The Paris Review - Fall 2016

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translucent, scouring, churning, churning, scouring, no memory of mouth or tributary, flowing toward horizon ~ bearing the refuse from picnics and speedboats ~ the bobbing trash of distant towns ~ traced by the tracks of bullet trains and coal cars ~ passing squares of gray-grimed sheets and dungarees on sagging lines where shirts are filled and hollowed by the wind. ~~~ Monday washday Tuesday ironing Wednesday mending Thursday churning Friday scouring Saturday baking 125
Sunday resting, weary rest. Barbed-wire verges and dusty parking lots, skeletons of factories ~ and piles of mangled iron, where great wheels once crushed to bits the grain and bark and apples and tanneries soaked the mounds of hides in ash and stink and lime. <strong>The</strong>re strikers walked their narrow circles, holding signs with aching arms, while the black smoke flew from the high and tapered chimneys. ~~~ <strong>The</strong> locked gate ~ the sere leaves ~ cellophane in tatters ~ a brown paper lunch bag smashed near the curb. ~~~ Now girls are skimming stones across the surface of the water ~ the disks thud and drop or, lucky, bounce to bounce again like 126
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HERMÈS BY NATURE
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THE TRENCH BOOT IN HORWEEN® BROWN
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“. . . one of the most influentia
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Editor Managing Editor Web Editor A
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#EVERYDAYMADEWELL MADEWELL.COM
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Michael Robbins WALKMAN I didn’t
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Crime’s 1976 classic “Hot Wire
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the resurrection of the body and li
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saying I was glad to help the cause
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Just think: there was a song that I
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name, twice, as though it were bein
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So what’s the story about? my mot
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eyes that some days seem black—an
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Wanda walks into a bar and stands b
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designed to fulfill the desires of
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Karen Solie A HERMIT Experience tea
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Manuscript page of “The Diabetic
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some Langston Hughes in the newspap
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attic of our house in Buffalo and p
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INTERVIEWER What appealed to you ab
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children were bombed at the 16th St
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INTERVIEWER I know you and Baraka h
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Last Stand of White Nationalism.”
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REED With literature you can condem
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But I do have problems with some fe
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tried to get the cash register by m
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INTERVIEWER Do you think that over
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wrote a long essay on James Baldwin
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Reed, 2015. “Combative writing ha
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Ishmael Reed THE DIABETIC DREAMS OF
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Floor, and the windows were Gingerb
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No Cops ANDREW MARTIN The ants had
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his literary status that made him s
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she’d get fired. Leslie couldn’
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home, and they’d lain on the hard
Page 77 and 78: “Right, like I’m going to just
Page 79 and 80: ONCE THE READING was underway, Lesl
Page 81 and 82: “Just fucking write something,”
Page 83: They followed the exodus out of the
Page 86 and 87: She would start writing when she go
Page 88 and 89: Protectors AMIE BARRODALE She cut t
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Page 92 and 93: Sauce”; “Homemade Natural Fizzy
Page 94 and 95: The door to the guest room opened w
Page 96 and 97: “A Milk-Bone.” “And does she
Page 98 and 99: “Well, maybe. I can’t tell actu
Page 100: A dark room full of birds where I s
Page 103 and 104: desire to draw. I would draw everyt
Page 107 and 108: San Rocco, 2004, gouache, 12" x 9".
Page 109 and 110: Drawing Together, 2000, watercolor,
Page 111 and 112: This spread : Quotidian Paradise, 2
Page 115 and 116: Stations, 1990, oil on canvas, 60"
Page 118 and 119: The Moment Rethought, 1991, oil on
Page 122 and 123: Eurydice, 9-16, 1995, gouache, each
Page 124 and 125: change, continuing ~ look, look aga
Page 126 and 127: fell soundless on the shadowed snow
Page 130 and 131: petrels taking flight. They turn to
Page 132 and 133: everything the river knows? ~ Mired
Page 134 and 135: to the light below the bridges—wa
Page 136 and 137: is caught and wound around the boll
Page 138 and 139: ~~~ The river surges, then eddies t
Page 140 and 141: a line of the river stays true to i
Page 142 and 143: to the boat turned counterclockwise
Page 144 and 145: understood, star-crossed, unrequite
Page 146 and 147: Panthers ANN BEATTIE Little Edgar c
Page 148 and 149: “Take out the casserole. I’ll b
Page 150 and 151: Yes, he nodded. Out of the corner o
Page 152 and 153: “Little Edgar, get your little bu
Page 154 and 155: “Mrs. Rodriguez, Edgar has been t
Page 156 and 157: “We live in Key West. My friend w
Page 158 and 159: “That I could have been attacked.
Page 160 and 161: He’s maybe going to have to go ba
Page 162 and 163: “Little Edgar,” she repeated.
Page 164 and 165: Lawrence Joseph IS WHAT IT IS Fulto
Page 166 and 167: The Well AKHIL SHARMA We lived frug
Page 168 and 169: Years passed. We moved from Queens
Page 170 and 171: Friday’s. “Be careful,” I sai
Page 172 and 173: just like there was in me. The symp
Page 174 and 175: Betsy was probably going to end. I
Page 176: Rowan Ricardo Phillips LITTLE SONGS
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visit, he gave us keys and allowed
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I knew him warmly, but I did have a
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With my best and not even particula
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of my priggishness. Nonetheless, it
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ecall. It was meant to be George Pu
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This was the era of the Vietnam War
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most of Mao’s works at one time o
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We didn’t talk about poetry much,
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Shall I shut the door on this book?
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elations. I was clumsy, and inexper
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PRYNNE He was a great fountainhead
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this phenomenon of molecular forces
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about Parmenides as an author you c
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ight at the conclusion of the poem,
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Edinburgh, all over the place. On t
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dialectical part of it comes in. It
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Four Poems by J. H. Prynne YET WHY
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MORNING To the or so then for all f
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Marker Studio Front Door, 2012.
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identical to himself ? How do you r
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Kosmos: Red Bath, Zvezda, Moscow, 1
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of kitsch), no dust; the thousands
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Marker Studio #7, 2007.
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Marker Studio #4, 2007.
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Charles Simic HISTORY Our life stor
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CONTRIBUTORS AMIE BARRODALE’s fir
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WWW.HONEYANDWAXBOOKS.COM
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The Paris Review - Fall 2016

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