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ART FIRST-TIMER INVITED CONTENT ART GALLERY: DATA MATERIALITIES 12 FP F S EP E #SIGGRAPH2016 The SIGGRAH 2016 Art Gallery exposes a plethora of data and transforms it to incarnations of tangibility that not only showcase their complexity, but also allow us to relate to them on a human scale. By injecting humor and kinetic energy to their exposition, the gallery makes light of these data platforms and presents them on a grand scale to reveal their ubiquity. A special issue of Leonardo, The Journal of the International Society of the Arts, Sciences and Technology includes visual documentation of the works exhibited in the Art Gallery. Publication of this eighth special issue coincides with SIGGRAPH 2016. ART GALLERY HOURS Sunday, 24 July Monday, 25 July Tuesday, 26 July Wednesday, 27 July Thursday, 28 July noon-5:30 pm 10 am-5:30 pm 10 am-5:30 pm 10 am-5:30 pm 10 am-1 pm Attend the Art Gallery Experience Presentations for discussion with the artists. Monday, 25 July, 9-10:30 am and 2-3:30 pm Image Credit: Metaphase Sound Machine © 2016 Dmitry Morozov. ART FIRST-TIMER FP F S EP E RECEPTION: LEONARDO, ART PAPERS, AND ART GALLERY Tuesday, 26 July, 2-3:30 pm Mix and mingle with the artists, designers, and authors whose works were selected for SIGGRAPH 2016. Meet the Leonardo team and the SIGGRAPH 2016 committee member who organized this year’s Art Gallery. Sponsored by Leonardo/ISAST and The MIT Press Crime Scene This installation portrays illegal Internet activity in physical space and examines the legal restrictions of file sharing. Mogens Jacobsen Doors Doors is a portal that takes on the middle ground between virtual and physical space. Sensors surrounding the structure of an actual door track visitors’ movements and change the portal on the screen’s perspective in an anamorphic system that adjusts to their visual angle in real time. David-Alexandre Chanel Romain Constant THÉORIZ Studio Facebook Demetricator The Facebook interface is filled with numbers. Facebook Demetricator is a web browser add-on that hides these metrics and invites Facebook users to try the system without the numbers, to see how their experience is changed by the absence of metrics. Benjamin Grosser University of Illinois at Urbana-Champaign Flower Flower reacts to the idea of the “gaze” in digital space, where people online are always vying for more views, likes, and mentions. Viktor Jan Grafikdemo Grafikdemo is a physical wireframe of the quintessential 3D model, the standard “teapot”, built inside the frame of a classic Commodore CBM. Viewers use only the analog keys of the antiquated keyboard to manipulate the object inside, thus exposing the mechanical aspects of the project. Niklas Roy The Kinetic Story Teller In this playful environment for social interaction, a pair of illuminated swing sets face each other. As participants swing on the structure, they are connected to a data stream of the networked landscape around them, specifically the social media banter of Twitter. Tine Bech Table of Contents S2016.SIGGRAPH.ORG
ART GALLERY: DATA MATERIALITIES (continued) 13 Metaphase Sound Machine Metaphase Sound Machine, inspired by physicist Nick Herbert’s work, exploits our increasing dependency on the information and electronic noise that permeates our everyday lives. Dmitry Morozov Pixelbots Pixelbots represent a new form of empathetic display that explores the evolution of how information will manifest itself in the near future. The screen itself becomes a fluid entity that can be harnessed and remixed into any shape, color, or manifestation one desires. Tejaswi Digumarti Disney Research and ETH Javier Alonso Mora (Formerly) Disney Research and ETH Roland Siegwart ETH Paul Beardsley Disney Research Plinko Poetry Plinko Poetry is a networked installation that uses the Plinko Game of the American game show “The Price is Right” to create real-time poetry from constantly updated Twitter feeds. Deqing Sun Peiqi Su New York University Submergence Submergence is a walkthrough environment consisting of 8,064 individually addressable LEDs suspended from a ceiling to create feelings of presence, movement, and envelopment when one is interacting with it. Anthony Rowe Gaz Bushell Liam Birtles Chris Bennewith Oliver Bown Squidsoup Table of Contents S2016.SIGGRAPH.ORG
Page 2 and 3: TABLE OF CONTENTS 2 3 CONFERENCE A
Page 4 and 5: REASONS TO ATTEND 4 Why SIGGRAPH? W
Page 6 and 7: CONFERENCE OVERVIEW (continued) 6 F
Page 8 and 9: CONFERENCE SCHEDULE (continued) 8 M
Page 10 and 11: CONFERENCE SCHEDULE (continued) 10
Page 14 and 15: ART RESEARCH ART PAPERS 14 FP F S
Page 16 and 17: COURSES 16 FP F #SIGGRAPH2016 Inst
Page 18 and 19: COURSES (continued) 18 RESEARCH VEC
Page 20 and 21: AR/VR FIRST-TIMER RESEARCH EMERGING
Page 22 and 23: EMERGING TECHNOLOGIES (continued) 2
Page 24 and 25: ANIMATION & VFX FIRST-TIMER PRODUCT
Page 26 and 27: PRODUCTION SESSIONS (continued) 26
Page 28 and 29: REAL-TIME LIVE! 28 Immersive Augmen
Page 30 and 31: STUDIO (continued) 30 STUDIO PROJEC
Page 32 and 33: TALKS (continued) 32 PRODUCTION LIF
Page 34 and 35: TALKS (continued) 34 ANIMATION & VF
Page 36 and 37: TALKS (continued) 36 PRODUCTION THE
Page 38 and 39: TECHNICAL PAPERS (continued) 38 Pos
Page 40 and 41: TECHNICAL PAPERS (continued) 40 REN
Page 42 and 43: TECHNICAL PAPERS (continued) 42 Mul
Page 44 and 45: TECHNICAL PAPERS (continued) 44 IMA
Page 46 and 47: TECHNICAL PAPERS (continued) 46 An
Page 48 and 49: TECHNICAL PAPERS (continued) 48 PLA
Page 50 and 51: AR/VR FIRST-TIMER VR VILLAGE 50 FP
Page 52 and 53: VR VILLAGE (continued) 52 “Synest
Page 54 and 55: AR/VR FOR EDUCATORS FIRST-TIMER ACM
Page 56 and 57: EXHIBITOR SESSIONS (as of 5 May) 56
Page 58 and 59: GENERAL INFORMATION 58 Airport Shut
Page 60 and 61: CONFERENCE COMMITTEE 60 SIGGRAPH 20

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