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COVER NOTES:<br />
WE’RE ABOUT TO SEE A LOT MORE OF AVATAR<br />
Among the newest additions to the VES’s list of most influential<br />
visual effects films is James Cameron’s Avatar. In 2009,<br />
it set the standard in both virtual production techniques and<br />
in transforming human actors into the realm of photo-realistic<br />
creatures.<br />
Right now, the lead visual effects studio on Avatar – Weta<br />
Digital – is also at work on the four sequels to the film being<br />
made by Cameron. The first of those is set for release in<br />
December 2020, with the fourth sequel coming out in 2025.<br />
“What Joe Letteri and Weta Digital bring to these stories<br />
is impossible to quantify,” Cameron says in a release about<br />
the start of production by Weta Digital. “Since we made<br />
Avatar, Weta continued to prove themselves as doing the<br />
best CG animation, the most human, the most alive, the most<br />
photo-realistic effects in the world. And of course, that now<br />
means I can push them to take it even further.”<br />
“Avatar is the ideal type of film for us,” adds Weta Digital’s<br />
Senior Visual Effects Supervisor Joe Letteri. “Jim’s vision for<br />
the world of Pandora was always so much bigger than what<br />
we created for the first film. Helping him expand the language<br />
of cinema through new narratives set in such an expansive<br />
universe is the type of opportunity that rarely comes along<br />
twice. Projects like this allow everyone involved to push<br />
themselves to do their best work and you can’t ask for<br />
anything more than that.”<br />
—Ian Failes<br />
Avatar (2009). James Cameron’s blockbuster Avatar took<br />
performance capture, virtual production and the realization<br />
of digital characters and environments to new levels, with<br />
Weta Digital crafting the majority of visual effects for the<br />
film. It was also filmed in native stereo, further bringing<br />
new challenges to the visual effects vendors in terms of<br />
live-action integration, compositing and rendering stereo<br />
images. (Photo copyright © 2009 Twentieth Century Fox<br />
Film Corporation. All rights reserved.)<br />
Inception (2010). Director Christopher Nolan made<br />
use of full-scale practical effects, miniatures and digital<br />
visual effects to tell the mind-binding story of Inception.<br />
This miniature of the hospital fortress was built by<br />
New Deal Studios on its backlot and rigged to collapse<br />
in sections as part of the film’s ‘kick’ conceit in which the<br />
characters would wake themselves from a dream within a<br />
dream. (Photo copyright © 2010 Warner Bros. Pictures.<br />
All rights reserved.)<br />
King Kong (2005)<br />
Life of Pi (2012)<br />
Lord of the Rings: The Fellowship of the Ring (2001)<br />
Lord of the Rings: The Return of the King (2003)<br />
Lord of the Rings: The Two Towers (2002)<br />
Lost World, The (1925)<br />
Mad Max: Fury Road (2015)<br />
Mary Poppins (1964)<br />
Mask, The (1994)<br />
Matrix, The (1999)<br />
Metropolis (1927)<br />
Pirates of the Caribbean: Dead Man’s Chest (2006)<br />
Planet of the Apes (1968)<br />
Raiders of the Lost Ark (1981)<br />
Return of the Jedi (1983)<br />
Rise of the Planet of the Apes (2011)<br />
Seventh Voyage of Sinbad, The (1958)<br />
Sin City (2005)<br />
Snow White and the Seven Dwarfs (1937)<br />
Star Wars (1977)<br />
Starship Troopers (1997)<br />
Superman: The Movie (1978)<br />
Ten Commandments, The (1956)<br />
Terminator, The (1984)<br />
Terminator 2: Judgment Day (1991)<br />
Thing, The (1982)<br />
Titanic (1997)<br />
Total Recall (1990)<br />
Toy Story (1995)<br />
Tron (1982)<br />
Transformers (2007)<br />
Young Sherlock Holmes (1985)<br />
War of the Worlds, The (1953)<br />
What Dreams May Come (1998)<br />
Who Framed Roger Rabbit (1988)<br />
Wizard of Oz, The (1939)<br />
FALL <strong>2017</strong> FXVOICE.COM • 75