Sun

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In the centre background of this painting Turner had painted a bright and intense, yellow sunrise. This sunrise could represent the dawn of the new empire and the growth of the city. Turner painted the skyline similarly to the Claude painting which inspired him. The figure seen to be wearing white and blue on the left hand side of the painting is believed to be Dido. The large masculine figure in front of her is then believed to be Aeneas In this painting Turner has successfully created aerial perspective and used impasto brushwork. The way this image has been cropped frames the sun in the centre adding more intensity to the image. On the right hand side of the painting you can see the Tomb which was erected for Dido’s husband. This side of the painting could represent the doom of the city, with its dark shadow.
The Fighting Temeraire, Tugged to her Last Berth to be Broken Up. The sun in Turners Paintings are made up of vivid and bright colours. Turner based his sun’s on the work of Claude Lorrain. JWM Turner, 1839, Oil on canvas, 91 x 113cm
Page 1 and 2: The Sun Sun has been portrayed in m
Page 3 and 4: Claude Lorraine Claude was believed
Page 5 and 6: The seaport depicted in this painti
Page 7 and 8: Seaport with the Embarkation of St
Page 9 and 10: In this painting Claude has framed
Page 11 and 12: JMW Turner I am now going to look
Page 13: This painting contains a narrative
Page 17 and 18: Seen very faintly in the sky, top l
Page 19 and 20: JMW Turner, 1840, Oil on canvas, 91
Page 21 and 22: In this painting Turner has depicte
Page 23 and 24: Carl Spitzweg, 1845-58, Oil on Canv
Page 25 and 26: Spitzweg has included a detailed im
Page 27 and 28: This painting by Spitzweg is typica
Page 29 and 30: Frederic Edwin Church Church is an
Page 31 and 32: In this painting Church depicts a s
Page 33 and 34: Albert Bierstadt Bierstadt was an A
Page 35 and 36: In this painting Bierstadt has fram
Page 37 and 38: Albert Bierstadt, 1869, Oil on Canv
Page 39 and 40: The sun in this painting has been p
Page 41 and 42: Impressionism Impressionism was a 1
Page 43 and 44: Claude Monet, 1872-73, Oil on Canva
Page 45 and 46: Even though we know this painting d
Page 47 and 48: Sunday Afternoon on the Island of L
Page 49 and 50: In the foreground of this painting
Page 51 and 52: This painting actually mirrors one
Page 53 and 54: Camille Pissarro, 1888, Oil on Canv
Page 55 and 56: The light in this painting comes fr
Page 57 and 58: I now intend to look at book covers
Page 59 and 60: Creation of Exhibition title and Fo
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Sun

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