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Arteles Catalogue 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

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Enter Text program / DECEMBER 2021<br />

Amanda Merritt<br />

Canada<br />

amandamerritt.ca<br />

About<br />

I am a poet and creative writing instructor from the West<br />

coast of Canada. At the <strong>Arteles</strong> Centre I will be working on<br />

my second collection of poetry, which builds on the themes<br />

of my debut collection The Divining Pool (2017). This book<br />

was nominated for the Gerald Lampert Memorial award.<br />

Presently, my work is concerned with the relationship between<br />

shame, (self)belonging, and embodiment. It emerges from an<br />

imperative to heal a collective legacy of intergenerational<br />

trauma and social inequity that circumscribe our connection<br />

to self, land, and one another. Guiding this work is a curiosity<br />

about the dualistic nature of human perception—a function of<br />

language, biology, and inherited cultural beliefs—specifically<br />

as it concerns the concepts of Self and Other, mind and<br />

body, the spiritual and the material. When false dichotomies<br />

such as these are internalised over generations, they play a<br />

significant role in fomenting populist attitudes and reifying<br />

polarised discourses, which, in turn, are exploited in the<br />

suppression and exclusion of ‘others.’<br />

Poetry<br />

At 8 a.m. I joined in on the morning meditation, then shared<br />

coffee and breakfast with the others. The rest of the day<br />

was spent revising the poetry in my second book-length<br />

collection. I was grateful to have a room with a view, as I was<br />

able to watch the sun arc above the horizon and tame the<br />

day. Before it set I would walk the back roads and explore the<br />

woods, crusted in snow. The evenings spent with the others,<br />

making dinner, preparing the sauna, and gathering for a movie<br />

or a discussion, are among my most cherished memories of<br />

<strong>Arteles</strong>. These grounds inspired in me a renewed sense of<br />

peace, and for that I truly grateful.<br />

My creative work is thus guided by an imperative to uncover<br />

the roots of systemic shame, as it relates to both recent<br />

and formative experiences of trauma in my own life, and<br />

my matrilineal line. My belief is that if shame entrenches<br />

calcified world views, then acts of creation generate<br />

paradigmatic shifts. These shifts can disrupt pernicious<br />

cycles of disconnection and exclusion within and across<br />

communities, creating space to re-imagine a civic society<br />

that fosters equity and celebrates diversity, that honours our<br />

shared humanity.

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