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PRODUCTION SESSIONS (continued) 26 THURSDAY, 28 JULY FROM ARMADILLO TO ZEBRA: CREATING THE DIVERSE CHARACTERS AND WORLD OF “ZOOTOPIA” Thursday, 28 July, 10:45 am-12:15 pm The world of “Zootopia” is a vast, multiscale, multi-climate city that represents the biomes of the tundra, desert, rainforest, and grasslands. It is also a place where humans never existed and animals have evolved to be anthropomorphic, clothed, city-dwellers. Walt Disney Animation Studios pushed the artistic boundaries of all aspects of the production process to create vastly different environments filled with hundreds of unique and detailed characters. The scale difference of the animals, from a mouse to giraffe (95:1), required creation of a world that could be inhabited by characters of all shapes and sizes while depicting thousands of furred and clothed animals. Panelists Ernest Petti Nicholas Burkard Brian Leach Sean Palmer Michelle Robinson Hans-Joerg Keim Walt Disney Animation Studios DEVELOPING “MASS EFFECT: NEW EARTH” – A 4D HOLOGRAPHIC ADVENTURE Thursday, 28 July, 2-3:30 pm This session focuses on development of “Mass Effect: New Earth,” a first-of-its kind theme-park attraction at California’s Great America in Santa Clara. The experience features “holographic 3D”, using the world’s largest and highest-resolution 3D LED screens combined with cutting-edge mixedfield sound technology, motion seats, and 4D effects such as leg ticklers, air blasts, transducers, and CO 2 . The panel discusses the technology used in the attraction and how multiple partners including BioWare, Cedar Fair, 3D Live, and Halon Entertainment collaborated to build it. Panelists Robert deMontarnal, Business Development BioWare Christian Dieckmann, VP Strategic Growth Howard Newstate, Executive Producer Media Networks Cedar Fair Entertainment Company Clint Reagan, Previs Supervisor Halon Entertainment LLC Nathan Huber, Co-Founder and CEO 3D Live INDUSTRIAL LIGHT & MAGIC PRESENTS THE VISUAL EFFECTS OF “STAR WARS: THE FORCE AWAKENS” Thursday, 28 July, 3:45-5:15 pm The ILM team discusses the range of challenges presented by bringing the latest installment in the storied “Star Wars” series to life. Utilizing a seamless blend of practical effects, sets, locations, and cutting-edge digital animation and visual effects, the team summarizes how they created an array of the film’s 2100 visual-effects shots. Panelists Roger Guyett, VFX Supervisor/2nd Unit Director Patrick Tubach, VFX Supervisor Paul Kavanagh, Animation Supervisor Polly Ing, CG Supervisor Industrial Light & Magic Table of Contents S2016.SIGGRAPH.ORG
AR/VR FIRST-TIMER GAMES REAL-TIME LIVE! 27 FP F S #SIGGRAPH2016 Tuesday, 26 July, 5:30-7:15 pm An interactive extravaganza that celebrates the real-time achievements within the intersection of genius technical skills and creative beauty. Real-Time Live! shows off the latest trends and techniques for pushing the boundaries of interactive visuals. Image Credit: Quill, VR Drawing in the Production of Oculus Story Studio’s New Movie © 2016 Inigo Quilez, Wesley Allsbrook, Oculus Story Studio. BEST REAL-TIME GRAPHICS AND INTERACTIVITY AWARD Developers create and showcase the best real-time graphics and interactivity applications possible using today’s technologies. The winning team is announced from the Real-Time Live! stage. Last year’s award winner was: Pushing Photorealism in “A Boy and His Kite,” Epic Games Adam “Adam” is a real-time rendered short film created with the Unity game engine. Veselin Efremov Zdravko Pavlov Unity Technologies SF Bound Bound is an innovative 3D platformer game with dynamic procedural environments inspired by the works of the demoscene. Procedural aspects of the game environment enabled solutions to some of the hardest problems of VR gaming. Michal Staniszewski Plastic Character Shading of Uncharted 4 The challenges of character shading in Uncharted 4: volumetric feeling of the hair, using shader packages for different surfaces, performance for main characters and crowds, dynamic wear and tear. Yibing Jiang Naughty Dog, Inc. From Previs to Final in Five Minutes: a Breakthrough in Live Performance Capture Epic Games teamed up with Ninja Theory, Cubic Motion, and 3Lateral to create the world's first believable human driven live by an actress within an Unreal Engine game world. In this demonstration, body, face, and voice are all captured live in real time and recorded to create a real-time scene. Tameem Antoniades Ninja Theory Ltd. Kim Libreri Epic Games, Inc. Steve Caulkin Cubic Motion Ltd Vladmir Mastilovic 3Lateral Studio Gary the Gull Gary the Gull is an interactive VR character that responds to voice, gestures, and distance in a short interactive VR film. It was built by an ex-Pixar, ex-Bungie team to demonstrate a new form of storytelling in VR that bridges games and film. Tom Sanocki Limitless Ltd Mark Walsh Motional LLC ILMxLAB Augmented Reality Experience Using an iPad, Vive motion tracking system, ILM's Zeno application framework, and hardware-accelerated video encoding, Industrial Light & Magic has created an augmented reality experience that allows users to interact with a digital character, which allows easy prototyping of augmented reality experiences. Nick Rasmussen Kevin Wooley Sheila Santos Rachel Rose Industrial Light & Magic Table of Contents S2016.SIGGRAPH.ORG
Page 2 and 3: TABLE OF CONTENTS 2 3 CONFERENCE A
Page 4 and 5: REASONS TO ATTEND 4 Why SIGGRAPH? W
Page 6 and 7: CONFERENCE OVERVIEW (continued) 6 F
Page 8 and 9: CONFERENCE SCHEDULE (continued) 8 M
Page 10 and 11: CONFERENCE SCHEDULE (continued) 10
Page 12 and 13: ART FIRST-TIMER INVITED CONTENT AR
Page 14 and 15: ART RESEARCH ART PAPERS 14 FP F S
Page 16 and 17: COURSES 16 FP F #SIGGRAPH2016 Inst
Page 18 and 19: COURSES (continued) 18 RESEARCH VEC
Page 20 and 21: AR/VR FIRST-TIMER RESEARCH EMERGING
Page 22 and 23: EMERGING TECHNOLOGIES (continued) 2
Page 24 and 25: ANIMATION & VFX FIRST-TIMER PRODUCT
Page 28 and 29: REAL-TIME LIVE! 28 Immersive Augmen
Page 30 and 31: STUDIO (continued) 30 STUDIO PROJEC
Page 32 and 33: TALKS (continued) 32 PRODUCTION LIF
Page 34 and 35: TALKS (continued) 34 ANIMATION & VF
Page 36 and 37: TALKS (continued) 36 PRODUCTION THE
Page 38 and 39: TECHNICAL PAPERS (continued) 38 Pos
Page 40 and 41: TECHNICAL PAPERS (continued) 40 REN
Page 42 and 43: TECHNICAL PAPERS (continued) 42 Mul
Page 44 and 45: TECHNICAL PAPERS (continued) 44 IMA
Page 46 and 47: TECHNICAL PAPERS (continued) 46 An
Page 48 and 49: TECHNICAL PAPERS (continued) 48 PLA
Page 50 and 51: AR/VR FIRST-TIMER VR VILLAGE 50 FP
Page 52 and 53: VR VILLAGE (continued) 52 “Synest
Page 54 and 55: AR/VR FOR EDUCATORS FIRST-TIMER ACM
Page 56 and 57: EXHIBITOR SESSIONS (as of 5 May) 56
Page 58 and 59: GENERAL INFORMATION 58 Airport Shut
Page 60 and 61: CONFERENCE COMMITTEE 60 SIGGRAPH 20

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