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The Paris Review - Fall 2016

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ain on the sea<br />

rain on the roof<br />

and rain on you<br />

and me.<br />

<strong>The</strong> perfect whorl within the ear,<br />

an open line can’t help but hear<br />

the passing car,<br />

a radio, a robin’s dawn chereet cheroot,<br />

the peeper’s clack and trill ~<br />

and rain on you and me<br />

and then and then and then<br />

and then—a child’s telling,<br />

retelling, no cause,<br />

no close, returning,<br />

the long scene unspooling.<br />

~~~<br />

<strong>The</strong> river narrows, widens,<br />

flexes ~ falls over<br />

flatlands ~<br />

coming, going, coming,<br />

going into its own ~<br />

muddy, grained,<br />

124

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