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- Page 13: NUMBER 218 FICTION Andrew Martin, N
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- Page 18 and 19: in Salida, Colorado, I had Slade an
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- Page 44 and 45: REED “These white folks want to k
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- Page 48 and 49: What distracted you? INTERVIEWER RE
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suffering—I’ve been ’buked an
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INTERVIEWER Do you feel like there
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INTERVIEWER It’s interesting that
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ground which summon the loas, or en
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kisses everybody on stage. That’s
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REED I became more accessible when
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I’m swimming. Water, it does some
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He was too busy eating the cake And
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Now they tell him that he has no fr
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a week for an exhibition of his dra
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nightmare of pointless ambition, pe
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usiness selling such strange and un
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to strike her surreptitious East Co
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“Leslie, come help me,” Kim sai
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“I’m still alive, aren’t I?
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the holdings you accrued during you
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She kept moving forward, maybe beca
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Major Jackson YOU, READER So often
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In the car on the way to the groome
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Simha leaned against Emily’s legs
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When the Audi pulled up, Emily went
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“Sure. There’s no reason to lie
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EMILY CALLED DAVID when she got hom
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Erika L. Sánchez LOVE STORY In a f
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Paesaggio, Atrani I (detail ), 1986
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are very oblique. There’s a woozi
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Vaporetto Ca’Rezzonico, 2004, gou
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Deanna at Rest, 2002, watercolor, 7
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Following spread : Maine Moment, 19
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Secret Garden, 1995, oil on canvas,
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This page: Plunge, 1995, oil on Mas
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Susan Stewart CHANNEL Sweet runs th
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ack into the sun. The wild geese, r
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ain on the sea rain on the roof and
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Sunday resting, weary rest. Barbed-
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Wednesday’s child is full of woe
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to build a house beside its banks a
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esting, rain on you and me. Your ma
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sheltered from the current, minnows
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of their own devising, or does patt
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unknown ~ the limits of nerve and h
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exhausted, retreating, returning—
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long after the river has lost its l
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leading up to Christmas, Dick was t
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Mandy a whole set of graduated Pyre
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“Not at all! I think I’ll stay
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meaningful looks exchanged. It was
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sixties did. One of the clients had
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“I’m all but pissing my pants,
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“It doesn’t really sink, but it
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“He palmed me a joint with his bu
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“Yes,” she said. She looked in
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newly minted Treasury obligations v
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ehind her. After an hour, my father
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plantings and a fountain. I felt th
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On a sunny Saturday in spring, I wa
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was dampening the top of her green
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I sat across from the pundit. There
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A manuscript page from Kazoo Dreamb
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language, the liberties of his synt
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very different kind, a seriously in
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INTERVIEWER After you graduated fro
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exchange with him. You should close
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archaeological material and bungled
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I explain to Keston that I’m prob
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INTERVIEWER Let’s turn back to En
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INTERVIEWER Many of your poems for
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INTERVIEWER Did you write many poem
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very jocular, and jostled with the
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has left me in a great confusion of
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INTERVIEWER How did it violate your
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of necessity, thus it is impossible
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Where does the title come from? INT
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arranging this work in such a way t
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them from the blame levelled elsewh
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PLATFORM Straw promise to vowel, up
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FOR TOM Do relent so do borrow for,
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Chris Marker’s Studio ADAM BARTOS
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Santa Monica Pier, 1979. temporalit
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Keyboard, 2007. although, like many
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Darkroom (C883_3), 2008.
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Marker Studio #2, 2007.
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Marker Studio #10, 2007.
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METROGRAPH.COM
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