The Paris Review - Fall 2016

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PLATFORM Straw promise to vowel, up then why or be forward on bind, advent kind rested fare so by for, in the by of leaving over, and must declare did telluric agree for the consort partner ahead, stem will accept as raised to a latch offended on its ground near equal. <strong>The</strong> level says, how many chopped cell forms want profuse redolent capture, risk attach link to match in start at twin limbic falls, go to further lets be attend, accept reflecting promote so, yes accept is soon wake or grant along the present invited retroflex hang over sky turning to this, visible succession plays for cost permit in fever, open must mark eyes now outermost earthen flaw give mine the rest. 209
MORNING To the or so then for all for on, both for these an or then, down as before in fond and too sound by, this. <strong>The</strong>n from ever bring along but far but, to under the this better then to be along, few for some, not of or at first so. Let by so ever go to, bind with this the, these given same for him, off far. By the or and or other near true, yet as done to say allow this for also, for the for than over far found extravagant inlet, then one inward plead from same to find, as implore by both to be to the, on this or these ever to from self part by allowance. Sent to say out by where too in want seem all of or it. Than the on few across as near or by as gain here next her to find and over to enchant this will for be outward in grand. For the for you and these to hold, to on, most then passion by far ever and, down to this, so. As known for the its as flow also in tune, by part set under be from be by at grief never so found. 210
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HERMÈS BY NATURE
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THE TRENCH BOOT IN HORWEEN® BROWN
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“. . . one of the most influentia
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Editor Managing Editor Web Editor A
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#EVERYDAYMADEWELL MADEWELL.COM
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Michael Robbins WALKMAN I didn’t
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Crime’s 1976 classic “Hot Wire
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the resurrection of the body and li
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saying I was glad to help the cause
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Just think: there was a song that I
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name, twice, as though it were bein
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So what’s the story about? my mot
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eyes that some days seem black—an
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Wanda walks into a bar and stands b
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designed to fulfill the desires of
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Karen Solie A HERMIT Experience tea
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Manuscript page of “The Diabetic
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some Langston Hughes in the newspap
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attic of our house in Buffalo and p
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INTERVIEWER What appealed to you ab
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children were bombed at the 16th St
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INTERVIEWER I know you and Baraka h
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Last Stand of White Nationalism.”
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REED With literature you can condem
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But I do have problems with some fe
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tried to get the cash register by m
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INTERVIEWER Do you think that over
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wrote a long essay on James Baldwin
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Reed, 2015. “Combative writing ha
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Ishmael Reed THE DIABETIC DREAMS OF
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Floor, and the windows were Gingerb
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No Cops ANDREW MARTIN The ants had
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his literary status that made him s
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she’d get fired. Leslie couldn’
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home, and they’d lain on the hard
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“Right, like I’m going to just
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ONCE THE READING was underway, Lesl
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“Just fucking write something,”
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They followed the exodus out of the
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She would start writing when she go
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Protectors AMIE BARRODALE She cut t
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ack nails didn’t actually need to
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Sauce”; “Homemade Natural Fizzy
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The door to the guest room opened w
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“A Milk-Bone.” “And does she
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“Well, maybe. I can’t tell actu
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A dark room full of birds where I s
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desire to draw. I would draw everyt
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San Rocco, 2004, gouache, 12" x 9".
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Drawing Together, 2000, watercolor,
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This spread : Quotidian Paradise, 2
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Stations, 1990, oil on canvas, 60"
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The Moment Rethought, 1991, oil on
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Eurydice, 9-16, 1995, gouache, each
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change, continuing ~ look, look aga
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fell soundless on the shadowed snow
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translucent, scouring, churning, ch
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petrels taking flight. They turn to
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everything the river knows? ~ Mired
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to the light below the bridges—wa
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is caught and wound around the boll
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~~~ The river surges, then eddies t
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a line of the river stays true to i
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to the boat turned counterclockwise
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understood, star-crossed, unrequite
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Panthers ANN BEATTIE Little Edgar c
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“Take out the casserole. I’ll b
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Yes, he nodded. Out of the corner o
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“Little Edgar, get your little bu
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“Mrs. Rodriguez, Edgar has been t
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“We live in Key West. My friend w
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“That I could have been attacked.
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He’s maybe going to have to go ba
Page 162 and 163: “Little Edgar,” she repeated.
Page 164 and 165: Lawrence Joseph IS WHAT IT IS Fulto
Page 166 and 167: The Well AKHIL SHARMA We lived frug
Page 168 and 169: Years passed. We moved from Queens
Page 170 and 171: Friday’s. “Be careful,” I sai
Page 172 and 173: just like there was in me. The symp
Page 174 and 175: Betsy was probably going to end. I
Page 176: Rowan Ricardo Phillips LITTLE SONGS
Page 179 and 180: visit, he gave us keys and allowed
Page 181 and 182: I knew him warmly, but I did have a
Page 183 and 184: With my best and not even particula
Page 185 and 186: of my priggishness. Nonetheless, it
Page 187 and 188: ecall. It was meant to be George Pu
Page 189 and 190: This was the era of the Vietnam War
Page 191 and 192: most of Mao’s works at one time o
Page 193 and 194: We didn’t talk about poetry much,
Page 195 and 196: Shall I shut the door on this book?
Page 197 and 198: elations. I was clumsy, and inexper
Page 199 and 200: PRYNNE He was a great fountainhead
Page 201 and 202: this phenomenon of molecular forces
Page 203 and 204: about Parmenides as an author you c
Page 205 and 206: ight at the conclusion of the poem,
Page 207 and 208: Edinburgh, all over the place. On t
Page 209 and 210: dialectical part of it comes in. It
Page 211: Four Poems by J. H. Prynne YET WHY
Page 215 and 216: Marker Studio Front Door, 2012.
Page 217 and 218: identical to himself ? How do you r
Page 219 and 220: Kosmos: Red Bath, Zvezda, Moscow, 1
Page 221 and 222: of kitsch), no dust; the thousands
Page 223: Marker Studio #7, 2007.
Page 227: Marker Studio #4, 2007.
Page 230 and 231: Charles Simic HISTORY Our life stor
Page 232 and 233: CONTRIBUTORS AMIE BARRODALE’s fir
Page 234: WWW.HONEYANDWAXBOOKS.COM
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The Paris Review - Fall 2016

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