The Paris Review - Fall 2016

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NUMBER 218 FICTION Andrew Martin, No Cops ....................................................................... 67 Amie Barrodale, Protectors ..................................................................... 85 Ann Beattie, Panthers .......................................................................... 143 Akhil Sharma, The Well ........................................................................ 163 INTERVIEWS Ishmael Reed, The Art of Poetry No. 100 ..................................................... 36 J. H. Prynne, The Art of Poetry No. 101 ...................................................... 174 POETRY Michael Robbins, Walkman .................................................................... 13 Karen Solie, A Hermit ........................................................................... 34 Ishmael Reed, The Diabetic Dreams of Cake ................................................ 63 Major Jackson, You, Reader .................................................................... 84 Erika L. Sánchez, Love Story ................................................................... 96 Susan Stewart, Channel ........................................................................ 120 Lawrence Joseph, Is What It Is ................................................................ 161 Rowan Ricardo Phillips, Little Songs ........................................................ 173 J. H. Prynne, Four Poems ...................................................................... 208 Charles Simic, History .......................................................................... 227 PORTFOLIOS Lincoln Perry, Past Present ..................................................................... 98 Adam Bartos and Ben Lerner, Chris Marker’s Studio .................................... 212 NONFICTION Nathalie Léger, Barbara, Wanda .............................................................. 22 Contributors ..................................................................................... 229 Cover: Atelier Bingo. Frontispiece: William Pène du Bois, Paris View.
Page 2: HERMÈS BY NATURE
Page 5: THE TRENCH BOOT IN HORWEEN® BROWN
Page 8 and 9: “. . . one of the most influentia
Page 10 and 11: Editor Managing Editor Web Editor A
Page 15 and 16: Michael Robbins WALKMAN I didn’t
Page 17 and 18: Crime’s 1976 classic “Hot Wire
Page 19 and 20: the resurrection of the body and li
Page 21 and 22: saying I was glad to help the cause
Page 23: Just think: there was a song that I
Page 26 and 27: name, twice, as though it were bein
Page 28 and 29: So what’s the story about? my mot
Page 30 and 31: eyes that some days seem black—an
Page 32 and 33: Wanda walks into a bar and stands b
Page 34 and 35: designed to fulfill the desires of
Page 36 and 37: Karen Solie A HERMIT Experience tea
Page 39 and 40: Manuscript page of “The Diabetic
Page 41 and 42: some Langston Hughes in the newspap
Page 43 and 44: attic of our house in Buffalo and p
Page 45 and 46: INTERVIEWER What appealed to you ab
Page 47 and 48: children were bombed at the 16th St
Page 49 and 50: INTERVIEWER I know you and Baraka h
Page 51 and 52: Last Stand of White Nationalism.”
Page 53 and 54: REED With literature you can condem
Page 55 and 56: But I do have problems with some fe
Page 57 and 58: tried to get the cash register by m
Page 59 and 60: INTERVIEWER Do you think that over
Page 61 and 62: wrote a long essay on James Baldwin
Page 63 and 64:
Reed, 2015. “Combative writing ha
Page 65 and 66:
Ishmael Reed THE DIABETIC DREAMS OF
Page 67 and 68:
Floor, and the windows were Gingerb
Page 69 and 70:
No Cops ANDREW MARTIN The ants had
Page 71 and 72:
his literary status that made him s
Page 73 and 74:
she’d get fired. Leslie couldn’
Page 75 and 76:
home, and they’d lain on the hard
Page 77 and 78:
“Right, like I’m going to just
Page 79 and 80:
ONCE THE READING was underway, Lesl
Page 81 and 82:
“Just fucking write something,”
Page 83:
They followed the exodus out of the
Page 86 and 87:
She would start writing when she go
Page 88 and 89:
Protectors AMIE BARRODALE She cut t
Page 90 and 91:
ack nails didn’t actually need to
Page 92 and 93:
Sauce”; “Homemade Natural Fizzy
Page 94 and 95:
The door to the guest room opened w
Page 96 and 97:
“A Milk-Bone.” “And does she
Page 98 and 99:
“Well, maybe. I can’t tell actu
Page 100:
A dark room full of birds where I s
Page 103 and 104:
desire to draw. I would draw everyt
Page 107 and 108:
San Rocco, 2004, gouache, 12" x 9".
Page 109 and 110:
Drawing Together, 2000, watercolor,
Page 111 and 112:
This spread : Quotidian Paradise, 2
Page 115 and 116:
Stations, 1990, oil on canvas, 60"
Page 118 and 119:
The Moment Rethought, 1991, oil on
Page 122 and 123:
Eurydice, 9-16, 1995, gouache, each
Page 124 and 125:
change, continuing ~ look, look aga
Page 126 and 127:
fell soundless on the shadowed snow
Page 128 and 129:
translucent, scouring, churning, ch
Page 130 and 131:
petrels taking flight. They turn to
Page 132 and 133:
everything the river knows? ~ Mired
Page 134 and 135:
to the light below the bridges—wa
Page 136 and 137:
is caught and wound around the boll
Page 138 and 139:
~~~ The river surges, then eddies t
Page 140 and 141:
a line of the river stays true to i
Page 142 and 143:
to the boat turned counterclockwise
Page 144 and 145:
understood, star-crossed, unrequite
Page 146 and 147:
Panthers ANN BEATTIE Little Edgar c
Page 148 and 149:
“Take out the casserole. I’ll b
Page 150 and 151:
Yes, he nodded. Out of the corner o
Page 152 and 153:
“Little Edgar, get your little bu
Page 154 and 155:
“Mrs. Rodriguez, Edgar has been t
Page 156 and 157:
“We live in Key West. My friend w
Page 158 and 159:
“That I could have been attacked.
Page 160 and 161:
He’s maybe going to have to go ba
Page 162 and 163:
“Little Edgar,” she repeated.
Page 164 and 165:
Lawrence Joseph IS WHAT IT IS Fulto
Page 166 and 167:
The Well AKHIL SHARMA We lived frug
Page 168 and 169:
Years passed. We moved from Queens
Page 170 and 171:
Friday’s. “Be careful,” I sai
Page 172 and 173:
just like there was in me. The symp
Page 174 and 175:
Betsy was probably going to end. I
Page 176:
Rowan Ricardo Phillips LITTLE SONGS
Page 179 and 180:
visit, he gave us keys and allowed
Page 181 and 182:
I knew him warmly, but I did have a
Page 183 and 184:
With my best and not even particula
Page 185 and 186:
of my priggishness. Nonetheless, it
Page 187 and 188:
ecall. It was meant to be George Pu
Page 189 and 190:
This was the era of the Vietnam War
Page 191 and 192:
most of Mao’s works at one time o
Page 193 and 194:
We didn’t talk about poetry much,
Page 195 and 196:
Shall I shut the door on this book?
Page 197 and 198:
elations. I was clumsy, and inexper
Page 199 and 200:
PRYNNE He was a great fountainhead
Page 201 and 202:
this phenomenon of molecular forces
Page 203 and 204:
about Parmenides as an author you c
Page 205 and 206:
ight at the conclusion of the poem,
Page 207 and 208:
Edinburgh, all over the place. On t
Page 209 and 210:
dialectical part of it comes in. It
Page 211 and 212:
Four Poems by J. H. Prynne YET WHY
Page 213 and 214:
MORNING To the or so then for all f
Page 215 and 216:
Marker Studio Front Door, 2012.
Page 217 and 218:
identical to himself ? How do you r
Page 219 and 220:
Kosmos: Red Bath, Zvezda, Moscow, 1
Page 221 and 222:
of kitsch), no dust; the thousands
Page 223:
Marker Studio #7, 2007.
Page 227:
Marker Studio #4, 2007.
Page 230 and 231:
Charles Simic HISTORY Our life stor
Page 232 and 233:
CONTRIBUTORS AMIE BARRODALE’s fir
Page 234:
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The Paris Review - Fall 2016

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