabi<br />
or technician Harry, who dreams of travelling to<br />
Norway’s North Cape in his camper van and experiencing<br />
one white night there, actually live ? Wealth and jobs<br />
are scarce around here, but people want to stay regardless.<br />
With stubbornness and a sense of humour, they make<br />
the best of their situation. Dream of Wischershausen is a<br />
film about work and love, your garden as your pub, ashes<br />
in the snow and slaughtering pigs …<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
93 min<br />
original title<br />
randland<br />
original language<br />
german<br />
Produced by<br />
Benny Drechsel, karsten stoeter<br />
rohfilm gmbH, germany<br />
www.rohfilm.de<br />
Public screenings<br />
6 / 2012 toronto iff, canada<br />
6 / 2012 locarno, switzerland<br />
9 / 2012 Zürich iff, switzerland<br />
sales contact<br />
Benny Drechsel<br />
rohfilm gmbH<br />
schwedenstr. 14<br />
13357 Berlin, germany<br />
contact@rohfilm.de<br />
www.rohfilm.de<br />
realitY 2.0<br />
by Victor orozco ramirez<br />
It was autumn when I arrived in Germany. I thought<br />
that in this exotic country I could distance myself a<br />
little bit from Mexico, but I was wrong. Drug traffickers<br />
managed to take me back in a ruthless way. A short<br />
animated documentary about the drug-related violence<br />
in Mexico.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, Mexico, 2012<br />
colour, Dcp<br />
11 min<br />
original title<br />
reality 2.0<br />
original language<br />
spanish<br />
Public screenings<br />
11 / 2010 lisbon & estoril ff,<br />
portugal<br />
3 / 2012 guadalajara iff, Mexico<br />
4 / 2012 Dokumentarfilmwoche<br />
Hamburg, germany<br />
4 / 2012 european Media art<br />
festival, germany<br />
sales contact<br />
Victor orozco ramirez<br />
Winterhuder Weg 47b<br />
22085 Hamburg, germany<br />
victor.orozco@spfraktion.com<br />
www.orozcovictor.com<br />
256 257<br />
film id<br />
2741<br />
section<br />
animadoc
film id<br />
1853<br />
section<br />
Dok Market<br />
tHe reD<br />
DreaM factorY<br />
by alexander schwarz<br />
Soviet film avant-garde flourished in the West while the<br />
Russians rushed to watch German films. East and West<br />
joined forces in the unique German-Russian film<br />
studio Meshrabpom-Film, under the roof of the workers’<br />
relief organisation IAH (Internationale Arbeiterhilfe).<br />
The vision of its founders, the red media tsar Willi<br />
Muenzenberg and Moisei Aleinikov, the last independent<br />
Russian entrepreneur: To establish a new way of film-<br />
making. Entertainment, political enlightenment and<br />
social consciousness, presented with a new film language<br />
and with international distribution. Among the masters<br />
of the studios were Yakov Protasanov, Vsevolod<br />
Pudovkin, Boris Barnet, Dziga Vertow and Joris Ivens. The<br />
ZDF/ARTE & MDR documentary includes statements<br />
by film historians and critics Naum Kleiman, Yekaterina<br />
Khokhlova and Andrei Plakhov, as well as prominent<br />
filmmakers and contemporary film entrepreneurs from<br />
Russia like Aleksei Popogrebsky, Andrei Sviagintsev,<br />
Igor Tolstunov and Ilya Bachurin. The film connects<br />
fascinating film history of the 1920s and 30s and contem-<br />
porary Russian film. Many film excerpts and photos<br />
are shown for the first time. Just like many of the historical<br />
films portrayed, this documentary is a joint German-<br />
Russian effort: cinematography by Andrei Pitinov, origi-<br />
nal musical composition by Bernd Schultheis, graphics/<br />
CGI by Fabian Harmanus.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
germany, 2011<br />
colour, B / W, HD Videofile<br />
56 min<br />
original title<br />
Die rote traumfabrik<br />
original language<br />
german, russian<br />
Produced by<br />
ilona grundmann<br />
ilona grundmann film-<br />
production, germany<br />
www.ilona-grundmann-<br />
filmproduction.de<br />
in co-Production With<br />
thomas radler<br />
thora-film, germany<br />
www.thorafilm.de<br />
involved broadcasters<br />
MDr, germany<br />
ZDf/ arte, germany<br />
Public screenings<br />
arte, germany<br />
sales contact<br />
ilona grundmann<br />
ilona grundmann filmproduction<br />
unter den eichen 5<br />
65195 Wiesbaden, germany<br />
info@ilona-grundmann-<br />
filmproduction.de<br />
www.ilona-grundmann-<br />
filmproduction.de<br />
section<br />
Dok international programme<br />
reD Hair<br />
anD Black coffee<br />
by Milena Bochet<br />
Hermanovce, Slovak Republic. A Romany village<br />
located deep down in the valley, with old shacks and newer<br />
concrete ones. Four Romany women tell us about their<br />
day-to-day life through ancient habits, along with words<br />
that travel near borders of different worlds …<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
Belgium, 2012<br />
colour, DigiBeta<br />
56 min<br />
original title<br />
cheveux rouges et café noir<br />
(Dames blanches et esprits noirs)<br />
original language<br />
romanian<br />
Produced by<br />
isabelle truc<br />
iota production, Belgium<br />
www.iotaproduction.com<br />
involved broadcasters<br />
gsara, Belgium<br />
sales contact<br />
isabelle truc<br />
iota production, Belgium<br />
contact@iotaproduction.com<br />
www.iotaproduction.com<br />
258 259<br />
film id<br />
241
film id<br />
1187<br />
section<br />
Dok Market<br />
regilaul – songs<br />
of tHe ancient sea<br />
by ulrike koch<br />
In ancient Estonia, there originated a singing tradition<br />
of mysterious power: the Regilaul. Based on the<br />
continuous repetition of eight-syllable verses, Regi songs<br />
produce a haunting sound able to connect the present<br />
to the eternal circle of life.<br />
genre<br />
arts / culture / Music<br />
ethnology / religion<br />
facts<br />
switzerland, estonia, 2011<br />
colour, Dcp<br />
104 min<br />
original title<br />
regilaul – lieder aus der luft<br />
original language<br />
estonian<br />
Produced by<br />
rose-Marie schneider<br />
Doc productions gmbH,<br />
switzerland<br />
www.docproductions.ch<br />
in co-Production With<br />
erik norkroos<br />
rühm pluss null, estonia<br />
www.plussnull.ee<br />
involved broadcasters<br />
err, estonia<br />
srf, switzerland<br />
Public screenings<br />
3 / 2012 Worldfilmfestival tartu,<br />
estonia<br />
sales contact<br />
rose-Marie schneider<br />
Doc productions gmbH<br />
Dienerstr. 7<br />
8004 Zürich, switzerland<br />
info@docproductions.ch<br />
www.docproductions.ch<br />
section<br />
Dok international programme<br />
tHe riVer people<br />
by Martin Benchimol, pablo aparo<br />
Ernestina is a small town with 150 inhabitants, the<br />
stage of this documentary that has the tension and the<br />
suspense of a fiction film. The strange characters<br />
that live in the town introduce us to the crimes committed<br />
by the people who visit the river. Nowadays, the neighbours<br />
hire private security and this seems to have ended<br />
the problem. However, while the documentary makers<br />
are shooting the movie, new strange events occur. What<br />
is really happening in Ernestina ? The film invites us<br />
to approach, with humour, the bizarre world of this town,<br />
the particular life of its inhabitants and the mystery<br />
of the river people.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
argentina, 2012<br />
colour, HDcam<br />
70 min<br />
original title<br />
la gente del río<br />
original language<br />
spanish<br />
Produced by<br />
Martin Benchimol,<br />
pablo aparo<br />
caravanacine, argentina<br />
www.caravanacine.com.ar<br />
sales contact<br />
Martin Benchimol, pablo aparo<br />
caravanacine<br />
Miguel cane 1286<br />
1704 ramos Mejía – Buenos<br />
aires, argentina<br />
martin.benchimol@gmail.com<br />
pabloaparo@gmail.com<br />
www.caravanacine.com.ar<br />
260 261<br />
film id<br />
379
film id<br />
582<br />
section<br />
Dok Market<br />
tHe roaD upHill<br />
by Jean-louis schuller<br />
Luxembourg. One of the world’s smallest countries,<br />
a green and peaceful place bordered by Belgium, France<br />
and Germany. The birthplace of two brothers, Andy<br />
and Fränk Schleck, two of the world’s best professional<br />
cyclists. Following Team Leopard Trek and the<br />
Schleck Brothers, this film focuses upon the team’s parti-<br />
cipation in the prestigious 2011 Tour de France. It<br />
is an intimate cinematic portrait of two brothers and a<br />
team under pressure to live up to the expectations<br />
of their country. The Road Uphill documents the relationships,<br />
motivations and belief systems integral to<br />
Leopard Trek – core aspects of the team which are not<br />
usually exposed by television reportage. This docu-<br />
mentary investigates the day-to-day life of a professional<br />
cycling team and the physical, mental and emotional<br />
thresholds that they need to overcome to win the greatest<br />
race on earth.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
luxembourg, 2011<br />
colour, Dcp<br />
89 min<br />
original title<br />
the road uphill<br />
original language<br />
english, french, german,<br />
luxembourgish<br />
Produced by<br />
paul thiltges, David grumbach<br />
paul thiltges Distributions,<br />
luxembourg<br />
www.ptd.lu<br />
Public screenings<br />
4 / 2012 Houston iff, usa<br />
6 / 2012 gdansk iff, 2012, poland<br />
8 / 2012 Melbourne iff, australia<br />
11 / 2012 cpH:Dox, Denmark<br />
sales contact<br />
paul thiltges<br />
paul thiltges Distributions<br />
45, Boulevard pierre frieden<br />
1543 luxembourg, luxembourg<br />
info@ptd.lu<br />
www.ptd.lu<br />
rogalik<br />
by pawel Ziemilski<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
Travelling among people and objects we discover a world<br />
usually considered as ugly and unattractive. This dream-<br />
like journey is not a dream. Who are the people in this<br />
‘big aquarium’ ? And what is our position towards them ?<br />
genre<br />
author’s point of View<br />
Human interest<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, HDcam<br />
15 min<br />
original title<br />
rogalik<br />
original language<br />
polish<br />
Produced by<br />
Marcin Malatyński,<br />
Magdalena kondrakowicz<br />
polish national<br />
film school, poland<br />
www.filmschool.lodz.pl<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
262 263<br />
film id<br />
1613
film id<br />
3185<br />
section<br />
Dok Market<br />
russian girls<br />
by alina teodorescu, Dmitri popov<br />
How can I ‘hunt down’ the man of my dreams ? Or<br />
any man at all ? How should I glance, how should I move,<br />
how should I bend down and obey – to attract male<br />
attention ? For all these matters, there are special women’s<br />
courses and exercises available in post-communist<br />
Moscow. In a country where there are 5 millions more<br />
women than men, the ‘battle’ to find a man can some-<br />
times assume existential proportions. They all have one<br />
basic insight in common, however: For a woman to<br />
find a good man, she has to start by working on herself …<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
germany, 2011<br />
colour, DigiBeta<br />
58 min / 70 min<br />
original title<br />
russian girls<br />
original language<br />
russian<br />
sales contact<br />
Heino Deckert<br />
Deckert Distribution<br />
Marienplatz 1<br />
04103 leipzig, germany<br />
info@deckert-distribution.com<br />
www.deckert-distribution.com<br />
section<br />
Dok Market<br />
russia’s HistorY<br />
reVealeD<br />
– part i, ii anD iii<br />
by christian schulz, Jan n. lorenzen,<br />
carsten günther, nina koshofer<br />
The focus lies on the key events that defined the various<br />
epochs of this huge realm and which still resonate<br />
to this very day. The story is told through the history of<br />
three major Russian cities: St. Petersburg, Volgograd,<br />
formerly Stalingrad and Moscow. This is where every-<br />
thing comes together: key turning points in politics<br />
and war, tales of heroes, world-changing inventions and<br />
discoveries. In short these are snapshots of human<br />
happiness and boundless energy as well as huge tragedies<br />
affecting entire peoples and dramas on a historic scale.<br />
Russia’s History Revealed is a docudrama set against the<br />
backdrop of impressive landscapes and historic locations,<br />
combined with a wealth of fascinating and previously<br />
unseen archive material and exciting, emotive re-enactments,<br />
which bring to life the various Russian eras in<br />
opulent detail.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
germany, 2011<br />
colour, HDcam<br />
45 min<br />
original title<br />
Die geschichte russlands<br />
– teil i, ii und iii<br />
original language<br />
german<br />
sales contact<br />
andrea seibert<br />
global screen<br />
sonnenstraße 21<br />
80331 München, germany<br />
andrea.seibert@globalscreen.de<br />
www.globalscreen.de<br />
264 265<br />
film id<br />
3242
film id<br />
450<br />
section<br />
Dok international programme<br />
san agustin<br />
– loW tiDe in tHe<br />
plastic sea<br />
by alexander Hick, gudrun gruber, Michael schmitt<br />
In the midst of the world’s biggest fruit and vegetable<br />
garden, the so called‚ ‘Mar del plástico’, lies the Andalusian<br />
village of San Agustín. For the local planters this<br />
season’s atmosphere is prophesying crisis: A mysterious<br />
virus threatens the harvest, bacteria attack the plants<br />
and the authorities are after the illegal workforce in the<br />
greenhouses. Planter José Maria would rather choose<br />
to live among vegetables than people anyway, while the<br />
Crespo family, who seems to belong to a different<br />
era, tries to get by with vegetables, breeding goats and a<br />
giant compost pile. This is all part of the daily routine<br />
for Paco, the village tavern’s barman, who knows all of his<br />
customers’ problems. San Agustín takes an out of the<br />
ordinary look at the ‘Mar del plástico’ – Europe’s most<br />
important producer and vendor of fruit and vegetables –<br />
as it fights with its own existence once more during the<br />
cucumber crisis of 2011. Two families, a village tavern<br />
and a lot of vegetables. One harvest season in nine chapters.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
72 min<br />
original title<br />
san agustin – ebbe im<br />
plastikmeer<br />
original language<br />
spanish<br />
sales contact<br />
tina Janker<br />
Hff München<br />
Bernd-eichinger-platz 1<br />
80333 München, germany<br />
festival4@hff-muc.de<br />
www.hff-muenchen.de<br />
section<br />
Dok Market<br />
seDuceD<br />
anD BlackMaileD<br />
by aldo gugolz<br />
Helg Sgarbi, a charming Swiss man, tries to extort<br />
14 million Euro from BMW’s major shareholder Susanne<br />
Klatten by threatening to publish intimate photos.<br />
She contacts the police, Sgarbi is arrested. But this case<br />
is only the tip of the proverbial iceberg: Several<br />
gullible women were blackmailed by Sgarbi. The money<br />
probably went to an Italian miracle healer and his sect.<br />
Is he the mastermind behind the crime ?<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
switzerland, 2011<br />
colour, Beta sp<br />
51 min<br />
original title<br />
Verführt und erpresst<br />
original language<br />
german, italian<br />
Produced by<br />
lina geissmann<br />
pret a tourner film, switzerland<br />
involved broadcasters<br />
srf, switzerland<br />
Public screenings<br />
12 / 2011 srf 1, switzerland<br />
sales contact<br />
esther van Messel<br />
first Hand films<br />
neunbrunnenstrasse 50<br />
8050 Zürich, switzerland<br />
esther.van.messel@<br />
firsthandfilms.com<br />
www.firsthandfilms.com<br />
266 267<br />
film id<br />
962
film id<br />
2228<br />
section<br />
Dok Market<br />
sHenanDoaH<br />
by David turnley<br />
An epic feature documentary about a coal mining town<br />
with a proud immigrant heritage, once pivotal in fueling<br />
America’s industrial revolution and today in decline<br />
and struggling to survive and retain its identity, soul and<br />
values – all of which were dramatically challenged<br />
when four of the town’s white, star football players were<br />
charged in the beating death of an undocumented<br />
Mexican immigrant named Luis Ramirez. Pulitzer Prize-<br />
winning photographer David Turnley’s most personal<br />
work, Shenandoah creates a deeply felt portrait of a work-<br />
ing class community, and the American Dream on trial.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
usa, 2012<br />
colour, HDcam<br />
97 min<br />
original title<br />
shenandoah<br />
original language<br />
english<br />
Produced by<br />
Billy peterson<br />
epic Match Media, usa<br />
www.epicmatchmedia.com<br />
in co-Production With<br />
David turnley, usa<br />
sales contact<br />
Billy peterson<br />
epic Match Media, usa<br />
info@epicmatchmedia.com<br />
www.epicmatchmedia.com<br />
siBila<br />
by teresa arredondo<br />
I remember the night when the history of my family<br />
changed. We received a phone call from Peru saying that<br />
my aunt Sibila was in prison accused of forming part<br />
of the Shining Path. I was seven years old and my parent’s<br />
protective silence made me transform her image into<br />
a great mystery. She was kept in prison for 15 years. Today<br />
she is free and I want to get close to her, to listen and<br />
to understand. Sibila is a journey that builds the present by<br />
looking at the past. It is also an encounter between two<br />
generations looking for dialogue.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
chile, spain, 2012<br />
colour, HDcam<br />
94 min<br />
original title<br />
sibila<br />
original language<br />
spanish<br />
Produced by<br />
teresa arredondo<br />
casimusicos cine, chile<br />
www.sibiladocumental.com<br />
Public screenings<br />
3 / 2012 toulouse film<br />
festival, france<br />
4 / 2012 Bafici, argentina<br />
4 / 2012 Malaga film festival,<br />
spain<br />
6 / 2012 fiDocs, chile<br />
sales contact<br />
teresa arredondo<br />
casimusicos cine<br />
los coligues 1518<br />
Vitacura<br />
7630000 santiago, chile<br />
laviridiana@gmail.com<br />
www.sibiladocumental.com<br />
268 269<br />
film id<br />
22<br />
section<br />
chileDoc
film id<br />
1633<br />
section<br />
Dok Market<br />
tHe skY oVer Here<br />
by selim Harbi<br />
After 25 years of career in Syrian civil aviation, Habib<br />
loses inequitably his pilot’s job. This professional crash is<br />
followed by a family explosion and by social decay.<br />
His German wife quits him and his children too, except<br />
Maher, his eldest son. Today, 56-year-old Habib has<br />
lost everything, or almost everything. He lives in Berlin<br />
and earns his living by collecting empty bottles. The<br />
street is his universe and at night his refuge. He survives<br />
thanks to the poetry which allows him to take up with<br />
the sky while protecting his identity and his pride.<br />
Habib is the living memory of a period to which he clings<br />
stubbornly so as not to lose his ultimate marks. In a<br />
dedication to Hafiz al Assad that he frequented in the<br />
past lies an admiration and an unlimited respect he<br />
puts above the importance of his own life. Habib: still<br />
faithful to the political model which caused his setbacks.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
germany, tunisia, 2012<br />
colour, HDcam<br />
52 min<br />
original title<br />
Min Houna essama<br />
original language<br />
arabic, german<br />
Produced by<br />
selim Harbi, germany<br />
www.slimharbi.com<br />
sales contact<br />
selim Harbi<br />
leuschnerdamm 19<br />
10999 Berlin, germany<br />
selimharbi@slooma.com<br />
www.slimharbi.com<br />
section<br />
Dok international<br />
competition<br />
sofia’s<br />
last aMBulance<br />
by ilian Metev<br />
In a city where 13 ambulances struggle to serve 2 million<br />
people, Krassi, Mila and Plamen are our unlikely<br />
heroes: chain-smoking, filled with humour, relentlessly<br />
saving lives against all odds. Yet, the strain of a broken<br />
system is taking a human toll: how long can they keep fix-<br />
ing society’s injured until they loose their empathy ?<br />
The film uses an unorthodox creative form which dodges<br />
sensationalism. We are captivated by the faces of our<br />
protagonists and the sounds surrounding one of Sofia’s<br />
Last Ambulances.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
Bulgaria, germany, croatia, 2012<br />
colour, HDcam<br />
75 min<br />
original title<br />
poslednata lineika na sofia<br />
original language<br />
Bulgarian<br />
Produced by<br />
ingmar trost<br />
sutor kolonko film-<br />
produktion, germany<br />
www.sutorkolonko.de<br />
in co-Production With<br />
Dimitar gotchev<br />
sia ltd, Bulgaria<br />
www.sia.bg, siniša Juričić<br />
nukleus film d. o. o., croatia<br />
www.nukleus-film.hr<br />
involved broadcasters<br />
WDr/arte, germany<br />
WDr, germany<br />
Public screenings<br />
6 / 2012 karlovy Vary iff, spain<br />
6 / 2012 Moscow iff, russia<br />
9 / 2012 san sebastián,<br />
czech republic<br />
9 / 2012 toronto iff, canada<br />
sales contact<br />
Valeska neu<br />
films Boutique<br />
köpenicker strasse 184<br />
10997 Berlin, germany<br />
valeska@filmsboutique.com<br />
270 271<br />
film id<br />
429
film id<br />
2138<br />
a sort of loVe<br />
by Dirk schäfer<br />
section<br />
Dok german competition<br />
For a year filmmaker Dirk Schäfer accompanied thirty<br />
year old Nevzat through his disordered life. Nevzat,<br />
who grew up in the bosom of a Kurdish tribe at Turkey’s<br />
border to Iran, had been forced into a marriage at<br />
the age of fifteen in order to pacify a smoldering blood<br />
feud with another clan. Yet the marriage was never<br />
consummated and again and again Nevzat chose to stay<br />
away from village life by hiring himself out as a construction<br />
worker in the mega metropolis Istanbul, a job<br />
that almost claimed his life. Caught between the<br />
traditional codes of honour in his community, and his<br />
status as a member of the Kurdish minority in Turkey,<br />
Nevzat has been forced to use his wits to forge his<br />
way and has had a hard time planning a future. An obser-<br />
vational documentary, A Sort of Love is also both the<br />
source and reflection of an unusual friendship.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
germany, turkey, 2012<br />
colour, Dcp<br />
70 min<br />
original title<br />
eine art liebe<br />
original language<br />
kurdish, turkish<br />
Produced by<br />
Dirk schäfer, turkey<br />
www.orientme.eu<br />
sales contact<br />
Dirk schäfer<br />
kumrulu Yokuşu 4<br />
34000 istanbul, turkey<br />
schaefer-dirk@gmx.de<br />
www.orientme.eu<br />
section<br />
Dok Market<br />
sounDs<br />
froM tHe fog<br />
by klaus stanjek<br />
‘Active forgetting’ is a common process of coping with<br />
history in Germany. In a radical personal approach,<br />
the film follows the complex turns and twists of feelings,<br />
when they try to deal with threatening knowledge.<br />
My cheerful uncle lived with my family unless he was<br />
touring as an entertainment musician across Germany.<br />
Only at his age of 90, I detected what my whole<br />
family had hidden: that he had spent 8 years in Nazi<br />
camps and that he was gay. During the following<br />
research I found out that my hometown, which presented<br />
itself as a liberal town, had been a major stronghold of<br />
the early Nazi-Party. I found out that even in<br />
brutal concentration camps turbulent festivities took<br />
place where my uncle was part of; that my mother<br />
enjoyed her career in the Hitler-Youth although knowing<br />
about her brothers captivity. Because of several<br />
taboos, the story of my beloved uncle was hardly<br />
accessible. By means of animation and image compositing,<br />
we revitalized the available photos. My surpris-<br />
ing encounters in several countries and my reflections<br />
lead the audience through the burdened social history<br />
of Germany – with a humorous undertone.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, czech republic,<br />
austria, 2012<br />
colour, B / W, HDcam<br />
90 min<br />
original title<br />
klänge des Verschweigens<br />
original language<br />
czech, english, german<br />
Produced by<br />
klaus stanjek<br />
cinetarium Babelsberg, germany<br />
www.cinetarium.de<br />
in co-Production With<br />
Beate schlanstein<br />
WDr, germany<br />
www.wdr.de<br />
involved broadcasters<br />
WDr, germany<br />
sales contact<br />
klaus stanjek<br />
cinetarium Babelsberg<br />
alt nowawes 50<br />
14482 potsdam-Babelsberg,<br />
germany<br />
info@cinetarium.de<br />
www.cinetarium.de<br />
272 273<br />
film id<br />
1597
film id<br />
3350<br />
section<br />
leipzig screening<br />
speeD – in searcH<br />
of lost tiMe<br />
by florian opitz<br />
‘My experience with time by now is limited to the one<br />
feeling – I don’t have enough.’ It’s a paradox. Never<br />
before in history we have worked more efficiently. Never<br />
before we have saved time with more sophisticated<br />
technologies. Anyway, nearly all of us are feeling an in-<br />
creasing pressure of time. It seems that the same<br />
technology that has been invented to make our life better<br />
and easier, is now enslaving us. Florian Opitz tries<br />
to track down the reasons of our shortage of time and for<br />
the constant acceleration of our lives. In his search<br />
of lost time he not only questions his own hectic lifestile,<br />
but also visits several people, to find out how they deal<br />
with time. The pacemakers of the constant acceleration<br />
of society as well as dropouts. In Speed. In search of<br />
lost time step by step he reveals the disturbing picture of<br />
a civilisation, that has disposed of all brake systems<br />
and, run by autopilot, goes blindly for unlimited and<br />
eternal growth, no matter what the consequences are. But<br />
Opitz also tries to find the good life. In the nishes of<br />
the global capitalism he discovers alternatives to the<br />
rat race.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
96 min<br />
original title<br />
speed – auf der suche nach<br />
der verlorenen Zeit<br />
original language<br />
english, german<br />
Produced by<br />
oliver stoltz<br />
Dreamer Joint Venture filmproduktion<br />
gmbH, germany<br />
www.dreamerjointventure.de<br />
involved broadcasters<br />
WDr/arte, germany<br />
Public screenings<br />
1 / 2012 Max ophüls preis,<br />
germany<br />
sales contact<br />
Wekas gaba<br />
Dreamer Joint Venture gmbH<br />
regensburger str. 25<br />
10777 Berlin, germany<br />
w.gaba@dreamerjointventure.de<br />
www.dreamerjointventure.de<br />
section<br />
Dok Market<br />
tHe spies<br />
of scientologY<br />
– office of<br />
special affairs o.s.a.<br />
by frank nordhausen, Markus thöß<br />
Scientology is one of the world’s most controversial<br />
sects. Yet even though we are aware that international<br />
stars such as Tom Cruise and John Travolta are<br />
among the followers of the sect founded by Ron Hubbard.<br />
What is less known is that Scientology has its own<br />
secret service: the ‘Office of Special Affairs’ – O.S.A. for<br />
short – which is run by Scientology boss David Miscavige<br />
in Los Angeles. It is the oldest private secret service<br />
in the world, and bigger and more influential than the<br />
secret service agencies of many countries. But why<br />
does a religious community need a secret service ? What<br />
methods are used by this mysterious organization<br />
and to what ends ? Who are the people who work for this<br />
‘service’ ? In order to find answers to these questions,<br />
Frank Nordhausen and Markus Thöss spent more than a<br />
year researching with their camera in Europe and the<br />
U. S. The O.S.A. zeroes in on rebels and critics. Scientology<br />
agents have already been accused of espionage,<br />
breaking and entering, coercion and other criminal acts.<br />
In their research, the filmmakers uncovered trails<br />
leading to the top ranks of political life – including the<br />
State Department in Washington.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
58 min / 90 min<br />
original title<br />
Die spitzel von scientology –<br />
sektengeheimdienst o. s. a.<br />
original language<br />
german<br />
sales contact<br />
andrea seibert<br />
global screen<br />
sonnenstraße 21<br />
80331 München, germany<br />
andrea.seibert@globalscreen.de<br />
www.globalscreen.de<br />
274 275<br />
film id<br />
3247
film id<br />
3245<br />
section<br />
Dok Market<br />
tHe spY froM<br />
tHe pariser platZ<br />
by scott christianson, egmont r. koch<br />
On the 3rd of September, 1941 the SS carried out a<br />
top-secret experiment in the Auschwitz concentration<br />
camp, which marked the beginning of the Holocaust:<br />
several hundred war prisoners were murdered<br />
with Zyklon B, a granulate that releases extremely toxic<br />
hydrogen cyanide. A few weeks later, the repre-<br />
sentative of Germany’s IG Farben corporation received<br />
American couriers in his villa on the banks of Lake<br />
Lucerne in Switzerland, gave them top-secret documents<br />
about Hitler’s toxic gas production as well as about<br />
Zyklon B, produced by IG Farben. Did information about<br />
the planned ‘final solution’ reach the U. S. at an early<br />
stage through these channels ? This documentary by the<br />
American journalist Scott Christianson and his German<br />
colleague Egmont R. Koch makes use of recent<br />
archival findings to explore this matter in depth. The<br />
film tells the amazing story of the German economic<br />
consultant Erwin Respondek, who was initially a participant<br />
in the cartel agreements between IG Farben<br />
and the American chemical corporation Du Pont before<br />
mutating into a spy and providing the Americans<br />
with secrets on Hitler’s toxic-gas production. Respondek<br />
worked in an office on the Pariser Platz in Berlin …<br />
genre<br />
History / politics / current affairs<br />
facts<br />
germany, 2011<br />
colour, HDcam<br />
52 min<br />
original title<br />
the spy from the pariser platz<br />
original language<br />
german<br />
sales contact<br />
andrea seibert<br />
global screen<br />
sonnenstraße 21<br />
80331 München, germany<br />
andrea.seibert@globalscreen.de<br />
www.globalscreen.de<br />
section<br />
Dok Market<br />
steVe JoBs:<br />
tHe lost interVieW<br />
by John gau, robert cringley, paul sen<br />
In 1995, during the making of his TV series Triumph of<br />
the Nerds about the birth of the PC, Bob Cringely did<br />
a memorable, long interview with Steve Jobs. At the time<br />
of the interview he was running Next, the niche<br />
computer company he had founded after leaving Apple.<br />
During the interview, Jobs was witty, outspoken and<br />
visionary – a pioneer at the peak of his powers, already<br />
anticipating the digital future that one day he would<br />
do so much to make possible. Only a part of the interview<br />
was used in the series and the rest was thought lost.<br />
But recently a copy was found in the director’s garage.<br />
There are surprising few filmed interviews with<br />
Steve Jobs, and even fewer good ones. So the producers<br />
decided to clean this one up to give today’s audiences<br />
a chance to see Jobs at his charismatic best looking into<br />
the future then. A future which is now !<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
usa, 201<br />
colour, HDcam<br />
70 min<br />
original title<br />
steve Jobs: the lost interview<br />
original language<br />
english<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
276 277<br />
film id<br />
3301
film id<br />
408<br />
section<br />
Dok international<br />
competition short<br />
a storY<br />
for tHe MoDlins<br />
by sergio oksman<br />
After appearing in the film Rosemary’s Baby, by Roman<br />
Polanski, Elmer Modlin ran away with his family to<br />
a distant land, where they shut themselves inside a dark<br />
apartment for thirty years.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
spain, 2012<br />
colour, Dcp<br />
26 min<br />
original title<br />
a story for the Modlins<br />
original language<br />
english<br />
Produced by<br />
sergio oksman<br />
Dok films, spain<br />
www.dokfilms.es<br />
Public screenings<br />
5 / 2012 Documenta Madrid,<br />
spain<br />
sales contact<br />
sergio oksman<br />
Dok films<br />
rodriguez san pedro 72 – 5º<br />
28015 Madrid, spain<br />
soksman@gmail.com<br />
www.dokfilms.es<br />
section<br />
Dok Market<br />
straDiVari’s Heirs<br />
by corinna engelhardt<br />
This film is a fascinating journey into the world of the<br />
Stradivari violin, known for its incomparable resonance.<br />
International scientists, luthiers and musicians such<br />
as Matthew Trusler collaborate to recreate the sound of<br />
the famous instrument, which is believed to be linked<br />
to the density of the wood. They try to find it back using a<br />
special fungi. Will they succeed ? Will they get to the<br />
bottom of it ?<br />
genre<br />
arts / culture / Music<br />
science<br />
facts<br />
germany, switzerland,<br />
netherlands, italy, 2011<br />
colour<br />
52 min<br />
original title<br />
stradivaris erben<br />
involved broadcasters<br />
Deutsche Welle, germany<br />
sales contact<br />
pauline Mazenod<br />
Windrose sas<br />
7, rue civiale<br />
75010 paris, france<br />
pmazenod@windrose.fr<br />
www.windrose.fr<br />
278 279<br />
film id<br />
3169
film id<br />
2261<br />
streMt 89<br />
by anda pușcaș, Dragoș Dulea<br />
section<br />
Dok international programme<br />
In 1989, in Romania, the anti-communist revolution was<br />
taking place on the streets of the big cities. But all<br />
around the country, people were waiting, in fear, in doubt,<br />
with contained excitement, in their trained paranoia,<br />
for something to change. In the small hunters’ village of<br />
Stremt, news travelled slowly. So slow in fact, that only<br />
after they saw Ceausescu flee on television, did they decide<br />
to start their own revolution. Each man had a rifle<br />
and a theory, but most importantly, a cellar stacked with<br />
homemade alcohol. So it was no surprise that soon<br />
enough, every neighbour behind a fence was a terrorist.<br />
22 years later, the documentary follows what people<br />
thought they did, what they think they should have done,<br />
and how they would have been better off if they had<br />
done it differently.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
romania, 2012<br />
colour, Dcp<br />
14 min<br />
original title<br />
stremt 89<br />
original language<br />
romanian<br />
Produced by<br />
anda pușcaș<br />
unatc, romania<br />
in co-Production With<br />
Dragoș Dulea<br />
eat us alive films, romania<br />
www.facebook.com / hellopixels<br />
Public screenings<br />
1 / 2012 filmul de piatra, romania<br />
3 / 2012 tampere ff, finland<br />
4 / 2012 goeast festival of central<br />
and eastern european film,<br />
germany<br />
sales contact<br />
anda pușcaș<br />
unatc<br />
estacadei 1<br />
062225 Bucharest, romania<br />
anda.puscas@gmail.com<br />
stretcHer<br />
by Marcel Beltrán<br />
section<br />
focus latin america<br />
Mejengue lives all alone on a mountain in Cuba.<br />
He takes his stuff like plates and cups and goes down to<br />
a village. Mejengue’s daily life is bartering or selling<br />
his stuff to get rice. One day, Mejengue comes all the way<br />
down and takes a bus to the village. But the bus<br />
breaks down on the way, and he decides to walk the long<br />
way. He tries very hard to get rice going from house<br />
to house, but it is never easy. Mejengue does not give up<br />
on getting rice, and he decides to participate on Parihuela.<br />
Parihuela means the traditional way to carry sick<br />
people in a mountainous region, which is an inconvenient<br />
mode of transportation in Sierra Maestra, Cuba. The<br />
film not only holds firm to the basic principle of ‘direct<br />
cinema’ but has a view of sincerity and completion.<br />
The production crew shot Cuban natives and Mejengue’s<br />
personal problems in their lives along with an anthro-<br />
pological view of an existence in a community around a<br />
mountainous region. They made a film of two episodes<br />
(The Breaking Down of the Bus, Parihuela) on mise en scene<br />
with an almost perfect level of shooting skill.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
cuba, 2010<br />
colour, DigiBeta<br />
13 min<br />
original title<br />
parihuela<br />
original language<br />
spanish<br />
Produced by<br />
Marcel Beltrán, cuba<br />
sales contact<br />
Marcel Beltrán<br />
fca san tranquilino<br />
32500 san ant Baños, cuba<br />
promocioninternacional@<br />
eictv.co.cu<br />
280 281<br />
film id<br />
3180
film id<br />
453<br />
tHe stripper<br />
by stefan Berg<br />
section<br />
Dok Market<br />
Calista is a young girl who dreams of a life as a dancer.<br />
The future looks bright and when she is 16-years<br />
old, she is selected for a dance school in New York. But<br />
the journey and her dance career is interrupted when<br />
she finds out that she is pregnant. The father of the child<br />
is a Mormon and she is forced into a marriage. No<br />
more dancing. After eight years, Calista is in such a deep<br />
depression that she leaves the family and ends up<br />
sleeping on a park bench. By chance she meets a girl who<br />
introduces her to the stripper profession. This becomes<br />
her temporary salvation.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
sweden, 2012<br />
colour, HDcam<br />
72 min<br />
original title<br />
strippan<br />
original language<br />
swedish<br />
Produced by<br />
stefan Berg<br />
Berg images, sweden<br />
www.bergimages.se<br />
involved broadcasters<br />
sveriges television aB, sweden<br />
Public screenings<br />
3 / 2012 silver Docs, usa<br />
sales contact<br />
stefan Berg<br />
Berg images<br />
Västra rönneholmsvägen 33<br />
21741 Malmö, sweden<br />
stefan.berg@bergimages.se<br />
www.bergimages.se<br />
section<br />
Dok.incubator<br />
stuck in tHe MiDDle<br />
by Vladislava planciková<br />
My identity as a taboo of two nations. Hungarian for<br />
Slovaks, Slovaks for Hungarian. My personal journey into<br />
the past of my family to heal the future of two neighbours.<br />
This is my personal story. My grandma and all her<br />
family came to Slovakia from Hungary a long time ago.<br />
They were forced to live in a house of evicted Hungarians.<br />
How can the result of a chess game of a few politicians<br />
after the Second World War change the destiny of<br />
thousands of families ? I want to find out what happened.<br />
I let old pictures, maps, letters, shoes and memories tell<br />
the story of two nations.<br />
As this film is part of the <strong>DOK</strong>.Incubator workshop 2012 and<br />
still in post-production, <strong>DOK</strong> Market presents only a trailer.<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
slovakia, 2013<br />
colour, DigiBeta<br />
75 min<br />
original title<br />
felvidek. Horna Zem<br />
original language<br />
Hungarian, slovak<br />
Produced by<br />
tomáš kaminský<br />
Mandala pictures, slovakia<br />
www.mandalapictures.eu<br />
involved broadcasters<br />
rtVs, slovakia<br />
sales contact<br />
tomáš kaminský<br />
Mandala pictures<br />
Mariánska 18<br />
900 31 stupava, slovakia<br />
tomas@mandalapictures.eu<br />
www.mandalapictures.eu<br />
282 283<br />
film id<br />
3340
film id<br />
2214<br />
tales aBout<br />
tHe future<br />
by patricia Bustos<br />
section<br />
chileDoc<br />
They are four Chileans under thirty years of age who<br />
have known each other since childhood. They grew<br />
up in the same poor neighbourhood and formed part of<br />
a children’s news programme called Chinoticias.<br />
They acted as journalists, asking their neighbours about<br />
the problems in the local area. Although many of<br />
those problems still exist, those times seem like long ago.<br />
Now adults, today they are building their lives and<br />
forming families in a country that does little to make<br />
things easy for them. A lack of opportunities is a part<br />
of their landscape, and the passing of their days is a<br />
genuine portrait of Chile in 2010. Tales about the future<br />
is an observational documentary about their lives<br />
over the course of a year. It is a film about the dreams<br />
and dignity of four young people who, like many in<br />
Chile, were born and grew up on the edge of the city.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
chile, 2012<br />
colour, HDcam<br />
68 min<br />
original title<br />
cuentos sobre el futuro<br />
original language<br />
spanish<br />
Produced by<br />
paula talloni<br />
palenque producciones, chile<br />
www.palenque.cl<br />
Public screenings<br />
8 / 2012 sanfic, chile<br />
9 / 2012 pintacanes, chile<br />
sales contact<br />
paula talloni<br />
palenque producciones<br />
gerona 3450<br />
7790767 santiago, chile<br />
paula.talloni@gmail.com<br />
www.palenque.cl<br />
section<br />
Dok international programme<br />
tea or electricitY<br />
by Jérôme le Maire<br />
Tea or electricity tells the epic story of the implementation<br />
of electricity in a tiny isolated village enclosed in<br />
the middle of the Moroccan High Atlas. Over more than<br />
three years and season after season, the director<br />
patiently reveals the outlines of the net that will inevitably<br />
end up closing on the people of Ifri. Before our eyes<br />
is drafted the image of the merciless modernity that the<br />
small village will now be connected to.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
Belgium, france, Morocco, 2012<br />
colour, Dcp<br />
90 min<br />
original title<br />
le thé ou l’électricité<br />
original language<br />
arabic<br />
Produced by<br />
isabelle truc<br />
iota production, Belgium<br />
www.iotaproduction.com<br />
involved broadcasters<br />
rtBf, Belgium<br />
arte g. e. i. e., france<br />
Public screenings<br />
4 / 2012 Vision du réel<br />
switzerland<br />
1 / 2012 cinéma flagey<br />
Belgium<br />
sales contact<br />
sandrine perrin<br />
Merci qui ? Distribution<br />
200 av de tervueren<br />
1150 Brussels, Belgium<br />
s.perrin@merciqui.org<br />
www.merciqui.org<br />
284 285<br />
film id<br />
85
film id<br />
315<br />
section<br />
Dok Market<br />
tHe tears<br />
of tHe<br />
afgHan lorD<br />
by pascale Bourgaux<br />
During ten years, I filmed Mamour Hasan, a Northern<br />
Afghan warlord, his family and his village. In 2001, Hasan<br />
used his personal army to serve the famous Com-<br />
mander Massoud in his battle against the Taliban. Now,<br />
ten years later, the village is about to fall completely<br />
in the hands of the Taliban. A big part of the old soldiers<br />
as well as some of Mamour Hasan’s family and even<br />
his oldest son are refusing occidental presence and sup-<br />
port the Taliban Regime. How, in this stronghold of<br />
anti-taliban résistance, did we get to this ?<br />
genre<br />
ethnology / religion<br />
History / politics / current affairs<br />
facts<br />
Belgium, 2011<br />
colour, DigiBeta<br />
58 min<br />
original title<br />
les larmes du seigneur afghan<br />
original language<br />
uzbek<br />
Produced by<br />
isabelle truc<br />
iota production, Belgium<br />
www.iotaproduction.com<br />
involved broadcasters<br />
rtBf, Belgium<br />
sales contact<br />
Daniela elstner<br />
Doc & film international<br />
13 rue portefoin<br />
75003 paris, france<br />
d.elstner@docandfilm.com<br />
www.docandfilm.com<br />
telH78<br />
by alina cyranek, eike goreczka<br />
section<br />
focus saxony<br />
It has almost vanished from our urban horizons, that<br />
rotting dinosaur, the post office’s telephone booth.<br />
There were times when the booth was a vital place. The<br />
film searched for – and found – one of the last of this<br />
dying breed, and had them divulge stories now threatened<br />
by oblivion.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
germany, 2011<br />
colour, DigiBeta<br />
6 min<br />
original title<br />
telH78<br />
original language<br />
german<br />
Produced by<br />
peter Zorn<br />
pMMc / Werkleitz Zentrum für<br />
Medienkunst, germany<br />
pmmc.werkleitz.de<br />
Public screenings<br />
4 / 2012 filmfest Dresden,<br />
germany<br />
sales contact<br />
alina cyranek<br />
schnorrstr. 6<br />
04229 leipzig, germany<br />
hello@alinacyranek.com<br />
www.alinacyranek.com<br />
286 287<br />
film id<br />
1063
film id<br />
415<br />
section<br />
Dok Market<br />
a tHousanD trees<br />
by edward lawrenson<br />
In the late 1940s, the modern town of Glenrothes in<br />
Scotland was built from scratch on empty farmland<br />
to house workers for a nearby coal mine. With the pit long<br />
closed, the original residents reflect on their memories<br />
of the community that emerged. Mixing archive footage<br />
charting the construction of the first buildings with<br />
evocative present-day images of the town, A Thousand Trees<br />
contrasts the bright promise of those early days with<br />
the lived-in reality of today.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
united kingdom, 2012<br />
colour, HD Videofile<br />
20 min<br />
original title<br />
a thousand trees<br />
original language<br />
english<br />
Produced by<br />
edward lawrenson, pia Borg<br />
Marker, united kingdom<br />
Public screenings<br />
1 / 2012 london short film<br />
festival, united kingdom<br />
6 / 2012 open city Docs ff,<br />
united kingdom<br />
sales contact<br />
edward lawrenson<br />
Marker<br />
88 Heddington grove<br />
n7 9sZ london, united kingdom<br />
edlawrenson@yahoo.com<br />
toMorroW<br />
by andrey gryazev<br />
section<br />
Dok Market<br />
This film is about the most striking occurrence in<br />
contemporary art in Russia, the art-group Voina (War).<br />
Their founders — Vor (Thief) and Koza (Goat) live<br />
underground, raise their one-year old son Kasper and<br />
carry out art actions on the fine edge between art<br />
and criminal code. Their courageous political statements<br />
leave nobody indifferent (and disturb absolutely every-<br />
body). They live in the present, hoping that tomorrow,<br />
they can change everything.<br />
genre<br />
arts / culture / Music<br />
portrait<br />
facts<br />
russia, 2012<br />
colour, HDcam<br />
52 min / 90 min<br />
original title<br />
Zavtra<br />
original language<br />
russian<br />
Produced by<br />
andrey gryazev, russia<br />
Public screenings<br />
2 / 2012 Berlinale, forum,<br />
germany<br />
4 / 2012 Bafici, argentina<br />
6 / 2012 Moscow iff, russia<br />
7 / 2012 new Horizons, poland<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshineberlin.de<br />
www.riseandshine-berlin.com<br />
288 289<br />
film id<br />
1759
film id<br />
1023<br />
section<br />
Dok Market<br />
toMorroW<br />
You Will leaVe<br />
by Martin nguyen<br />
In the 80s in a small Austrian village an old man, Mr.<br />
Karlhofer, saw a TV report about the struggle of<br />
Vietnamese Boat People. He decided to do something.<br />
He brought a young Vietnamese couple with a baby<br />
to his village, organised a home and work. This family<br />
were my parents and I. In the past there was an-<br />
other helper: Ali, a former Malaysian police officer. Ali<br />
supported them with food and stuff my father could<br />
sell. When they left the refugee camp Pulau Bidong, my<br />
parents promised Ali to write, but my father lost the<br />
address. He was never able to say ‘Thank you’, never able<br />
to say that all went fine. ‘Let’s go back to Malaysia and<br />
look for him’, my father suggests to me. The film tells the<br />
story of my family who fled Vietnam in the 1980s and<br />
settled down in a small Austrian village to build up a new<br />
life. After all, they return for the first time to Malaysia<br />
to find Ali and the former refugee camp Pulau Bidong<br />
where I was born. The past meets the present.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
austria, 2012<br />
colour, HDcam<br />
83 min<br />
original title<br />
tomorrow You Will leave<br />
original language<br />
german, Vietnamese<br />
involved broadcasters<br />
orf, austria<br />
Public screenings<br />
5 / 2012 london iff,<br />
united kingdom<br />
sales contact<br />
arash t. riahi<br />
golden girls filmproduktion<br />
seidengasse 15 / 3 / 20<br />
1070 Vienna, austria<br />
arash@goldengirls.at<br />
www.goldengirls.at<br />
www.everydayrebellion.com<br />
section<br />
Dok Market<br />
tour Du faso<br />
by Wilm Huygen<br />
The ‘Tour du Faso’: Africa’s biggest cycling race – An<br />
event attracting fortune seekers and dreamers of<br />
great variety. The film puts its focus on those who are<br />
standing outside the spotlight, always revealing<br />
their admirable energy. Amid this clash of European<br />
perfectionism and African realities we follow hobby<br />
adventurers, ex-pros and local heroes in their pas-<br />
sionate fight for making their dreams come true. The<br />
quest of our protagonists goes far beyond the ques-<br />
tion of who will win – instead, our attention is also drawn<br />
towards their experiences and inner journey. Just like<br />
the German Benjamin Hoeber, who is fighting for more<br />
than this year’s overall victory. He has reached a<br />
point in his life where he has to make a final decision:<br />
finally taking a regular job and living a normal life or<br />
keeping to a struggle for a dream that might never come<br />
true – Tour du Faso is his last chance to become a real<br />
cycling pro.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
89 min<br />
original title<br />
tour Du faso<br />
original language<br />
english, french, german<br />
Produced by<br />
Jonas katzenstein,<br />
Maximilian leo<br />
augenschein filmproduktion,<br />
germany<br />
www.augenschein-<br />
filmproduktion.de<br />
Public screenings<br />
9 / 2012 toronto iff, canada<br />
sales contact<br />
Joachim kühn<br />
real fiction filmverleih<br />
Hansring 98<br />
50670 köln, germany<br />
info@realfictionfilme.de<br />
www.realfictionfilme.de<br />
290 291<br />
film id<br />
2692
film id<br />
2685<br />
tournesols<br />
– al rastan<br />
by anonymous<br />
section<br />
Dok international programme<br />
With a Syrian lens, and in one of the few films released<br />
in Syria during the revolution, we visit Al-Rastan, a<br />
town in the city of Homs that witnessed military clashes<br />
before other cities, and which after the huge brave<br />
uprising of its people by the beginning of the Syrian<br />
spring, Al-Rastan has been and still is facing a brutal war<br />
against its civilians day and night. The martyr’s funeral<br />
is not only songs and cheering for freedom, there are faces<br />
hiding behind the crowds, eyes filled with tears and<br />
agony, crying the last good-bye to the son or brother.<br />
The storyteller is anonymous, so is the filmmaker; while<br />
the dissident soldier reveals his identity, speaks with<br />
his face uncovered after seeing death, seeing himself a<br />
criminal against his family and deciding to disobey<br />
his commander’s orders.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
syria, 2011<br />
colour, DigiBeta<br />
25 min<br />
original title<br />
tournesols – al rastan اااااا<br />
original language<br />
arabic<br />
Produced by<br />
anonymous, syria<br />
Public screenings<br />
10 / 2011 Doha tribeca ff, Qatar<br />
sales contact<br />
iman al Jundi<br />
syrians Within Boarders<br />
Baghdad str. 5542<br />
Damascus, syria<br />
souriyoun.limited@gmail.com<br />
section<br />
east silver & iDf<br />
trains of tHougHts<br />
by timo novotny<br />
Trains of Thoughts is an audio-visual essay, which<br />
reflects upon and compares metro-systems around the<br />
world. It is an exploration of a world inside the<br />
world as well as the feelings fascination, obsession, fear<br />
and themes of survival, control and silence that make<br />
it revolve. The film will take you through New York, Los<br />
Angeles, Moscow, Vienna, Tokyo and Hong Kong<br />
unleashing the imagination at every destination with its<br />
distinctive palette of visuals and selection of sounds<br />
from Sofa Surfers.<br />
genre<br />
arts / culture / Music<br />
Human interest<br />
facts<br />
austria, 2012<br />
colour, Dcp<br />
80 min<br />
original title<br />
trains of thoughts<br />
original language<br />
chinese, english, italian,<br />
Japanese, russian<br />
Produced by<br />
ulrich gehmacher<br />
orbrock filmproduktion, austria<br />
involved broadcasters<br />
orf, austria<br />
MDr / arte, germany<br />
Public screenings<br />
7 / 2012 karlovy Vary iff,<br />
czech republic<br />
9 / 2012 sarajevo ff, Bosnia<br />
sales contact<br />
ulrich gehmacher<br />
orbrock filmproduktion<br />
schottenfeldgasse 56 / 23<br />
1070 Vienna, austria<br />
gehmacher@orbrock.com<br />
292 293<br />
film id<br />
2892
film id<br />
490<br />
section<br />
Dok Market<br />
tHe tree<br />
Workers case<br />
by Daniela agostini<br />
The Tree Workers Case is the biggest case of human traf-<br />
ficking to be uncovered in the EU in the past two<br />
decades. Approx. 2000 workers, mostly Vietnamese, but<br />
also from new EU countries like Romania and Slovakia,<br />
were systematically exploited in the Czech Republic<br />
between 2009 and 2010. The workers need every cent,<br />
often going into debt at home to pay their traffickers that<br />
abuse them. Police and government seem unable or<br />
unwilling to do anything about it. Despite the extensive<br />
documentation by lawyers and human rights activists<br />
in Prague, not a single case has yet been brought to court.<br />
In this moving doc, the Vietnamese woodsmen that<br />
were lured to Europe and enslaved tell their stories for<br />
the first time, stories of forged documents, inhuman<br />
working conditions, bad equipment, no pay, poor food<br />
and housing, and violent threats.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, HDcam<br />
52 min / 30 min<br />
original title<br />
the tree Workers case<br />
original language<br />
czech, english, Vietnamese<br />
Produced by<br />
uwe von schumann, Jürgen knoll<br />
interaktion gmbh, germany<br />
in co-Production With<br />
Daniela agostini, germany<br />
Public screenings<br />
10/2012 18 / 18 – iff about Human<br />
trafficking, czech republic<br />
sales contact<br />
andrea seibert<br />
global screen<br />
sonnenstraße 21<br />
80331 München, germany<br />
andrea.seibert@globalscreen.de<br />
www.globalscreen.de<br />
tHe trial<br />
by gerald igor Hauzenberger<br />
section<br />
Dok international programme<br />
Anti-terrorist squads descend upon animal rights<br />
activists as if they were the most dangerous enemies of<br />
the state. Although there is no concrete evidence<br />
against them, they are imprisoned for an alleged conspiracy<br />
and malicious injury of property. International<br />
media sarcastically report on this judicial farce, which<br />
would become one of the longest trials in Austrian<br />
history. The special authority granted by the so-called<br />
Mafia Paragraph 278a is still used against hundreds<br />
of individuals who take part in political rallies. The film<br />
follows the case as closely as possible from different<br />
angles – members of the police force were not allowed<br />
to speak about the proceedings while the trial still<br />
lasted – but its main focus lies on the fate of some of the<br />
defendants from pre-trial custody release to the<br />
extremely financially and psychologically challenging<br />
trial itself.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
austria, 2012<br />
colour, Dcp<br />
112 min<br />
original title<br />
Der prozess<br />
original language<br />
german<br />
Produced by<br />
Michael seeber<br />
golden girls filmproduktion &<br />
filmservices gmbH., austria<br />
www.goldengirls.at<br />
involved broadcasters<br />
orf, austria<br />
Public screenings<br />
10 / 2011 Viennale, austria<br />
sales contact<br />
gerald igor Hauzenberger<br />
framelab filmproduktion<br />
sechshauser strasse 13 / 29<br />
1150 Wien, austria<br />
framelab@chello.at<br />
www.derprozess.at<br />
294 295<br />
film id<br />
1938
film id<br />
3346<br />
section<br />
Dok Market<br />
tWiligHt<br />
of tHe YakuZa<br />
by sebastian stein<br />
The Yakuza, Japan’s organised crime syndicates, are<br />
a dying breed. Their members are aging and the<br />
government of Japan has launched a large-scale crack-<br />
down on them to eradicate them once and for all.<br />
But who are the Yakuza ? Undoubtedly the Yakuza are<br />
involved in crimes including extortion, fraud, murder,<br />
drugs & gambling. However, Japan has one of the<br />
lowest crime rates in the industrialised world, with crimes<br />
related to drugs or street gangs strikingly low, a fact<br />
that many contribute to the presence of the Yakuza.<br />
The Yakuza is a legal, public group making them easy to<br />
check on. Their offices are public, their members<br />
registered by the police and Yakuza members went as far<br />
as freely admitting their guilt in cases of crime investigations,<br />
as a part of their code of honour. In reaction to<br />
strict government measures against them, the Yakuza has<br />
ceased all cooperation with the law. This documentary<br />
deals with the struggle of the Yakuza for its survival.<br />
Furthermore, unprecedented access to the secret world<br />
of the Yakuza gives you an insight on who the Yakuza<br />
really are: criminals, outcasts, but also family men and a<br />
part of Japanese society.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
germany, Japan, 2012<br />
colour, DigiBeta<br />
104 min<br />
original title<br />
twilight of the Yakuza<br />
original language<br />
english, Japanese<br />
Produced by<br />
sebastian stein, united kingdom<br />
sales contact<br />
kazz Basma<br />
sideways film<br />
7 Bouverie Mews, Bouverie road.<br />
n16 0al london, united kingdom<br />
kazz@sidewaysfilm.com<br />
www.sidewaysfilm.com<br />
tWo nil<br />
by pavel abraham<br />
section<br />
east silver & iDf<br />
At a football stadium in the very heart of Prague the<br />
biggest Czech football match of the year is about to take<br />
place. The live broadcast begins. This time however,<br />
the twenty-two film cameras are not aimed at the pitch,<br />
but at the stands. They record how various people<br />
experience this one shared event. An astonished kid from<br />
the football prep team, a bettor who has put thousands<br />
of crowns on the match result, or a member of the<br />
security service who is there to assure a smooth running<br />
of the event: they all experience it differently. A distinguished<br />
literary critic, who is not really interested in<br />
football, a lady who takes care of what goes on in the VIP<br />
lounge, or disoriented Italian tourists who just stare<br />
disbelievingly at it all: they each have a different attitude<br />
too. Each camera presents a unique and authentic<br />
insight into the different levels of the stands, as well as<br />
the different levels of today’s society. Each character<br />
represents a unique version of the same match.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
czech republic, 2012<br />
colour, Dcp<br />
108 min<br />
original title<br />
Dva nula<br />
original language<br />
czech<br />
Produced by<br />
tomas Bojar, pavel abraham<br />
cinema arsenal, czech republic<br />
www.cinemaarsenal.cz<br />
in co-Production With<br />
Jordi niubo<br />
i / o post, czech republic<br />
www.iopost.cz<br />
Public screenings<br />
7 / 2012 karlovy Vary ff,<br />
czech republic<br />
10 / 2012 Jihlava iff,<br />
czech republic<br />
sales contact<br />
tomas Bojar<br />
cinema arsenal<br />
na vršku 8<br />
150 00 prague 5, czech republic<br />
tomas@cinemaarsenal.cz<br />
www.cinemaarsenal.cz<br />
296 297<br />
film id<br />
2942
film id<br />
1267<br />
tZVetanka<br />
by Youlian tabakov<br />
section<br />
Dok Young cinema<br />
competition<br />
Born in a wealthy family, Tzvetanka passionately dreamed<br />
of becoming an actress as a child, but the history of<br />
her country completely changed her destiny. The 20th<br />
century was historically unique for Bulgaria; it survived<br />
the change of three epochs: monarchy, communism<br />
and democracy. The epochs were changing and along<br />
with them the country and the people living in it.<br />
Tzvetanka is the story of my grandmother who outlived<br />
these three epochs. Her life represents the stories<br />
of many others, of the society and the country itself.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
sweden, Bulgaria, 2012<br />
colour, Dcp<br />
69 min / 58 min<br />
original title<br />
tzvetanka<br />
original language<br />
Bulgarian<br />
Produced by<br />
Mårten nilsson<br />
gnufilm, sweden<br />
in co-Production With<br />
Martichka Bozhilova<br />
agitprop, Bulgaria<br />
www.agitprop.bg<br />
www.bdcwebsite.com<br />
involved broadcasters<br />
sveriges television aB, sweden<br />
Public screenings<br />
8 / 2011 Way out West, sweden<br />
sales contact<br />
Mårten nilsson<br />
gnufilm<br />
Högbergsgatan 31c<br />
11620 stockholm, sweden<br />
marten@gnufilm.se<br />
uB laMa<br />
by egle Vertelyte<br />
section<br />
Dok Young cinema<br />
competition<br />
A problematic 12 year-old Mongolian kid Galbadrakh<br />
(Galaa), who has no father, tries to survive in a Mongolian<br />
ger (Mongolian house) district by selling goods on the<br />
black market and skipping school. However, one day his<br />
mother decides that Galaa should try becoming a<br />
lama, a Buddhist monk. This becomes the boy’s dream<br />
and a plan of survival. Galaa visits Pethub, one of the<br />
most disciplined Buddhist monasteries in Mongolia, and<br />
tries to be accepted. In order to achieve this aim, he<br />
needs to study hard, get permission from different high<br />
lamas and pass through the complicated bureaucracy<br />
of the monastery. Will he succeed ?<br />
genre<br />
ethnology / religion<br />
portrait<br />
facts<br />
Mongolia, lithuania, united<br />
kingdom, 2011<br />
colour, DigiBeta<br />
52 min<br />
original title<br />
ub lama<br />
original language<br />
Mongolian, tibetan<br />
Produced by<br />
lukas trimonis<br />
Wostok ltd., united kingdom<br />
www.wostok.co.uk<br />
arunas Matelis<br />
studio nominum, lithuania<br />
www.nominum.lt<br />
Public screenings<br />
5 / 2012 sambuddhathwa<br />
Jayanthi Buddhist iff, sri lanka<br />
5 / 2012 krakow iff, poland<br />
8 / 2012 xViii film festival della<br />
lessinia, italy<br />
9 / 2012 Mediterranean Video<br />
festival, croatia<br />
sales contact<br />
emma simpson<br />
Journeyman pictures ltd.<br />
united kingdom<br />
emma@journeyman.tv<br />
www.journeyman.tv<br />
298 299<br />
film id<br />
2108
film id<br />
3080<br />
section<br />
Dok Market<br />
unDer fire:<br />
Journalists in<br />
coMBat<br />
by Martyn Burke<br />
Only two journalists were killed in World War I. Iraq has<br />
so far claimed 120. The recent Libyan uprising has<br />
already claimed the lives of four and global conflict looks<br />
set to continue … War journalism has become an<br />
increasingly lethal endeavour. Not only are correspondents<br />
viewed as targets, they are often subject to kidnappings,<br />
torture and even beheadings. Under Fire<br />
weaves together portraits of these journalists and photo-<br />
graphers; those who have survived physically, but<br />
have succumbed emotionally to what they have witnessed.<br />
Inspired by the work of Dr Anthony Feinstein,<br />
the psychiatrist who has been on retainer to many of the<br />
world’s major news networks and publications, Under<br />
Fire looks at the psychological cost of war as seen<br />
through the eyes of combat journalists whose stories<br />
make up this powerful and unique film.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
canada, 2011<br />
colour, DigiBeta<br />
57 min<br />
original title<br />
under fire: Journalists in combat<br />
original language<br />
english<br />
Produced by<br />
laura Morton<br />
Juf pictures, united kingdom<br />
www.underfirejournalistsincombat.webs.com<br />
involved broadcasters<br />
err, estonia<br />
Public screenings<br />
2 / 2012 acedemy award<br />
shortlisted, united kingdom<br />
2 / 2012 err, estonia<br />
sales contact<br />
tim sparke<br />
Mercury Media<br />
7 Baseline studios<br />
Whitchurch road<br />
W11 4at london, united kingdom<br />
tsparke@mercurymedia.org<br />
www.mercurymedia.org<br />
section<br />
Dok Market<br />
unfinisHeD spaces<br />
by alysa nahmias<br />
In 1961, three young, visionary architects were commissioned<br />
by Fidel Castro and Che Guevara to build<br />
Cuba’s National Art Schools. Construction of their radical<br />
designs began immediately and the school’s first classes<br />
soon followed. Dancers, musicians and artists from<br />
all over the country revelled in the beauty of the schools,<br />
but as the dream of the Revolution quickly became a<br />
reality, construction was abruptly halted. The architects<br />
and their designs were deemed irrelevant to the<br />
Revolution. Forty years later the schools are in use, but<br />
remain unfinished and decaying. Castro has since<br />
invited the exiled architects back to Cuba to finish their<br />
unrealised dream. Composed primarily of archival<br />
footage and candid interviews with the architects them-<br />
selves, Unfinished Spaces illustrates a nation’s evolution<br />
through the life of a single architectural project.<br />
genre<br />
arts / culture / Music<br />
facts<br />
usa, 2012<br />
colour, DigiBeta<br />
56 min<br />
original title<br />
unfinished spaces<br />
original language<br />
spanish<br />
Produced by<br />
Benjamin Murray<br />
ajna film, usa<br />
Public screenings<br />
2 / 2012 independent spirit<br />
awards, usa<br />
2 / 2012 Montreal ff on art,<br />
canada<br />
3 / 2012 san Diego latino ff, usa<br />
6 / 2012 Miami iff, usa<br />
sales contact<br />
tim sparke<br />
Mercury Media<br />
7 Baseline studios<br />
Whitchurch road<br />
W11 4at london, united kingdom<br />
tsparke@mercurymedia.org<br />
www.mercurymedia.org<br />
300 301<br />
film id<br />
3082
film id<br />
3237<br />
section<br />
Dok Market<br />
tHe uniteD states<br />
of HooDoo<br />
by oliver Hardt<br />
The documentary explores how African-based spirituality<br />
has informed America´s popular culture. The old<br />
African gods have taken on new forms since their arrival<br />
on North America’s shores. Their spirit now manifests<br />
in turntable wizardry, improvisational skills and mind-<br />
blowing collages, performances and rituals. The film<br />
shakes up traditional and stereotypical ways of thinking<br />
about race, religion and rationality. Through meetings<br />
with musicians, writers and artists, healers, gumbo cooks<br />
and Mississippi Blues men, the documentary draws<br />
a picture of a culture which has always drawn on a unique<br />
mix of different ethnic influences to produce its cultural<br />
diversity, allure and vitality.<br />
genre<br />
arts / culture / Music<br />
ethnology / religion<br />
facts<br />
germany, 2012<br />
colour, DigiBeta<br />
99 min / 52 min<br />
original title<br />
the united states of Hoodoo<br />
original language<br />
english<br />
Produced by<br />
sebastian popp, robert Malzahn<br />
stoked film, germany<br />
www.stokedfilm.com<br />
in co-Production With<br />
oliver Hardt<br />
signature films, germany<br />
www.oliver-hardt.com<br />
christel Brunn<br />
tvt postproduction gmbH,<br />
germany<br />
www.tvtfilm.com<br />
involved broadcasters<br />
ZDf, germany<br />
Public screenings<br />
7 / 2012 theatrical release,<br />
germany<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshine-berlin.de<br />
www.riseandshine-berlin.com<br />
tHe Venice<br />
sYnDroMe<br />
by andreas pichler<br />
section<br />
Dok german competition<br />
and leipzig screening<br />
Venice is pure romance; that which all Europeans yearn<br />
for, the dream of all Americans, the wish of all Japanese.<br />
But the world’s most beautiful city turns into a ghost<br />
town at nightfall. Entire quarters, long since abandoned<br />
by their inhabitants, stand empty, their structures<br />
merely providing a myth to serve business interests.<br />
Twenty million foreigners visited the city last year.<br />
That’s an average of 60,000 a day. And this year it will<br />
be more still. By comparison, there are only 58,000<br />
inhabitants, the same amount as there were after the<br />
Great Plague of 1438. And next year it will be fewer still,<br />
for the city is becoming uninhabitable. Venice’s own<br />
urban life has almost collapsed; it scarcely still exists.<br />
The film shows what remains of Venetian life: a subculture<br />
of tourist service industries; a port for monstrous<br />
cruisers which is waiting to be expanded; Venetians who<br />
are moving to the mainland as there are no longer<br />
affordable apartments to be found; an aged noblewoman<br />
who treats the municipal council with scorn; a<br />
realtor who is considering abandoning the sinking ship.<br />
A Requiem for a still grand city. An illustration of<br />
how common property becomes the prey of few. An elegy<br />
to the last Venetians, their humour and their hearts.<br />
genre<br />
Human interest<br />
facts<br />
germany, austria, italy, 2012<br />
colour, 35 mm<br />
80 min<br />
original title<br />
Das Venedig prinzip<br />
original language<br />
italian<br />
Produced by<br />
thomas tielsch<br />
filmtank gmbH, germany<br />
www.filmtank.de<br />
in co-Production With<br />
Michael seeber<br />
golden girls filmproduktion &<br />
filmservices gmbH., austria<br />
www.goldengirls.at<br />
Valerio B. Moser<br />
Miramonte film oHg, italy<br />
www.miramontefilm.com<br />
sales contact<br />
thomas tielsch<br />
filmtank gmbH<br />
lippmannstr. 53<br />
22769 Hamburg, germany<br />
filmtank@filmtank.de<br />
302 303<br />
film id<br />
1812
film id<br />
655<br />
Vera gran<br />
by Maria Zmarz-koczanowicz<br />
section<br />
Dok Market<br />
A portrait of Vera Gran – a Jewish singer, very popular in<br />
Poland just before the outbreak of the WW2. Her later<br />
lots, overshadowed by the Holocaust and accusations of<br />
collaboration with the Nazists, spread by some Jewish<br />
intellectuals, are tactfully presented in the documentary<br />
based on a book by Agata Tuszynska, who researched<br />
the topic for almost 10 years. Numerous photographies,<br />
posters and interviews with the singer present an<br />
exceptional life of an individual trying to find a place in<br />
a world dominated by group behavior.<br />
genre<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, B / W, DigiBeta<br />
67 min<br />
original title<br />
Wiera gran<br />
original language<br />
polish<br />
Produced by<br />
agnieszka traczewska<br />
largo film studio, poland<br />
www.studiolargo.com.pl<br />
in co-Production With<br />
Jerzy kapuscinski<br />
tVp2, poland<br />
www.tvp.pl<br />
involved broadcasters<br />
tVp2, poland<br />
Public screenings<br />
6 / 2012 krakow iDff<br />
poland, 9 / 2012 prix italia ff, italy<br />
10 / 2012 prix europa ff – Berlin,<br />
germany<br />
sales contact<br />
agnieszka traczewska<br />
largo film studio<br />
ul. szwedzka 74 / 4<br />
30 315 krakow, poland<br />
largo@kr.onet.pl<br />
www.studiolargo.com.pl<br />
ViDeo VertoV<br />
by gerd conradt<br />
section<br />
Dok german competition<br />
The medium video has fascinated filmmaker Gerd<br />
Conradt from the beginning, since 1969. As a result he<br />
not only became the video pioneer but also a chron-<br />
icler of this novel too. For Video Vertov Conradt dug deep<br />
into his videotape archives to unearth a wide variety<br />
of film shots. His travels took him from the Italian<br />
lifestyle of the 60s to the communist Berlin and Peking<br />
to the Indian ashram in Poona. Life and death, delays<br />
and revolutions – Conradt has seen and filmed them all.<br />
His role model: Russian film pioneer Dziga Vertov.<br />
Video Vertov is Conradt’s trans-media testament to gen-<br />
eration 2.0.<br />
genre<br />
arts / culture / Music<br />
History / politics / current affairs<br />
facts<br />
germany, 2012<br />
colour, B / W, HDcam<br />
88 min<br />
original title<br />
Video Vertov<br />
original language<br />
german, english<br />
Produced by<br />
Daniela schulz<br />
kinoglas-films gbr, germany<br />
www.kinoglas-films.com<br />
sales contact<br />
Daniela schulz<br />
kinoglas-films gbr<br />
schenkendorfstr. 3<br />
10965 Berlin, germany<br />
schulz@kinoglas-films.com<br />
www.kinoglas-films.com<br />
304 305<br />
film id<br />
1527
film id<br />
1668<br />
Virgin tales<br />
by Mirjam von arx<br />
section<br />
Dok international programme<br />
Evangelical Christians are calling out for a second sexual<br />
revolution: chastity ! As a counter-movement to the<br />
attitudes and practices of today’s culture, today, one in<br />
eight girls in the U. S. has vowed to remain ‘unsoiled’<br />
until marriage. But the seven children of the Wilson<br />
family, founders of the Purity Ball, take this concept of<br />
purity of body and mind one step further; even their first<br />
kiss will be at the altar. For two years the filmmakers<br />
follow the Wilson’s as some of their children prepare<br />
for their fairytale vision of romance and marriage and<br />
seek out their own prince and princess spouses. In<br />
the process, a broader theme emerges: how the religious<br />
right is grooming a young generation of virgins to<br />
embody an Evangelically-grounded Utopia in America.<br />
genre<br />
ethnology / religion<br />
History / politics / current affairs<br />
facts<br />
switzerland, germany, france,<br />
2012<br />
colour, Dcp<br />
87 min<br />
original title<br />
Virgin tales<br />
original language<br />
english<br />
Produced by<br />
Mirjam von arx<br />
ican films gmbh, switzerland<br />
www.ican-films.com<br />
involved broadcasters<br />
arte g. e. i. e., france<br />
srf, switzerland<br />
Public screenings<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
6 / 2012 silverdocs, usa<br />
sales contact<br />
Jan rofekamp<br />
films transit international<br />
252 gouin Boulevard east<br />
H3l 1a8 Montreal, canada<br />
jan@filmstransit.com<br />
www.filmstransit.com<br />
tHe Wait<br />
by inka achté<br />
section<br />
Dok international<br />
competition short<br />
The Wait is a cinematic journey into the lives of three<br />
Finnish families whose loved ones have disappeared<br />
mysteriously. Suspended in a limbo of not being able to<br />
let go or embrace the ones they have lost, the ones<br />
left behind go about their mundane activities, talking to<br />
those they miss in an intimate voice over. The absence<br />
around them is all pervasive, each moment and action<br />
heavy with anticipation.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
finland, united kingdom, 2012<br />
colour, HDcam<br />
25 min<br />
original title<br />
odottajat<br />
original language<br />
finnish<br />
Produced by<br />
inka achté, finland<br />
Public screenings<br />
6 / 2012 sheffield Doc / fest,<br />
united kingdom<br />
6 / 2012 edinburgh ff,<br />
united kingdom<br />
8 / 2012 fresh film festival,<br />
czech republic<br />
9 / 2012 nordisk panorama,<br />
norway<br />
sales contact<br />
inka achté<br />
102 Howard road<br />
e17 4sQ london, finland<br />
inkamaria@gmail.com<br />
306 307<br />
film id<br />
364
film id<br />
2236<br />
WarMZeit<br />
by knut karger<br />
section<br />
Dok Market<br />
Warmzeit (i. e. warm period) connects people around<br />
the world whose every-day lives are affected by globalwarming.<br />
From Greenland to Namibia it portrays<br />
individuals experiencing the impact of climatic change,<br />
as well as scientists and engineers of alternative<br />
energy technologies. In Africa, a mere two degrees of<br />
warming are going to destroy the foundation of people’s<br />
lives. In Greenland today, farmers can grow veg-<br />
etables in areas where the ground was permanently<br />
frozen just decades ago. Major contributors to global<br />
climate warming are the industrialized, Western<br />
countries and the CO2 emissions they produce. Human<br />
actions have become a decisive global parameter<br />
and are going to change the face of the world, if we don’t<br />
reconsider our choices.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
germany, 2012<br />
colour, Dcp<br />
80 min<br />
original title<br />
Warmzeit<br />
original language<br />
Danish, english, german<br />
Produced by<br />
Maren luethje,<br />
florian schneider, andreas Hörl<br />
luethje, schneider, Hörl<br />
produktion, germany<br />
www.luethje-schneider-hoerl.de<br />
involved broadcasters<br />
Br, germany<br />
Public screenings<br />
5 / 2012 Dok.fest, germany<br />
9 / 2012 european environment<br />
festival, Bulgaria<br />
10 / 2012 cineeco, portugal<br />
sales contact<br />
Maren luethje<br />
luethje, schneider, Hörl<br />
produktion<br />
landwehrstr. 2<br />
80336 München, germany<br />
luethje@luethje-schneider.de<br />
www.luethje-schneider-hoerl.de<br />
section<br />
Dok international programme<br />
tHe WaY to Mecca<br />
by asel Zhuraeva<br />
80-year-old Sulaiman Turdubaev is the villager of Alga in<br />
Kadamjay district. He has been raising money for<br />
Muslim duty to go to Hajj in the holy land of Mecca. He<br />
decided to spend all of his money for erecting a monument<br />
in honour of the fallen in the Great Patriotic War.<br />
genre<br />
author’s point of View<br />
science<br />
facts<br />
kyrgyzstan, 2012<br />
colour, HDcam<br />
19 min<br />
original title<br />
Mekkege karai jol<br />
original language<br />
kirghiz<br />
Produced by<br />
asel Zhuraeva<br />
tazar cinemacompany, kyrgyzstan<br />
Public screenings<br />
5 / 2012 cinema du réel,<br />
kyrgyzstan<br />
3 / 2012 cinema du réel, france<br />
sales contact<br />
asel Zhuraeva<br />
tazar cinemacompany<br />
Dinara asanova 1<br />
tazar cinemacompany<br />
720030 Bishkek, kyrgyzstan<br />
astaz@mail.ru<br />
308 309<br />
film id<br />
1046
film id<br />
2011<br />
section<br />
animadoc<br />
WHat’s Your JoB ?<br />
by françois Dufour<br />
Interviewees talk about being distracted at work.<br />
The film illustrates their remarks in an offbeat and<br />
light-hearted manner.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
france, 2012<br />
B / W, HD Videofile<br />
4 min<br />
original title<br />
tu fais quoi comme boulot ?<br />
original language<br />
french<br />
Produced by<br />
aymeric Hays-narbonne<br />
ecole emile cohl, france<br />
sales contact<br />
aymeric Hays-narbonne<br />
ecole emile cohl<br />
232 rue paul Bert<br />
69003 lyon, france<br />
festivals@cohl.fr<br />
section<br />
Dok international programme<br />
WHen BuBBles Burst<br />
by Hans petter Moland<br />
When Bubbles Burst is the story behind the story:<br />
In a globalized economy it becomes increasingly difficult<br />
for nations, companies and individuals to protect<br />
themselves from today’s extreme financial volatility. The<br />
economic ‘butterfly effect’ makes us all equally vul-<br />
nerable. In this documentary we will travel from Norway<br />
out into the world in order to examine the mechanics<br />
behind bubbles and crashes, and discuss trends and visions<br />
for the future. We will meet Nobel laureates, world-<br />
class economists, players in the global economic casino<br />
and ‘the little man’. Together they will give an unflinching<br />
account of today’s situation, draw fascinating histori-<br />
cal parallels and provide insight needed to better understand<br />
the world’s present financial crisis.<br />
genre<br />
History / politics / current affairs<br />
facts<br />
norway, 2012<br />
colour, B / W, HDcam<br />
90 min<br />
original title<br />
når boblene brister<br />
original language<br />
english, norwegian<br />
Produced by<br />
odd arvid strømstad<br />
eyeworks Dinamo as, norway<br />
www.dinamo.no /<br />
enheter / eyeworks<br />
Public screenings<br />
3 / 2012 filmfest oslo, norway<br />
6 / 2012 silverdocs, usa<br />
6 / 2012 norway short ff, spain<br />
9 / 2012 san sebastián, norway<br />
sales contact<br />
odd arvid strømstad<br />
eyeworks Dinamo as<br />
p. o. Box 442<br />
1327 lysaker, norway<br />
post@dinamo.no<br />
www.dinamo.no /<br />
enheter / eyeworks<br />
310 311<br />
film id<br />
2762
film id<br />
1400<br />
WHen Hari<br />
got MarrieD<br />
by ritu sarin, tenzing sonam<br />
section<br />
Dok international programme<br />
Hari, a 30-year-old taxi driver, lives in a small town<br />
in the Himalayan foothills of India. He is getting married<br />
to Suman, a girl he has never met. Tradition dictates<br />
that Hari and Suman will only see each other on the day<br />
of their wedding. But Hari has found another way to<br />
get to know her: on the mobile phone. Over the past few<br />
months they have spoken to each other every day and<br />
have fallen in love. Hari knows that for a girl, marriage is<br />
a traumatic event when she must abandon the comfort<br />
and security of her home and step into a new life with a<br />
stranger. He worries about how it will be when they<br />
finally meet. Hari and Suman see each other properly for<br />
the first time during the wedding ceremony. Will their<br />
telephone love prove strong enough to overcome the awk-<br />
ward obstacles of an arranged marriage ?<br />
genre<br />
ethnology / religion<br />
Human interest<br />
facts<br />
india, united kingdom, usa,<br />
norway, 2012<br />
colour, HDcam<br />
75 min / 52 min<br />
original title<br />
When Hari got Married<br />
original language<br />
Hindi<br />
Produced by<br />
ritu sarin<br />
White crane films, india<br />
www.whitecranefilms.com<br />
Public screenings<br />
10 / 2012 films from the south,<br />
norway<br />
sales contact<br />
charles schuerhoff<br />
pBs Distribution, usa<br />
chschuerhoff@pbs.org<br />
www.wgbhinternational.org<br />
section<br />
Dok Market<br />
WHen i Was DeaD<br />
by Maasja ooms, ingrid Wender<br />
Getting a complete overview of your life in a single<br />
moment; leaving your body; experiencing an<br />
indescribable lightness and gentleness; being welcomed<br />
by the deceased you loved in your life: Near Death<br />
Experiences. Meet three very different people with their<br />
experiences in the moment between life and death.<br />
genre<br />
Human interest<br />
portrait<br />
facts<br />
netherlands, 2011<br />
colour, Beta sp<br />
51 min / 59 min<br />
original title<br />
retourtje Hiernamaals<br />
original language<br />
Dutch<br />
Produced by<br />
frank van den engel<br />
Zeppers film, netherlands<br />
www.zeppers.nl<br />
Public screenings<br />
11 / 2011 iDfa, netherlands<br />
sales contact<br />
esther van Messel<br />
first Hand films<br />
neunbrunnenstrasse 50<br />
8050 Zürich, switzerland<br />
esther.van.messel@<br />
firsthandfilms.com<br />
www.firsthandfilms.com<br />
312 313<br />
film id<br />
1079
film id<br />
434<br />
section<br />
Dok Market<br />
WHere HeaVen<br />
Meets Hell<br />
by sasha friedlander<br />
Deep in the rain forests of Eastern Java, Indonesia, lies<br />
the active volcano, Kawah Ijen, where 500 sulphur<br />
miners carrying backbreaking loads, traverse treacherous<br />
terrain amidst spectacular vistas and toxic gases.<br />
Where Heaven Meets Hell relays the stories of four of<br />
these miners, who risk their lives and health daily in<br />
an industry we rely on for sugar, matches and cosmetics.<br />
This visually stunning and intimate film chronicles<br />
their attempts to escape the endemic poverty and<br />
lack of education that haunts their community. Drawing<br />
strength from their families and Muslim faith, these<br />
miners inspire us as they search for meaning in their<br />
daily struggles and triumphs.<br />
genre<br />
ethnology / religion<br />
Human interest<br />
portrait<br />
facts<br />
usa, 2012<br />
colour, HDcam<br />
80 min<br />
original title<br />
Where Heaven Meets Hell<br />
original language<br />
indonesian<br />
Produced by<br />
sally Jo fifer<br />
itVs, usa<br />
www.itvs.org<br />
in co-Production With<br />
sasha friedlander<br />
sasha films, llc, usa<br />
www.whereheavenmeetshell.com<br />
involved broadcasters<br />
itVs, usa<br />
Public screenings<br />
3 / 2012 Hong kong iff,<br />
Hong kong<br />
4 / 2012 Hot Docs, canada<br />
5 / 2013 asian pacific film<br />
festival, usa<br />
10 / 2012 Hawaii iff, usa<br />
sales contact<br />
sasha friedlander<br />
sasha films, llc<br />
658 Warren st. #3<br />
11217 Brooklyn, usa<br />
sashafriedlander@gmail.com<br />
www.whereheavenmeetshell.com<br />
WHere MY<br />
Heart Beats<br />
by khazar fatemi<br />
section<br />
Dok Market<br />
Journalist and former refugee Khazar Fatemi returns<br />
to her childhood country of Afghanistan for the first<br />
time in 20 years. Behind the shadow of war and<br />
devastation, Khazar shows us a window into a nation<br />
with unimaginable struggles, and an unwavering<br />
will to survive.<br />
genre<br />
ethnology / religion<br />
History / politics / current affairs<br />
facts<br />
sweden, 2012<br />
colour, Beta sp<br />
58 min / 94 min<br />
original title<br />
Where My Heart Beats<br />
original language<br />
swedish<br />
Produced by<br />
klara Björk<br />
filmkreatörerna, sweden<br />
www.filmkreatorerna.com<br />
Public screenings<br />
9 / 2012 raindance,<br />
united kingdom<br />
10 / 2012 la femme iff, usa<br />
sales contact<br />
esther van Messel<br />
first Hand films<br />
neunbrunnenstrasse 50<br />
8050 Zürich, switzerland<br />
esther.van.messel@<br />
firsthandfilms.com<br />
www.firsthandfilms.com<br />
314 315<br />
film id<br />
3173
film id<br />
882<br />
section<br />
chileDoc<br />
WHere tHe<br />
conDors flY<br />
by carlos klein<br />
Where the Condors Fly is a personal, critical and deeply<br />
humorous reflection about filmmaking and its possibilities<br />
and limitations. Like a matrouchka doll, it tells<br />
the story of a filmmaker making a film about another<br />
filmmaker who is himself making a film.<br />
genre<br />
arts / culture / Music<br />
author’s point of View<br />
facts<br />
switzerland, germany,<br />
chile, 2012<br />
colour, Dcp<br />
90 min<br />
original title<br />
Where the condors fly<br />
original language<br />
english, german, russian,<br />
spanish<br />
Produced by<br />
Vadim Jendreyko<br />
Mira film, switzerland<br />
www.mirafilm.ch<br />
in co-Production With<br />
carlos klein<br />
ckfilms, chile<br />
Hartmut Homolka<br />
tM film, germany<br />
www.tmfilm.de<br />
involved broadcasters<br />
srf, switzerland<br />
Br, germany<br />
Public screenings<br />
4 / 2012 Visions du réel,<br />
switzerland<br />
6 / 2012 fiDocs, chile<br />
8 / 2012 etats généraux du film<br />
Documentaire, france<br />
9 / 2012 Message to Man, russia<br />
sales contact<br />
Vadim Jendreyko<br />
Mira film<br />
Weststrasse 182<br />
8003 Zürich, switzerland<br />
info@mirafilm.ch<br />
www.mirafilm.ch<br />
WHite Men<br />
by alessandro Baltera, Matteo tortone<br />
section<br />
Dok Young cinema<br />
competition<br />
Maneno is looking for a cure for his wounds. Samson<br />
works as gardener in the town acqueduct. Alfred<br />
is following the case of a man who has been mutilated<br />
in an assault. Mr. White is working at his next concert.<br />
These men live near Lake Victoria, an area abundant<br />
with stories of sudden richness and miraculous potions,<br />
or empty graves and immortality. It is in this region<br />
that white men, albinos like the four main characters,<br />
are often hunted to become tools of witchcraft.<br />
genre<br />
author’s point of View<br />
ethnology / religion<br />
facts<br />
italy, 2011<br />
colour, B / W, Beta sp<br />
65 min<br />
original title<br />
White Men<br />
original language<br />
swahili<br />
Produced by<br />
enrico giovannone<br />
Babydocfilm, italy<br />
www.whitemen.it<br />
Public screenings<br />
3 / 2012 ankara iff, turkey<br />
3 / 2012 festival del cinema<br />
africano, asia e america<br />
latina, italy<br />
5 / 2012 planet Doc festival,<br />
poland<br />
11 / 2011 festival dei popoli, italy<br />
sales contact<br />
enrico giovannone<br />
Babydocfilm<br />
Via artisti 30<br />
10124 torino, italy<br />
info@babydocfilm.it<br />
www.whitemen.it<br />
316 317<br />
film id<br />
142
film id<br />
1492<br />
WHite nigHt<br />
by irit gal<br />
section<br />
Dok international programme<br />
Night after night a group of Palestinian women go<br />
on a border-crossing journey from their village, crawling<br />
on the ground through a hole in the fence and into<br />
Jerusalem. Here they pretend to be Israeli, blend into<br />
their surroundings, and go to work in order to support<br />
their children. On these nightly journeys they share<br />
with each other their lives, pain, hopes and dreams. These<br />
women manoeuvre their lives between the men who<br />
forbid them to work and the Israeli soldiers who pursue<br />
them. They risk capture and arrest every night to work<br />
as cleaning ladies in Jerusalem.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
israel, 2012<br />
colour, DigiBeta<br />
48 min<br />
original title<br />
layla lavan<br />
original language<br />
arabic, Hebrew<br />
Produced by<br />
nurit kedar<br />
inosan productions, israel<br />
Public screenings<br />
6 / 2012 Docaviv, israel<br />
sales contact<br />
nurit kedar<br />
inosan productions<br />
18 Yosef karo<br />
tel aviv, israel<br />
kedar.nurit@gmail.com<br />
WHY in MY Back<br />
YarD – HiDroaYsen<br />
by rafael Valdeavellano<br />
Every morning Maria Irene Soto wakes up convinced she<br />
works for the best energetic project in the world:<br />
Hidroaysen. She has spent years going over Chilean<br />
Patagonia trying to convince the locals, the authorities<br />
and even her children of the benefits this project will<br />
bring to Chile. Claudia Torres, a volunteer for the inter-<br />
nationally renowned NGO ‘Patagonia Without<br />
Dams’, organizes protests and campaigns to try to avoid<br />
Hidroaysen’s intervention of her life and the nature<br />
she lives in. As the day of the final voting of the project<br />
approaches, both women will be confronted and will<br />
see the final result of their efforts.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
chile, 2011<br />
colour, HD Videofile<br />
50 min<br />
original title<br />
por Qué en Mi<br />
Jardín – Hidroaysén<br />
original language<br />
spanish<br />
Produced by<br />
rafael Valdeavellano<br />
la Ventana cine, chile<br />
www.laventanacine.com<br />
in co-Production With<br />
claudia godoy<br />
tVn, chile<br />
www.tvn.cl<br />
involved broadcasters<br />
tVn, chile<br />
sales contact<br />
rafael Valdeavellano<br />
la Ventana cine<br />
rebeca Matte 2143, la reina<br />
7860475 santiago, chile<br />
rafa@laventanacine.com<br />
www.laventanacine.com<br />
318 319<br />
film id<br />
3234<br />
section<br />
chileDoc
film id<br />
2887<br />
tHe Will<br />
by christian sonderby Jepsen<br />
section<br />
Doc alliance<br />
Henrik’s ass is in a tight corner. His girlfriend has split<br />
up with him, drug and alcohol abuse have gotten the<br />
upper hand, and he’s deeply in debt. When everything is<br />
most dire and his woes seem wholly insurmountable,<br />
a door to new life is opened when Henrik’s wealthy grand-<br />
father dies, leaving behind a huge fortune. But at the<br />
promise of money, family war breaks out, and years of<br />
failure and betrayal are revealed.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
Denmark, 2011<br />
colour, HDcam<br />
87 min / 58 min<br />
original title<br />
testamentet<br />
original language<br />
Danish<br />
Produced by<br />
sarita christensen<br />
copenhagen Bombay, Denmark<br />
www.copenhagenbombay.com<br />
Public screenings<br />
11 / 2011 copenhagen iff,<br />
Denmark<br />
11 / 2011 iDfa, netherlands<br />
5 / 2012 Warsaw iff, poland<br />
7 / 2012 Marseille iff, france<br />
sales contact<br />
esther van Messel<br />
first Hand films<br />
neunbrunnenstrasse 50<br />
8050 Zürich, switzerland<br />
esther.van.messel@<br />
firsthandfilms.com<br />
www.firsthandfilms.com<br />
section<br />
Visions du réel & swiss films<br />
Winter noMaDs<br />
by Manuel von stürler<br />
Pascal and Carole are shepherds. In November 2010,<br />
they embark on their long winter transhumance:<br />
four months during which they will have to cover 600<br />
km in the Swiss-French region, accompanied by three<br />
donkeys, four dogs and eight hundred sheep. They<br />
will brave the cold and the bad weather day in day out,<br />
with a canvas cover and animal skins as their only shelter<br />
at night. An odyssey through a region undergoing pro-<br />
found changes that render this kind of expedition more<br />
difficult every year, particularly when the grass for the<br />
sheep has to be found between villas, railroad tracks and<br />
industrial areas. A film dominated by the strong<br />
personalities of Pascal and Carole, whose relationship and<br />
joie de vivre transform this transhumance into a<br />
magnificent hymn to freedom, at opposite extremes of<br />
our comfortable reality. Winter Nomads is an adventure<br />
film, a contemporary road movie, a reflection on our<br />
current world which takes us back to our roots and our<br />
inner questions.<br />
genre<br />
author’s point of View<br />
Human interest<br />
facts<br />
switzerland, 2012<br />
colour, Dcp<br />
90 min<br />
original title<br />
Hiver nomade<br />
original language<br />
french<br />
Produced by<br />
Heinz Dill<br />
louise productions sàrl,<br />
switzerland<br />
www.louiseproductions.ch<br />
in co-Production With<br />
Manuel von stürler, switzerland<br />
Public screenings<br />
2 / 2012 Berlinale, germany<br />
4 / 2012 Visions du réel, france<br />
4 / 2012 san francisco, usa<br />
5 / 2012 Dokfest München,<br />
germany<br />
sales contact<br />
Heinz Dill<br />
louise productions sàrl<br />
avenue de france 60<br />
1004 lausanne, switzerland<br />
info@louiseproductions.ch<br />
www.louiseproductions.ch<br />
320 321<br />
film id<br />
878
film id<br />
3077<br />
section<br />
Dok international programme<br />
Winter, go aWaY !<br />
by elena khoreva, Denis klebleev, Dmitry kubasov, askold kurov,<br />
nadezhda leonteva, anna Moiseenko, Madina Mustafina,<br />
sofia rodkevich, anton seregin, alexey Zhiryakov<br />
Winter, Go Away ! was filmed by the graduates of<br />
Marina Razbezhkina and Mikhail Ugarov’s Documentary<br />
Filmmaking and Theater School, on the initiative of<br />
Novaya Gazeta, an independent Russian newspaper. Ten<br />
young directors did not part from their cameras for<br />
two months. The result was a chronicle of Russia’s winter<br />
protests – a chronicle of those who make the political<br />
climate and those who are dissatisfied with the makers.<br />
We see people, their faces, their conversations, rallies,<br />
victories and defeats ahead of the presidential election. A<br />
living camera interacts with living heroes. Winter Go<br />
Away is funny in places – and yet contains an overall sad-<br />
ness. Its nearly 80 minutes go by very quickly – so quickly,<br />
that one immediately wonders; what comes next.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
portrait<br />
facts<br />
russia, 2012<br />
colour, HDcam<br />
79 min<br />
original title<br />
Zima, ukhodi<br />
original language<br />
russian<br />
Produced by<br />
Marina razbezhkina<br />
risk film studio, russia<br />
Public screenings<br />
8 / 2012 locarno, switzerland<br />
sales contact<br />
Diana karklin<br />
rise and shine World sales<br />
schlesische straße 29 / 30<br />
10997 Berlin, germany<br />
diana.karklin@<br />
riseandshine-berlin.de<br />
www.riseandshine-berlin.com<br />
section<br />
focus latin america<br />
WitH MY<br />
Heart in YaMBo<br />
by fernanda restrepo<br />
On January 8, 1988, when I was 10 years old, my parents<br />
decided to go on vacation and leave me with my<br />
brothers Santiago and Andrés who were 17 and 14 years<br />
old. That day I went to a friend’s birthday party and<br />
they were to pick me up in the afternoon. Night fell and<br />
dawn found me still waiting and watching at the<br />
window. They never arrived. After one year of uncertainty<br />
and anguish, we discovered that on that very same<br />
day my brothers had been kidnapped, tortured, murdered<br />
and kidnapped by the Ecuadorian police for no reason<br />
at all. Their bodies were thrown into Lake Yambo, a<br />
2-hour drive from Quito, but we have never found them.<br />
More than 20 years after their disappearance a new<br />
search is carried out in Lake Yambo and my personal re-<br />
discovery of the story I had only partially experienced<br />
earlier begins to unravel. This documentary emphasizes<br />
the power memory has in keeping us alive.<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
ecuador, 2011<br />
colour, Dcp<br />
136 min<br />
original title<br />
con mi corazon en yambo<br />
original language<br />
spanish<br />
Produced by<br />
fernanda restrepo, ecuador<br />
www.conmicorazonenyambo.com<br />
involved broadcasters<br />
ecuavisa, ecuador<br />
Public screenings<br />
5 / 2011 festival encuentros del<br />
otro cine, ecuador<br />
10 / 2011 cinemark, ecuador<br />
11 / 2011 iDfa, netherlands<br />
2 / 2012 festival De cine De<br />
cartagena, colombia<br />
sales contact<br />
isabel carrasco<br />
la republica invisible, ecuador<br />
direccion@<br />
conmicorazonenyambo.com<br />
322 323<br />
film id<br />
250
film id<br />
753<br />
section<br />
Dok Market<br />
WitHin tHe<br />
eYe of tHe storM<br />
by shelley Hermon<br />
Bassam and Rami, a Palestinian and an Israeli, were<br />
once dedicated fighters willing to kill and be killed by one<br />
another for the sake of their nations. Yet each one of<br />
them came face to face with the price of war when their<br />
daughters were killed in the conflict. Left with the<br />
excruciating pain of bereavement, they chose to do the<br />
unexpected. They set out on a joint journey to humanize<br />
the very enemy, which took the dearest thing from<br />
them and prevent the vicious cycle of retaliation in them-<br />
selves and their societies. Along the way they reveal<br />
the friendship and humour that keeps them alive. The<br />
film follows their two parallel stories and the moments<br />
where they converge, both in their personal experi-<br />
ences and peace work as they face their shattered families,<br />
confused communities and opposing societies. This<br />
is a critical junction in both their lives, as their life mission<br />
and personal agenda clash and they stand the biggest<br />
test to their friendship.<br />
genre<br />
History / politics / current affairs<br />
Human interest<br />
facts<br />
israel, 2012<br />
colour, HDcam<br />
68 min<br />
original title<br />
Bein Hasara<br />
original language<br />
arabic, Hebrew<br />
Produced by<br />
shelley Hermon<br />
firefly pictures, israel<br />
in co-Production With<br />
nisan katz<br />
nisansun productions, israel<br />
www.nisansun.com<br />
involved broadcasters<br />
tV5, france<br />
sales contact<br />
Jean-Michel trèves<br />
J. M. t. films Distribution &<br />
Worldwide sales<br />
20 Bialik street<br />
63324 tel aviv, israel<br />
michael@jmtfilms.com<br />
www.jmtfilms.com<br />
WitHin WitHin<br />
by sharon liu<br />
‘There are many things we cannot choose in life, no one<br />
can choose their parents. You have to learn to love them<br />
before knowing them.’ My graduation film is about<br />
my personal feelings to Hong Kong and its complicated<br />
relationship with China. It expresses what I really<br />
want to say and feel at the age of 23, that I love not just<br />
my birth place Hong Kong but my country as well.<br />
genre<br />
author’s point of View<br />
History / politics / current affairs<br />
facts<br />
united kingdom, 2011<br />
colour, B / W, HD Videofile<br />
4 min<br />
original title<br />
Within Within<br />
original language<br />
english<br />
Produced by<br />
sharon liu, united kingdom<br />
Public screenings<br />
3 / 2012 independant short film<br />
and Video awards, Hong kong<br />
3 / 2012 tricky Women<br />
festival, austria<br />
4 / 2012 anifest, czech republic<br />
4 / 2012 iff Hong kong,<br />
Hong kong<br />
sales contact<br />
sharon liu<br />
flat 2,<br />
358 edgware road,<br />
W2 1eB london, united kingdom<br />
sharonsyliu@hotmail.com<br />
324 325<br />
film id<br />
899<br />
section<br />
animadoc
film id<br />
231<br />
section<br />
chileDoc<br />
tHe WoMan<br />
anD tHe passenger<br />
by patricia correa, Valentina Mac-pherson<br />
A documentary that reflects on love through the<br />
experiences of 4 women, maids of an emblematic Santiago<br />
motel, Marin 014, which will let us peek into the radio-<br />
graphy of its passengers.<br />
genre<br />
author’s point of View<br />
portrait<br />
facts<br />
chile, 2012<br />
colour, HDcam<br />
45 min<br />
original title<br />
las Mujeres del pasajero<br />
original language<br />
spanish<br />
Produced by<br />
patricia correa,<br />
Valentina Mac-pherson<br />
el paseodigital / Juana films<br />
chile<br />
www.juanafilms.com<br />
Public screenings<br />
5 / 2012 fiDocs, chile<br />
8 / 2012 feDocs, chile<br />
10 / 2012 Marbella iff, spain<br />
sales contact<br />
Valentina Mac-pherson<br />
el paseodigital / Juana films<br />
Huelén 265, Depto. 21,<br />
providencia.<br />
7500658 santiago, chile<br />
valentina.macpherson@<br />
gmail.com<br />
www.juanafilms.com<br />
Work HarD<br />
– plaY HarD<br />
by carmen losmann<br />
section<br />
Doc alliance<br />
A documentary about the removal of boundaries in the<br />
workplace. Man, as the most important motor of<br />
growth in our highly skilled Western service society, has<br />
become the focus of modern management practices.<br />
By following these different procedures, the film explores<br />
companies’ efforts to motivate their employees so that<br />
they give their maximum performance. From innovative<br />
office architecture that is supposed to create a whole<br />
world of emotions for employees, to the complete digital<br />
registration of employees’ personality traits, the workingman<br />
has now entered the matrix of a total working<br />
world.<br />
genre<br />
author’s point of View<br />
ethnology / religion<br />
Human interest<br />
facts<br />
germany, 2011<br />
colour, DigiBeta<br />
90 min<br />
original title<br />
Work Hard – play Hard<br />
original language<br />
german<br />
Produced by<br />
erik Winker<br />
Hupe film- und fernseh-<br />
produktion, germany<br />
www.hupefilm.de<br />
Public screenings<br />
10 / 2011 Dok leipzig, germany<br />
11 / 2011 kasseler Dokumentarfilm-<br />
und Videofest, germany<br />
12 / 2011 it’s all true, germany<br />
4 / 2012 Visions du rèel,<br />
switzerland<br />
sales contact<br />
irena taskovski<br />
taskovski films<br />
korunovacni 32<br />
170 00 prague 7, czech republic<br />
irena@taskovskifilms.com<br />
www.taskovskifilms.com<br />
326 327<br />
film id<br />
2886
film id<br />
1719<br />
tHe WorlD<br />
Before Her<br />
by nisha pahuja<br />
section<br />
Hot Docs<br />
Twenty young women from across India arrive for an<br />
intense, month-long beauty boot camp – they are<br />
the hand-picked contestants for the Miss India pageant.<br />
Winning the coveted title means instant stardom, a<br />
lucrative career path and freedom from the constraints<br />
of a patriarchal society. In another corner of India<br />
we visit a camp for young girls run by the militant funda-<br />
mentalist movement. Through lectures and physical<br />
combat training, the girls learn what it means to be good<br />
Hindu women. Moving between the transformative<br />
action at both camps and the characters’ private lives,<br />
The World Before Her creates a lively, provocative portrait<br />
of the world’s largest democracy at a critical transi-<br />
tional moment.<br />
genre<br />
ethnology / religion<br />
History / politics / current affairs<br />
portrait<br />
facts<br />
canada, 2012<br />
colour, HDcam<br />
90 min<br />
original title<br />
the World Before Her<br />
original language<br />
english, Hindi<br />
Produced by<br />
ed Barreveld, andy cohen<br />
storyline entertainment, canada<br />
www.storylineentertainment.com<br />
in co-Production With<br />
Mike chamberlain<br />
stampede, canada<br />
nisha pahuja, canada<br />
Public screenings<br />
4 / 2012 tribeca,usa<br />
5 / 2012 Hot Docs, canada<br />
5 / 2012 little rock,usa<br />
6 / 2012 sydney ff, australia<br />
sales contact<br />
ed Barreveld<br />
storyline entertainment<br />
115 palmerston ave.<br />
M6J 2J2 toronto, canada<br />
lisa@storylineentertainment.com<br />
www.storylineentertainment.com<br />
YorZeit<br />
by Zuzanna solakiewicz<br />
section<br />
krakow film foundation &<br />
polish Docs<br />
In the ruined cemetery in Gorlice, in Southern Poland<br />
there is the grave of the tzaddik, a holy master, forgotten<br />
years ago by the world. For 30 years now, devout Meir<br />
Moszkowicz climbs on the top of a quiet provincial town<br />
cemetery from crowded Bnei Brak in Israel. Gorlice<br />
is a place where the meaning of life was revealed to Meir<br />
along with the mystic presence of his beloved master.<br />
So he takes care of master’s grave and the cemetery, he<br />
befriends the locals and when he returns to Israel wakes<br />
up each day thinking about its holy place. Yortzeit tells<br />
the miraculous story of the sage, who embarks with love,<br />
faith and joy on a difficult trip to Poland.<br />
genre<br />
ethnology / religion<br />
portrait<br />
facts<br />
poland, 2012<br />
colour, DigiBeta<br />
52 min<br />
original title<br />
Jorcajt<br />
original language<br />
polish<br />
Produced by<br />
Barbara lawska<br />
kronika film studio, poland<br />
sales contact<br />
katarzyna Wilk<br />
krakow film foundation<br />
ul. Basztowa 15 / 8a<br />
31-143 krakow, poland<br />
katarzyna@kff.com.pl<br />
www.kff.com.pl<br />
328 329<br />
film id<br />
2670
Dok leipzig<br />
team<br />
festival director,<br />
managing director<br />
claas Danielsen<br />
head of administration<br />
christiane Wilhelm<br />
financial dePartment<br />
steffen schmidt<br />
sylvia schweitzer<br />
office<br />
angela pacher<br />
sylvia de toro-garland<br />
curators<br />
Dr. günter agde<br />
paulo de carvalho<br />
Dr. grit lemke<br />
annegret richter<br />
Dr. alexander schwarz<br />
selection and<br />
Programme committee<br />
documentary<br />
claas Danielsen<br />
ralph eue<br />
Matthias Heeder<br />
cornelia klauß<br />
Dr. grit lemke<br />
antje stamer<br />
selection and<br />
Programme committee<br />
animationfilm<br />
ingo linde<br />
lars Meyer<br />
annegret richter<br />
Programme<br />
Dr. grit lemke<br />
Documentary programme<br />
annegret richter<br />
animation programme<br />
kim Busch<br />
lina Dinkla<br />
katrin Haucke<br />
Marcel Maïga<br />
doc alliance<br />
lina Dinkla<br />
doK macht schule<br />
sophie Hellriegel<br />
katja schmidt<br />
luc-carolin Ziemann<br />
doK industry<br />
christine Hille<br />
klaus franzheld<br />
Mila kiratzova<br />
eva rink<br />
Brigid o’shea<br />
doK marKet<br />
Diana arnold<br />
katharina Bergfeld<br />
florian fischl<br />
Dominique raack<br />
doK training<br />
ilo von seckendorff-<br />
Witzleben<br />
Britta senn<br />
Press office<br />
rafael Barth<br />
peer Vorderwülbecke<br />
annika szott<br />
Public relations<br />
roland löbner<br />
luisa Männel<br />
Dörthe Winter<br />
catalogue editor<br />
ina Deicke<br />
nicolaus schröder<br />
sPonsoring<br />
tina leeb<br />
events<br />
karina Weisheit<br />
Jenny Winkler<br />
alex Wöckel<br />
advisors to the festival<br />
paulo de carvalho<br />
Barbara ciesielski<br />
elizabeth Marschan<br />
sirkka Möller<br />
tue steen Müller<br />
rada Šešiċ<br />
Barbara Wurm<br />
cinema assistants<br />
Presenters<br />
felix endruweit<br />
Detlef fluch<br />
Jana fuchs<br />
frauke knappke<br />
Matthias Mai<br />
sebastian Mandla<br />
silke Mühl<br />
Beate Maschke-spittler<br />
Janna steenfatt<br />
kristina strauss<br />
lars tuncay<br />
kaya de Wolff<br />
Kids Presenters<br />
oskar lemke<br />
linus Maschke<br />
lina Märtens<br />
Jury assistants<br />
Jette Blümler<br />
Helena Matschiner<br />
claudia Max<br />
felix rößger<br />
franziska schmidt<br />
paula schumann<br />
guest recePtion<br />
friederike christoph<br />
katharina günther<br />
cristina gutu<br />
Benjamin Heine<br />
lea inselmann<br />
alissa imsirović<br />
drivers<br />
sascha ackermann<br />
phillip Boos<br />
christian Hill<br />
györgy szilagyi<br />
Julia thiele<br />
interPreter<br />
nikola Basler<br />
irina Bondas<br />
anne-kathrin ende<br />
Dr. Hannelore lenk<br />
peggy plötz-steger<br />
georg siebert<br />
Martina utpott<br />
Bernhard Weisemann<br />
Wolfram Wiessner<br />
Dr. Miriam<br />
Zeh-glöckler<br />
translator<br />
kuros ghaffari<br />
Heinz Hentschel<br />
sabine niewalda<br />
film Print administration<br />
Martin kiebeler<br />
Béla kovács<br />
Johannes pelka<br />
Print control<br />
anna Baranowski<br />
Melanie Jilg<br />
stefan trampe<br />
technical dePartment<br />
digitalisation<br />
rené Blümel<br />
Danko Dolch<br />
paul Müller-Hahl<br />
nadja kühn<br />
Wolfgang samlowski<br />
cinema and video equiPment<br />
ProJectionists<br />
anna Baranowski<br />
Johannes Bernstein<br />
Dietmar ils<br />
ralph nünthel<br />
andreas schönwies<br />
team cinestar<br />
team passage kinos<br />
team cinémathèque leipzig<br />
team schaubühne lindenfels<br />
team Zeitgeschichtliches<br />
forum leipzig<br />
volunteers<br />
Marcio arend<br />
franziska Barth<br />
lina Bartnik<br />
sophie Bauer<br />
paula Baumgärtner<br />
Benjamin Bernard<br />
rafael Bies<br />
Merit Binder<br />
leonore Blume<br />
anne-coralie Bonnaire<br />
lea Bork<br />
anja Bretzer<br />
christin Büchele<br />
ariane Busse<br />
lisa Dannapfel<br />
christina Demenshina<br />
laura Droll<br />
petra ertl<br />
theresa faber<br />
Maximilian fleischer<br />
katharina frohnapfel<br />
pamela gómez<br />
Hanna günther<br />
claudia Hammermüller<br />
Marie Hartung<br />
timothy Jones<br />
isabel Hindersin<br />
sandra kamphake<br />
Maria ketzmerick<br />
kati kietzmann<br />
Maxi klaut<br />
Vicky klug<br />
natalie kohler<br />
sylvio konkol<br />
tilman kootz<br />
stefan kutschera<br />
Melissa lampe<br />
erik laube<br />
nina lechthoff<br />
philipp lemmerich<br />
annika lenz<br />
grit lichtenecker<br />
felix lindner<br />
Beatrice loske<br />
Max Mantell<br />
carlo Märzke<br />
katharina Meyer<br />
aurore Montaut<br />
José carlos de Moraes silva<br />
Vanessa Müller<br />
katia aiko Murata<br />
claudia naumann<br />
pablo navarete<br />
sabine netz<br />
kristin noack<br />
lena philipp<br />
Janina puder<br />
pia rauschenberger<br />
lisa rechenberg<br />
laura rehkuh<br />
christin richter<br />
Julika ruf<br />
sebastian runge<br />
luisa sancelean<br />
gonzalo serce<br />
laura schorcht<br />
anna schüler<br />
susann schumann<br />
Moritz schurer<br />
lisa schurrer<br />
rebecca schweier<br />
stephanie schweigert<br />
katharina simowitsch<br />
christine stein<br />
elisabeth struck<br />
Michelle toussaint<br />
eva Vadamootoo<br />
Maria Venne<br />
sabrina Viereckel<br />
Viola Vollmer<br />
robert Wehner<br />
pola Weiß<br />
franziska Werner<br />
graPhics and design<br />
Visionauten<br />
Hug & eberlein<br />
festival PhotograPher<br />
Martin Jehnichen<br />
doK digital dePartment<br />
computer leipzig<br />
database<br />
kalenda systems<br />
system administrator<br />
computer leipzig<br />
video technics<br />
Big cinema<br />
ils Medientechnik<br />
330 331
index<br />
englisH titles<br />
p. 334<br />
original titles<br />
p. 336<br />
Directors<br />
p. 338<br />
countries<br />
p. 341<br />
genres<br />
p. 344<br />
sales coMpanies<br />
anD agents<br />
p. 348<br />
sections<br />
p. 353<br />
333
english titles<br />
n o<br />
11 images of a Human 24<br />
1712 Battle of the Baltic 25<br />
24 Buckets, 7 Mice,<br />
18 Years 26<br />
300 tons of gold 27<br />
the 5th season 28<br />
74 m2 29<br />
a<br />
about face: supermodels,<br />
then and now 30<br />
addiction 31<br />
ag geige<br />
– an amateur film 32<br />
all Happy Mornings 33<br />
ameer got His gun 34<br />
among Men<br />
– gay in east germany 35<br />
the anabasis of May and<br />
fusako shigenobu, Masao<br />
adachi, and 27 Years without<br />
images 36<br />
anatomy of a Departure 37<br />
and italy took flight 38<br />
and Who taught You<br />
to Drive 39<br />
another night on earth 40<br />
appassionata 41<br />
arbeit Heimat opel 42<br />
are You listening ! 43<br />
the art of Yodeling 44<br />
as You like it 45<br />
B<br />
the Basketball game 46<br />
Battery Man 47<br />
Beautiful faces 48<br />
Beer is cheaper than<br />
therapy 49<br />
Beerland 50<br />
the Bella Vista 51<br />
Bells of Happiness 52<br />
Benghazi:<br />
Beyond the front line 53<br />
Bert stern:<br />
original Madman 54<br />
a Better life is elsewhere 55<br />
Better this World 56<br />
Between two-spirit 57<br />
Beyond Wriezen<br />
– a movie about life after<br />
serving time in jail 58<br />
Big Boys gone Bananas!* 59<br />
Birders,<br />
the central park effect 60<br />
Bitter seeds 61<br />
Blender 62<br />
the Blockade 63<br />
Borderline,<br />
an unsetting Journey<br />
along the World’s longest<br />
un-Defended Border 64<br />
Bouchbennersch otto / how<br />
to treat differentness 65<br />
Breathing earth<br />
– susumu shingu’s<br />
Dream 66<br />
the Brussels Business 67<br />
Bury my Heart in Dresden 68<br />
Buzkashi! 69<br />
c<br />
the calm 70<br />
camp 14<br />
– total control Zone 71<br />
the captain and His pirate 72<br />
captain thomas sankara 73<br />
the carbon rush 74<br />
castles and palaces<br />
of europe 75<br />
centrefold 76<br />
check point 77<br />
chronicle of a forgotten<br />
Death 78<br />
chronicles of the last<br />
temple 79<br />
closed sea 80<br />
cloudy Mountains 81<br />
colombianos 82<br />
colors of Math 83<br />
comparing now and then 84<br />
corta 85<br />
crackle of time<br />
– christoph schlingensief<br />
and his opera village in<br />
Burkina faso 86<br />
crimson Mask 87<br />
crulic<br />
– the path to Beyond 88<br />
cuba<br />
– Mafia’s paradise – the<br />
History of a gangster<br />
Domain 89<br />
cult Witness 90<br />
D<br />
Damascus, My first kiss 91<br />
Dance for Me 92<br />
Dancing alone 93<br />
Danube Hospital 94<br />
Daughter 95<br />
Death of a cemetery 96<br />
Defending karadzic 97<br />
Demokratia,<br />
the Way of the cross 98<br />
Disease of the third power 99<br />
Documentarian 100<br />
Downeast 101<br />
Dragan Wende<br />
– How the trabant invaded<br />
West-Berlin and<br />
ruined my uncle’s<br />
kingdom 102<br />
Drawing for Memory 103<br />
Dream Jobs 104<br />
Dream of san Juan 105<br />
Dress to impress 106<br />
Drivers Wanted 107<br />
Drought 108<br />
Dublin’s trap:<br />
another side of the<br />
greek crisis 109<br />
Duck Beach to eternity 110<br />
e<br />
eames:<br />
the architect and<br />
the painter 111<br />
earth 112<br />
emperor’s toys 113<br />
the employment 114<br />
end of the road 115<br />
the end of time 116<br />
entangled 117<br />
erwin Wurm<br />
– the artist who<br />
swallowed the world 118<br />
escape from paradise 119<br />
everything will not<br />
be fine 120<br />
exit point 121<br />
f<br />
family Meals 122<br />
fidaï 123<br />
the field of Magic 124<br />
the final Member 125<br />
fire in the Blood 126<br />
fists of pride 127<br />
the flowers of my family 128<br />
for You naked 129<br />
forbidden Voices 130<br />
forget me not 131<br />
fouad’s Dream 132<br />
the four Year plan 133<br />
freestyle life 134<br />
from Hollywood to<br />
nuremberg – John ford,<br />
samuel fuller, george<br />
stevens 135<br />
the future’s past 136<br />
g<br />
the gang 137<br />
generation sMs 138<br />
gilad and all that Jazz 139<br />
the girl Behind the<br />
camera (Wt) 140<br />
global Home 141<br />
going up the stairs 142<br />
the great Book robbery 143<br />
the great fallacy 144<br />
the gypsy Vote 145<br />
H<br />
Happy Birthday emily 146<br />
Happy serious sad 147<br />
Hava nagila<br />
– the Movie 148<br />
He Was a giant with<br />
Brown eyes 149<br />
Heino Jaeger<br />
– look Before You kuck 150<br />
Herman’s House 151<br />
Herstory 152<br />
History shorts 153<br />
a Home far away 154<br />
the House i live in 155<br />
How ping pong saved<br />
the World 156<br />
el Huaso 157<br />
Huerfano Valley 158<br />
the Human Zoo 159<br />
Hungry Minds 160<br />
i<br />
i am louisa Jules 161<br />
i Want My country Back 162<br />
i Was Born in Delhi 163<br />
icebound:<br />
the story of the 1925<br />
alaska serum run 164<br />
iceland Year Zero 165<br />
if i Wasn’t Born 166<br />
i’ll stop crying if You<br />
stop crying 167<br />
impenetrable 168<br />
in Between<br />
– the British artist<br />
richard Deacon 169<br />
the incredibles 170<br />
indie game:<br />
the Movie 171<br />
infiltrados 172<br />
intimatta 173<br />
the invisible string 174<br />
irish folk furniture 175<br />
isqat al nizam<br />
– at the regime Border 176<br />
italy, love it or leave it 177<br />
J<br />
Jakarta Disorder 178<br />
Jason Becker:<br />
not Dead Yet 179<br />
Joe frazier:<br />
When the smoke clears 180<br />
the Joy Down there 181<br />
k<br />
keep up the good Work 182<br />
kern 183<br />
the khmer rouge and the<br />
Man of non-Violence 184<br />
the kid and the clown 185<br />
kiran 186<br />
l<br />
the land Beneath<br />
the fog 187<br />
lang lang<br />
– the art of Being<br />
a Virtuoso 188<br />
lapsus 189<br />
the last Black sea<br />
pirates 190<br />
the last catch 191<br />
the last station 192<br />
legends for Beginners 193<br />
leontina 194<br />
letter tape 195<br />
the life and times of paul<br />
the psychic octopus 196<br />
the lifeguard 197<br />
like stone lions at the<br />
gateway into night 198<br />
lisa, go Home! 199<br />
little afghanistan 200<br />
little perestrojka 201<br />
live or Die in entebbe 202<br />
loden<br />
– the little Monk 203<br />
long Vacation 204<br />
losing sonia 205<br />
M<br />
the Machine Which Makes<br />
everything Disappear 206<br />
Mad.<br />
a World of fashion 207<br />
Magic skies<br />
– a History of fireworks 208<br />
Magic Words<br />
(to Break a spell) 209<br />
Mama illegal 210<br />
Mandala 211<br />
the Man’s field 212<br />
Matthew’s laws 213<br />
Men’s lust 214<br />
Milana 215<br />
the Most Dangerous Man in<br />
america: Daniel ellsberg<br />
and the pentagon<br />
papers 216<br />
Mother 24/7 217<br />
Mother’s Day 218<br />
Mountain love story 219<br />
Musics 220<br />
My father and the<br />
Man in Black 221<br />
My first Mountain<br />
– a rigi film 222<br />
My House Without Me 223<br />
My stuff 224<br />
n<br />
the night of the Bear 225<br />
night’s Drifters 226<br />
no Business like<br />
showbusiness 227<br />
no Harm Done 228<br />
nurse gretel # 2<br />
– escape 229<br />
nyosha 230<br />
o<br />
the oath 231<br />
one Meter above<br />
ground 232<br />
the other Day 233<br />
our Days, absolutely, Have<br />
to Be enlightened 234<br />
over My Dead Body 235<br />
overtime 236<br />
p<br />
pablo’s Winter 237<br />
the palace 238<br />
paperbox 239<br />
papirosen 240<br />
peace out 241<br />
a people uncounted 242<br />
a perfect candidate 243<br />
petra’s poem 244<br />
places other people<br />
Have lived 245<br />
playback 246<br />
polish illusions 247<br />
pondering 248<br />
the postman 249<br />
presence 250<br />
private universe 251<br />
project Z:<br />
the final global event 252<br />
protect everyone i love 253<br />
the punk syndrome 254<br />
pushwagner 255<br />
r<br />
randland 256<br />
reality 2.0 257<br />
the red Dream factory 258<br />
red Hair and Black<br />
coffee 259<br />
regilaul<br />
– songs of the<br />
ancient sea 260<br />
the river people 261<br />
the road uphill 262<br />
rogalik 263<br />
russian girls 264<br />
russia’s History revealed<br />
– part i, ii and iii 265<br />
s<br />
san agustin<br />
– low tide in the<br />
plastic sea 266<br />
seduced and<br />
Blackmailed 267<br />
shenandoah 268<br />
sibila 269<br />
the sky over here 270<br />
sofia’s last ambulance 271<br />
a sort of love 272<br />
sounds from the fog 273<br />
speed<br />
– in search of lost time 274<br />
the spies of scientology<br />
– office of special affairs<br />
o.s.a. 275<br />
the spy from the<br />
pariser platz 276<br />
steve Jobs:<br />
the lost interview 277<br />
a story for the Modlins 278<br />
stradivari’s Heirs 279<br />
stremt 89 280<br />
stretcher 281<br />
the stripper 282<br />
stuck in the middle 283<br />
t<br />
tales about the future 284<br />
tea or electricity 285<br />
the tears of the<br />
afghan lord 286<br />
334 335
telH78 287<br />
a thousand trees 288<br />
tomorrow 289<br />
tomorrow You Will leave 290<br />
tour Du faso 291<br />
tournesols<br />
– al rastan 292<br />
trains of thoughts 293<br />
the tree Workers case 294<br />
the trial 295<br />
twilight of the Yakuza 296<br />
two nil 297<br />
tzvetanka 298<br />
u<br />
ub lama 299<br />
under fire:<br />
Journalists in combat 300<br />
unfinished spaces 301<br />
the united states of<br />
Hoodoo 302<br />
V<br />
the Venice syndrome 303<br />
Vera gran 304<br />
Video Vertov 305<br />
Virgin tales 306<br />
W<br />
the Wait 307<br />
Warmzeit 308<br />
the Way to Mecca 309<br />
What’s your job? 310<br />
When Bubbles Burst 311<br />
When Hari got Married 312<br />
When i Was Dead 313<br />
Where Heaven Meets Hell 314<br />
Where My Heart Beats 315<br />
Where the condors fly 316<br />
White Men 317<br />
White night 318<br />
Why in My Back Yard<br />
– Hidroaysen 319<br />
the Will 320<br />
Winter nomads 321<br />
Winter, go away ! 322<br />
With my Heart in Yambo 323<br />
Within the eye of<br />
the storm 324<br />
Within Within 325<br />
the Woman and the<br />
passenger 326<br />
Work Hard – play Hard 327<br />
the World Before Her 328<br />
Y<br />
Yorzeit 329<br />
original titles<br />
n o<br />
1712 Battle of the Baltic 25<br />
24 galeti, 7 soareci,<br />
18 ani 26<br />
300 tonna arany 27<br />
Die 5te Jahreszeit 28<br />
74m2 29<br />
a<br />
about face:<br />
supermodels, then<br />
and now 30<br />
ag geige<br />
– ein amateurfilm 32<br />
alleine tanzen 93<br />
l’ anabase de May et fusako<br />
shigenobu, Masao<br />
adachi et 27 années sans<br />
images 36<br />
anatomie des Weggehens 37<br />
and Who taught You<br />
to Drive 39<br />
appassionata 41<br />
arbeit Heimat opel 42<br />
eine art liebe 272<br />
the art of Yodeling 44<br />
B<br />
Die Bande 137<br />
the Basketball game 46<br />
Beautiful faces 48<br />
Beer is cheaper than<br />
therapy 49<br />
Beerland 50<br />
Begrabt mein Herz in<br />
Dresden 68<br />
Bein Hasara 324<br />
el Bella Vista 51<br />
Benghazi:<br />
Beyond the front line 53<br />
Bert stern:<br />
original Madman 54<br />
Das Bessere leben ist<br />
anderswo 55<br />
Better this World 56<br />
Biba struja 47<br />
Big Boys gone Bananas !* 59<br />
Birders,<br />
the central park effect 60<br />
Bitter seeds 61<br />
Blender 62<br />
Blokada 63<br />
Bnei and not B’nei 34<br />
Borderline,<br />
an unsetting Journey<br />
along the World’s<br />
longest un-Defended<br />
Border 64<br />
Bouchbennersch otto /<br />
vom umgang mit<br />
andersartigkeit 65<br />
Breathing earth<br />
– susumu shingu’s Dream 66<br />
the Brussels Business 67<br />
Buzkashi! 69<br />
c<br />
la calma 70<br />
camp 14<br />
– total control Zone 71<br />
capitaine thomas sankara 73<br />
the carbon rush 74<br />
centrefold 76<br />
c’était un géant aux Yeux<br />
Bruns 149<br />
check point 77<br />
cheveux rouges et café noir<br />
(Dames blanches et esprits<br />
noirs) 259<br />
la chica detras la<br />
camera (Wt) 140<br />
chronique d’une Mort<br />
oubliée 78<br />
cigáni idú do volieb 145<br />
cloudy Mountains 81<br />
cogitations 248<br />
colombianos 82<br />
colors of Math 83<br />
comme des lions de pierre<br />
à l’entrée de la nuit 198<br />
comparing now and then 84<br />
con mi corazon en yambo 323<br />
corta 85<br />
crimson Mask 87<br />
crulic<br />
– Drumul spre dincolo 88<br />
cuates de australia 108<br />
cuba<br />
– Mafia’s paradise – the<br />
History of a gangster<br />
Domain 89<br />
cuentos sobre el futuro 284<br />
cult Witness 90<br />
D<br />
Dans for Mig 92<br />
De regels van Matthijs 213<br />
Death of a cemetery 96<br />
Defending karadzic 97<br />
Demokratia,<br />
o Dromos tou stavrou 98<br />
Dimashq Qublati al-ula 91<br />
Dokumentālists 100<br />
Dolge pocitnice 204<br />
Donauspital 94<br />
Downeast 101<br />
Dragan Wende<br />
– How the trabant invaded<br />
West-Berlin and<br />
ruined my uncle’s<br />
kingdom 102<br />
Drawing for Memory 103<br />
Dream Jobs 104<br />
Drivers Wanted 107<br />
Dublin’s trap:<br />
another side of the<br />
greek crisis 109<br />
Duck Beach to eternity 110<br />
După fel și cHip 45<br />
Dva nula 297<br />
e<br />
e l’italia Volo 38<br />
eames:<br />
the architect and<br />
the painter 111<br />
el impenetrable 168<br />
el sueno de san Juan 105<br />
elf freunde sollst Du sein 193<br />
el empleo 114<br />
end of the road 115<br />
the end of time 116<br />
entre il et ailes 57<br />
erlesene Welten 160<br />
erwin Wurm<br />
– Der künstler der die<br />
Welt verschluckt 118<br />
f<br />
fazlamesai 236<br />
feliz cumpleaños emily 146<br />
felvidek.<br />
Horna Zem 283<br />
fidaï 123<br />
the final Member 125<br />
fire in the Blood 126<br />
las flores de mi familia 128<br />
för dig naken 129<br />
forbidden Voices 130<br />
fouad’s Dream 132<br />
the four Year plan 133<br />
frohes schaffen<br />
– ein film zur senkung<br />
der arbeitsmoral 182<br />
from Hollywood to<br />
nuremberg – John ford,<br />
samuel fuller, george<br />
stevens 135<br />
g<br />
gdzie jest sonia 205<br />
generation sMs 138<br />
la gente del río 261<br />
Die geschichte russlands<br />
– teil i, ii und iii 265<br />
gilad and all that Jazz 139<br />
global Home 141<br />
Das glück da unten 181<br />
going up the stairs 142<br />
the great Book robbery 143<br />
Der große irrtum 144<br />
H<br />
Happy serious sad 147<br />
Hava nagila<br />
– the Movie 148<br />
Heino Jaeger<br />
– look Before You kuck 150<br />
Herman’s House 151<br />
Herstory 152<br />
Hija 95<br />
History shorts 153<br />
Hiver nomade 321<br />
a Home far away 154<br />
the House i live in 155<br />
How ping pong saved<br />
the World 156<br />
el Huaso 157<br />
Huerfano Valley 158<br />
the Human Zoo 159<br />
i<br />
i Want My country Back 162<br />
i Was Born in Delhi 163<br />
icebound:<br />
the story of the 1925<br />
alaska serum run 164<br />
iceland année zéro 165<br />
ich Bin louisa Jules 161<br />
i’ll stop crying if You<br />
stop crying 167<br />
in Between<br />
– Der britische künstler<br />
richard Deacon 169<br />
los increibles 170<br />
indie game:<br />
the Movie 171<br />
infiltrados 172<br />
intimatta 173<br />
the invisible string 174<br />
irish folk furniture 175<br />
isqat al nizam<br />
– viaggio ai confini<br />
del regime 176<br />
italy, love it or leave it 177<br />
J<br />
Jakarta Disorder 178<br />
Jason Becker:<br />
not Dead Yet 179<br />
Joe frazier:<br />
When the smoke clears 180<br />
Jorcajt 329<br />
une Journée du facteur<br />
khan agha 249<br />
k<br />
Der kapitän und sein pirat 72<br />
kern 183<br />
le khmer rouge et le non<br />
violent 184<br />
kiran 186<br />
klänge des<br />
Verschweigens 273<br />
kleider machen freunde 106<br />
kleine perestrojka 201<br />
klovn for livet 185<br />
knistern der Zeit<br />
– christoph schlingensief<br />
und sein operndorf in<br />
Burkina faso 86<br />
kol Habkarim Ha’smechim 33<br />
kovasikajuttu 254<br />
l<br />
lang lang<br />
– the art of Being<br />
a Virtuoso 188<br />
lapsus 189<br />
les larmes du seigneur<br />
afghan 286<br />
layla lavan 318<br />
leontina 194<br />
letter tape 195<br />
Der letzte fang 191<br />
lichyot o lamut Be<br />
entebbe 202<br />
the life and times of paul<br />
the psychic octopus 196<br />
liza, namo! 199<br />
loden<br />
– Der kleine Mönch 203<br />
M<br />
Die lust der Männer 214<br />
Magic skies<br />
– a History of fireworks 208<br />
Mama illegal 210<br />
Mandala 211<br />
Manqana, romelic kvelafers<br />
gaaqrobs 206<br />
Mansfeld 212<br />
Mare chiuso 80<br />
Matka 24h 217<br />
Mein erster Berg<br />
– ein rigi film 222<br />
Mekkege karai jol 309<br />
Même pas mal 228<br />
Metr nad ziemia 232<br />
Milana 215<br />
Min Houna essama 270<br />
Moj dom 223<br />
il Mondo Di Mad 207<br />
the Most Dangerous Man in<br />
america: Daniel ellsberg<br />
and the pentagon<br />
papers 216<br />
Mother’s Day 218<br />
Mountain love story 219<br />
las Mujeres del pasajero 326<br />
Muzyki 220<br />
My father and the<br />
Man in Black 221<br />
n<br />
nach Wriezen<br />
– ein film über das<br />
leben nach der Haft 58<br />
når boblene brister 311<br />
negeri di Bawah kabut 187<br />
nemoc tretej moci 99<br />
nerven Bruch Zusammen 120<br />
nije ti život pjesma<br />
Havaja 122<br />
nos Jours, absolument,<br />
Doivent être illuminés 234<br />
la nuit de l’ours 225<br />
la nuit remue 226<br />
nyosha 230<br />
o<br />
the oath 231<br />
odottajat 307<br />
otra noche en la tierra 40<br />
el otro Dia 233<br />
over My Dead Body 235<br />
p<br />
pablo’s Winter 237<br />
palabras Mágicas<br />
para romper un<br />
encantamiento 209<br />
336 337
palac 238<br />
papierowe pudełko 239<br />
papirosen 240<br />
parihuela 281<br />
peace out 241<br />
pedeja temple hronikas 79<br />
a people uncounted 242<br />
a perfect candidate 243<br />
petite afghanistan 200<br />
petra’s poem 244<br />
places other people<br />
Have lived 245<br />
playback 246<br />
les poings de la fierté 127<br />
pommersche illusionen 247<br />
por Qué en Mi Jardín<br />
– Hidroaysén 319<br />
poslednata lineika na<br />
sofia 271<br />
poslednite chernomorski<br />
pirati 190<br />
presence 250<br />
project Z:<br />
the final global event 252<br />
Der prozess 295<br />
punkt wyjscia 121<br />
pushwagner 255<br />
r<br />
randland 256<br />
reality 2.0 257<br />
regilaul<br />
– lieder aus der luft 260<br />
retourtje Hiernamaals 313<br />
the road uphill 262<br />
rogalik 263<br />
Die rote traumfabrik 258<br />
russian girls 264<br />
s<br />
el salvavidas 197<br />
san agustin<br />
– ebbe im plastikmeer 266<br />
schlösserwelt europa 75<br />
schütze alle, die ich lieb 253<br />
schwester gretel # 2<br />
– flucht 229<br />
shenandoah 268<br />
shunte ki pao! 43<br />
sibila 269<br />
soukromy Vesmir 251<br />
speed<br />
– auf der suche nach der<br />
verlorenen Zeit 274<br />
Die spitzel von scientology<br />
– sektengeheimdienst<br />
o.s.a. 275<br />
the spy from the<br />
pariser platz 276<br />
stebuklų laukas 124<br />
steve Jobs:<br />
the lost interview 277<br />
a story for the Modlins 278<br />
stradivaris erben 279<br />
stremt 89 280<br />
strippan 282<br />
sucht 31<br />
t<br />
tavarataivas 224<br />
telH78 287<br />
testamentet 320<br />
the future’s past 136<br />
le thé ou l’électricité 285<br />
a thousand trees 288<br />
tomorrow You Will leave 290<br />
tour Du faso 291<br />
tournesols<br />
– al rastan 292<br />
trains of thoughts 293<br />
the tree Workers case 294<br />
tu fais quoi comme<br />
boulot? 310<br />
twilight of the Yakuza 296<br />
tzvetanka 298<br />
u<br />
ub lama 299<br />
ucieczka z raju 119<br />
la Última estación 192<br />
under fire:<br />
Journalists in combat 300<br />
unfinished spaces 301<br />
the united states of<br />
Hoodoo 302<br />
unter Männern<br />
– schwul in der DDr 35<br />
uwiklani 117<br />
V<br />
Das Venedig prinzip 303<br />
Verführt und erpresst 267<br />
Vergiss mein nicht 131<br />
Video Vertov 305<br />
Virgin tales 306<br />
W<br />
Warmzeit 308<br />
Wenn ich nicht geboren<br />
wäre 166<br />
When Hari got Married 312<br />
Where Heaven Meets Hell 314<br />
Where My Heart Beats 315<br />
Where the condors fly 316<br />
White Men 317<br />
Wiera gran 304<br />
Die Wiesenberger 227<br />
Within Within 325<br />
Work Hard – play Hard 327<br />
the World Before Her 328<br />
Y<br />
Yksitoista ihmisen kuvaa 24<br />
Z<br />
Zabawki cesarza 113<br />
Zavtra 289<br />
Ziamlia 112<br />
Zima, ukhodi 322<br />
Zvonky šťastia 52<br />
Zycie stylem dowolnym 134<br />
Directors<br />
a<br />
abma, Daniel 58<br />
abraham, pavel 297<br />
achté, inka 307<br />
agostini, Daniela 294<br />
agüero, ignacio 233<br />
ahmad simon, kamar 43<br />
al abed, lina 91<br />
alberdi, Maite 197<br />
alizadeh , Hamed 77<br />
anker, Daniel 164<br />
anonymous 292<br />
anquetil, Bijan 226<br />
aparo, pablo 261<br />
arnst, Hadleigh 110<br />
arredondo, teresa 269<br />
arx, Mirjam von 306<br />
asliuk, Victor 112<br />
avni, shira 244<br />
B<br />
B. Hanssen, auguat 255<br />
Bäss, Jan 174<br />
Baltera, alessandro 317<br />
Baudelaire, eric 36<br />
Bekhor, Jonah 125<br />
Beltrán, Marcel 281<br />
Benchimol , Martin 261<br />
Berg, stefan 282<br />
Bezinović, igor 63<br />
Bhalla, angad 151<br />
Bochet, Milena 259<br />
Boers, eyal 202<br />
Borchert, Dagmar 181<br />
Bourgaux, pascale 286<br />
Brandstätter, susanne 136<br />
Breuer, ascan 178<br />
Broos , sara 129<br />
Brunner, Benny 143<br />
Bucka, Jana 52<br />
Budisavljevic, Dana 122<br />
Buraja, oksana 199<br />
Bustos, patricia 284<br />
c<br />
cano, alicia 51<br />
carter, Bryan 109<br />
castillo, paola 29<br />
cattin, antoine 246<br />
cavic, Dusan 47<br />
choi, Bin chuen 218<br />
choquette, Helene 127<br />
christianson, scott 276<br />
cohn, Jason 111<br />
colla, rolando 55<br />
collective: xx children 248<br />
conradt, gerd 305<br />
correa, patricia 326<br />
couturié, Bill 138<br />
cringley, robert 277<br />
crowe, rowena 195<br />
cupelin, christophe 73<br />
cutler, r.J. 243<br />
cyranek, alina 287<br />
czapla, Zbigniew 239<br />
D<br />
Dahrendorf, sibylle 86<br />
Damian, Dr. anca 88<br />
Dammas, Jacob 247<br />
de Vries, simone 49<br />
Dedio, florian 25<br />
Dekel, Yael 230<br />
Del paso, Joaquin 105<br />
Delage, christian 135<br />
Delmastro, tim 115<br />
Dev Halder, Bishnu 163<br />
Di francisca, anna 207<br />
Dieni, arzouma<br />
Mahamadou 248<br />
Ditscherlein, Matthias 181<br />
Dizon , Jeanie 96<br />
Donoghue, tony 175<br />
Duane<br />
de la Vega, kelly 56<br />
Duckworth, Martin 132<br />
Duda, lidia 117<br />
Dufour, françois 310<br />
Dulea, Dragoș 280<br />
e<br />
ehrlich, Judith 216<br />
eisenbarth, Marco 87<br />
el fani, nadia 228<br />
engelhardt, corinna 279<br />
entell, peter 154<br />
eremenko, ekaterina 83<br />
f<br />
faigle, konstantin 182<br />
fatemi, khazar 315<br />
fekete, Jeremy J.p. 75<br />
fiala, severin 183<br />
franczak, radka 205<br />
frandsen, stephen 110<br />
franke, ulrike 42<br />
franz, Veronika 183<br />
friedlander, sasha 314<br />
g<br />
g. Benestad, even 255<br />
gal, irit 318<br />
galloway, katie 56<br />
gara, phillip 252<br />
gastine, Marco 98<br />
gau, John 277<br />
gebhardt, carsten 32<br />
gertten, fredrik 59<br />
geyrhalter, nikolaus 94<br />
ghaemmmaghami,<br />
rokhsareh 142<br />
glynne, andy 103, 167<br />
godfryd, tomasz 113<br />
goldsmith, rick 216<br />
gonczarek, agnieszka 220<br />
gonzález, everardo 108<br />
gonzález, María paz 95<br />
goreczka, eike 287<br />
grasso,<br />
santiago ‘Bou’ 114<br />
gray, Dylan Mohan 126<br />
greenfield-sanders,<br />
timothy 30<br />
grøn, ida 185<br />
grossmann, roberta 148<br />
grube, thomas 188<br />
gruber, gudrun 266<br />
grün, leopold 256<br />
gryazev, andrey 289<br />
günther, carsten 265<br />
guerrero, felipe 85<br />
gugolz, aldo 267<br />
guillaume, fred 225<br />
guillaume, sam 225<br />
gurchiani, tinatin 206<br />
H<br />
Harbi, selim 270<br />
Hardt, oliver 302<br />
Hauzenberger, gerald<br />
igor 295<br />
Hentze, claudia 153<br />
Hermon, shelley 324<br />
Heth, Dirk 144<br />
Hick, alexander 266<br />
Hilliges, anne M. 253<br />
Hlali, Barbara 229<br />
Hodgson, Mat 133<br />
Hörmann, andré 203<br />
Hofer, eileen 149<br />
Hofer, gustav 177<br />
Holiff, Jonathan 221<br />
Hoppe, fernández 128<br />
Hübner, christoph 211<br />
Huygen, Wilm 291<br />
i<br />
iacob, Marius 26<br />
ignacio, Juan 128<br />
incalterra, Daniele 168<br />
J<br />
Jarecki, eugene 155<br />
Jersey, Bill 111<br />
Jung, Janina 65<br />
k<br />
kärkkäinen, Jukka 254<br />
kapel, liran 230<br />
karger, knut 308<br />
keltek, gürcan 236<br />
khoreva, elena 322<br />
kim, Jun-ki 152<br />
kimball, Jeff 60<br />
kiwi, Marcelo 146<br />
kizny, patryk 220<br />
klava, inese 100<br />
klebleev, Denis 322<br />
klein, carlos 316<br />
koch, egmont r. 276<br />
koch, ulrike 260<br />
kocsis, tibor 27<br />
königs, torsten 31<br />
kolahi, golriz 139<br />
koshofer, nina 265<br />
kostomarov, pavel 246<br />
kozole, Damjan 204<br />
krawczyk, Marcin Janos 217<br />
kroske, gerd 150<br />
kubarska, eliza 219<br />
kubasov, Dmitry 322<br />
kurov, askold 322<br />
l<br />
labhart, christian 41<br />
land, ellie 76<br />
langjahr, erich 222<br />
lapsui, anastasia 24<br />
larvego, elisa 158<br />
laumeister, shannah 54<br />
lawrenson, edward 288<br />
le Maire, Jérôme 285<br />
lehmuskallio, Markku 24<br />
leonteva, nadezhda 322<br />
levari, naomi 34<br />
liberti, stefano 80<br />
lietaert, Matthieu 67<br />
liu, sharon 325<br />
loeken, Michael 42<br />
lorenzen, Jan n. 265<br />
losmann, carmen 327<br />
luukkainen, petri 224<br />
M<br />
Mabe, ed 156<br />
Mac-pherson, Valentina 326<br />
Magnússon, sigurður<br />
Hallmar 165<br />
Mangiante, Bernard 184<br />
Manhães reis, roberto 161<br />
Mårtens, tora 82<br />
Martin, russell 48<br />
Martino, antonio 176<br />
Math, Zach 125<br />
Matta, ramuntcho 173<br />
Mclaren, ian 132<br />
Merz, gunther 28<br />
Merz, laurin 118<br />
Metev, ilian 271<br />
Mettler, peter 116<br />
Miller, amy 74<br />
Miller, Barbara 130<br />
Mittal, ekta 250<br />
Moiseenko, anna 322<br />
Moland, Hans petter 311<br />
Moncada rodríguez,<br />
Mercedes 209<br />
Morath, pierre 78<br />
Moschitz, ed 210<br />
Moser, friedrich 67<br />
Mozdzierz, Jaroslaw 113<br />
Müller, lena 102<br />
Mulchi, Hans 159<br />
Muñoz, David 40<br />
Mustafina,<br />
Madina 215, 322<br />
n<br />
nahmias, alysa 301<br />
najeeb, Mirza 69<br />
naylor , laura 110<br />
nazir, Wahid 249<br />
nguyen, Martin 290<br />
nikolic, aleksandar 97<br />
338 339
nordhausen, frank 275<br />
novotny, timo 293<br />
o<br />
oakley, nick 90<br />
oksman, sergio 278<br />
oneț, paula 45<br />
ooms, Maasja 313<br />
opitz, florian 274<br />
orozco, natalia 53<br />
orozco ramirez, Victor 257<br />
ouedraogo, françois<br />
d’assise 248<br />
ounouri, Damien 123<br />
p<br />
pahuja, nisha 328<br />
pajot, lisanne 171<br />
palenta, adam 134<br />
passi, J-p 254<br />
peirera, chico 237<br />
peled, Micha x. 61<br />
perèz, alina isabel 228<br />
périgaud, laurence 57<br />
périot, Jean-gabriel 234<br />
peters, Boris 194<br />
petrovic, Dragan von 102<br />
pfletschinger, Bernhard 89<br />
philippe, alexandre 196<br />
philp, katrine 92<br />
pichler, andreas 303<br />
pilavci, Biene 93<br />
piussi, Zuzana 99<br />
planciková, Vladislava 283<br />
pötscher, Bernhard 201<br />
poitras, laura 231<br />
poupart, Brigitte 235<br />
proto, carlo guillermo 157<br />
pușcaș, anda 280<br />
Q<br />
Quattrini, fausta 168<br />
r<br />
ragazzi, luca 177<br />
raghunandan,<br />
Yashaswini 250<br />
reck, susann 62<br />
redmon, David 101<br />
rendon, Juan 172<br />
renner, Bettina 68<br />
renner, Helge 247<br />
restrepo, fernanda 323<br />
riahi, arash t. 120<br />
riedel, alexander 186<br />
riedelsheimer, thomas 66<br />
rodkevich, sofia 322<br />
rösener, ringo 35<br />
rusinek, Joanna 113<br />
s<br />
sabin, ashley 101<br />
saj, ernest 119<br />
sandner, Henrike 208<br />
saponja, Dusan 47<br />
sarin, ritu 312<br />
schäfer, Dirk 272<br />
schäfer, Hendrik 166<br />
schargorodsky, paula 140<br />
scheuerer, Viola 161<br />
schilt, Martin 227<br />
schleitzer, karsten 193<br />
schmid, claudia 169<br />
schmidt, Marc 213<br />
schmidt, Markus 191<br />
schmitt, Michael 266<br />
schneider, Mario 212<br />
schönenberger,<br />
franziska 253<br />
schuller, Jean-louis 262<br />
schult, astrid 162<br />
schulz, christian 265<br />
schulz, susanne 137<br />
schuster, falk 106<br />
schwarz, alexander 258<br />
schwehm, Beatrix 160<br />
schweiger , gabi 214<br />
seerat, Basir 200<br />
segre, andrea 80<br />
sekulich, Daniel 64<br />
sen, paul 277<br />
seregin, anton 322<br />
sieveking, David 131<br />
simanis, Davis 79<br />
siregar, shalahuddin 187<br />
snider, Hart 46<br />
sodré,<br />
Moumouni Jupiter 248<br />
solakiewicz, Zuzanna 329<br />
solnicki, gastón 240<br />
sonam, tenzing 312<br />
sonderby Jepsen,<br />
christian 320<br />
soto, cristian 192<br />
stanjek, klaus 273<br />
stefan , samuel 90<br />
stein, Markus 35<br />
stein, sebastian 296<br />
stotz, eva 141<br />
stoyanov, svetoslav 190<br />
sulik, Marek 52<br />
suntasiri, gail piyanan 104<br />
suntasiri, piyanan 104<br />
survila, Mindaugas 124<br />
sweetwood, Matt 50<br />
swirsky, James 171<br />
szelc, Jagoda 121<br />
szymkow, Magdalena 223<br />
t<br />
tabakov, Youlian 298<br />
tataru, oliver 37<br />
taylor, David van 243<br />
tealdi, stefano 38<br />
thiele, andrea 39<br />
thöß, Markus 275<br />
timm, Bettina 186<br />
todd, Mike 180<br />
tölle, christoph 31<br />
tolas, eivind 44<br />
tortone, Matteo 317<br />
třeštíková, Helena 251<br />
trzaska, Jan paweł 105<br />
turnley, David 268<br />
u<br />
uhlig, Dirk 256<br />
V<br />
Valdeavellano, rafael 319<br />
Valero, David 170<br />
Vergara, catalina 192<br />
Vertelyte, egle 299<br />
Vílchez rodríguez,<br />
fernando 70<br />
Vile, Jesse 179<br />
Vojtek, Jaroslav 145<br />
von Boehm, gero 75<br />
von Malsen-ponickau,<br />
franziska 147<br />
von stürler, Manuel 321<br />
Voss, gabriele 211<br />
W<br />
Weber, Bernhard 227<br />
Weinstein, Joshua Z. 107<br />
Wender, ingrid 313<br />
Wierzchowski, grzegorz 113<br />
Wiese, Marc 71<br />
Wiesnagrotzki, nina 84<br />
Wilkinson, charles 241<br />
Winkler, olaf 144<br />
Wiszniewski, tomasz 232<br />
Wojcik, Joanna 113<br />
Wolff, andy 72<br />
Wolski, tomasz 238<br />
Y<br />
Yefman, omer 33<br />
Yeger, aaron 242<br />
Yilmaz, laura 245<br />
Yu, Zhu 81<br />
Z<br />
Zaramella, Juan pablo 189<br />
Zhiryakov, alexey 322<br />
Zhuraeva, asel 309<br />
Ziemilski, pawel 263<br />
Zmarz-koczanowicz,<br />
Maria 304<br />
Zuchuat, olivier 198<br />
Zviedris, ivars 100<br />
countries<br />
afgHanistan<br />
little afghanistan 200<br />
the postman 249<br />
pondering 248<br />
red Hair and Black<br />
coffee 259<br />
tea or electricity 285<br />
the tears of the<br />
afghan lord 286<br />
Bulgaria<br />
the last Black sea<br />
pirates 190<br />
sofia’s last ambulance 271<br />
tzvetanka 298<br />
caMBoDia<br />
the khmer rouge<br />
and the Man<br />
of non-Violence 184<br />
canaDa<br />
the Basketball game 46<br />
Borderline,<br />
an unsetting Journey<br />
along the World’s<br />
longest un-Defended<br />
Border 64<br />
Buzkashi! 69<br />
the end of time 116<br />
the final Member 125<br />
fists of pride 127<br />
fouad’s Dream 132<br />
Herman’s House 151<br />
el Huaso 157<br />
indie game:<br />
the Movie 171<br />
My father and the<br />
Man in Black 221<br />
over My Dead Body 235<br />
peace out 241<br />
a people uncounted 242<br />
petra’s poem 244<br />
under fire:<br />
Journalists in combat 300<br />
the World Before Her 328<br />
cHile<br />
74m2 29<br />
Daughter 95<br />
Happy Birthday<br />
emily 146<br />
el Huaso 157<br />
the Human Zoo 159<br />
intimatta 173<br />
the last station 192<br />
leontina 194<br />
the lifeguard 197<br />
the other Day 233<br />
sibila 269<br />
tales about<br />
the future 284<br />
Where the<br />
condors fly 316<br />
Why in My Back Yard<br />
– Hidroaysen 319<br />
the Woman and the<br />
passenger 326<br />
cHina<br />
cloudy Mountains 81<br />
fidaï 123<br />
lang lang<br />
– the art of Being<br />
a Virtuoso 188<br />
coloMBia<br />
Benghazi:<br />
Beyond the front line 53<br />
corta 85<br />
croatia<br />
the Blockade 63<br />
family Meals 122<br />
sofia’s last ambulance 271<br />
cuBa<br />
stretcher 281<br />
cZecH repuBlic<br />
iceland Year Zero 165<br />
private universe 251<br />
sounds from the fog 273<br />
two nil 297<br />
DenMark<br />
1712 Battle of the Baltic 25<br />
Dance for Me 92<br />
the kid and the clown 185<br />
polish illusions 247<br />
the Will 320<br />
ecuaDor<br />
With my Heart in Yambo 323<br />
estonia<br />
lisa, go Home! 199<br />
regilaul<br />
– songs of the<br />
ancient sea 260<br />
finlanD<br />
11 images of a Human 24<br />
My stuff 224<br />
the punk syndrome 254<br />
the Wait 307<br />
france<br />
the anabasis of May and<br />
fusako shigenobu, Masao<br />
adachi, and 27 Years without<br />
images 36<br />
Benghazi:<br />
Beyond the front line 53<br />
340 341<br />
algeria<br />
fidaï 123<br />
argentina<br />
corta 85<br />
the employment 114<br />
the girl Behind the<br />
camera (Wt) 140<br />
impenetrable 168<br />
lapsus 189<br />
papirosen 240<br />
the river people 261<br />
australia<br />
end of the road 115<br />
letter tape 195<br />
austria<br />
the Brussels Business 67<br />
crackle of time<br />
– christoph schlingensief<br />
and his opera village in<br />
Burkina faso 86<br />
Danube Hospital 94<br />
erwin Wurm<br />
– the artist who<br />
swallowed the world 118<br />
everything will not<br />
be fine 120<br />
the future’s past 136<br />
Jakarta Disorder 178<br />
kern 183<br />
little perestrojka 201<br />
Mama illegal 210<br />
Men’s lust 214<br />
sounds from the fog 273<br />
tomorrow You Will leave 290<br />
trains of thoughts 293<br />
the trial 295<br />
the Venice syndrome 303<br />
BanglaDesH<br />
are You listening ! 43<br />
Belarus<br />
earth 112<br />
BelgiuM<br />
the Brussels Business 67<br />
Dublin’s trap:<br />
another side of the<br />
greek crisis 109
castles and palaces<br />
of europe 75<br />
corta 85<br />
cult Witness 90<br />
fidaï 123<br />
from Hollywood to<br />
nuremberg – John ford,<br />
samuel fuller, george<br />
stevens 135<br />
iceland Year Zero 165<br />
impenetrable 168<br />
intimatta 173<br />
the khmer rouge and the<br />
Man of non-Violence 184<br />
like stone lions at the<br />
gateway into night 198<br />
night’s Drifters 226<br />
no Harm Done 228<br />
our Days, absolutely, Have<br />
to Be enlightened 234<br />
polish illusions 247<br />
tea or electricity 285<br />
Virgin tales 306<br />
What’s your job? 310<br />
georgia<br />
the Machine Which Makes<br />
everything Disappear 206<br />
gerManY<br />
1712 Battle of the Baltic 25<br />
the 5th season 28<br />
addiction 31<br />
ag geige<br />
– an amateur film 32<br />
among Men<br />
– gay in east germany 35<br />
anatomy of a Departure 37<br />
and Who taught You<br />
to Drive 39<br />
arbeit Heimat opel 42<br />
Beerland 50<br />
the Bella Vista 51<br />
Beyond Wriezen<br />
– a movie about life after<br />
serving time in jail 58<br />
Blender 62<br />
Bouchbennersch otto / how<br />
to treat differentness 65<br />
Breathing earth<br />
– susumu shingu’s<br />
Dream 66<br />
Bury my Heart in Dresden 68<br />
camp 14<br />
– total control Zone 71<br />
the captain and His pirate 72<br />
castles and palaces<br />
of europe 75<br />
check point 77<br />
colors of Math 83<br />
comparing now and then 84<br />
crackle of time<br />
– christoph schlingensief<br />
and his opera village in<br />
Burkina faso 86<br />
crimson Mask 87<br />
cuba – Mafia’s paradise<br />
– the History of a<br />
gangster Domain 89<br />
cult Witness 90<br />
Dancing alone 93<br />
Defending karadzic 97<br />
Dragan Wende<br />
– How the trabant invaded<br />
West-Berlin and<br />
ruined my uncle’s<br />
kingdom 102<br />
Dress to impress 106<br />
erwin Wurm<br />
– the artist who<br />
swallowed the world 118<br />
forget me not 131<br />
the gang 137<br />
global Home 141<br />
the great fallacy 144<br />
Happy serious sad 147<br />
Heino Jaeger<br />
– look Before You kuck 150<br />
History shorts 153<br />
Hungry Minds 160<br />
i am louisa Jules 161<br />
i Want My country Back 162<br />
if i Wasn’t Born 166<br />
in Between<br />
– the British artist<br />
richard Deacon 169<br />
the incredibles 170<br />
the invisible string 174<br />
italy, love it or leave it 177<br />
the Joy Down there 181<br />
keep up the good Work 182<br />
kiran 186<br />
the land Beneath<br />
the fog 187<br />
lang lang<br />
– the art of Being<br />
a Virtuoso 188<br />
the last catch 191<br />
legends for Beginners 193<br />
loden<br />
– the little Monk 203<br />
the Machine Which Makes<br />
everything Disappear 206<br />
Magic skies<br />
– a History of fireworks 208<br />
Mandala 211<br />
the Man’s field 212<br />
Mother’s Day 218<br />
nurse gretel # 2<br />
– escape 229<br />
polish illusions 247<br />
protect everyone i love 253<br />
randland 256<br />
reality 2.0 257<br />
the red Dream factory 258<br />
russian girls 264<br />
russia’s History revealed<br />
– part i, ii and iii 265<br />
san agustin<br />
– low tide in the<br />
plastic sea 266<br />
the sky over here 270<br />
sofia’s last ambulance 271<br />
a sort of love 272<br />
sounds from the fog 273<br />
speed<br />
– in search of lost time 274<br />
the spies of scientology<br />
– office of special affairs<br />
o.s.a. 275<br />
the spy from the<br />
pariser platz 276<br />
stradivari’s Heirs 279<br />
telH78 287<br />
tour Du faso 291<br />
the tree Workers case 294<br />
twilight of the Yakuza 296<br />
the united states of<br />
Hoodoo 302<br />
the Venice syndrome 303<br />
Video Vertov 305<br />
Virgin tales 306<br />
Warmzeit 308<br />
Where the condors fly 316<br />
Work Hard – play Hard 327<br />
greece<br />
Demokratia,<br />
the Way of the cross 98<br />
like stone lions at the<br />
gateway into night 198<br />
guateMala<br />
Magic Words<br />
(to Break a spell) 209<br />
HungarY<br />
300 tons of gold 27<br />
icelanD<br />
iceland Year Zero 165<br />
inDia<br />
fire in the Blood 126<br />
i Was Born in Delhi 163<br />
presence 250<br />
When Hari got Married 312<br />
inDonesia<br />
the land Beneath the fog 187<br />
iran<br />
going up the stairs 142<br />
irelanD<br />
irish folk furniture 175<br />
israel<br />
all Happy Mornings 33<br />
ameer got His gun 34<br />
the great Book robbery 143<br />
live or Die in entebbe 202<br />
nyosha 230<br />
White night 318<br />
Within the eye of the<br />
storm 324<br />
italY<br />
and italy took flight 38<br />
castles and palaces<br />
of europe 75<br />
closed sea 80<br />
isqat al nizam<br />
– at the regime Border 176<br />
italy, love it or leave it 177<br />
lang lang – the art of Being<br />
a Virtuoso 188<br />
Mad.<br />
a World of fashion 207<br />
stradivari’s Heirs 279<br />
the Venice syndrome 303<br />
White Men 317<br />
Japan<br />
twilight of the Yakuza 296<br />
korea, soutH<br />
Herstory 152<br />
kYrgYZstan<br />
the Way to Mecca 309<br />
latVia<br />
chronicles of the last<br />
temple 79<br />
Documentarian 100<br />
leBanon<br />
Damascus,<br />
My first kiss 91<br />
litHuania<br />
the field of Magic 124<br />
lisa, go Home! 199<br />
ub lama 299<br />
luxeMBourg<br />
the future’s past 136<br />
the road uphill 262<br />
Mexico<br />
Beautiful faces 48<br />
Benghazi:<br />
Beyond the front line 53<br />
Drought 108<br />
Magic Words<br />
(to Break a spell) 209<br />
reality 2.0 257<br />
Mongolia<br />
ub lama 299<br />
Morocco<br />
tea or electricity 285<br />
netHerlanDs<br />
Beer is cheaper than<br />
therapy 49<br />
the great Book robbery 143<br />
Matthew’s laws 213<br />
stradivari’s Heirs 279<br />
When i Was Dead 313<br />
nicaragua<br />
Magic Words<br />
(to Break a spell) 209<br />
norWaY<br />
the art of Yodeling 44<br />
the punk syndrome 254<br />
pushwagner 255<br />
When Bubbles Burst 311<br />
When Hari<br />
got Married 312<br />
peru<br />
the calm 70<br />
pHilippines<br />
Death of a cemetery 96<br />
polanD<br />
crulic<br />
– the path to Beyond 88<br />
Dream of san Juan 105<br />
emperor’s toys 113<br />
entangled 117<br />
escape<br />
from paradise 119<br />
exit point 121<br />
freestyle life 134<br />
losing sonia 205<br />
Mother 24/7 217<br />
Mountain love story 219<br />
Musics 220<br />
My House Without Me 223<br />
one Meter above<br />
ground 232<br />
the palace 238<br />
paperbox 239<br />
polish illusions 247<br />
rogalik 263<br />
Vera gran 304<br />
Yorzeit 329<br />
Qatar<br />
Damascus,<br />
My first kiss 91<br />
roMania<br />
24 Buckets, 7 Mice,<br />
18 Years 26<br />
as You like it 45<br />
crulic<br />
– the path to Beyond 88<br />
stremt 89 280<br />
russia<br />
colors of Math 83<br />
Milana 215<br />
tomorrow 289<br />
Winter, go away! 322<br />
serBia<br />
Battery Man 47<br />
Dragan Wende<br />
– How the trabant invaded<br />
West-Berlin and ruined my<br />
uncle’s kingdom 102<br />
sloVakia<br />
Bells of Happiness 52<br />
Disease of the third power 99<br />
the gypsy Vote 145<br />
stuck in the middle 283<br />
sloVenia<br />
long Vacation 204<br />
spain<br />
another night on earth 40<br />
the girl Behind the<br />
camera (Wt) 140<br />
the incredibles 170<br />
sibila 269<br />
a story for the Modlins 278<br />
sWeDen<br />
1712 Battle of the Baltic 25<br />
Big Boys gone Bananas!* 59<br />
colombianos 82<br />
for You naked 129<br />
the punk syndrome 254<br />
the stripper 282<br />
tzvetanka 298<br />
Where My Heart Beats 315<br />
sWitZerlanD<br />
appassionata 41<br />
a Better life is elsewhere 55<br />
Between two-spirit 57<br />
captain thomas sankara 73<br />
chronicle of a forgotten<br />
Death 78<br />
cult Witness 90<br />
the end of time 116<br />
erwin Wurm<br />
– the artist who<br />
swallowed the world 118<br />
342 343
forbidden Voices 130<br />
He Was a giant with<br />
Brown eyes 149<br />
a Home far away 154<br />
Huerfano Valley 158<br />
the life and times of paul<br />
the psychic octopus 196<br />
like stone lions at the<br />
gateway into night 198<br />
Mad.<br />
a World of fashion 207<br />
My first Mountain<br />
– a rigi film 222<br />
the night of the Bear 225<br />
no Business like<br />
showbusiness 227<br />
playback 246<br />
regilaul<br />
– songs of the<br />
ancient sea 260<br />
seduced and<br />
Blackmailed 267<br />
stradivari’s Heirs 279<br />
Virgin tales 306<br />
Where the condors fly 316<br />
Winter nomads 321<br />
sYria<br />
Damascus, My first kiss 91<br />
tournesols<br />
– al rastan 292<br />
tunisia<br />
the sky over here 270<br />
turkeY<br />
overtime 236<br />
a sort of love 272<br />
uniteD kingDoM<br />
Breathing earth<br />
– susumu shingu’s<br />
Dream 66<br />
centrefold 76<br />
cult Witness 90<br />
Defending karadzic 97<br />
Drawing for Memory 103<br />
Dream Jobs 104<br />
fire in the Blood 126<br />
the four Year plan 133<br />
gilad and all that Jazz 139<br />
Happy serious sad 147<br />
History shorts 153<br />
i’ll stop crying if You<br />
stop crying 167<br />
Jason Becker:<br />
not Dead Yet 179<br />
Joe frazier:<br />
When the smoke clears 180<br />
lang lang – the art of Being<br />
a Virtuoso 188<br />
Magic skies<br />
– a History of fireworks 208<br />
pablo’s Winter 237<br />
a thousand trees 288<br />
ub lama 299<br />
the Wait 307<br />
When Hari got Married 312<br />
Within Within 325<br />
uruguaY<br />
the Bella Vista 51<br />
the flowers of my family 128<br />
usa<br />
74m2 29<br />
about face:<br />
supermodels, then<br />
and now 30<br />
Beautiful faces 48<br />
Bert stern:<br />
original Madman 54<br />
Better this World 56<br />
Birders,<br />
the central park effect 60<br />
Bitter seeds 61<br />
the carbon rush 74<br />
crimson Mask 87<br />
cult Witness 90<br />
Death of a cemetery 96<br />
Downeast 101<br />
Drivers Wanted 107<br />
Duck Beach to eternity 110<br />
eames:<br />
the architect and<br />
the painter 111<br />
generation sMs 138<br />
Hava nagila<br />
– the Movie 148<br />
the House i live in 155<br />
How ping pong saved<br />
the World 156<br />
icebound:<br />
the story of the 1925<br />
alaska serum run 164<br />
infiltrados 172<br />
lang lang<br />
– the art of Being<br />
a Virtuoso 188<br />
the life and times of paul<br />
the psychic octopus 196<br />
the Most Dangerous<br />
Man in america:<br />
Daniel ellsberg and the<br />
pentagon papers 216<br />
the oath 231<br />
a perfect candidate 243<br />
places other people Have<br />
lived 245<br />
project Z:<br />
the final global event 252<br />
shenandoah 268<br />
steve Jobs:<br />
the lost interview 277<br />
unfinished spaces 301<br />
When Hari<br />
got Married 312<br />
Where Heaven Meets Hell 314<br />
genres<br />
arts<br />
culture<br />
Music<br />
the 5th season 28<br />
ag geige<br />
– an amateur film 32<br />
and italy took flight 38<br />
the art of Yodeling 44<br />
Bells of Happiness 52<br />
Bert stern:<br />
original Madman 54<br />
Breathing earth<br />
– susumu shingu’s<br />
Dream 66<br />
castles and palaces<br />
of europe 75<br />
check point 77<br />
chronicles of the last<br />
temple 79<br />
comparing now and then 84<br />
crackle of time<br />
– christoph schlingensief<br />
and his opera village in<br />
Burkina faso 86<br />
Dance for Me 92<br />
eames:<br />
the architect and<br />
the painter 111<br />
emperor’s toys 113<br />
erwin Wurm<br />
– the artist who<br />
swallowed the world 118<br />
for You naked 129<br />
from Hollywood to<br />
nuremberg – John ford,<br />
samuel fuller, george<br />
stevens 135<br />
gilad and all that Jazz 139<br />
the girl Behind the<br />
camera (Wt) 140<br />
going up the stairs 142<br />
Hava nagila<br />
– the Movie 148<br />
Heino Jaeger<br />
– look Before You kuck 150<br />
Herman’s House 151<br />
History shorts 153<br />
i am louisa Jules 161<br />
if i Wasn’t Born 166<br />
in Between<br />
– the British artist<br />
richard Deacon 169<br />
indie game:<br />
the Movie 171<br />
intimatta 173<br />
the invisible string 174<br />
Jason Becker:<br />
not Dead Yet 179<br />
lang lang – the art of Being<br />
a Virtuoso 188<br />
the life and times of paul<br />
the psychic octopus 196<br />
like stone lions at the<br />
gateway into night 198<br />
the Machine Which Makes<br />
everything Disappear 206<br />
Mad. a World of fashion 207<br />
Magic skies<br />
– a History of fireworks 208<br />
Magic Words<br />
(to Break a spell) 209<br />
Mandala 211<br />
Musics 220<br />
My father and the<br />
Man in Black 221<br />
no Business like<br />
showbusiness 227<br />
our Days, absolutely, Have<br />
to Be enlightened 234<br />
over My Dead Body 235<br />
the punk syndrome 254<br />
pushwagner 255<br />
the red Dream factory 258<br />
regilaul – songs of the<br />
ancient sea 260<br />
a story for the Modlins 278<br />
stradivari’s Heirs 279<br />
tomorrow 289<br />
tour Du faso 291<br />
trains of thoughts 293<br />
unfinished spaces 301<br />
the united states of<br />
Hoodoo 302<br />
Video Vertov 305<br />
Where the condors fly 316<br />
autHor's point of VieW<br />
all Happy Mornings 33<br />
Beerland 50<br />
Better this World 56<br />
Big Boys gone Bananas!* 59<br />
Blender 62<br />
chronicles of the last<br />
temple 79<br />
cloudy Mountains 81<br />
corta 85<br />
Damascus, My first kiss 91<br />
Dance for Me 92<br />
Dancing alone 93<br />
Daughter 95<br />
Documentarian 100<br />
Dragan Wende<br />
– How the trabant invaded<br />
West-Berlin and ruined my<br />
uncle’s kingdom 102<br />
Dream Jobs 104<br />
Drought 108<br />
earth 112<br />
the employment 114<br />
the end of time 116<br />
everything will not<br />
be fine 120<br />
family Meals 122<br />
the field of Magic 124<br />
the gang 137<br />
the girl Behind the<br />
camera (Wt) 140<br />
global Home 141<br />
the great Book robbery 143<br />
the great fallacy 144<br />
Happy Birthday emily 146<br />
He Was a giant with<br />
Brown eyes 149<br />
Herstory 152<br />
impenetrable 168<br />
the incredibles 170<br />
kern 183<br />
kiran 186<br />
the last station 192<br />
leontina 194<br />
the lifeguard 197<br />
the Machine Which Makes<br />
everything Disappear 206<br />
Milana 215<br />
Mother’s Day 218<br />
Mountain love story 219<br />
My father and the<br />
Man in Black 221<br />
My first Mountain<br />
– a rigi film 222<br />
My stuff 224<br />
night’s Drifters 226<br />
no Harm Done 228<br />
the other Day 233<br />
paperbox 239<br />
places other people<br />
Have lived 245<br />
presence 250<br />
private universe 251<br />
project Z:<br />
the final global event 252<br />
reality 2.0 257<br />
red Hair and Black coffee 259<br />
the river people 261<br />
the road uphill 262<br />
rogalik 263<br />
russian girls 264<br />
sofia’s last ambulance 271<br />
stretcher 281<br />
stuck in the middle 283<br />
tales about the future 284<br />
tea or electricity 285<br />
a thousand trees 288<br />
two nil 297<br />
the Wait 307<br />
the Way to Mecca 309<br />
What’s your job? 310<br />
Where the condors fly 316<br />
White Men 317<br />
Winter nomads 321<br />
With my Heart in Yambo 323<br />
Within Within 325<br />
the Woman and the<br />
passenger 326<br />
Work Hard – play Hard 327<br />
etHnologY<br />
religion<br />
11 images of a Human 24<br />
74m2 29<br />
and Who taught You<br />
to Drive 39<br />
the Basketball game 46<br />
Between two-spirit 57<br />
Bury my Heart in Dresden 68<br />
crulic<br />
– the path to Beyond 88<br />
cult Witness 90<br />
Drawing for Memory 103<br />
Dress to impress 106<br />
Duck Beach to eternity 110<br />
fists of pride 127<br />
el Huaso 157<br />
Hungry Minds 160<br />
i Was Born in Delhi 163<br />
i’ll stop crying if You<br />
stop crying 167<br />
irish folk furniture 175<br />
the lifeguard 197<br />
loden<br />
– the little Monk 203<br />
losing sonia 205<br />
Mandala 211<br />
the Man’s field 212<br />
Mother 24/7 217<br />
no Harm Done 228<br />
a people uncounted 242<br />
regilaul<br />
– songs of the<br />
ancient sea 260<br />
the tears of the<br />
afghan lord 286<br />
ub lama 299<br />
the united states of<br />
Hoodoo 302<br />
Virgin tales 306<br />
When Hari got Married 312<br />
Where Heaven Meets<br />
Hell 314<br />
Where My Heart Beats 315<br />
White Men 317<br />
Work Hard – play Hard 327<br />
the World Before Her 328<br />
Yorzeit 329<br />
HistorY<br />
politics<br />
current affairs<br />
11 images of a Human 24<br />
1712 Battle of the Baltic 25<br />
300 tons of gold 27<br />
ag geige<br />
– an amateur film 32<br />
ameer got His gun 34<br />
among Men<br />
– gay in east germany 35<br />
the anabasis of May and<br />
fusako shigenobu, Masao<br />
adachi, and 27 Years without<br />
images 36<br />
anatomy of a Departure 37<br />
and italy took flight 38<br />
another night on earth 40<br />
arbeit Heimat opel 42<br />
are You listening ! 43<br />
Beer is cheaper than<br />
therapy 49<br />
344 345
Benghazi: Beyond the<br />
front line 53<br />
a Better life is elsewhere 55<br />
Better this World 56<br />
Big Boys gone Bananas!* 59<br />
Bitter seeds 61<br />
the Blockade 63<br />
Borderline,<br />
an unsetting Journey<br />
along the World’s longest<br />
un-Defended Border 64<br />
Bouchbennersch otto / how<br />
to treat differentness 65<br />
the Brussels Business 67<br />
the captain and His pirate 72<br />
captain thomas sankara 73<br />
chronicle of a forgotten<br />
Death 78<br />
closed sea 80<br />
comparing now and then 84<br />
cuba<br />
– Mafia’s paradise – the<br />
History of a gangster<br />
Domain 89<br />
Defending karadzic 97<br />
Demokratia,<br />
the Way of the cross 98<br />
Disease of the<br />
third power 99<br />
Downeast 101<br />
Drawing for Memory 103<br />
Dream of san Juan 105<br />
Drivers Wanted 107<br />
Dublin’s trap:<br />
another side of the<br />
greek crisis 109<br />
end of the road 115<br />
escape from paradise 119<br />
fidaï 123<br />
fire in the Blood 126<br />
forbidden Voices 130<br />
forget me not 131<br />
fouad’s Dream 132<br />
from Hollywood to<br />
nuremberg – John ford,<br />
samuel fuller, george<br />
stevens 135<br />
the future’s past 136<br />
generation sMs 138<br />
the great Book robbery 143<br />
the great fallacy 144<br />
the gypsy Vote 145<br />
Herstory 152<br />
History shorts 153<br />
a Home far away 154<br />
the House i live in 155<br />
How ping pong saved<br />
the World 156<br />
Huerfano Valley 158<br />
the Human Zoo 159<br />
i Want My country Back 162<br />
iceland Year Zero 165<br />
i’ll stop crying if You<br />
stop crying 167<br />
infiltrados 172<br />
isqat al nizam<br />
– at the regime Border 176<br />
italy, love it or leave it 177<br />
Jakarta Disorder 178<br />
Joe frazier:<br />
When the smoke clears 180<br />
the Joy Down there 181<br />
keep up the good Work 182<br />
the khmer rouge and the<br />
Man of non-Violence 184<br />
the last catch 191<br />
letter tape 195<br />
like stone lions at the<br />
gateway into night 198<br />
little afghanistan 200<br />
little perestrojka 201<br />
live or Die in entebbe 202<br />
long Vacation 204<br />
Magic skies<br />
– a History of fireworks 208<br />
Mama illegal 210<br />
the Most Dangerous Man<br />
in america: Daniel ellsberg<br />
and the pentagon<br />
papers 216<br />
My House Without Me 223<br />
the night of the Bear 225<br />
night’s Drifters 226<br />
nurse gretel # 2<br />
– escape 229<br />
nyosha 230<br />
the oath 231<br />
our Days, absolutely, Have<br />
to Be enlightened 234<br />
pablo’s Winter 237<br />
the palace 238<br />
papirosen 240<br />
peace out 241<br />
a perfect candidate 243<br />
playback 246<br />
the postman 249<br />
project Z:<br />
the final global event 252<br />
randland 256<br />
the red Dream factory 258<br />
russia’s History revealed<br />
– part i, ii and iii 265<br />
san agustin<br />
– low tide in the<br />
plastic sea 266<br />
seduced and<br />
Blackmailed 267<br />
shenandoah 268<br />
sibila 269<br />
the sky over here 270<br />
sounds from the fog 273<br />
speed<br />
– in search of lost time 274<br />
the spies of scientology<br />
– office of special affairs<br />
o.s.a. 275<br />
the spy from the<br />
pariser platz 276<br />
stremt 89 280<br />
stuck in the middle 283<br />
the tears of the<br />
afghan lord 286<br />
telH78 287<br />
tomorrow You Will leave 290<br />
tour Du faso 291<br />
tournesols – al rastan 292<br />
the tree Workers case 294<br />
the trial 295<br />
under fire:<br />
Journalists in combat 300<br />
Vera gran 304<br />
Video Vertov 305<br />
Virgin tales 306<br />
Warmzeit 308<br />
When Bubbles Burst 311<br />
Where My Heart Beats 315<br />
White night 318<br />
Why in My Back Yard<br />
– Hidroaysen 319<br />
the Will 320<br />
Winter, go away ! 322<br />
With my Heart in Yambo 323<br />
Within the eye of<br />
the storm 324<br />
Within Within 325<br />
the World Before Her 328<br />
HuMan interest<br />
24 Buckets, 7 Mice,<br />
18 Years 26<br />
300 tons of gold 27<br />
74m2 29<br />
addiction 31<br />
all Happy Mornings 33<br />
ameer got His gun 34<br />
among Men<br />
– gay in east germany 35<br />
the anabasis of May and<br />
fusako shigenobu, Masao<br />
adachi, and 27 Years without<br />
images 36<br />
and Who taught You<br />
to Drive 39<br />
another night on earth 40<br />
arbeit Heimat opel 42<br />
are You listening ! 43<br />
as You like it 45<br />
Battery Man 47<br />
Beautiful faces 48<br />
Beer is cheaper than<br />
therapy 49<br />
Beerland 50<br />
the Bella Vista 51<br />
Bells of Happiness 52<br />
Benghazi:<br />
Beyond the front line 53<br />
Beyond Wriezen<br />
– a movie about life after<br />
serving time in jail 58<br />
Birders,<br />
the central park effect 60<br />
Bitter seeds 61<br />
Blender 62<br />
the Blockade 63<br />
Borderline,<br />
an unsetting Journey<br />
along the World’s longest<br />
un-Defended Border 64<br />
Bury my Heart in Dresden 68<br />
Buzkashi! 69<br />
camp 14 – total<br />
control Zone 71<br />
the carbon rush 74<br />
centrefold 76<br />
chronicle of a forgotten<br />
Death 78<br />
closed sea 80<br />
cloudy Mountains 81<br />
colombianos 82<br />
colors of Math 83<br />
corta 85<br />
crimson Mask 87<br />
crulic<br />
– the path to Beyond 88<br />
cult Witness 90<br />
Damascus, My first kiss 91<br />
Dancing alone 93<br />
Danube Hospital 94<br />
Death of a cemetery 96<br />
Defending karadzic 97<br />
Demokratia,<br />
the Way of the cross 98<br />
Downeast 101<br />
Dragan Wende<br />
– How the trabant invaded<br />
West-Berlin and ruined my<br />
uncle’s kingdom 102<br />
Dream Jobs 104<br />
Dream of san Juan 105<br />
Dress to impress 106<br />
Drought 108<br />
Dublin’s trap:<br />
another side of the<br />
greek crisis 109<br />
Duck Beach to eternity 110<br />
eames:<br />
the architect and<br />
the painter 111<br />
earth 112<br />
the employment 114<br />
entangled 117<br />
erwin Wurm<br />
– the artist who<br />
swallowed the world 118<br />
escape from paradise 119<br />
everything will not<br />
be fine 120<br />
family Meals 122<br />
the field of Magic 124<br />
the final Member 125<br />
the flowers of my family 128<br />
fouad’s Dream 132<br />
the four Year plan 133<br />
freestyle life 134<br />
the future’s past 136<br />
the gang 137<br />
generation sMs 138<br />
global Home 141<br />
the gypsy Vote 145<br />
Happy Birthday emily 146<br />
Happy serious sad 147<br />
How ping pong saved<br />
the World 156<br />
el Huaso 157<br />
the Human Zoo 159<br />
Hungry Minds 160<br />
i Want My country Back 162<br />
i Was Born in Delhi 163<br />
icebound:<br />
the story of the 1925<br />
alaska serum run 164<br />
impenetrable 168<br />
the incredibles 170<br />
infiltrados 172<br />
irish folk furniture 175<br />
isqat al nizam<br />
– at the regime Border 176<br />
italy, love it or leave it 177<br />
keep up the good Work 182<br />
the khmer rouge and the<br />
Man of non-Violence 184<br />
the kid and the clown 185<br />
kiran 186<br />
the land Beneath<br />
the fog 187<br />
the last Black sea<br />
pirates 190<br />
the last catch 191<br />
the last station 192<br />
legends for Beginners 193<br />
letter tape 195<br />
the life and times of paul<br />
the psychic octopus 196<br />
the lifeguard 197<br />
lisa, go Home! 199<br />
little afghanistan 200<br />
long Vacation 204<br />
losing sonia 205<br />
Magic Words<br />
(to Break a spell) 209<br />
Mama illegal 210<br />
the Man’s field 212<br />
Matthew’s laws 213<br />
Men’s lust 214<br />
Milana 215<br />
Mother 24/7 217<br />
Mother’s Day 218<br />
Mountain love story 219<br />
My father and the<br />
Man in Black 221<br />
My first Mountain<br />
– a rigi film 222<br />
My stuff 224<br />
the night of the Bear 225<br />
no Business like<br />
showbusiness 227<br />
nurse gretel # 2<br />
– escape 229<br />
nyosha 230<br />
one Meter above<br />
ground 232<br />
the other Day 233<br />
over My Dead Body 235<br />
overtime 236<br />
pablo’s Winter 237<br />
papirosen 240<br />
a people uncounted 242<br />
petra’s poem 244<br />
polish illusions 247<br />
pondering 248<br />
the postman 249<br />
presence 250<br />
private universe 251<br />
protect everyone i love 253<br />
the punk syndrome 254<br />
randland 256<br />
reality 2.0 257<br />
red Hair and Black<br />
coffee 259<br />
rogalik 263<br />
russian girls 264<br />
san agustin<br />
– low tide in the<br />
plastic sea 266<br />
seduced and<br />
Blackmailed 267<br />
shenandoah 268<br />
sofia’s last ambulance 271<br />
a sort of love 272<br />
sounds from the fog 273<br />
speed<br />
– in search of lost time 274<br />
steve Jobs:<br />
the lost interview 277<br />
the stripper 282<br />
tales about the future 284<br />
tea or electricity 285<br />
a thousand trees 288<br />
tournesols<br />
– al rastan 292<br />
trains of thoughts 293<br />
the tree Workers case 294<br />
the trial 295<br />
twilight of the Yakuza 296<br />
two nil 297<br />
tzvetanka 298<br />
under fire:<br />
Journalists in combat 300<br />
the Venice syndrome 303<br />
the Wait 307<br />
Warmzeit 308<br />
What’s your job? 310<br />
When Hari got Married 312<br />
When i Was Dead 313<br />
Where Heaven Meets<br />
Hell 314<br />
White night 318<br />
Why in My Back Yard<br />
– Hidroaysen 319<br />
the Will 320<br />
Winter nomads 321<br />
Winter, go away! 322<br />
Within the eye of<br />
the storm 324<br />
Work Hard – play Hard 327<br />
346 347<br />
portrait<br />
24 Buckets, 7 Mice,<br />
18 Years 26<br />
about face:<br />
supermodels, then<br />
and now 30<br />
addiction 31<br />
anatomy of a Departure 37<br />
appassionata 41<br />
the art of Yodeling 44<br />
as You like it 45<br />
Battery Man 47
the Bella Vista 51<br />
Bert stern: original<br />
Madman 54<br />
a Better life is elsewhere 55<br />
Between two-spirit 57<br />
Beyond Wriezen<br />
– a movie about life after<br />
serving time in jail 58<br />
Bouchbennersch otto / how<br />
to treat differentness 65<br />
the captain and His pirate 72<br />
captain thomas sankara 73<br />
check point 77<br />
crackle of time<br />
– christoph schlingensief<br />
and his opera village in<br />
Burkina faso 86<br />
crimson Mask 87<br />
Daughter 95<br />
Death of a cemetery 96<br />
Documentarian 100<br />
Downeast 101<br />
Drivers Wanted 107<br />
emperor’s toys 113<br />
entangled 117<br />
exit point 121<br />
fidaï 123<br />
fists of pride 127<br />
the flowers of my family 128<br />
for You naked 129<br />
forbidden Voices 130<br />
forget me not 131<br />
freestyle life 134<br />
going up the stairs 142<br />
He Was a giant with<br />
Brown eyes 149<br />
Heino Jaeger<br />
– look Before You kuck 150<br />
a Home far away 154<br />
Huerfano Valley 158<br />
i am louisa Jules 161<br />
if i Wasn’t Born 166<br />
in Between – the British artist<br />
richard Deacon 169<br />
intimatta 173<br />
the invisible string 174<br />
Jason Becker:<br />
not Dead Yet 179<br />
Joe frazier:<br />
When the smoke clears 180<br />
the Joy Down there 181<br />
kern 183<br />
the land Beneath<br />
the fog 187<br />
lang lang – the art of Being<br />
a Virtuoso 188<br />
legends for Beginners 193<br />
leontina 194<br />
lisa, go Home! 199<br />
little perestrojka 201<br />
loden – the little Monk 203<br />
Mad. a World of fashion 207<br />
Matthew’s laws 213<br />
the Most Dangerous Man in<br />
america: Daniel ellsberg<br />
and the pentagon<br />
papers 216<br />
My father and the<br />
Man in Black 221<br />
My House Without Me 223<br />
no Business like<br />
showbusiness 227<br />
the oath 231<br />
one Meter above<br />
ground 232<br />
overtime 236<br />
the palace 238<br />
paperbox 239<br />
places other people<br />
Have lived 245<br />
playback 246<br />
pondering 248<br />
pushwagner 255<br />
the river people 261<br />
the road uphill 262<br />
rogalik 263<br />
sibila 269<br />
the sky over here 270<br />
a sort of love 272<br />
steve Jobs:<br />
the lost interview 277<br />
a story for the Modlins 278<br />
stremt 89 280<br />
stretcher 281<br />
the stripper 282<br />
telH78 287<br />
tomorrow 289<br />
tomorrow You Will leave 290<br />
twilight of the Yakuza 296<br />
tzvetanka 298<br />
ub lama 299<br />
Vera gran 304<br />
When i Was Dead 313<br />
Where Heaven Meets<br />
Hell 314<br />
Winter, go away! 322<br />
the Woman and the<br />
passenger 326<br />
the World Before Her 328<br />
Yorzeit 329<br />
science<br />
the 5th season 28<br />
Beautiful faces 48<br />
centrefold 76<br />
colors of Math 83<br />
Danube Hospital 94<br />
the end of time 116<br />
the final Member 125<br />
fire in the Blood 126<br />
peace out 241<br />
stradivari’s Heirs 279<br />
the Way to Mecca 309<br />
sales companies<br />
and agents<br />
n o<br />
2911 foundation<br />
the great Book<br />
robbery 143<br />
29p<br />
overtime 236<br />
42 film gmbH<br />
the Man’s field 212<br />
5 to five team prod<br />
He Was a giant with<br />
Brown eyes 149<br />
a<br />
accent films international ltd.<br />
forbidden Voices 130<br />
agitprop<br />
the last Black sea<br />
pirates 190<br />
alina cyranek<br />
telH78 287<br />
alma film<br />
for You naked 129<br />
alter ego production<br />
our Days, absolutely, Have<br />
to Be enlightened 234<br />
amalric de pontcharra<br />
the other Day 233<br />
amaranta sa de cV<br />
Magic Words<br />
(to Break a spell) 209<br />
american Documentary | poV<br />
a perfect candidate 243<br />
amour fou Vienna<br />
the future’s past 136<br />
andanafilms<br />
Between two-spirit 57<br />
atelier.doc<br />
Disease of the<br />
third power 99<br />
austral films<br />
the flowers of<br />
my family 128<br />
autlook filmsales<br />
Big Boys gone<br />
Bananas!* 59<br />
Danube Hospital 94<br />
erwin Wurm<br />
– the artist who<br />
swallowed the world 118<br />
the life and times<br />
of paul the psychic<br />
octopus 196<br />
Matthew’s laws 213<br />
Men’s lust 214<br />
the punk syndrome 254<br />
aviva communications<br />
fists of pride 127<br />
like stone lions at the<br />
gateway into night 198<br />
Mama illegal 210<br />
the tears of the<br />
afghan lord 286<br />
Doc productions gmbH<br />
regilaul – songs of<br />
the ancient sea 260<br />
Documentary channel<br />
(sMg)<br />
cloudy Mountains 81<br />
Dogwoof global<br />
the House i live in 155<br />
Jason Becker: not<br />
Dead Yet 179<br />
Dok films<br />
a story for the<br />
Modlins 278<br />
Dr international sales<br />
iceland Year Zero 165<br />
Dreamer Joint Venture<br />
gmbH<br />
speed – in search of<br />
lost time 274<br />
Dynamic flash<br />
live or Die in entebbe 202<br />
348 349<br />
B<br />
Babydocfilm<br />
White Men 317<br />
Barbara Hlali<br />
nurse gretel # 2<br />
– escape 229<br />
beatrix schwehm film<br />
Hungry Minds 160<br />
Beginning production<br />
are You listening ! 43<br />
Belsat tV<br />
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Berg images<br />
the stripper 282<br />
Bildersturm<br />
in Between – the British<br />
artist richard Deacon 169<br />
Boomtown Media intl.<br />
the invisible string 174<br />
lang lang – the art<br />
of Being a Virtuoso 188<br />
c<br />
camera-etc<br />
pondering 248<br />
caravanacine<br />
the river people 261<br />
carnivalesque films<br />
Downeast 101<br />
carsten gebhardt<br />
ag geige<br />
– an amateur film 32<br />
casimusicos cine<br />
sibila 269<br />
cat&Docs<br />
Better this World 56<br />
Buzkashi! 69<br />
Herman’s House 151<br />
the lifeguard 197<br />
the oath 231<br />
catalina Vergara films/<br />
globo rojo<br />
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cctV<br />
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christoph Hübner<br />
filmproduktion<br />
Mandala 211<br />
christoph tölle<br />
addiction 31<br />
ciklotron<br />
Battery Man 47<br />
cine impuls leipzig<br />
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cine3d<br />
the night<br />
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cinema arsenal<br />
two nil 297<br />
cinemanegro<br />
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i am louisa Jules 161<br />
cinetarium Babelsberg<br />
sounds from the fog 273<br />
D<br />
David lindner<br />
anatomy of<br />
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Deckert Distribution<br />
Bury my Heart<br />
in Dresden 68<br />
Drought 108<br />
the field of Magic 124<br />
Heino Jaeger – look<br />
Before You kuck 150<br />
the Machine Which Makes<br />
everything Disappear 206<br />
Milana 215<br />
russian girls 264<br />
Dirk Heth<br />
the great fallacy 144<br />
Dirk schäfer<br />
a sort of love 272<br />
Doc & film international<br />
the captain and<br />
His pirate 72<br />
impenetrable 168<br />
e<br />
ecole emile cohl<br />
What’s your job? 310<br />
eefilms ekaterina<br />
eremenko films<br />
colors of Math 83<br />
ego Media<br />
chronicles of the<br />
last temple 79<br />
el paseodigital / Juana films<br />
the Woman and the<br />
passenger 326<br />
elisa larvego<br />
Huerfano Valley 158<br />
epic Match Media<br />
shenandoah 268<br />
eric Baudelaire<br />
the anabasis of May<br />
and fusako shigenobu,<br />
Masao adachi,<br />
and 27 Years without<br />
images 36<br />
errante productions<br />
74m2 29
espn<br />
Joe frazier: When the<br />
smoke clears 180<br />
eyeworks Dinamo as<br />
When Bubbles Burst 311<br />
f<br />
factum Documentary<br />
project<br />
the Blockade 63<br />
falk schuster<br />
Dress to impress 106<br />
farbfilm verleih gmbH<br />
forget me not 131<br />
filmakademie Baden-<br />
Württemberg<br />
if i Wasn’t Born 166<br />
filmgalerie 451<br />
crackle of time – christoph<br />
schlingensief and his opera<br />
village in Burkina faso 86<br />
filmproduktion<br />
loeken franke<br />
arbeit Heimat opel 42<br />
filmpunkt gmbH<br />
Breathing earth – susumu<br />
shingu’s Dream 66<br />
films Boutique<br />
sofia’s last<br />
ambulance 271<br />
films transit<br />
international<br />
about face: supermodels,<br />
then and now 30<br />
Bert stern: original<br />
Madman 54<br />
Birders, the central park<br />
effect 60<br />
Bitter seeds 61<br />
Borderline, an unsetting<br />
Journey along the World’s<br />
longest un-Defended<br />
Border 64<br />
the carbon rush 74<br />
Dublin’s trap: another side<br />
of the greek crisis 109<br />
eames: the architect and<br />
the painter 111<br />
fire in the Blood 126<br />
fouad’s Dream 132<br />
going up the stairs 142<br />
Hava nagila<br />
– the Movie 148<br />
the Human Zoo 159<br />
icebound: the story of<br />
the 1925 alaska serum<br />
run 164<br />
italy, love it or<br />
leave it 177<br />
the Most Dangerous<br />
Man in america:<br />
Daniel ellsberg and the<br />
pentagon papers 216<br />
steve Jobs: the lost<br />
interview 277<br />
Virgin tales 306<br />
filmtank gmbH<br />
the Venice syndrome 303<br />
filmy Wiktoria<br />
papirosen 240<br />
first Hand films<br />
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Beer is cheaper than<br />
therapy 49<br />
generation sMs 138<br />
Mountain love story 219<br />
seduced and<br />
Blackmailed 267<br />
When i Was Dead 313<br />
Where My Heart Beats 315<br />
the Will 320<br />
flora film international<br />
300 tons of gold 27<br />
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the trial 295<br />
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franziska von<br />
Malsen-ponickau<br />
Happy serious sad 147<br />
g<br />
g.r.e.c.<br />
night’s Drifters 226<br />
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Dream Jobs 104<br />
gfilms s.a.<br />
intimatta 173<br />
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event 252<br />
global screen<br />
Beerland 50<br />
camp 14 – total control<br />
Zone 71<br />
cuba – Mafia’s paradise –<br />
the History of a gangster<br />
Domain 89<br />
russia’s History revealed –<br />
part i, ii and iii 265<br />
the spies of scientology<br />
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the spy from the pariser<br />
platz 276<br />
the tree Workers case 294<br />
the last catch 191<br />
gnufilm<br />
tzvetanka 298<br />
golden girls filmproduktion<br />
everything will not<br />
be fine 120<br />
tomorrow You Will<br />
leave 290<br />
Jakarta Disorder 178<br />
graniza<br />
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gunther Merz<br />
the 5th season 28<br />
H<br />
Hanfgarn & ufer<br />
filmproduktion<br />
Mother’s Day 218<br />
Hff konrad Wolf<br />
Beyond Wriezen<br />
– a movie about life<br />
after serving<br />
time in jail 58<br />
Hff München<br />
san agustin – low tide in<br />
the plastic sea 266<br />
Hibrida<br />
another night on earth 40<br />
Hoferichter & Jacobs<br />
gmbH<br />
among Men – gay in east<br />
germany 35<br />
Hupe film- und<br />
fernsehproduktion<br />
keep up the good<br />
Work 182<br />
HyperMedia<br />
all Happy Mornings 33<br />
Hysteria film aB<br />
colombianos 82<br />
i<br />
ilona grundmann<br />
filmproduction<br />
the red Dream<br />
factory 258<br />
inka achté<br />
the Wait 307<br />
inosan productions<br />
White night 318<br />
inselfilm produktion<br />
Defending karadzic 97<br />
interscience film<br />
castles and palaces<br />
of europe 75<br />
intro films s.r.l.<br />
the calm 70<br />
iota production<br />
red Hair and Black<br />
coffee 259<br />
350 351<br />
J<br />
J.M.t. films Distribution &<br />
Worldwide sales<br />
Within the eye of the<br />
storm 324<br />
Journeyman pictures<br />
isqat al nizam<br />
– at the regime<br />
Border 176<br />
ub lama 299<br />
JpZtudio<br />
lapsus 189<br />
k<br />
kafard films<br />
fidaï 123<br />
karsten schleitzer<br />
legends for Beginners 193<br />
kiafa aniseeD<br />
Herstory 152<br />
k’ien productions<br />
no Harm Done 228<br />
kinoglas-films gbr<br />
Video Vertov 305<br />
krakow film foundation<br />
Dream of san Juan 105<br />
emperor’s toys 113<br />
exit point 121<br />
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losing sonia 205<br />
Mother 24 /7 217<br />
Musics 220<br />
My House Without Me 223<br />
one Meter above<br />
ground 232<br />
the palace 238<br />
paperbox 239<br />
rogalik 263<br />
Yorzeit 329<br />
kunsthochschule für<br />
Medien köln<br />
Bouchbennersch<br />
otto / how to treat<br />
differentness 65<br />
l<br />
la Huit production<br />
check point 77<br />
little afghanistan 200<br />
the postman 249<br />
la republica invisible<br />
With my Heart in<br />
Yambo 323<br />
la Ventana cine<br />
Why in My Back Yard<br />
– Hidroaysen 319<br />
laïka films<br />
captain thomas<br />
sankara 73<br />
langjahr film gmbH<br />
My first Mountain<br />
– a rigi film 222<br />
largo film studio<br />
Vera gran 304<br />
laura Yilmaz<br />
places other people<br />
Have lived 245<br />
les films d’ici<br />
the khmer rouge and the<br />
Man of non-Violence 184<br />
les films du 3 Mars<br />
over My Dead Body 235<br />
les films Hors-champ<br />
playback 246<br />
look now<br />
appassionata 41<br />
looks Distribution gmbH<br />
1712 Battle of the Baltic 25<br />
History shorts 153<br />
Magic skies – a History<br />
of fireworks 208<br />
louise productions sàrl<br />
Winter nomads 321<br />
luethje, schneider, Hörl<br />
produktion<br />
Warmzeit 308<br />
lynchpin productions<br />
centrefold 76<br />
M<br />
Mandala pictures<br />
the gypsy Vote 145<br />
Mandala pictures<br />
stuck in the middle 283<br />
Manekino film<br />
24 Buckets, 7 Mice,<br />
18 Years 26<br />
Marcel Beltrán<br />
stretcher 281<br />
Marco eisenbarth<br />
crimson Mask 87<br />
Marker<br />
a thousand trees 288<br />
Matthias Ditscherlein<br />
the Joy Down there 181<br />
maximage<br />
the end of time 116<br />
Mayfly films limited<br />
irish folk furniture 175<br />
Merci qui? Distribution<br />
tea or electricity 285<br />
Mercury Media<br />
Duck Beach to<br />
eternity 110<br />
end of the road 115<br />
the four Year plan 133<br />
gilad and all that<br />
Jazz 139<br />
a people uncounted 242<br />
under fire: Journalists<br />
in combat 300<br />
unfinished spaces 301<br />
Minimal films<br />
Demokratia, the Way<br />
of the cross 98<br />
Mira film<br />
Where the condors fly 316<br />
Mosaic films<br />
Drawing for Memory 103<br />
i’ll stop crying if You<br />
stop crying 167<br />
mutokino<br />
corta 85<br />
n<br />
national film Board of<br />
canada<br />
the Basketball game 46<br />
petra’s poem 244
negativ,s.r.o.<br />
private universe 251<br />
new chapter<br />
productions inc.<br />
My father and the Man<br />
in Black 221<br />
nina Wiesnagrotzki<br />
comparing now and<br />
then 84<br />
o<br />
orbrock filmproduktion<br />
gmbH<br />
trains of thoughts 293<br />
otis Jones films<br />
the final Member 125<br />
oZ Zudro<br />
Bells of Happiness 52<br />
p<br />
palenque producciones<br />
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the future 284<br />
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the employment 114<br />
paul thiltges<br />
Distributions<br />
the road uphill 262<br />
paula oneț<br />
as You like it 45<br />
pBs Distribution<br />
When Hari got<br />
Married 312<br />
peacock film<br />
a Better life is<br />
elsewhere 55<br />
pelle film<br />
kiran 186<br />
peters&peters<br />
leontina 194<br />
point prod<br />
chronicle of a<br />
forgotten Death 78<br />
potemkin<br />
Happy Birthday<br />
emily 146<br />
proaction film<br />
Damascus,<br />
My first kiss 91<br />
r<br />
real fiction filmverleih<br />
tour Du faso 291<br />
red island prod.<br />
Blender 62<br />
rise and shine<br />
World sales<br />
and Who taught You to<br />
Drive 39<br />
ameer got His gun 34<br />
Benghazi: Beyond the<br />
front line 53<br />
the Brussels Business 67<br />
Dance for Me 92<br />
i Want My country<br />
Back 162<br />
i Was Born in Delhi 163<br />
the kid and the clown 185<br />
pushwagner 255<br />
the united states of<br />
Hoodoo 302<br />
risk film studio<br />
Winter, go away! 322<br />
rohfilm gmbH<br />
randland 256<br />
rowena crowe<br />
letter tape 195<br />
s<br />
sabotage films gmbH<br />
global Home 141<br />
sapir college, school of<br />
audio and Visual arts<br />
nyosha 230<br />
sasha films, llc<br />
Where Heaven Meets<br />
Hell 314<br />
scottish Documentary<br />
institute<br />
pablo’s Winter 237<br />
selim Harbi<br />
the sky over here 270<br />
shalahuddin siregar<br />
the land Beneath<br />
the fog 187<br />
sharon liu<br />
Within Within 325<br />
shore films inc.<br />
peace out 241<br />
show and tell films<br />
a Home far away 154<br />
sideways film<br />
Beautiful faces 48<br />
closed sea 80<br />
cult Witness 90<br />
Death of a cemetery 96<br />
How ping pong saved<br />
the World 156<br />
infiltrados 172<br />
twilight of the Yakuza 296<br />
sixpackfilm<br />
little perestrojka 201<br />
stefilm international<br />
and italy took flight 38<br />
Mad. a World of<br />
fashion 207<br />
storyline entertainment<br />
the World<br />
Before Her 328<br />
studio uljana kim<br />
lisa, go Home! 199<br />
syrians Witin Boarders<br />
tournesols – al rastan 292<br />
t<br />
talatala<br />
the girl Behind the<br />
camera (Wt) 140<br />
taskovski films<br />
the Bella Vista 51<br />
Daughter 95<br />
family Meals 122<br />
Work Hard – play Hard 327<br />
tazar cinemacompany<br />
the Way to Mecca 309<br />
telekult film- und<br />
Medienproduktion gmbH<br />
Dancing alone 93<br />
loden – the little<br />
Monk 203<br />
telemark sp. zo.o.<br />
entangled 117<br />
the film sales company<br />
indie game:<br />
the Movie 171<br />
the finnish film<br />
foundation<br />
11 images of a Human 24<br />
the Handshake<br />
productions<br />
el Huaso 157<br />
treeline Distribution<br />
the incredibles 170<br />
tVp sa<br />
escape from paradise 119<br />
aniMaDoc<br />
the Basketball game 46<br />
centrefold 76<br />
Drawing for Memory 103<br />
Dream Jobs 104<br />
emperor’s toys 113<br />
Herstory 152<br />
i’ll stop crying if You<br />
stop crying 167<br />
irish folk furniture 175<br />
letter tape 195<br />
the night<br />
of the Bear 225<br />
nurse gretel # 2<br />
– escape 229<br />
nyosha 230<br />
paperbox 239<br />
petra’s poem 244<br />
places other people<br />
Have lived 245<br />
pondering 248<br />
reality 2.0 257<br />
What’s your job? 310<br />
Within Within 325<br />
Best of tV – poV<br />
Better this World 56<br />
the oath 231<br />
a perfect candidate 243<br />
the Most Dangerous<br />
Man in america:<br />
Daniel ellsberg and the<br />
pentagon papers 216<br />
DocuMentarY caMpus<br />
MasterscHool<br />
Bury my Heart in Dresden 68<br />
Joe frazier:<br />
When the smoke<br />
clears 180<br />
Dok<br />
gerMan<br />
coMpetition<br />
and Who taught You<br />
to Drive 39<br />
Beyond Wriezen<br />
– a movie about life after<br />
serving time in jail 58<br />
Breathing earth<br />
– susumu shingu’s<br />
Dream 66<br />
camp 14<br />
– total control Zone 71<br />
Dancing alone 93<br />
forget me not 131<br />
Heino Jaeger<br />
– look Before You kuck 150<br />
the Man’s field 212<br />
randland 256<br />
a sort of love 272<br />
the Venice syndrome 303<br />
Video Vertov 305<br />
Dok.incuBator<br />
300 tons of gold 27<br />
Dance for Me 92<br />
Defending karadzic 97<br />
the girl Behind the<br />
camera (Wt) 140<br />
the last Black sea<br />
pirates 190<br />
the Machine<br />
Which Makes<br />
everything<br />
Disappear 206<br />
My stuff 224<br />
stuck in the middle 283<br />
Dok<br />
international<br />
coMpetition<br />
11 images of a Human 24<br />
another night on earth 40<br />
are You listening ! 43<br />
the captain<br />
and His pirate 72<br />
cloudy Mountains 81<br />
colombianos 82<br />
Documentarian 100<br />
the end of time 116<br />
entangled 117<br />
fidaï 123<br />
the last station 192<br />
352 353<br />
u<br />
ulrich seidl filmproduktion<br />
kern 183<br />
unatc<br />
stremt 89 280<br />
unifilm oy<br />
My stuff 224<br />
V<br />
Vertigo emotionfilm<br />
long Vacation 204<br />
Vfs films<br />
Documentarian 100<br />
Victor orozco ramirez<br />
reality 2.0 257<br />
von.müller.film<br />
Dragan Wende – How<br />
the trabant invaded West-<br />
Berlin and ruined<br />
my uncle’s kingdom 102<br />
W<br />
Weinstein film production<br />
Drivers Wanted 107<br />
Wide Management<br />
crulic – the path<br />
to Beyond 88<br />
Windrose sas<br />
from Hollywood to nuremberg<br />
– John ford, samuel<br />
fuller, george stevens 135<br />
stradivari’s Heirs 279<br />
x<br />
xenix filmdistribution<br />
no Business like<br />
showbusiness 227<br />
sections<br />
cHileDoc<br />
74m2 29<br />
el Huaso 157<br />
intimatta 173<br />
leontina 194<br />
the other Day 233<br />
sibila 269<br />
tales about the future 284<br />
Where the<br />
condors fly 316<br />
Why in My Back Yard<br />
– Hidroaysen 319<br />
the Woman and the<br />
passenger 326<br />
Doc alliance<br />
the anabasis of May and<br />
fusako shigenobu,<br />
Masao adachi, and 27<br />
Years without images 36<br />
the Will 320<br />
Work Hard – play Hard 327
like stone lions at the<br />
gateway into night 198<br />
sofia’s last ambulance 271<br />
Dok<br />
international<br />
coMpetition<br />
sHort<br />
24 Buckets, 7 Mice,<br />
18 Years 26<br />
Bouchbennersch otto / how<br />
to treat differentness 65<br />
earth 112<br />
kiran 186<br />
lisa, go Home! 199<br />
little afghanistan 200<br />
night’s Drifters 226<br />
our Days, absolutely,<br />
Have to Be<br />
enlightened 234<br />
overtime 236<br />
presence 250<br />
a story for the Modlins 278<br />
the Wait 307<br />
Dok<br />
international<br />
prograMMe<br />
anatomy of a Departure 37<br />
arbeit Heimat opel 42<br />
Big Boys<br />
gone Bananas!* 59<br />
the Blockade 63<br />
comparing now and then 84<br />
Damascus, My first kiss 91<br />
Downeast 101<br />
Dragan Wende<br />
– How the trabant invaded<br />
West-Berlin and ruined my<br />
uncle’s kingdom 102<br />
Drivers Wanted 107<br />
the gang 137<br />
the great fallacy 144<br />
if i Wasn’t Born 166<br />
isqat al nizam – at the<br />
regime Border 176<br />
the khmer rouge and the<br />
Man of non-Violence 184<br />
loden<br />
– the little Monk 203<br />
Mama illegal 210<br />
Matthew’s laws 213<br />
My first Mountain<br />
– a rigi film 222<br />
no Business like<br />
showbusiness 227<br />
no Harm Done 228<br />
the postman 249<br />
private universe 251<br />
project Z:<br />
the final global event 252<br />
red Hair and Black<br />
coffee 259<br />
the river people 261<br />
san agustin<br />
– low tide in the<br />
plastic sea 266<br />
stremt 89 280<br />
tea or electricity 285<br />
tournesols<br />
– al rastan 292<br />
the trial 295<br />
Virgin tales 306<br />
the Way to Mecca 309<br />
When Bubbles Burst 311<br />
When Hari<br />
got Married 312<br />
White night 318<br />
Winter, go away! 322<br />
Dok Market<br />
1712 Battle of the Baltic 25<br />
the 5th season 28<br />
about face:<br />
supermodels, then<br />
and now 30<br />
addiction 31<br />
all Happy Mornings 33<br />
ameer got His gun 34<br />
among Men<br />
– gay in east germany 35<br />
and italy took flight 38<br />
the art of Yodeling 44<br />
Beautiful faces 48<br />
Beer is cheaper than<br />
therapy 49<br />
the Bella Vista 51<br />
Benghazi:<br />
Beyond the front line 53<br />
Bert stern:<br />
original Madman 54<br />
Between two-spirit 57<br />
Birders,<br />
the central park effect 60<br />
Bitter seeds 61<br />
Blender 62<br />
Borderline,<br />
an unsetting Journey<br />
along the World’s<br />
longest un-Defended<br />
Border 64<br />
the Brussels Business 67<br />
the carbon rush 74<br />
castles and palaces<br />
of europe 75<br />
check point 77<br />
chronicles of the last<br />
temple 79<br />
closed sea 80<br />
crackle of time<br />
– christoph schlingensief<br />
and his opera<br />
village in Burkina faso 86<br />
crimson Mask 87<br />
cuba<br />
– Mafia’s paradise – the<br />
History of a<br />
gangster Domain 89<br />
cult Witness 90<br />
Danube Hospital 94<br />
Death of a cemetery 96<br />
Dublin’s trap:<br />
another side of the<br />
greek crisis 109<br />
Duck Beach to eternity 110<br />
eames:<br />
the architect and<br />
the painter 111<br />
end of the road 115<br />
erwin Wurm<br />
– the artist who<br />
swallowed the world 118<br />
escape from paradise 119<br />
everything will not<br />
be fine 120<br />
the field of Magic 124<br />
fire in the Blood 126<br />
for You naked 129<br />
fouad’s Dream 132<br />
the four Year plan 133<br />
from Hollywood to<br />
nuremberg – John ford,<br />
samuel fuller, george<br />
stevens 135<br />
the future’s past 136<br />
generation sMs 138<br />
gilad and all that Jazz 139<br />
global Home 141<br />
going up the stairs 142<br />
the great<br />
Book robbery 143<br />
Happy Birthday emily 146<br />
Happy serious sad 147<br />
Hava nagila<br />
– the Movie 148<br />
History shorts 153<br />
the House i live in 155<br />
How ping pong saved<br />
the World 156<br />
the Human Zoo 159<br />
Hungry Minds 160<br />
i am louisa Jules 161<br />
i Want My<br />
country Back 162<br />
i Was Born in Delhi 163<br />
icebound:<br />
the story of the 1925<br />
alaska serum run 164<br />
impenetrable 168<br />
in Between<br />
– the British artist<br />
richard Deacon 169<br />
the incredibles 170<br />
infiltrados 172<br />
the invisible string 174<br />
italy, love it or leave it 177<br />
Jason Becker:<br />
not Dead Yet 179<br />
the Joy Down there 181<br />
keep up<br />
the good Work 182<br />
the kid and the clown 185<br />
lang lang<br />
– the art of Being<br />
a Virtuoso 188<br />
legends for Beginners 193<br />
the life and times of paul<br />
the psychic octopus 196<br />
little perestrojka 201<br />
live or Die in entebbe 202<br />
long Vacation 204<br />
Mad.<br />
a World of fashion 207<br />
Magic skies<br />
– a History of fireworks 208<br />
Mandala 211<br />
Men’s lust 214<br />
Mountain love story 219<br />
My father and the<br />
Man in Black 221<br />
a people uncounted 242<br />
polish illusions 247<br />
protect everyone<br />
i love 253<br />
the punk syndrome 254<br />
pushwagner 255<br />
the red Dream factory 258<br />
regilaul<br />
– songs of the<br />
ancient sea 260<br />
the road uphill 262<br />
russian girls 264<br />
russia’s History revealed<br />
– part i, ii and iii 265<br />
seduced and<br />
Blackmailed 267<br />
shenandoah 268<br />
the sky over here 270<br />
sounds from the fog 273<br />
the spies<br />
of scientology – office<br />
of special affairs<br />
o.s.a. 275<br />
the spy from the<br />
pariser platz 276<br />
steve Jobs:<br />
the lost interview 277<br />
stradivari’s Heirs 279<br />
the stripper 282<br />
the tears of the<br />
afghan lord 286<br />
a thousand trees 288<br />
tomorrow 289<br />
tomorrow You<br />
Will leave 290<br />
tour Du faso 291<br />
the tree<br />
Workers case 294<br />
twilight of the Yakuza 296<br />
under fire:<br />
Journalists in combat 300<br />
unfinished spaces 301<br />
the united states of<br />
Hoodoo 302<br />
Vera gran 304<br />
Warmzeit 308<br />
When i Was Dead 313<br />
Where Heaven Meets<br />
Hell 314<br />
Where My Heart Beats 315<br />
Within the eye of<br />
the storm 324<br />
Dok<br />
Young cineMa<br />
coMpetition<br />
Beerland 50<br />
kern 183<br />
the land Beneath<br />
the fog 187<br />
losing sonia 205<br />
the Machine<br />
Which Makes<br />
everything<br />
Disappear 206<br />
Milana 215<br />
Mother’s Day 218<br />
pablo’s Winter 237<br />
tzvetanka 298<br />
ub lama 299<br />
White Men 317<br />
east silVer & iDf<br />
Battery Man 47<br />
Bells of Happiness 52<br />
colors of Math 83<br />
Disease<br />
of the third power 99<br />
family Meals 122<br />
the gypsy Vote 145<br />
iceland Year Zero 165<br />
Jakarta Disorder 178<br />
trains of thoughts 293<br />
two nil 297<br />
filMfestiVal cottBus<br />
crulic<br />
– the path to Beyond 88<br />
focus latin aMerica<br />
the calm 70<br />
corta 85<br />
Daughter 95<br />
Drought 108<br />
the employment 114<br />
the flowers<br />
of my family 128<br />
lapsus 189<br />
the lifeguard 197<br />
Magic Words<br />
(to Break a spell) 209<br />
papirosen 240<br />
stretcher 281<br />
With my<br />
Heart in Yambo 323<br />
focus saxonY<br />
ag geige<br />
– an amateur film 32<br />
Dress to impress 106<br />
telH78 287<br />
354 355<br />
Hot Docs<br />
Buzkashi! 69<br />
the final Member 125<br />
fists of pride 127<br />
Herman’s House 151<br />
indie game:<br />
the Movie 171<br />
over My Dead Body 235<br />
peace out 241<br />
the World Before Her 328<br />
krakoW filM<br />
founDation<br />
& polisH Docs<br />
Dream of san Juan 105<br />
exit point 121<br />
freestyle life 134<br />
Mother 24 / 7 217<br />
Musics 220<br />
My House Without Me 223<br />
one Meter above<br />
ground 232<br />
the palace 238<br />
rogalik 263<br />
Yorzeit 329<br />
leipZig screening<br />
Beerland 50<br />
the last catch 191<br />
speed<br />
– in search of lost time 274<br />
the Venice syndrome 303<br />
storYDoc<br />
as You like it 45<br />
Demokratia,<br />
the Way of the cross 98<br />
Visions Du rÉel<br />
& sWiss filMs<br />
appassionata 41<br />
a Better life is elsewhere 55<br />
captain thomas sankara 73<br />
chronicle of a forgotten<br />
Death 78<br />
forbidden Voices 130<br />
He Was a giant with<br />
Brown eyes 149<br />
a Home far away 154<br />
Huerfano Valley 158<br />
playback 246<br />
Winter nomads 321
notes notes
notes notes
notes notes
notes notes
notes notes
notes notes
1-11 NOV 2012<br />
CPH:DOX<br />
M U N D U S<br />
CPH:FORUM<br />
FINANCING FORUM<br />
7-9 NOV 2012<br />
IMAGE BY: RICHIE DIESTERHEFT<br />
INTERNATIONAL<br />
FINAN CING<br />
F O R U M
THE WORLD’s MOST EXCITING DOCUMENTARY<br />
& DIGITAL MEDIA FESTIVAL<br />
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& FAMOUS pARTIES<br />
at Sheffield Doc/Fest 2013<br />
FILM pROGRAMME SUBMISSIONS —<br />
Open Tuesday 30 October 2012<br />
Close Monday 04 February 2013<br />
sheffdocfest.com/view/submitafilm<br />
MEETMARkET SUBMISSIONS —<br />
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Close Wednesday 20 March 2013<br />
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clever distribution strategies based on the nature of the �lm<br />
cost effective, targeted marketing<br />
fresh approach to digital media and new business models<br />
www.dokincubator.net<br />
a unique workshop for documentaries in a rough cut stage<br />
Deadline March 5th 2013
,ÁIK,ÁIK,ÁIKÁIKÁIK<br />
ÁIK<br />
AtA SK<br />
S É EK T K,<br />
É,Ů<br />
KI<br />
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East European<br />
Documentary Film<br />
Market organized<br />
by Institute<br />
of Documentary Film<br />
(IDF)<br />
Market<br />
Caravan<br />
ČKFK<br />
TV Focus<br />
Silver Eye Award<br />
Streaming<br />
K,K<br />
É,Ů Next submission<br />
ŮK,ŮPŮdeadline:<br />
January 11, 2013<br />
More info at<br />
www.eastsilver.net<br />
Jihlava,<br />
October 23 — 28,<br />
2012<br />
Prague,<br />
March 5 — 10,<br />
2013 +QAY<br />
+QAY
15 ans<br />
RENCONTRES<br />
INTERNATIONALES<br />
DU DOCUMENTAIRE<br />
DE MONTRÉAL<br />
15 years<br />
MONTREAL<br />
INTERNATIONAL<br />
DOCUMENTARY<br />
FESTIVAL<br />
7 > 18 NOV. 2012<br />
ridm.qc.ca
INDUSTRY<br />
ZONE<br />
27 MAY — 1 JUNE 2013<br />
during 53rd Krakow Film Festival<br />
Meetings, workshops,<br />
screenings, presentations,<br />
panel discussions for film professionals<br />
KRAKOW FILM MARKET – digital videolibrary<br />
[ dealine for submissions: 8th February 2013 ]<br />
DRAGON FORUM – piching of documentary projects<br />
industry@kff.com.pl www.krakowfilmfestival.pl<br />
www.polishdocs.pl<br />
WINDOW TO THE WORLD OF POLISH DOCUMENTARY FILM
egional<br />
national<br />
international<br />
Films supported by MDM<br />
at <strong>DOK</strong> <strong>Leipzig</strong> 2012:<br />
MansFeld<br />
Director: Mario Schneider<br />
<strong>DOK</strong> <strong>Leipzig</strong> Industry<br />
and Training Offers<br />
supported by MDM:<br />
Digital <strong>DOK</strong> MarKet<br />
CO-PrODuCtiOn Meeting<br />
<strong>DOK</strong> SuMMitS<br />
<strong>DOK</strong> leiPzig net l ab<br />
<strong>DOK</strong>.inCubatOr<br />
CrOSS MeDia CaSe StuDieS & SCreeningS<br />
www.mdm-online.de<br />
credits<br />
thank you for your support<br />
Dok Market 2012 – an initiative of Dok leipzig and the Mitteldeutsche Medienförderung (MDM)<br />
with the support of the MeDia programme of the european union,<br />
the federal government commissionier for culture and the Media upon a Decision of the<br />
german Bundestag (BkM) and computer leipzig.<br />
doK main sponsor:<br />
doK supporter:<br />
doK media Partner:<br />
doK cooperations Partner:<br />
doK funds:<br />
more doK supporters and friends:<br />
addmission, arri media services, barbara hobbie & richard mancke, big cinema, botschaft des Königreichs der niederlande,<br />
botschaft des staates israel, botschaft von spanien – Kulturabteilung, bundesarchiv-filmarchiv, bundesfilmverband in ver.di,<br />
caia – council of arts and audiovisual industry of chile, centraltheater, chiledoc, cinemachile, cinémathèque leipzig e.v., creative<br />
scotland, culturtraeger, danish film institute, dirac – department of cultural affairs of the foreign ministry of chile, deutsches<br />
literaturinstitut leipzig, dr. arend oetker, estonian film foundation, eWs europäische Wirtschafts- und sprachenschulung<br />
gemeinnützige gmbh, filmverband sachsen e.v., finnish film foundation, gastromiete24.de, generalkonsulat der usa leipzig,<br />
goethe-institut bangalore, goethe-institut dhaka, goethe-institut Jakarta, goethe-institut Kabul, goethe-institut minsk,<br />
goethe-institut riga, grasbauer ug, hochschule für grafi k und buchkunst leipzig, hotel michaelis, hug & eberlein, ils medientechnik,<br />
institut français de leipzig, iq steuerberatungsgesellschaft mbh, Kalenda systems, leipziger messe, leona beatrice martinstarewitsch,<br />
Kreuzer, looKs film, maXxPrint, media antenne berlin-brandenburg, mephisto 97,6, mh müller handels gmbh, filiale<br />
leipzig Petersstraße, modulbox mo systeme, moritzbastei betriebs gmbh, nextbike, Passage Kinos leipzig, Peter schamoni film<br />
& medien gmbh, Polish film institute, Promenaden hauptbahnhof leipzig, ring-café leipzig, schwedisches honorarkonsulat leipzig,<br />
se-ma-for, shirtbuster gmbh, staatliche Porzellanmanufaktur meißen, swedish film institute, swiss films, tfd technischer<br />
filmdienst, visionauten, vng verbundnetz gas<br />
www.dok-leipzig.de<br />
doK sponsor:<br />
doK cinema Partner<br />
ARTHOUSE NOUVEAU.<br />
doK it Partner: