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William Pitcher Farmstead HSR

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ANALYSIS<br />

The first major campaign of renovation in the <strong>Pitcher</strong> house took place in the last<br />

quarter of the 18 th century, after <strong>William</strong> <strong>Pitcher</strong> had received title to the property<br />

from his father in 1768. The reconfiguration from a traditional Dutch two-room,<br />

center-chimney dwelling to a more modern center-hall house reflected <strong>William</strong> <strong>Pitcher</strong>’s<br />

status as a relatively well-to-do farmer. The center hall allowed the master of the<br />

house to decide how much access a visitor would have to the private spaces within.<br />

The center hall was also the first place that a visitor would be impressed by the<br />

<strong>Pitcher</strong>s’ keeping up with the latest fashions.<br />

By the 1760s there were wallpaper manufacturers in New York and Philadelphia who<br />

were able to compete with European imports and bring the cost within reach of the<br />

middle class. Wallpapers were handmade from a slurry of reconstituted rags and other<br />

fibers until at least 1835. Paper made by hand is identifiable by fibers arranged<br />

randomly rather than in a linear fashion. Viewed microscopically, the first two strata of<br />

coverings from the anchor beams of 103 and 105 are handmade.<br />

In 1775 Swedish chemist Carl Wilhelm Scheele invented a green pigment made from<br />

copper arsenate, which was used in wallpapers and paints. Scheele’s Green, a precursor<br />

to Paris Green, is anecdotally blamed for the death of Napoleon. The first layer of<br />

wallpaper from the Room 105, on anchor beam III, is likely colored with Scheele’s Green<br />

(fig. 15).<br />

The earliest layer of paper from anchor beam IV in the entry hall (103) is a simple<br />

geometric pattern, printed in black and white on rag paper. The pattern, with very<br />

sharp lines (fig. 9), is either block printed or stenciled. The second oldest layer from<br />

the Room 103 wallpaper sample is a white rag paper with a light blue background and<br />

pattern of slightly brighter shapes that evoke a bee (fig.8).<br />

In the 1850s, wood pulp began to be added to paper making, which had already<br />

become mechanized. These papers are identifiable by their slightly darker backing and<br />

oriented fibers. The product devolved with the addition of other pulped fillers, such as<br />

straw. Wallpapers produced after 1880 are identifiable by their dark brown backing<br />

and brittleness caused by acids in the wood.

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