The Paris Review - Fall 2016

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He was too busy eating the cake And watching Julia Child bake A cake He was on a plantation doing What looked like a goose step He was twirling a cane He was wearing a monocle A black top hat And shiny black boots The master said, That takes the cake Some of the slaves applauded Others grumbled and called him a dandy You can sleep with my wife and daughter tonight, The master said He started running because they were as ugly Or shall we say beauty challenged as well As booty challenged Under an old Southern pine tree He ate the cake He was chillin’ with his witch Not the one with a wart on her nose And wearing a black cone-shaped hat But a centerfold witch You’ve seen her She was honored at the AVN Awards In Vegas She was riding his broomstick Hard While feeding him gingerbread The walls were caked with Gingerbread, the doors, the 64
Floor, and the windows were Gingerbread Finicky about neatness She kept sweeping his feet from The table But something outside of the window Got her attention Holding hands, two blond children were coming down the road And here he thought that the bones in the fireplace Were animal bones She pushed him through the back door But he persuaded her to give him a piece For the road Next he was sitting in on a congressional Hearing on whether to classify pancakes As cake. A conservative senator warned of A slippery slope. What next? he said, Icing on biscuits? His mother learned to make chocolate Cake when working for A German family Charlayne, whose mother was German, said That the Germans used real cocoa And so he found himself as tiny as a baby fly Inside of his mother’s favorite cake bowl He was climbing The ladle to reach the icing around the Rim of the bowl He and Sigmund Freud He kept falling backward every time He was about to reach the top 65
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HERMÈS BY NATURE
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THE TRENCH BOOT IN HORWEEN® BROWN
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“. . . one of the most influentia
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Editor Managing Editor Web Editor A
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#EVERYDAYMADEWELL MADEWELL.COM
Page 15 and 16: Michael Robbins WALKMAN I didn’t
Page 17 and 18: Crime’s 1976 classic “Hot Wire
Page 19 and 20: the resurrection of the body and li
Page 21 and 22: saying I was glad to help the cause
Page 23: Just think: there was a song that I
Page 26 and 27: name, twice, as though it were bein
Page 28 and 29: So what’s the story about? my mot
Page 30 and 31: eyes that some days seem black—an
Page 32 and 33: Wanda walks into a bar and stands b
Page 34 and 35: designed to fulfill the desires of
Page 36 and 37: Karen Solie A HERMIT Experience tea
Page 39 and 40: Manuscript page of “The Diabetic
Page 41 and 42: some Langston Hughes in the newspap
Page 43 and 44: attic of our house in Buffalo and p
Page 45 and 46: INTERVIEWER What appealed to you ab
Page 47 and 48: children were bombed at the 16th St
Page 49 and 50: INTERVIEWER I know you and Baraka h
Page 51 and 52: Last Stand of White Nationalism.”
Page 53 and 54: REED With literature you can condem
Page 55 and 56: But I do have problems with some fe
Page 57 and 58: tried to get the cash register by m
Page 59 and 60: INTERVIEWER Do you think that over
Page 61 and 62: wrote a long essay on James Baldwin
Page 63 and 64: Reed, 2015. “Combative writing ha
Page 65: Ishmael Reed THE DIABETIC DREAMS OF
Page 69 and 70: No Cops ANDREW MARTIN The ants had
Page 71 and 72: his literary status that made him s
Page 73 and 74: she’d get fired. Leslie couldn’
Page 75 and 76: home, and they’d lain on the hard
Page 77 and 78: “Right, like I’m going to just
Page 79 and 80: ONCE THE READING was underway, Lesl
Page 81 and 82: “Just fucking write something,”
Page 83: They followed the exodus out of the
Page 86 and 87: She would start writing when she go
Page 88 and 89: Protectors AMIE BARRODALE She cut t
Page 90 and 91: ack nails didn’t actually need to
Page 92 and 93: Sauce”; “Homemade Natural Fizzy
Page 94 and 95: The door to the guest room opened w
Page 96 and 97: “A Milk-Bone.” “And does she
Page 98 and 99: “Well, maybe. I can’t tell actu
Page 100: A dark room full of birds where I s
Page 103 and 104: desire to draw. I would draw everyt
Page 107 and 108: San Rocco, 2004, gouache, 12" x 9".
Page 109 and 110: Drawing Together, 2000, watercolor,
Page 111 and 112: This spread : Quotidian Paradise, 2
Page 115 and 116: Stations, 1990, oil on canvas, 60"
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The Moment Rethought, 1991, oil on
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Eurydice, 9-16, 1995, gouache, each
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change, continuing ~ look, look aga
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fell soundless on the shadowed snow
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translucent, scouring, churning, ch
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petrels taking flight. They turn to
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everything the river knows? ~ Mired
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to the light below the bridges—wa
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is caught and wound around the boll
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~~~ The river surges, then eddies t
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a line of the river stays true to i
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to the boat turned counterclockwise
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understood, star-crossed, unrequite
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Panthers ANN BEATTIE Little Edgar c
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“Take out the casserole. I’ll b
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Yes, he nodded. Out of the corner o
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“Little Edgar, get your little bu
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“Mrs. Rodriguez, Edgar has been t
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“We live in Key West. My friend w
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“That I could have been attacked.
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He’s maybe going to have to go ba
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“Little Edgar,” she repeated.
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Lawrence Joseph IS WHAT IT IS Fulto
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The Well AKHIL SHARMA We lived frug
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Years passed. We moved from Queens
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Friday’s. “Be careful,” I sai
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just like there was in me. The symp
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Betsy was probably going to end. I
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Rowan Ricardo Phillips LITTLE SONGS
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visit, he gave us keys and allowed
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I knew him warmly, but I did have a
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With my best and not even particula
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of my priggishness. Nonetheless, it
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ecall. It was meant to be George Pu
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This was the era of the Vietnam War
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most of Mao’s works at one time o
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We didn’t talk about poetry much,
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Shall I shut the door on this book?
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elations. I was clumsy, and inexper
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PRYNNE He was a great fountainhead
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this phenomenon of molecular forces
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about Parmenides as an author you c
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ight at the conclusion of the poem,
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Edinburgh, all over the place. On t
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dialectical part of it comes in. It
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Four Poems by J. H. Prynne YET WHY
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MORNING To the or so then for all f
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Marker Studio Front Door, 2012.
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identical to himself ? How do you r
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Kosmos: Red Bath, Zvezda, Moscow, 1
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of kitsch), no dust; the thousands
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Marker Studio #7, 2007.
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Marker Studio #4, 2007.
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Charles Simic HISTORY Our life stor
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CONTRIBUTORS AMIE BARRODALE’s fir
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WWW.HONEYANDWAXBOOKS.COM
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The Paris Review - Fall 2016

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