The Paris Review - Fall 2016

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THE AMEDEO MODIGLIANI ARCHIVE An extraordinary collection of letters, photographs, original drawings and sketches, family documents, books, exhibition records, and ephemera both by and directly concerning the artist Amedeo Modigliani. Originally assembled by his daughter Jeanne, the archive comprises hundreds of unique, primary source items—dating from the late 1870s through the 1980s—that provide unprecedented insight into Modigliani, his work, and the modern School of <strong>Paris</strong>, and which have rarely been seen by either the public or researchers. A fully illustrated catalogue is available. Please contact us for further information and pricing.
THE TRENCH BOOT IN HORWEEN® BROWN CHROMEXCEL® HANDCRAFTED IN USA
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Page 8 and 9: “. . . one of the most influentia
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Page 15 and 16: Michael Robbins WALKMAN I didn’t
Page 17 and 18: Crime’s 1976 classic “Hot Wire
Page 19 and 20: the resurrection of the body and li
Page 21 and 22: saying I was glad to help the cause
Page 23: Just think: there was a song that I
Page 26 and 27: name, twice, as though it were bein
Page 28 and 29: So what’s the story about? my mot
Page 30 and 31: eyes that some days seem black—an
Page 32 and 33: Wanda walks into a bar and stands b
Page 34 and 35: designed to fulfill the desires of
Page 36 and 37: Karen Solie A HERMIT Experience tea
Page 39 and 40: Manuscript page of “The Diabetic
Page 41 and 42: some Langston Hughes in the newspap
Page 43 and 44: attic of our house in Buffalo and p
Page 45 and 46: INTERVIEWER What appealed to you ab
Page 47 and 48: children were bombed at the 16th St
Page 49 and 50: INTERVIEWER I know you and Baraka h
Page 51 and 52: Last Stand of White Nationalism.”
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REED With literature you can condem
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But I do have problems with some fe
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tried to get the cash register by m
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INTERVIEWER Do you think that over
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wrote a long essay on James Baldwin
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Reed, 2015. “Combative writing ha
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Ishmael Reed THE DIABETIC DREAMS OF
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Floor, and the windows were Gingerb
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No Cops ANDREW MARTIN The ants had
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his literary status that made him s
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she’d get fired. Leslie couldn’
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home, and they’d lain on the hard
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“Right, like I’m going to just
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ONCE THE READING was underway, Lesl
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“Just fucking write something,”
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They followed the exodus out of the
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She would start writing when she go
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Protectors AMIE BARRODALE She cut t
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ack nails didn’t actually need to
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Sauce”; “Homemade Natural Fizzy
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The door to the guest room opened w
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“A Milk-Bone.” “And does she
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“Well, maybe. I can’t tell actu
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A dark room full of birds where I s
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desire to draw. I would draw everyt
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San Rocco, 2004, gouache, 12" x 9".
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Drawing Together, 2000, watercolor,
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This spread : Quotidian Paradise, 2
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Stations, 1990, oil on canvas, 60"
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The Moment Rethought, 1991, oil on
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Eurydice, 9-16, 1995, gouache, each
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change, continuing ~ look, look aga
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fell soundless on the shadowed snow
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translucent, scouring, churning, ch
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petrels taking flight. They turn to
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everything the river knows? ~ Mired
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to the light below the bridges—wa
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is caught and wound around the boll
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~~~ The river surges, then eddies t
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a line of the river stays true to i
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to the boat turned counterclockwise
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understood, star-crossed, unrequite
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Panthers ANN BEATTIE Little Edgar c
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“Take out the casserole. I’ll b
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Yes, he nodded. Out of the corner o
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“Little Edgar, get your little bu
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“Mrs. Rodriguez, Edgar has been t
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“We live in Key West. My friend w
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“That I could have been attacked.
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He’s maybe going to have to go ba
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“Little Edgar,” she repeated.
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Lawrence Joseph IS WHAT IT IS Fulto
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The Well AKHIL SHARMA We lived frug
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Years passed. We moved from Queens
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Friday’s. “Be careful,” I sai
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just like there was in me. The symp
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Betsy was probably going to end. I
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Rowan Ricardo Phillips LITTLE SONGS
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visit, he gave us keys and allowed
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I knew him warmly, but I did have a
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With my best and not even particula
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of my priggishness. Nonetheless, it
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ecall. It was meant to be George Pu
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This was the era of the Vietnam War
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most of Mao’s works at one time o
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We didn’t talk about poetry much,
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Shall I shut the door on this book?
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elations. I was clumsy, and inexper
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PRYNNE He was a great fountainhead
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this phenomenon of molecular forces
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about Parmenides as an author you c
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ight at the conclusion of the poem,
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Edinburgh, all over the place. On t
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dialectical part of it comes in. It
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Four Poems by J. H. Prynne YET WHY
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MORNING To the or so then for all f
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Marker Studio Front Door, 2012.
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identical to himself ? How do you r
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Kosmos: Red Bath, Zvezda, Moscow, 1
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of kitsch), no dust; the thousands
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Marker Studio #7, 2007.
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Marker Studio #4, 2007.
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Charles Simic HISTORY Our life stor
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CONTRIBUTORS AMIE BARRODALE’s fir
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The Paris Review - Fall 2016

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