ontrak_autumn_2017_new
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ABOVE Louie Gong displays his <strong>new</strong>est blanket design<br />
outside his store in Seattle’s Pike Place Market.<br />
AT LEFT, CLOCKWISE FROM TOP LEFT Gong<br />
stands in the Eighth Generation studio, where artists<br />
collaborate on designs. Smartphone cases in production—some<br />
simple digital prints, others intricately<br />
hand-assembled. Gong signs a <strong>new</strong> art print.<br />
The combination of art and chocolate<br />
will be “something you won’t find<br />
anywhere else in the world,” Gong<br />
said—an apt description not just of<br />
the chocolate, but of Eighth Generation<br />
itself.<br />
As more and more people join the<br />
movement to bring awareness to and<br />
stop cultural appropriation while<br />
empowering Native entrepreneurs<br />
and others, the work will get easier,<br />
Gong said.<br />
“We aren’t far off from the tipping<br />
point. Native people are not just here,<br />
we are thriving.”<br />
<strong>ontrak</strong>mag.com FALL <strong>2017</strong> | 17