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148<br />
www.kent.ac.uk/arts/hpa<br />
STAFF PROFILE<br />
Martin Hammer<br />
Professor of History of Art<br />
The art of Francis Bacon has<br />
been a major research focus<br />
for Professor Martin Hammer in<br />
recent years. His book Francis<br />
Bacon and Nazi Propaganda<br />
presents the artist as more<br />
engaged with the wider world<br />
than is usually acknowledged.<br />
He sought in his work to<br />
articulate what it felt like to<br />
witness the rise of Fascism<br />
in the 1930s, and then the<br />
horrifying violence and the<br />
self-destruction that ensued<br />
when the Nazi craving for power<br />
turned into the pursuit of military<br />
conquest and the Final Solution.<br />
Martin has served as a member<br />
of the Tate Britain Council, gave<br />
the Rothenstein lecture last year<br />
on Bacon and Degas, worked<br />
closely with Tate Research and<br />
Archive, and published his<br />
Bacon book with the museum.<br />
Curating MA<br />
www.kent.ac.uk/pg/96<br />
Location: Canterbury<br />
This programme, delivered by<br />
School of Arts and specialist<br />
visiting lecturers, develops your<br />
skills and provides experience<br />
relevant to a career in curating.<br />
Based at the School of Arts’<br />
Studio 3 Gallery, you are involved<br />
in all aspects of the running of the<br />
Gallery. You have the opportunity<br />
to work closely with partner<br />
organisations such as Canterbury<br />
museums and galleries.<br />
Compulsory modules provide<br />
an overview of the history of<br />
collecting and exhibitions through<br />
a series of case studies, taking<br />
advantage of our proximity to<br />
major London collections. We also<br />
cover theoretical issues relating<br />
to curating and museology.<br />
Collaborating with other students,<br />
you can develop your own project,<br />
working within the Gallery’s<br />
exhibition programme.<br />
Course content<br />
• Compulsory modules:<br />
Curatorial Internship; History<br />
and Theory of Curating<br />
• Optional modules: The Art<br />
of Portraiture; Post-Conceptual<br />
Art and Visual Arts Criticism;<br />
Reading the Contemporary;<br />
Theories of Art in Modern<br />
French Thought<br />
History & Philosophy of Art<br />
MA<br />
www.kent.ac.uk/pg/97<br />
www.kent.ac.uk/pg/99<br />
www.kent.ac.uk/pg/762<br />
Locations: Canterbury;<br />
Canterbury and Paris; Paris<br />
It is possible to study this MA<br />
in three ways: either entirely in<br />
Canterbury, in both Canterbury<br />
and Paris, or entirely in Paris.<br />
This MA provides a structured<br />
introduction to the postgraduate<br />
study of the history and<br />
philosophy of art. Particular<br />
focuses include contemporary<br />
art, photography, Renaissance<br />
art, medieval art, 18th-century<br />
British painting, 19th-century<br />
French painting, modernism,<br />
aesthetics and the philosophy<br />
of art and film. You may elect<br />
to take a Philosophy of Art and<br />
Aesthetics pathway, which draws<br />
on the expertise of our Aesthetics<br />
Research Centre.<br />
If you are studying on the split-site<br />
programme, you spend your first<br />
term in Canterbury before<br />
relocating to our Paris School<br />
of Arts and Culture for the<br />
spring term, studying in the<br />
heart of historic Montparnasse.<br />
All teaching is provided in English,<br />
by University of Kent academics.<br />
Those on the year-long Paris<br />
programme take modules from<br />
their own subject area alongside<br />
optional modules inspired by Paris<br />
and its unique cultural history.<br />
For further information about the<br />
Paris School of Arts and Culture,<br />
please see p257.<br />
Course content<br />
Canterbury or Canterbury and<br />
Paris students take:<br />
• Key Concepts and Classic<br />
Texts in History and Philosophy<br />
of Art<br />
• Dissertation of 12-15000<br />
words.<br />
Canterbury students also take:<br />
• Introduction to Research in<br />
History and Philosophy of Art<br />
• Two from a range of optional<br />
modules including: The Art<br />
of Portraiture: Historical and<br />
Philosophical Approaches;<br />
Conceptualising Film; A<br />
Matter of Taste: The Art and<br />
Aesthetics of Food; History<br />
and Theory of Curating;