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The_Guardian_-_2016-12-29

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“I’ve never considered a facelift,” she said in 2007, “because I earn my living by looking old.”<br />

Liz Smith, <strong>The</strong> Royle Family actor, has died<br />

aged 95<br />

Read more<br />

Born Betty Gleadle, in Scunthorpe, Lincolnshire, she had a rough start in life. Her mother died in<br />

childbirth when Betty was two and she was brought up by her widowed grandmother. She<br />

remembered her father, only 20 years her senior and prone to wine, women and song, throwing her up<br />

in the air and catching her, and festooning her with costume jewellery. When she was seven, her father<br />

walked out without explanation – his daughter only discovering, many years later, that he had married<br />

another woman who had insisted that his previous life did not exist. “He was a weak man and did as<br />

he was told, so he just disowned me,” she recalled in the later years of her success.<br />

Liz Smith with Max Wall in We Think the World of You, 1988. Photograph: Alamy Stock Photo<br />

She discovered acting at her local school but left at 16 and took a job with a dressmaker. During the<br />

second world war she served in the Women’s Royal Naval Service and in 1945 married a sailor, Jack<br />

Thomas, whom she met on service in India. She contracted hepatitis and returned to London.<br />

In 1947, she managed to get a job with a small repertory company called the Gateway theatre in<br />

Westbourne Grove, using the stage name Liz Smith. But she and her husband and their children, Sarah<br />

and Robert, soon moved out to Buckhurst Hill, near Epping, Essex, which put the repertory theatre out<br />

of range.<br />

<strong>The</strong> marriage ended in divorce in 1959. Acting was both an emotional release and a way of earning a<br />

living. <strong>The</strong> American director Charles Marowitz, a devotee of the Method school of acting,<br />

introduced his ideas to London at rooms in Fitzroy Square, London. Smith was auditioned and chosen<br />

to be in the first improvising group. Marowitz did not pay her, and only a series of day jobs, including<br />

one as a postwoman, made it possible for her to attend his school for four nights a week over a period<br />

of five years. <strong>The</strong>n, one day, Marowitz simply did not turn up and Smith was told he had gone to link<br />

up with the Royal Shakespeare Company. “And that was that. He dropped us – just like Father,” Smith<br />

said. She then joined the Forbes Russell Repertory Company, which played at Butlin’s holiday

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