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ART RESEARCH ART PAPERS 14 FP F S #SIGGRAPH2016 Art Papers illuminate the processes and theoretical frameworks for making art and contextualizing its place in our increasingly global, networked and technologically mediated world. In collaboration with Leonardo/ISAST, the papers are published in a special issue of Leonardo, The Journal of the International Society of the Arts, Sciences and Technology. The issue also includes visual documentation of the works exhibited in the Art Gallery. Publications of this special issue coincide with SIGGRAPH 2016. Image Credit: Raised on YouTube: Cultural Data Materialization Using Plants © 2016 Misha Rabinovich, University of Massachusetts Lowell ART FIRST-TIMER FP F S EP E RECEPTION: LEONARDO, ART PAPERS, AND ART GALLERY Tuesday, 26 July, 2-3:30 pm Mix and mingle with the artists, designers, and authors whose works were selected for SIGGRAPH 2016. Meet the Leonardo team and the SIGGRAPH 2016 committee member who organized this year's Art Gallery. Sponsored by Leonardo/ISAST and The MIT Press ART PAPERS SESSION Tuesday, 26 July, 3:45-5:15 pm Session Chairs: Edward A. Shanken, Rhode Island School of Design and Ruth West, University of North Texas Perceptual Cells: James Turrell’s Vision Machines Between Two Paracinemas This historical and phenomenological analysis of James Turrell's perceptual cells focuses on their combination of stroboscopic effects and edgeless projection to generate virtual animated sequences rendered by the viewer's own neurophysiological apparatus. Alla Gadassik Emily Carr University of Art + Design Pulse Shape 22: Audio/Visual Performance and Data Transmutation Pulse Shape 22 is an improvisational audio/ visual performance featuring shortwave radio transmissions as the sole source material for real-time audio processing alongside video of the sun captured and projected through cast glass lenses designed specifically for the piece. Mark Cetilia Brown University Deletion Process_Only You Can See My History: Investigating Digital Privacy, Digital Oblivion, and Control of Personal Data Through an Interactive Art Installation This paper describes the author's artwork, Deletion Process_Only you can see my history, an interactive art installation based on her eight-year-long personal search history in the Google search engine. Kyriaki Goni Visual History With Choson Dynasty Annals Data visualization artworks of three historical events taken from the Annals of the Choson Dynasty that represent dramatic and tragic stories about parents and their sons. Jin Wan Park Seongkuk Park Eunju Lee Chung-Ang University Raised on YouTube: Cultural Data Materialization Using Plants Raised on YouTube is a game that grows plants with only the light of projected video, crowdsources video analysis, and makes ecology legible by inviting players to reflect on the effects of long-term exposure to contemporary media data flows. Misha Rabinovich University of Massachusetts Lowell Table of Contents S2016.SIGGRAPH.ORG
ANIMATION & VFX FIRST-TIMER COMPUTER ANIMATION FESTIVAL 15 #SIGGRAPHcaf The leading annual festival for the world’s most innovative, accomplished, and amazing digital film and video creators. The Computer Animation Festival is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival. Since 1999, several works originally presented in the Computer Animation Festival have been nominated for or have received a “Best Animated Short” Academy Award. A preliminary Electronic Theater listing. Visit s2016.siggraph.org for updates. Image Credit: Escargore © 2016 Oliver Hilbert, Media Design School. FP F ELECTRONIC THEATER Monday, 25 July, 6-8 pm Wednesday, 27 July, 8-10 pm Accidents, Blunders and Calamities New Zealand Alike Spain Borrowed Time USA Citipati United Kingdom Cosmos Laundromat Netherlands Crabe-Phare France Escargore New Zealand Ghost Recon Wildlands France Glass Half Netherlands League of Legends: Project Overdrive United Kingdom Les marmottes – Mariachi France Lichtspiel Germany Mafia III USA Natural Attraction Germany None of That USA Shell V-Power “Shapeshifter” United Kingdom Solar Superstorms – Visualization Excerpts USA Taking Flight USA TEA TIME France Terminator Genisys United Kingdom The Universe of Final Fantasy XV Japan TOKYO COSMO Japan FP F S DAYTIME SELECTS Sunday, 24 July, 10 am-5:30 pm Tuesday, 26 July, 10 am-5:30 pm Thursday, 28 July, 10 am-5:30 pm Break It Down A behind-the-scenes look at the techniques and technology used to make today’s most stunning visual effects. Break It Down shows in-depth, technical shot breakdowns from some of this year's greatest commercial work, games, and feature films. It not only highlights groundbreaking new techniques, but also shows a glimpse of how some standard techniques can be used in new and interesting ways to create innovative visual effects. >DEMOSCENE_ The demoscene is an international computer art subculture that specializes in creating selfcontained programs that produce audio-visual presentations. The main goal of a demo is to exhibit programming, artistic, and musical skills within highly constrained limitations (for example, restricting the executable file to just 64k in size). Yes, you read that correctly: 64k. Quite honestly, you won’t believe what you’re seeing. The Arcade A new bespoke audience experience focusing on games from concept art through technology and implementation in cinematic and real time. Winners Circle Winners Circle celebrates the most impressive, original, and amusing award winners from the SIGGRAPH Computer Animation Festival over the last seven years. Compiled as a compact and highly entertaining show, student and commercial projects sit side-by-side in this incredible recap of festival highlights. Table of Contents S2016.SIGGRAPH.ORG
Page 2 and 3: TABLE OF CONTENTS 2 3 CONFERENCE A
Page 4 and 5: REASONS TO ATTEND 4 Why SIGGRAPH? W
Page 6 and 7: CONFERENCE OVERVIEW (continued) 6 F
Page 8 and 9: CONFERENCE SCHEDULE (continued) 8 M
Page 10 and 11: CONFERENCE SCHEDULE (continued) 10
Page 12 and 13: ART FIRST-TIMER INVITED CONTENT AR
Page 16 and 17: COURSES 16 FP F #SIGGRAPH2016 Inst
Page 18 and 19: COURSES (continued) 18 RESEARCH VEC
Page 20 and 21: AR/VR FIRST-TIMER RESEARCH EMERGING
Page 22 and 23: EMERGING TECHNOLOGIES (continued) 2
Page 24 and 25: ANIMATION & VFX FIRST-TIMER PRODUCT
Page 26 and 27: PRODUCTION SESSIONS (continued) 26
Page 28 and 29: REAL-TIME LIVE! 28 Immersive Augmen
Page 30 and 31: STUDIO (continued) 30 STUDIO PROJEC
Page 32 and 33: TALKS (continued) 32 PRODUCTION LIF
Page 34 and 35: TALKS (continued) 34 ANIMATION & VF
Page 36 and 37: TALKS (continued) 36 PRODUCTION THE
Page 38 and 39: TECHNICAL PAPERS (continued) 38 Pos
Page 40 and 41: TECHNICAL PAPERS (continued) 40 REN
Page 42 and 43: TECHNICAL PAPERS (continued) 42 Mul
Page 44 and 45: TECHNICAL PAPERS (continued) 44 IMA
Page 46 and 47: TECHNICAL PAPERS (continued) 46 An
Page 48 and 49: TECHNICAL PAPERS (continued) 48 PLA
Page 50 and 51: AR/VR FIRST-TIMER VR VILLAGE 50 FP
Page 52 and 53: VR VILLAGE (continued) 52 “Synest
Page 54 and 55: AR/VR FOR EDUCATORS FIRST-TIMER ACM
Page 56 and 57: EXHIBITOR SESSIONS (as of 5 May) 56
Page 58 and 59: GENERAL INFORMATION 58 Airport Shut
Page 60 and 61: CONFERENCE COMMITTEE 60 SIGGRAPH 20

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