The Art World and the World Wide Web

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horizontal rectangles, framed by the light gray background common to the rest of the site. The title, venue and dates of each featured exhibition are shown neatly on the left, with an image of art from the show on the right. Click on an exhibition, and you are taken to a page of thumbnails of images of works from that exhibition. Click again on a thumbnail, and you are taken to a gallery where the image is displayed in its own viewing pane, filling the screen. The “Writings” section includes a selection of Prince’s written work. The layout here is suggestive of newspaper clippings. The first few paragraphs of each “story” are shown as gray text against a white background, displayed in vertically oriented rectangular columns, arranged on the page in seemingly random order against a light gray background. If you are hooked on a story after reading the first few lines, click on “Read More” and you are taken to a new page where the entire story is displayed in a wider, letter size format for easy reading. Like all exhibit-E websites, the site has an easy to use administrative interface, which allows the artist to manage content with a minimum of effort. Adding a subsection under one of the twelve menu categories is effortless, requiring just a few keystrokes and clicks of the mouse. So too is populating that new subsection, or an existing one, with images of artwork and with accompanying text. The process is no more involved than attaching a photo to an email. 156
Like all exhibit-E websites, the site has an easy to use administrative interface, which allows the artist to manage content with a minimum of effort. 157
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THE ART WORLD AND THE WORLD WIDE WE
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the Art World and the World Wide We
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CONTENTS 7 Introduction 11 The Art
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Our text on Mobile Responsive Desig
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The Art World and the World Wide We
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the gallery’s website. Design and
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as easy as possible. Some galleries
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4Start Prepare images 1 hour ‘ Ad
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who is designing art gallery websit
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2008 2010 2011 2014 Death of Flash
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www.davidrisleygallery.com
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obust website on a leaner budget, v
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Top Tools for Gallery Websites Webs
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top trends Continuous scrolling all
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showing art. The back space is the
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Surprisingly, these social-network
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36
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get answers at a speed I could only
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www.lauriesimmons.net
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Do you think of your site as a work
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the ones they’re working with in
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Google for Galleries Search Engine
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Searching by Artist Name Where does
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Use Paid Advertising: Target your a
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yes, we want our website to be hone
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years ago. And art fairs are so int
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It really depends on the work. With
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www.twopalms.us on the iPad
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www.faggionato.com on the iPhone
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MULTI-DEVICE WORLD A website needs
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touch interface and the ability to
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design has the ability to adjust ac
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In essence, a phone app, which invo
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Howard Shaw As Hammer Galleries’
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This is an interesting question tha
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77
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websites had a certain look, often
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we developed, prior to working with
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www.hammergalleries.com on the iPho
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that are back in the gallery, we ca
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that sometimes a client will insist
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Hammer Galleries rose to prominence
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of our favorite options for video u
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In an incredibly short amount of ti
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from scripting and shooting to post
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me understand what I really wanted
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Above: Two sample spreads from Reme
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Did you start to think of photograp
Page 108 and 109: that’s high-res enough to give yo
Page 110 and 111: Fair Art A Story by A.M. Homes Cind
Page 112 and 113: “Who is that bald man in the whee
Page 114 and 115: “When I go to someone’s house
Page 116 and 117: “Speaking of animal behavior—ar
Page 119 and 120: Web-Based Gallery Management While
Page 121 and 122: accessed entirely through a Web bro
Page 123: When done right, Web-based gallery
Page 126 and 127: that was easier to use, something t
Page 128 and 129: it a step further in terms of ease
Page 130 and 131: New galleryManager iPad app
Page 132 and 133: Knowing how the galleryManager soft
Page 134 and 135: ight in from your iPad or computer
Page 136 and 137: have to stay in sync with how the g
Page 139 and 140: four Case Studies 137
Page 141 and 142: Our design for the recently launche
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Page 145 and 146: as you are scrolling through the si
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Page 149 and 150: Included on the page as you scroll
Page 151 and 152: top trends With the flood of web fo
Page 153 and 154: the website reflects that. Rich in
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Page 157: website page. The artist is free to
Page 161 and 162: They wanted a state-of-the-art webs
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Page 165 and 166: Matthew Marks; there are links here
Page 167 and 168: Artworks are organized by period. T
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Page 171: This ability to drill down to anoth
Page 174 and 175: www.jamescohan.com
Page 176 and 177: www.mnuchingallery.com
Page 178 and 179: www.faggionato.com
Page 180 and 181: www.andrearosengallery.com
Page 182 and 183: www.paulkasmingallery.com
Page 184 and 185: www.twopalms.us
Page 186 and 187: www.bronxmuseum.org
Page 188 and 189: www.miandn.com
Page 190 and 191: www.101exhibit.com
Page 192 and 193: www.kerlin.ie
Page 194 and 195: www.mapplethorpe.org
Page 196 and 197: www.taymourgrahne.com
Page 198 and 199: www.danzigergallery.com
Page 200 and 201: www.rayjohnsonestate.com
Page 202 and 203: www.moellerfineart.com
Page 204 and 205: www.skny.com
Page 206 and 207: Glossary Adaptive Design Adapts con
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DNS (Domain Name Service or Domain
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Keywords Words that are used to sum
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Screen Resolution The width and hei
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Michael Gwertzman is a freelance wr
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