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392 f«OTES,<br />

count for the faint similarity which can be traced in some letters<br />

of their respective alphabets.<br />

5to, Its identity with the alphabet of Cadmus. The Irish alphabet,<br />

as I have already stated, consists of 17 letters. With<br />

the exception of the letter i^, the other 16 are toto corpore, the<br />

identical 16 letters which Cadmus introduced into Greece.<br />

This coincidence can neither have proceeded from accident nor<br />

design, but from the original and absolute identity of the alpha,<br />

bets themselves.<br />

If the Irish had culled or selected their alphabet<br />

from the Roman one, as has been foolishly imagined, by<br />

what miracle could they have hit on the identical letters of Cad.<br />

rous, and rejected all the rest? Had they thrown 16 dice, 16<br />

times, and turned up the same number every time, it would not<br />

have been so marvellous as this. The identity of the Cadmean<br />

and Irish alphabet is not therefore the effect of chance or accident.<br />

Neither is it the effect of design. Had the Irish framed<br />

this alphabet with a design to make it coincide exactly with that<br />

of Cadmus, they would, at least, have been possessed of as much<br />

fommon sense, as to-leave out the letter F.<br />

6to. The paucity of its letters. It St. Patrick introduced the<br />

Roman alphabet, why were the letters J, k, e, r, jr, y, and z<br />

omitted ?<br />

For Jf they had no occasion, their c being always pronounced<br />

hard. J is expressed by d put before t or e, thus Dia<br />

\s pronounced Jeecf. There are no such sounds in the Celtic<br />

SIS those expressed by a, x, or z. The combinations bfi and nik<br />

express r, dh and gh, express y. Though there was no occasion<br />

for *, «, X, and z, still j, r, and r, were of primary neces.<br />

sity, the Celts, or Irish, having no such lettprs, and being obliged<br />

to express them by combinations or substitutions. Bat there<br />

is betwi?^ every -written language and its alphabet a certain aptitude<br />

and affinity which peculiarly adapts<br />

The peculiar alphabet of a language is its<br />

them to each other.<br />

most graceful and appropriate<br />

dress. Every othpr alphabet, when applied to it is<br />

pukward, forced, and unnatural. Were the English language<br />

written in Greek or Hebrew characters, it would well nigh gq<br />

fhe length pf ruining its whole fortn and orthogr^.phy.<br />

The same

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