The_Guardian_-_2016-12-29

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Carnegie, clearly having slipped through the net). An analogy was more explicitly drawn by a writer in the Express: “Like EU bureaucrats in denial about Brexit, [curators] fail to acknowledge the disconnect between artists and their audience, blaming ignorance or prejudice for a lack of appreciation.” A strange kind of disconnect, this, that sees almost 5 million visitors a year pour into Tate Modern, and a young wave of contemporary art galleries around Britain, like the Hepworth in Wakefield and Turner Contemporary in Margate, connecting their local communities to the work of artists like never before. The Daily Mail wrote disparagingly of “those wandering round the Tate [Turner prize show] treating it all immensely seriously, taking photographs with their mobile telephones and narrowing their eyes in a show of intellectual involvement”. Just possibly, those visitors were not in fact faking their interest, but were actually curious and involved. Even if gullible Tate Britain visitors are not to be trusted, perhaps the market, so admired on the right, ought to be – in which case it should be noted that the Turner prize winner Helen Marten is as successful commercially as she is critically. As for the liberal elite, ask Turner-nominated Michael Dean, who describes his childhood on a Newcastle Upon Tyne estate as “sub-proletarian”. When he made a work partly consisting of £20,435 in pennies (1p below the official poverty line for a family of four) he knows precisely whereof he speaks. Not all art made now is good; certainly, art of the past should not be flung aside in a relentless search for the next thing. Galleries are not foolproof selectors of the work that will survive. There are toilers on the margins whose work will not get the recognition it deserves, maybe ever. But to suggest that the entire contemporary art world is a conspiracy is, like most conspiracy theories, daft. This article was downloaded by calibre from https://www.theguardian.com/commentisfree/2016/dec/28/the-guardianview-on-brexit-and-the-arts-a-backlash-against-the-modern | Section Menu | Main Menu |
| Next | Section Menu | Main Menu | Previous | United Nations Opinion The toothless United Nations must seize this last chance to save itself Mary Dejevsky As the new UN secretary general, António Guterres must make the security council matter again – we need it more than ever Illustration: Noma Bar Thursday 29 December 2016 07.00 GMT Last modified on Thursday 29 December 2016 07.03 GMT As the Syrian government and its backers tighten their grip on Aleppo, and Turkey and Russia reveal yet another ceasefire in Syria, the same questions trouble many an outraged onlooker. Has the United Nations ever seemed more toothless than it does now? Why did this congregation of almost 200 countries lack the power first to prevent, and then to halt, such civilian bloodshed? Why had it been unable to convene all the parties around the same table to any productive end? And if the UN is incapable of acting in a crisis such as this, what is the point of it? António Guterres takes over as the new secretary general of the UN on Sunday at a time when the international organisation’s reputation is, at least from the perspective of many western countries, as low as it has ever been. The hopes that were invested in this successor to the failed League of
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Estate agents recognise that the qu
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December 26, 2016 Trump also said o
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efused to grant Coleman permission
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signing bonus. Fellow rookie Isaac
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Chelsea’s 3-0 win in which Pedro
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Rain washed out the final session o
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1.29am GMT 01:29 91st over: Austral
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