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Franz Rosenzweig

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elazioni non portano durante l’epoca della rivelazione alla dissoluzione dei loro<br />

ingredienti: in tutti i casi l’e è fondamentalmente un sintomo del supplemento di<br />

copula (et/est), è essere in quanto relazione. Vi è tuttavia un limite inoltrepassabile<br />

all’applicabilità della (relazione di) co-esistenza: questo limite – che è il limite che<br />

precede la gloria della redenzione di Dio in atto, ed è il limite della tollerabilità in<br />

quanto tale – è il nulla nella forma del poter divenir nulla di ogni ente che non<br />

è Dio. In <strong>Rosenzweig</strong> ciò che sorge da due regioni della metaphysica specialis<br />

(l’uomo e il mondo, ciò per cui si dice e a partire da Dio)1 può infatti divenire nulla<br />

(per i processi di Entwesung/Verwesung), 2 e deve dunque – escatologicamente –<br />

essere tolto dalla gloria del Redentore redento, 3 che non solo non è in relazione<br />

col nulla ma come assoluto Uno sarà anche non in relazione con ciò che con il<br />

nulla è (era) in relazione. Risulta evidente al lettore come il pensiero di Emanuele<br />

Severino determini l’orizzonte al quale questa analisi si riferisce.<br />

– Eveline Goodman-Thau, Truth, Time and Redemption<br />

The notions of Time and Redemption play a pivotal role in the thought of<br />

<strong>Franz</strong> <strong>Rosenzweig</strong> and serve as a key towards the constant threads which he<br />

weaves between secular and religious concepts, between the System and the<br />

Star constituting a new Weltbild, in which Seinsdenken, Sprachdenken, and<br />

Geschichtsdenken in a new light emerge. This implies breaking not only with<br />

preconceived notions in the realm of philosophy and theology, but constitute<br />

a cultural criticism affecting the basic previous concepts of western traditions,<br />

in fact shaking its very foundations. Born on the one hand out of his direct<br />

experiences in World War I and its historical implications for European thought<br />

and, on the other hand, out of his search for cultural identity as a Jew and a<br />

German in a Christian world. In an attempt to draw in his audience routed in<br />

similar experiences, <strong>Rosenzweig</strong> deeply sensing the crisis of his time juggles the<br />

concepts of western philosophy and religion, confronting them with Jewish<br />

thought and experience. While using the language of these traditions, he at<br />

the same time transforms and changes their meaning by confronting God –<br />

Man – World with Creation – Revelation – Redemption. The architecture of<br />

the Star of Redemption reflects the above: its three parts, which in turn are<br />

broken up in three segments, show the process of the confrontation between<br />

cognition, experience and eternity. In each part he uses religious vocabulary<br />

and notions to critique secular thought making a new and lasting contribution,<br />

influencing later thinkers in the Philosophy of Being (Seinsdenken), the<br />

Philosophy of Language (Sprachdenken) and the Philosophy of History<br />

(Geschichtsdenken). The notions of Time and Redemption routed in Jewish<br />

thought and tradition serve as a critical category in all three parts of the Star,<br />

opening the possibility of Truth between Judaism and Christianity and their<br />

relevance for contemporary philosophy and theology. In my lecture I will trace<br />

these issues and implications for Jewish thought and Western philosophy as<br />

well as the relationship between Judaism and Christianity.<br />

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