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The Negro A Beast In The Image Of GOD

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98 MAN, AND THE NEGRO.<br />

designed as the victim of divine whim. But how was<br />

man to subdue the earth, and not personally<br />

till the<br />

ground? How was he to develop<br />

all the resources<br />

of this globe and not eat bread in the sweat of his<br />

face? Upon the impulse of the moment, we would<br />

naturally decide that no amount of reasoning could<br />

possibly reconcile these apparently irreconcilable propositions.<br />

But when we pause to reflect that each<br />

of these are divine propositions; that they had<br />

a common origin in the fountain of all truth,<br />

then our reverence for God — if we have any<br />

reverence for God— forbids the thought<br />

that there<br />

can by possibility be the slightest contradiction<br />

between them; for we know that just as harmou}^ perlades<br />

all of God's works, so does consistency characterize<br />

his ever}' utterance. Thus, when we turn<br />

upon the Narrative of the Fall, the inspired light of<br />

the Narrative of Creation, the fact becomes plain that<br />

it was not the original design of the Creator that<br />

man, the son of God, should be the subject of physical<br />

toil, beyond such as is inseparable from mental toil.<br />

Hence, we have no alternative than to decide that<br />

there must be among the animals some creature upon<br />

which God bestowed mental ability and physical form<br />

in such near approach to man, as would enable him,<br />

in the capacity of servant, to perform the manual<br />

labor necessary<br />

to subdue the earth under man's control.<br />

When wi a^^eal to<br />

science to identify this creature,<br />

she prbmptly invades the so-called *<br />

'human

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