Arteles Catalogue 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
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Silence Awareness Existence program / MARCH 2022<br />
Weihui Lu<br />
USA<br />
www.weihuilu.com<br />
About<br />
In my work, I’m interested in exploring themes of mental<br />
health, climate change, and the ways in which identities - both<br />
cultural and personal - are created through the narratives we<br />
imagine and retell. I was born in Shanghai, China and grew<br />
up in Queens, NY.<br />
My paintings have been exhibited at the Venice Architecture<br />
Biennale, Trestle Gallery, and Site:Brooklyn, among others,<br />
and I have been awarded residencies at <strong>Arteles</strong>, Arts, Letters<br />
and Numbers, and Trestle Art Space. In 2021, I was a recipient<br />
of the Queens Council on the Arts New Work Grant. I hold a<br />
B.A. from Barnard College, Columbia University.<br />
Altar<br />
The month at the <strong>Arteles</strong> came at a necessary time, when<br />
I was deep in a crisis of faith in the studio. Each day, as I<br />
wandered through the forest, I would come across new,<br />
small gifts: the way the snow glowed, melting in the sunlight,<br />
or a piece of fungi growing on tree bark, resembling a dash<br />
of paint. These simple beauties were a reminder of what I<br />
had lost sight of; they were a visual embodiment of hope.<br />
Building this altar was borne of both desperation and that<br />
sense of quiet restoration, as I immersed myself in the<br />
ancient beauty of the Finnish landscape, relieved from the<br />
incessant negative news of the media by a lack of internet<br />
access, and buoyed by the companionship of the artists I<br />
met at the residency. As I began working in the studio again,<br />
I thought about invisible labor as a mode of devotion, versus<br />
the overt labor of capitalism and art as product; of the value<br />
of living over the value of production. For the final offering,<br />
I cut my braid, which had remained untouched through the<br />
past four years, and laid it on the altar.