The Art World and the World Wide Web

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quickly and easily add images and other content, and the structure of the site is designed to support unlimited growth. The site is not intended for commerce—for this, there are links to the galleries that represent the artist. The website gives the artist enormous flexibility in the way content is organized. Dunham is free to create different categories and date ranges. For instance, instead of categorizing works by period, he might sort them by series or specific date. The data, though, remains fully associative, enabling the artist to easily build an intersecting web of information regardless of how he organizes the site. 168
This ability to drill down to another layer of detail enriches the user experience, giving the user the freedom to wander through the site retrospectively and contextually. 169
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THE ART WORLD AND THE WORLD WIDE WE
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the Art World and the World Wide We
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CONTENTS 7 Introduction 11 The Art
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Our text on Mobile Responsive Desig
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The Art World and the World Wide We
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the gallery’s website. Design and
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as easy as possible. Some galleries
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4Start Prepare images 1 hour ‘ Ad
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who is designing art gallery websit
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2008 2010 2011 2014 Death of Flash
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www.davidrisleygallery.com
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obust website on a leaner budget, v
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Top Tools for Gallery Websites Webs
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top trends Continuous scrolling all
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showing art. The back space is the
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Surprisingly, these social-network
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36
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get answers at a speed I could only
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www.lauriesimmons.net
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Do you think of your site as a work
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the ones they’re working with in
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Google for Galleries Search Engine
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Searching by Artist Name Where does
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Use Paid Advertising: Target your a
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yes, we want our website to be hone
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years ago. And art fairs are so int
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It really depends on the work. With
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www.twopalms.us on the iPad
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www.faggionato.com on the iPhone
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MULTI-DEVICE WORLD A website needs
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touch interface and the ability to
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design has the ability to adjust ac
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In essence, a phone app, which invo
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Howard Shaw As Hammer Galleries’
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This is an interesting question tha
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77
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websites had a certain look, often
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we developed, prior to working with
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www.hammergalleries.com on the iPho
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that are back in the gallery, we ca
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that sometimes a client will insist
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Hammer Galleries rose to prominence
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of our favorite options for video u
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In an incredibly short amount of ti
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from scripting and shooting to post
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me understand what I really wanted
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Above: Two sample spreads from Reme
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Did you start to think of photograp
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that’s high-res enough to give yo
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Fair Art A Story by A.M. Homes Cind
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“Who is that bald man in the whee
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“When I go to someone’s house
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“Speaking of animal behavior—ar
Page 119 and 120: Web-Based Gallery Management While
Page 121 and 122: accessed entirely through a Web bro
Page 123: When done right, Web-based gallery
Page 126 and 127: that was easier to use, something t
Page 128 and 129: it a step further in terms of ease
Page 130 and 131: New galleryManager iPad app
Page 132 and 133: Knowing how the galleryManager soft
Page 134 and 135: ight in from your iPad or computer
Page 136 and 137: have to stay in sync with how the g
Page 139 and 140: four Case Studies 137
Page 141 and 142: Our design for the recently launche
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Page 145 and 146: as you are scrolling through the si
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Page 149 and 150: Included on the page as you scroll
Page 151 and 152: top trends With the flood of web fo
Page 153 and 154: the website reflects that. Rich in
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Page 157 and 158: website page. The artist is free to
Page 159 and 160: Like all exhibit-E websites, the si
Page 161 and 162: They wanted a state-of-the-art webs
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Page 165 and 166: Matthew Marks; there are links here
Page 167 and 168: Artworks are organized by period. T
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Page 174 and 175: www.jamescohan.com
Page 176 and 177: www.mnuchingallery.com
Page 178 and 179: www.faggionato.com
Page 180 and 181: www.andrearosengallery.com
Page 182 and 183: www.paulkasmingallery.com
Page 184 and 185: www.twopalms.us
Page 186 and 187: www.bronxmuseum.org
Page 188 and 189: www.miandn.com
Page 190 and 191: www.101exhibit.com
Page 192 and 193: www.kerlin.ie
Page 194 and 195: www.mapplethorpe.org
Page 196 and 197: www.taymourgrahne.com
Page 198 and 199: www.danzigergallery.com
Page 200 and 201: www.rayjohnsonestate.com
Page 202 and 203: www.moellerfineart.com
Page 204 and 205: www.skny.com
Page 206 and 207: Glossary Adaptive Design Adapts con
Page 208 and 209: DNS (Domain Name Service or Domain
Page 210 and 211: Keywords Words that are used to sum
Page 212 and 213: Screen Resolution The width and hei
Page 214: Michael Gwertzman is a freelance wr
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