Heywood & Hopwood July 2016
Heywood & Hopwood July 2016
Heywood & Hopwood July 2016
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
From the<br />
archives<br />
Norman Evans<br />
Through TV, film and radio we are familiar with celebrities in our homes, but things were<br />
very different prior to the 1950’s. Then, variety took place in theatres and tended to take<br />
on a local or regional character. Furthermore, many of those that took to the stage were<br />
ordinary people, often with ordinary jobs and living just down the road. No security-gated<br />
compounds for the stars in the 1920’s and 1930’s. One such star emerging from Rochdale<br />
was the comedian Norman Evans.<br />
Norman was born in Rochdale on the 11th June 1901 and after attending Castlemere Council School worked<br />
first as an office boy at Arrow Mills in Castleton, then for Swailes Ltd in Milnrow (formerly Lancashire Paper<br />
Tubes Company on Molesworth Street) initially in the office but then as a salesman or ‘rep,’ securing orders<br />
for the parent company. Although the pay was poor, it seems that Norman was good at his job. One incident<br />
suggests this as well as his sense of fun. Norman went to Sykes of Halifax – a particularly hard firm to get<br />
an order - and was quickly shown the door. In a local café he drew their manager as a huge monster<br />
chasing Norman down the road. He returned to the company, showed the cartoon to the boss and got his<br />
order ! He was as good at ‘reading’ his customers as he was at reading a theatre audience, another of his<br />
tricks being to imitate - accurately – his bosses and his customers.<br />
One of his work colleagues told me that Norman owned a Riley car which was constantly breaking down<br />
due to the petrol being ‘gravity feed.’ Norman didn’t understand this and when the mechanics ‘fixed’ it<br />
(by turning on a pump !) Norman was amazed and rewarded them with a packet of cigarettes. Stories of<br />
his practical joking at work are still told, for example his pretending that there was a mouse in the office<br />
to frighten the office girls.<br />
After work, Norman would indulge in his hobby – variety and theatricals. The late 20’s and 30’s was an<br />
era of the local concert party, Masonic Halls and ‘smoking clubs’ (all male) where Norman practiced his<br />
comedy and ventriloquist acts. Sometimes he would play for Sunday Schools, charging one guinea, and<br />
those who saw him said that he was never ‘smutty’ or crude, relying on good Lancashire humour to<br />
entertain.<br />
Talented as a comedian, pianist, trumpet player (and cartoonist), Norman left his rep’s job for a career in<br />
show business in 1934. Gracie Fields saw him at a charity show at the Rochdale Hippodrome in 1931 and<br />
being further alerted to his talents by a friend, gave him an audition in her dressing room. Impressed, she<br />
put him on her Friday night bill at the Chiswick Empire, knowing that Sir Oswald Stoll, the impresario,<br />
would be there. Stoll was impressed too and booked him for the Alhambra two weeks later. By 1935 Archie