MAPPING CULTURE

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Biennale of Sydney Website 29 August text Sydney Festival 2015 Website 29 August text William Street Festival h℀ጅp://www.sydney.com/des℀甄na℀甄 ons/sydney/inner‐sydney/paddingt on/events/william‐street‐fes℀甄val Museums and Galleries NSW http://mgnsw.org.au/organisation s/ Multicultural NSW http://multicultural.nsw.gov.au/co mmunities/communities/list_of_n sw_community_organisations/ The Fetch Blog https://blog.thefetch.com/coworki ng-spaces/coworking-in-australia/ Time-out Sydney https://www.timeout.com/sydney/ music/the-best-jazz-clubs-in-sydn ey Market space in City of Sydney h℀ጅp://www.sydney.com/things‐todo/fashion‐and‐shopping/sydneymarkets Festival Streets in City of Sydney h℀ጅp://www.cityofsydney.nsw.gov. au/business/business‐responsibili℀甄 es/traffic‐management Karaoke bars http://www.yellowpages.com.au/s earch/listings?clue=karaoke+bar&l ocationClue=Sydney%2C+2000&la t=&lon=&referredBy=www.yellow pages.com.au&selectedViewMode =list&eventType=sort&sortBy=dist ance Website 29 August text Website 29 August text Website 29 August text Website 29 August text Website 29 August text City of Sydney website 29 August text City of Sydney website 29 August text Yellow pages 29 August Text Online Survey Cultural informants 31 August excel Venues for 2015 Biennale of Sydney Venues for 2015 Sydney Festival Venues for William Street Festival Museums and Galleries in NSW List of NSW community organisations Directory for co-working space For Jazz clubs in Sydney Major markets in City of Sydney with cultural focus Major parade routes in City of Sydney Directory of Karaoke bars in City of Sydney 189
Appendix 5 Delimitation of framework for classi 秜ᇘ cation Spatial category/domain Activities Rationale Performance and exhibition Include Hotels, bars, cafes, clubs Only venues with live music or DJs/dance are considered cultural. Sports bars or bars with Trivia or Bingo are not included Live music and DJs involve cultural creation or dissemination, Trivia and Bingo do not They are to be placed in the ‘performance & exhibition’ domain as music/DJs are not the primary outputs of these venues Karaoke bars Singing activities Amateur/leisure singing, dissemination of music, venue with purpose-built equipment for performance Comedy venues Comedy, talk shows Considered cultural because they involve creation of cultural/symbolic content Exclude Heritage buildings Natural heritage Commercial and Enterprise Include museums but exclude heritage buildings Include parks for festivals or public space, but exclude natural heritage Related to tourism, difficult to assign value chain roles, no cultural creation function Related to tourism, difficult to assign value chain roles, no cultural creation function Include Advertising Include advertising design, exclude non-creative activities (e.g., direct marketing, media sales) Included in international definition of creative industries (e.g., DCMS, ESSnet), strong linkages with other cultural sectors such as audio-visual, 2 nd largest creative sector in Sydney LGA, contain an artistic dimension, creation of symbolic/cultural content 190
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MAPPING CULTURE venues and infrastr
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TABLE OF CONTENTS Acknowledgements
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L ist of Tables Table 1 Layers and
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List of Figures Figure 1 The concen
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NAICS NAVA NCVO SFF SHFA SIC SOC UN
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● A detailed case study of the Re
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1.2 Project phases This project ali
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Cultural mapping has advanced signi
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2.1 The concept of culture 2.1.1 De
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industries fails to recognise the d
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Figure 1 The concentric circles mod
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Hesmondhalgh also incorporates anot
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Cultural mapping enables us to unde
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To address the breadth question, th
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Figure 4. Culture cycle (UNESCO, 20
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Figure 5. Six functions of the valu
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2.4.3 Example 3 2 CANADIAN FRAMEWOR
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The framework is based on the conce
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SGS Economics & Planning (2015/2016
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in relation to those of other gover
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Figure 8. Cultural Venues and Infra
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Performing Art Venues ● Concert h
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iii) Community and Participatory Sp
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intended) use afterwards. The durat
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3.3 Incorporation of the value chai
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3.4 Application to this study (rele
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single piece of information. The ge
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The research team has acknowledged
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Data Source # of venues Approach Cu
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Data Source # of venues Approach Cu
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Cultural industry types Count Count
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Hills (Crown and Baptist Street Vil
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Figure 13. Heat map of all cultural
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venues engage in ‘production’ (
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creation (22.3%). This finding can
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5.4.2 Chinatown and CBD South Villa
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Figure 15. Spatial categories for C
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Cultural space category Count Count
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5.4.4 A brief comparison of the thr
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6.2 Cultural venues by spatial type
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With regard to ‘practice, educati
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There are also 7 drama and dance th
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6.3 Cultural venues by value chain
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Table 29 shows the distribution of
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Figure 19. Space for ‘creation’
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Figure 21. Space for ‘disseminati
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Figure 23. Space for ‘education
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iii) Commercially-led developments
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7. MAPPING OF CULTURAL VENUES BY SE
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Figure 24. Venues in the music sect
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7.1.1 Mapping of the contemporary m
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7.2 Mapping of the visual art secto
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Table 35 shows the breakdown of the
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7.3 Mapping of the architecture and
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Figure 29. Distribution of the arch
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8. EVALUATION OF METHODOLOGY 8.1 Ra
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‘system’ or ‘ecology’ of mu
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its extensive coverage of all busin
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noticed that some participants foun
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● Developing further understandin
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of models, spanning, ‘collectives
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5) Sharing knowledge This priority
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● Identifying and examining ‘un
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promising areas for deepening and w
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City of Sydney (2012a) Creative Ind
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Cunningham, S. and Higgs, P. (2008)
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Mateos-Garcia, J. and Bakhshi, H. (
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Taylor, A. (13 March 2016) Carriage
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12. THE PROJECT TEAM Lead consultan
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Page 144 and 145: 3. Seattle Cultural Space Inventory
Page 146 and 147: 4. Culture Map Malta Name of the ma
Page 148 and 149: None, it is a simple excel file upl
Page 150 and 151: Technology Google Maps Crowdsourcin
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Page 154 and 155: 10. Where Creative Professionals Li
Page 156 and 157: Appendix 2 The full list of ANZSIC
Page 158 and 159: Music retailing Audio cassette reta
Page 160 and 161: Motion picture and video production
Page 162 and 163: Cable and broadcasting Cable and br
Page 164 and 165: Professional photographic services
Page 166 and 167: Museum of applied art and science M
Page 168 and 169: Religious organisation Bible societ
Page 170 and 171: Consent Do you agree to participate
Page 172 and 173: Have you ever been involved in cult
Page 174 and 175: ❏ Commercial ❏ Performance or e
Page 176 and 177: Among the six domains of cultural a
Page 178 and 179: Below we ask you to specify the exa
Page 180 and 181: Please indicate the category of thi
Page 182 and 183: When in the day? (you can choose mo
Page 184 and 185: ❏ Not- for- profit (independent)
Page 186 and 187: Can you tell us more about this pla
Page 188 and 189: World cities cultural report_3 addi
Page 192 and 193: Architecture Include architecture d
Page 194 and 195: Colleges All public or private coll
Page 196: CHINATOWN RESEARCH REPORT WESTERNSY
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MAPPING CULTURE

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