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TOTAL LICENSING<br />

REVIEW<br />

Lana Castleman,<br />

Editor & Content<br />

Director,<br />

Kidscreen, talks<br />

to <strong>Total</strong> <strong>Licensing</strong><br />

about the success<br />

of 2016’s<br />

conference, and<br />

plans for the<br />

future<br />

Actor Geena Davis<br />

received a standing<br />

ovation for her talk<br />

at Kidscreen<br />

22<br />

Q: In your opinion what were the real highlights of<br />

the summit?<br />

LC: In terms of conference content, it was truly a stand-out<br />

year. We had our Then, Next & Now series, which featured<br />

industry luminaries like Geraldine Laybourne, Fred Seibert<br />

and ToysRUs Chief Merchandising Officer Richard Barry.<br />

We also had Mary Coleman, Head of Development at Pixar,<br />

deliver an insightful opening talk on how story drives technological<br />

innovation at what is arguably the best animation<br />

studio in the world - it was a big first for Kidscreen Summit.<br />

We had YouTube’s entire global Kids and Learning team<br />

assembled on stage for the first time, and we had Geena<br />

Davis deliver a keynote address on gender and diversity<br />

in children’s programming that seemed to really hit home<br />

with everyone in the room. She received a well-deserved<br />

standing ovation. I’ve only seen that happen once before<br />

over the course of the dozen or so Kidscreen Summits<br />

I’ve attended.<br />

Q: Were there any interesting trends that you could<br />

pinpoint, highlighted at the summit?<br />

LC: We integrated our digital-focused iKids programming<br />

into the main conference this year, and it underscored how<br />

it is now impossible to separate digital innovation from the<br />

traditional kids media/entertainment business. Kids don’t<br />

differentiate between linear and streaming entertainment<br />

or traditional and tech-laden toys, so why should the people<br />

who produce those products? Accordingly, delegates<br />

this year were keen to soak up any insights about operating<br />

in the YouTube universe, with sessions like How to Program<br />

a YouTube Channel packed to the gills.We also had some<br />

excellent research-focused sessions that highlighted trends<br />

and changes in children’s patterns of consumption and<br />

behaviour that the industry<br />

needs to know about, like how<br />

kids are increasingly wanting to<br />

be their own programmers.In<br />

terms of attendance, we saw a<br />

significant uptick (32%) in the<br />

number of consumer products/licensing<br />

professionals<br />

attending - most of the major<br />

toy companies (Mattel, Hasbro,<br />

Spin Master, Jazwares, Moose<br />

Toys) were in attendance,<br />

working on their own entertainment<br />

strategies and getting<br />

involved in other third-party<br />

projects at the earliest stage<br />

possible.<br />

Q: Were the delegate numbers up this year?<br />

LC: 2016 was our biggest Kidscreen Summit ever, with delegate<br />

numbers increasing by 5% to close to 1,800 attendees.<br />

Q: How valuable do people find the seminars &<br />

talks?<br />

LC: Kidscreen Summit has built its reputation within the<br />

industry largely on the back of its unique hybrid format. We<br />

offer quite a lot of space for networking and doing business,<br />

along with the most robust kids entertainment-focused<br />

conference program of its kind. It takes place over four<br />

days and this year it involved roughly 40 primary sessions,<br />

dozens of formatted breakout sessions and more than 175<br />

speakers. I know I’m a bit biased, but I can’t think of another<br />

conference program that offers that kind of learning and<br />

professional opportunity in the kids entertainment and media<br />

business. As for this past year, I have had several people<br />

tell me how inspired they were by Geena Davis’s address.<br />

One distribution exec even said she was making Geena’s<br />

motto “If she can see it, she can be it” part of her sales pitch<br />

for a girl-focused series moving forward.<br />

Q: Kidscreen is obviously renowned as a very important<br />

event in the calendar of those working in<br />

children’s entertainment - how is the reputation of<br />

the conference maintained and what are the future<br />

plans?<br />

LC: Attendees have come to expect, and also trust, that we<br />

will deliver a high level of content, opportunity to network<br />

and customer service. Our job is to make sure we only<br />

get better at it every year. We really examine the attendee<br />

feedback and poll the industry, asking what worked, what<br />

didn’t and how we can improve and deliver even more<br />

value across the board. For the immediate future, the event<br />

will be returning to the InterContinental Miami in 2017<br />

(February 13-16).<br />

Q: Do you find the number of international delegates<br />

is increasing year on year, and why do you<br />

think this is, if so?<br />

LC: The number of international delegates has been rising<br />

year-on-year for at least the past five years. At the 2016<br />

event, we hosted delegates from 54 different countries, including<br />

organized delegations from South Africa and Colombia<br />

for the first time. As for why we’re seeing this steady<br />

influx from new countries every year, I think it’s a function<br />

of the growing importance of the event. People know they<br />

have to be there if they’re serious about making a mark in<br />

children’s entertainment. Especially if they’re looking to get<br />

a project off the ground - a lot of kids TV series and content<br />

have gotten their start over a chat at the coffee station in<br />

the delegate lounge, I’m just saying.

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