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The Paris Review - Fall 2016

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nightmare of pointless ambition, people waiting in endless lines for nothing.<br />

In Boston they didn’t bother with lines—they just jammed as many white<br />

people as possible into any place showing the Pats. She’d spent her early years<br />

in Princeton, with its liberal, old-money complacency, dominated by “good<br />

families” and “good kids,” most of them zapped awful by divorce and private<br />

school. <strong>The</strong>y’d never get her back there alive, at least not for more than a long<br />

weekend. She’d spent her childhood wanting to be from somewhere else, anywhere<br />

that didn’t draw a wince. Of course, name recognition was the whole<br />

appeal for her father: when people asked where he lived, he could just say<br />

“Princeton” and they’d know he was a man of wealth and taste, whereas when<br />

people asked Leslie, she said “Jersey,” then, if pressed, “Hopewell Valley, in<br />

Mercer County? Near Princeton?” Which was true—one good thing about<br />

New Jersey was that there were so many townships and villages and what all<br />

that you could always just claim the nearest one that appealed. In Montana,<br />

the categories were broader. You were from Back East, Around Here, or<br />

California. It was best to not be from California.<br />

She moved on to copyediting the arts section, her favorite part of the<br />

paper. She hoped that if she hung around the office making snappy comments<br />

for long enough, she might someday be allowed to write a film or concert<br />

review. <strong>The</strong> current movie critic, Amy Freitch, trashed almost everything she<br />

saw in a biting, faux naive voice, saving her praise, it seemed, only for films<br />

about martial arts and animals. Leslie had gone camping with her once, and<br />

they’d taken mushrooms and read tarot cards. Amy claimed to know how to<br />

do it but seemed to be making things up as she went along, possibly because<br />

she was too fucked up to interpret what the cards portended, probably just<br />

because she thought it was funny. Nevertheless, she’d predicted a hard year<br />

for Leslie, which had proved accurate. But wasn’t every year a hard year? Even<br />

a good year took a lot out of you.<br />

Amy was sexy in a way that Leslie wished she was—boyish in her carelessness<br />

about clothes and posture but still longhaired and vulnerable. She<br />

also drank too much, like most of the people Leslie admired. She hoped that<br />

Amy would get a job writing for a real newspaper or something so that she<br />

could take her place at the Door. She wouldn’t be as good as Amy right away,<br />

but she’d find her voice. “A voice like a girl with ants in her laptop,” they’d<br />

say, “marching in dissolved and scattered ranks toward some obscure but<br />

essential truth.” Most people she talked to disliked Amy’s pieces, so maybe<br />

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