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TALKS (continued) 32 PRODUCTION LIFE IS SHORTS Sunday, 24 July, 2-3:30 pm INVITED CONTENT The Making of “Inner Workings” Sean Lurie Leo Matsuda Josh Staub Walt Disney Animation Studios Creating Piper – Pixar’s Latest Short Film Brett Levin Alan Barillaro Jason Beamer Ferdi Schemers Erik Smitt Pixar Animation Studios GAMES PRODUCTION RESEARCH DARK HIDES THE LIGHT Sunday, 24 July, 3:45-5:35 pm Session Chair: Makai Smith, Bentley Systems HFTS: Hybrid Frustum-Traced Shadows in The Division Jon Story Chris Wyman NVIDIA Corporation Sparse Shadow Tree Kevin Myers Activision Blizzard, Inc. LightCraft – Extract Light Position and Information From On-Set Photography Alex Suter Victor Schutz Dan Lobl Brian Gee Lucasfilm Ltd. Rendering Fast & Furious: Supercharged in Stereo for a 400-Foot Curved Screen Rob Pieké Technicolor, Moving Picture Company Luma HDRv: An Open-Source High-Dynamic-RangeVvideo Codec Optimized by Large-Scale Testing Gabriel Eilertsen Linköpings universitet Rafał‚ K. Mantiuk University of Cambridge Jonas Unger Linköpings universitet MONDAY, 25 JULY PRODUCTION DANCING TREES Monday, 25 July, 9-10:30 am Session Chair: Maryann Simmons, Walt Disney Animation Studios Art-Directable Procedural Vegetation in Disney's “Zootopia” Sara Drakeley Maryann Simmons Hans Keim Jared Reisweber Daniel Teece Walt Disney Animation Studios Vegetation Choreography in “The Good Dinosaur” Olivier Soares Magic Leap, Inc. Thomas Moser Frank Aalbers Gordon Cameron Pixar Animation Studios Can't See the Jungle for the Trees Tom Melson Moving Picture Company The Trees of “The Jungle Book” Alexander Schwank Callum James Tony Micilotta Moving Picture Company GAMES PRODUCTION ANGRY EFFECTS SALAD Monday, 25 July, 2-3:30 pm Session Chair: Peter Hall, University of Bath Sea Surface Visualization in World of Warships Yury Kryachko Wargaming Public Co Ltd Visual Effects of Final Fantasy XV: Concept, Environment, and Implementation Isamu Hasegawa Ryota Nozoe Teppei Ono Masahiko Koyama Taku Ishida SQUARE ENIX CO., LTD. The Effects of “The Jungle Book” Oliver Winwood Rob Hopper Kai Wolter Moving Picture Company Delicious Looking Ice Cream Effects With Non-Simulation Approaches Dong Joo Byun James Mansfield Cesar Velazquez Walt Disney Animation Studios ANIMATION & VFX FACE OFF PRODUCTION Monday, 25 July, 3:45-5:35 pm Session Chair: Kenny Mitchell, Disney Research ILM Facial Performance Capture Brian Cantwell Paige Warner Michael Koperwas Industrial Light & Magic Kiran Bhat LoomAi “Kung Fu Panda 3”: Mandarin Lip-Sync Reanimation Process and Pipeline Mark Edwards DreamWorks Animation Robert Armstrong mattermark Alvin Ho Tsun Chuen Oriental DreamWorks Shape-Analysis-Driven Surface Correction Claude Levastre ON Animation Studio As-Rigid-As-Possible Deformation Transfer for Facial Animation David Corral Doug Roble Lucio Moser Digital Domain 3.0, Inc. Warping With Accumulated Motion Vectors Stephen Willey Gregory Keech Double Negative Table of Contents S2016.SIGGRAPH.ORG
TALKS (continued) 33 TUESDAY, 26 JULY ANIMATION & VFX ICING ON THE CAKE PRODUCTION Tuesday, 26 July, 9-10:30 am Session Chair: Gavin Miller, Adobe Systems HairCraft: Spells and Incantations for Digital Hair Stephen Bowline Andrew Johnson Ryan Gillis Industrial Light & Magic Artist-Friendly Level-of-Detail in a Fur-Filled World Kendall Litaker Sean Palmer Walt Disney Animation Studios Pyramid Coordinates for Deformation With Collision Handling Gene Lin Oriental DreamWorks Nafees Bin Zafar Oriental DreamWorks DreamWorks Animation Flesh, Flab, and Fascia Simulation on “Zootopia” Andy Milne Mark McLaughlin Rasmus Tamstorf Alexey Stomakhin Nicholas Burkard Mitch Counsell Jesus Canal David Komorowski Evan Goldberg Walt Disney Animation Studios PRODUCTION ROLL THE DICE RESEARCH Tuesday, 26 July, 9-10:30 am Session Chair: Ginger Alford, Trinity Valley School/ Fort Worth Museum of Science and History Blue-Noise Dithered Sampling Iliyan Georgiev Marcos Fajardo Solid Angle S.L. Cache-Friendly Micro-Jittered Sampling Arthur Dufay Technicolor, LP2N (CNRS) Pascal Lecocq Jean-Eudes Marvie Technicolor Romain Pacanowski Xavier Granier LP2N (CNRS) Stochastic Layered Alpha Blending Chris Wyman NVIDIA Corporation Quantum Supersampling Eric Johnston University of Bristol, Solid Angle ANIMATION & VFX PRODUCTION A TALL DRINK OF WATER Tuesday, 26 July, 10:45 am-12:15 pm Session Chair: Mark Elendt, Side Effects Software Inc. Lapping Water Effects in “Piper” Vincent Serritella Hosuk Chang Leon Park Ferdi Scheepers Brett Levin PIxar Animation Studios Simulating Rivers in “The Good Dinosaur” Jon Reisch Stephen Marshall Magnus Wrenninge Tolga Göktekin Michael Hall Michael O'Brien Jason Johnston Jordan Rempel Andy Lin Jon Reisch Pixar Animation Studios Spatially Adaptive FLIP Fluid Simulations in Bifrost Michael Nielsen Robert Bridson Autodesk Inc. Inside Houdini’s Distributed Solver System Jeff Lait Side Effects Software, Inc. FP F S RESEARCH UIST REPRISE AT SIGGRAPH 2016 Tuesday, 26 July, 10:45 am-12:15 pm INVITED CONTENT Webstrates: Shareable Dynamic Media Clemens N. Klokmose Aarhus Universitet James R. Eagan Télécom ParisTech, CNRS LTCI UMR 5141 Siemen Baader Aarhus Universitet Wendy Mackay Inria, Université Paris-Sud Michel Beaudouin-Lafon Université Paris-Sud, CNRS GelTouch: Localized Tactile Feedback Through Thin, Programmable Gel Viktor Miruchna Robert Walter David Lindlbauer Maren Lehmann Regine von Klitzing Technische Universität Berlin Jörg Müller Aarhus Universitet Orbits: Gaze Interaction for Smart Watches Using Smooth-Pursuit Eye Movements Augusto Esteves Eduardo Velloso Lancaster University Andreas Bulling Max-Planck-Institut für Informatik Hans Gellersen Lancaster University Foldio: Digital Fabrication of Interactive and Shape-Changing Objects With Foldable Printed Electronics Simon Olberding Sergio Soto Ortega Klaus Hildebrandt Jürgen Steimle Max-Planck-Institut für Informatik Gaze Shifting: Direct-Indirect Input With Pen and Touch Modulated by Gaze Ken Pfeuffer Jason Alexander Ming Ki Chong Yanxia Zhang Hans Gellersen Lancaster University Table of Contents S2016.SIGGRAPH.ORG
Page 2 and 3: TABLE OF CONTENTS 2 3 CONFERENCE A
Page 4 and 5: REASONS TO ATTEND 4 Why SIGGRAPH? W
Page 6 and 7: CONFERENCE OVERVIEW (continued) 6 F
Page 8 and 9: CONFERENCE SCHEDULE (continued) 8 M
Page 10 and 11: CONFERENCE SCHEDULE (continued) 10
Page 12 and 13: ART FIRST-TIMER INVITED CONTENT AR
Page 14 and 15: ART RESEARCH ART PAPERS 14 FP F S
Page 16 and 17: COURSES 16 FP F #SIGGRAPH2016 Inst
Page 18 and 19: COURSES (continued) 18 RESEARCH VEC
Page 20 and 21: AR/VR FIRST-TIMER RESEARCH EMERGING
Page 22 and 23: EMERGING TECHNOLOGIES (continued) 2
Page 24 and 25: ANIMATION & VFX FIRST-TIMER PRODUCT
Page 26 and 27: PRODUCTION SESSIONS (continued) 26
Page 28 and 29: REAL-TIME LIVE! 28 Immersive Augmen
Page 30 and 31: STUDIO (continued) 30 STUDIO PROJEC
Page 34 and 35: TALKS (continued) 34 ANIMATION & VF
Page 36 and 37: TALKS (continued) 36 PRODUCTION THE
Page 38 and 39: TECHNICAL PAPERS (continued) 38 Pos
Page 40 and 41: TECHNICAL PAPERS (continued) 40 REN
Page 42 and 43: TECHNICAL PAPERS (continued) 42 Mul
Page 44 and 45: TECHNICAL PAPERS (continued) 44 IMA
Page 46 and 47: TECHNICAL PAPERS (continued) 46 An
Page 48 and 49: TECHNICAL PAPERS (continued) 48 PLA
Page 50 and 51: AR/VR FIRST-TIMER VR VILLAGE 50 FP
Page 52 and 53: VR VILLAGE (continued) 52 “Synest
Page 54 and 55: AR/VR FOR EDUCATORS FIRST-TIMER ACM
Page 56 and 57: EXHIBITOR SESSIONS (as of 5 May) 56
Page 58 and 59: GENERAL INFORMATION 58 Airport Shut
Page 60 and 61: CONFERENCE COMMITTEE 60 SIGGRAPH 20

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