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HERMÈS BY NATURE
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THE TRENCH BOOT IN HORWEEN® BROWN
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“. . . one of the most influentia
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Editor Managing Editor Web Editor A
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#EVERYDAYMADEWELL MADEWELL.COM
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Michael Robbins WALKMAN I didn’t
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Crime’s 1976 classic “Hot Wire
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the resurrection of the body and li
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saying I was glad to help the cause
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Just think: there was a song that I
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name, twice, as though it were bein
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So what’s the story about? my mot
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eyes that some days seem black—an
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Wanda walks into a bar and stands b
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designed to fulfill the desires of
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Karen Solie A HERMIT Experience tea
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Manuscript page of “The Diabetic
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some Langston Hughes in the newspap
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attic of our house in Buffalo and p
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INTERVIEWER What appealed to you ab
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children were bombed at the 16th St
- Page 49 and 50: INTERVIEWER I know you and Baraka h
- Page 51 and 52: Last Stand of White Nationalism.”
- Page 53 and 54: REED With literature you can condem
- Page 55 and 56: But I do have problems with some fe
- Page 57 and 58: tried to get the cash register by m
- Page 59 and 60: INTERVIEWER Do you think that over
- Page 61 and 62: wrote a long essay on James Baldwin
- Page 63 and 64: Reed, 2015. “Combative writing ha
- Page 65 and 66: Ishmael Reed THE DIABETIC DREAMS OF
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- Page 69 and 70: No Cops ANDREW MARTIN The ants had
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- Page 73 and 74: she’d get fired. Leslie couldn’
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- Page 77 and 78: “Right, like I’m going to just
- Page 79 and 80: ONCE THE READING was underway, Lesl
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- Page 88 and 89: Protectors AMIE BARRODALE She cut t
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- Page 94 and 95: The door to the guest room opened w
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- Page 102 and 103: Paesaggio, Atrani I (detail ), 1986
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- Page 108 and 109: Vaporetto Ca’Rezzonico, 2004, gou
- Page 110 and 111: Deanna at Rest, 2002, watercolor, 7
- Page 112: Following spread : Maine Moment, 19
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- Page 119: This page: Plunge, 1995, oil on Mas
- Page 123 and 124: Susan Stewart CHANNEL Sweet runs th
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- Page 131 and 132: Wednesday’s child is full of woe
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- Page 137 and 138: sheltered from the current, minnows
- Page 139 and 140: of their own devising, or does patt
- Page 141 and 142: unknown ~ the limits of nerve and h
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- Page 145 and 146: long after the river has lost its l
- Page 147 and 148: leading up to Christmas, Dick was t
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“Not at all! I think I’ll stay
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meaningful looks exchanged. It was
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sixties did. One of the clients had
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“I’m all but pissing my pants,
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“It doesn’t really sink, but it
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“He palmed me a joint with his bu
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“Yes,” she said. She looked in
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newly minted Treasury obligations v
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ehind her. After an hour, my father
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plantings and a fountain. I felt th
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On a sunny Saturday in spring, I wa
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was dampening the top of her green
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I sat across from the pundit. There
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A manuscript page from Kazoo Dreamb
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language, the liberties of his synt
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very different kind, a seriously in
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INTERVIEWER After you graduated fro
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exchange with him. You should close
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archaeological material and bungled
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I explain to Keston that I’m prob
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INTERVIEWER Let’s turn back to En
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INTERVIEWER Many of your poems for
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INTERVIEWER Did you write many poem
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very jocular, and jostled with the
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has left me in a great confusion of
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INTERVIEWER How did it violate your
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of necessity, thus it is impossible
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Where does the title come from? INT
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arranging this work in such a way t
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them from the blame levelled elsewh
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PLATFORM Straw promise to vowel, up
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FOR TOM Do relent so do borrow for,
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Chris Marker’s Studio ADAM BARTOS
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Santa Monica Pier, 1979. temporalit
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Keyboard, 2007. although, like many
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Darkroom (C883_3), 2008.
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Marker Studio #2, 2007.
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Marker Studio #10, 2007.
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METROGRAPH.COM
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CHARLES SIMIC’s most recent books