MAPPING CULTURE

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Mateos-Garcia, J. and Bakhshi, H. (2016) The Geography of Creativity in the UK: Creative Clusters, Creative People and Creative Networks , England: NESTA. McQuire, S. (2014) Let there be Light: Behind the Trend of Illuminating Cities for Art, available from https://theconversation.com/let-there-be-light-behind-the-trend-of-illuminating-cities-f or-art-26449 (accessed on 29 September 2016) Municipal Cultural Planning Incorporated [MCPI] (2010) Cultural Resource Mapping: A Guide for Municipalities, available from http://www.ontariomcp.ca/toolkits/CulturalResourceMapping_digital.pdf (accessed on 28 June 2016). National Council for Voluntary Organisations [NCVO]. Using Participatory Mapping to Explore Participation in Three Communities. Project Report for Pathways through Participation, available from http://pathwaysthroughparticipation.org.uk/resources/index.html (accessed on 30 June, 2016). O’Connor, T. (2000) The Definition of Cultural Industries, The European Journal of Arts Education , 2 (3),15-27. Poole, P. (2003) Cultural Mapping and Indigenous Peoples. A Report for UNESCO, available from http://www.iapad.org/wp-content/uploads/2015/07/cultural_mapping.pdfom (accessed on 30 September 2016). Potts, J. (2007) Art & Innovation: an evolutionary economic view of the creative industries, UNESCO Observatory e-journal, available from http://education.unimelb.edu.au/__data/assets/pdf_file/0017/1105721/art-innovation. pdf (accessed on 26 June 2016). profile.id (2016) Community Profile: Redfern Street Village Centre, pro 秜ᇘ le.id , available from http://profile.id.com.au/sydney/about?WebID=440 (accessed on 5 September 2016). Rambaldi, G., Kwaku Kyem, P. A., Mbile, P., McCall, M., and Weiner, D. (2005) Participatory Spatial Information Management and Communication in Developing Countries. Proceedings of the Mapping for Change International Conference, Nairobi, Kenya, 7-10 September 2005. Roberts, L. (2016) Deep Mapping and Spatial Anthropology. Humanities, 5 (1), 5. 133
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MAPPING CULTURE venues and infrastr
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TABLE OF CONTENTS Acknowledgements
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L ist of Tables Table 1 Layers and
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List of Figures Figure 1 The concen
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NAICS NAVA NCVO SFF SHFA SIC SOC UN
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● A detailed case study of the Re
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1.2 Project phases This project ali
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Cultural mapping has advanced signi
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2.1 The concept of culture 2.1.1 De
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industries fails to recognise the d
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Figure 1 The concentric circles mod
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Hesmondhalgh also incorporates anot
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Cultural mapping enables us to unde
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To address the breadth question, th
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Figure 4. Culture cycle (UNESCO, 20
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Figure 5. Six functions of the valu
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2.4.3 Example 3 2 CANADIAN FRAMEWOR
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The framework is based on the conce
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SGS Economics & Planning (2015/2016
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in relation to those of other gover
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Figure 8. Cultural Venues and Infra
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Performing Art Venues ● Concert h
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iii) Community and Participatory Sp
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intended) use afterwards. The durat
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3.3 Incorporation of the value chai
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3.4 Application to this study (rele
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single piece of information. The ge
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The research team has acknowledged
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Data Source # of venues Approach Cu
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Data Source # of venues Approach Cu
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Cultural industry types Count Count
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Hills (Crown and Baptist Street Vil
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Figure 13. Heat map of all cultural
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venues engage in ‘production’ (
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creation (22.3%). This finding can
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5.4.2 Chinatown and CBD South Villa
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Figure 15. Spatial categories for C
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Cultural space category Count Count
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5.4.4 A brief comparison of the thr
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6.2 Cultural venues by spatial type
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With regard to ‘practice, educati
Page 84 and 85: There are also 7 drama and dance th
Page 86 and 87: 6.3 Cultural venues by value chain
Page 88 and 89: Table 29 shows the distribution of
Page 90 and 91: Figure 19. Space for ‘creation’
Page 92 and 93: Figure 21. Space for ‘disseminati
Page 94 and 95: Figure 23. Space for ‘education
Page 96 and 97: iii) Commercially-led developments
Page 98 and 99: 7. MAPPING OF CULTURAL VENUES BY SE
Page 100 and 101: Figure 24. Venues in the music sect
Page 102 and 103: 7.1.1 Mapping of the contemporary m
Page 104 and 105: 7.2 Mapping of the visual art secto
Page 106 and 107: Table 35 shows the breakdown of the
Page 108 and 109: 7.3 Mapping of the architecture and
Page 110 and 111: Figure 29. Distribution of the arch
Page 112 and 113: 8. EVALUATION OF METHODOLOGY 8.1 Ra
Page 114 and 115: ‘system’ or ‘ecology’ of mu
Page 116 and 117: its extensive coverage of all busin
Page 118 and 119: noticed that some participants foun
Page 120 and 121: ● Developing further understandin
Page 122 and 123: of models, spanning, ‘collectives
Page 124 and 125: 5) Sharing knowledge This priority
Page 126 and 127: ● Identifying and examining ‘un
Page 128 and 129: promising areas for deepening and w
Page 130 and 131: City of Sydney (2012a) Creative Ind
Page 132 and 133: Cunningham, S. and Higgs, P. (2008)
Page 136 and 137: Taylor, A. (13 March 2016) Carriage
Page 138 and 139: 12. THE PROJECT TEAM Lead consultan
Page 140 and 141: neighbourhood of Milan. On the desi
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Page 144 and 145: 3. Seattle Cultural Space Inventory
Page 146 and 147: 4. Culture Map Malta Name of the ma
Page 148 and 149: None, it is a simple excel file upl
Page 150 and 151: Technology Google Maps Crowdsourcin
Page 152 and 153: 151
Page 154 and 155: 10. Where Creative Professionals Li
Page 156 and 157: Appendix 2 The full list of ANZSIC
Page 158 and 159: Music retailing Audio cassette reta
Page 160 and 161: Motion picture and video production
Page 162 and 163: Cable and broadcasting Cable and br
Page 164 and 165: Professional photographic services
Page 166 and 167: Museum of applied art and science M
Page 168 and 169: Religious organisation Bible societ
Page 170 and 171: Consent Do you agree to participate
Page 172 and 173: Have you ever been involved in cult
Page 174 and 175: ❏ Commercial ❏ Performance or e
Page 176 and 177: Among the six domains of cultural a
Page 178 and 179: Below we ask you to specify the exa
Page 180 and 181: Please indicate the category of thi
Page 182 and 183: When in the day? (you can choose mo
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❏ Not- for- profit (independent)
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Can you tell us more about this pla
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World cities cultural report_3 addi
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Biennale of Sydney Website 29 Augus
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Architecture Include architecture d
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Colleges All public or private coll
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CHINATOWN RESEARCH REPORT WESTERNSY
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