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MAPPING CULTURE

Mapping-Culture-Venues-and-Infrastructure-in-the-City-of-Sydney

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The framework is based on the concept of the ‘creative chain’, which is similar to the<br />

‘culture cycle’ concept used in the UNESCO cultural framework. A creative chain is a<br />

sequence of activities during which value is added to a new product as it moves from<br />

initial idea to production and use. The interlinked stages in a creative chain are:<br />

creation, production, dissemination and use. Figure 7 (below) illustrates the circular<br />

nature of a creative chain, where the feedback process can happen at any point of the<br />

chain and inspire new ideas. The stages involved in the ‘creative chain’ are a little<br />

different from the ‘culture cycle’ in the UNESCO framework. In particular, the<br />

‘exhibition/reception/transmission’ and ‘consumption/participation’ stages are merged<br />

into one category named ‘use’. This categorisation aims to address the methodological<br />

problem of measuring consumption and participation regarding paid and unpaid<br />

cultural activities and, therefore, the generic term ‘use’ embraces consumption,<br />

participation, attendance, etc.<br />

Figure 7. Feedback process in the creative chain (Statistics Canada, 2011, p.27)<br />

Economic and cultural globalisation has prompted the need for international<br />

comparative data for the cultural industries. The merit of this Canadian framework<br />

has been its intention to ‘deal with many of these methodological differences at a<br />

national level, and attempt to use concepts proposed by UNESCO, to improve our<br />

ability to share data at international level’ (Statistics Canada, 2011, p.78).<br />

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