The Art World and the World Wide Web

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extensive and massive technical requirements for a website, with few exceptions an art gallery is more likely to go with the best-looking and best-priced option that meets all of their technical needs. Balancing out these values must be a consideration of time and energy. Which site offers the best solution when it comes to updating new content? Which site is the easiest to operate? What staff will handle these updates? The ultimate goal is for a gallery to end up with a future-facing website that’s built to grow with a minimum of headaches, that looks great, and that represents what the gallery is all about. 28
top trends Continuous scrolling allows you to browse a website uninterrupted from top to bottom, without having to jump from page to page. Add a sticky menu and as you scroll the main menu locks to the top of the browser window, so the user has quick access to every area of the site. This is perfect for browsing from any device. 29
Page 1: THE ART WORLD AND THE WORLD WIDE WE
Page 5 and 6: the Art World and the World Wide We
Page 7: CONTENTS 7 Introduction 11 The Art
Page 10 and 11: Our text on Mobile Responsive Desig
Page 13 and 14: The Art World and the World Wide We
Page 15 and 16: the gallery’s website. Design and
Page 17 and 18: as easy as possible. Some galleries
Page 19 and 20: 4Start Prepare images 1 hour ‘ Ad
Page 21 and 22: who is designing art gallery websit
Page 23 and 24: 2008 2010 2011 2014 Death of Flash
Page 25 and 26: www.davidrisleygallery.com
Page 27 and 28: obust website on a leaner budget, v
Page 29: Top Tools for Gallery Websites Webs
Page 34 and 35: showing art. The back space is the
Page 36 and 37: Surprisingly, these social-network
Page 38 and 39: 36
Page 40 and 41: get answers at a speed I could only
Page 42 and 43: www.lauriesimmons.net
Page 44 and 45: Do you think of your site as a work
Page 46 and 47: the ones they’re working with in
Page 49 and 50: Google for Galleries Search Engine
Page 51 and 52: Searching by Artist Name Where does
Page 53: Use Paid Advertising: Target your a
Page 56 and 57: yes, we want our website to be hone
Page 58 and 59: years ago. And art fairs are so int
Page 60 and 61: It really depends on the work. With
Page 62 and 63: www.twopalms.us on the iPad
Page 64 and 65: www.faggionato.com on the iPhone
Page 66 and 67: MULTI-DEVICE WORLD A website needs
Page 68 and 69: touch interface and the ability to
Page 70 and 71: design has the ability to adjust ac
Page 72 and 73: In essence, a phone app, which invo
Page 75 and 76: Howard Shaw As Hammer Galleries’
Page 77 and 78: This is an interesting question tha
Page 79 and 80: 77
Page 81 and 82:
websites had a certain look, often
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we developed, prior to working with
Page 85 and 86:
www.hammergalleries.com on the iPho
Page 87 and 88:
that are back in the gallery, we ca
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that sometimes a client will insist
Page 91:
Hammer Galleries rose to prominence
Page 94 and 95:
of our favorite options for video u
Page 96 and 97:
In an incredibly short amount of ti
Page 98:
from scripting and shooting to post
Page 102 and 103:
me understand what I really wanted
Page 104 and 105:
Above: Two sample spreads from Reme
Page 106 and 107:
Did you start to think of photograp
Page 108 and 109:
that’s high-res enough to give yo
Page 110 and 111:
Fair Art A Story by A.M. Homes Cind
Page 112 and 113:
“Who is that bald man in the whee
Page 114 and 115:
“When I go to someone’s house
Page 116 and 117:
“Speaking of animal behavior—ar
Page 119 and 120:
Web-Based Gallery Management While
Page 121 and 122:
accessed entirely through a Web bro
Page 123:
When done right, Web-based gallery
Page 126 and 127:
that was easier to use, something t
Page 128 and 129:
it a step further in terms of ease
Page 130 and 131:
New galleryManager iPad app
Page 132 and 133:
Knowing how the galleryManager soft
Page 134 and 135:
ight in from your iPad or computer
Page 136 and 137:
have to stay in sync with how the g
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four Case Studies 137
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Our design for the recently launche
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141
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as you are scrolling through the si
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145
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Included on the page as you scroll
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top trends With the flood of web fo
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the website reflects that. Rich in
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153
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website page. The artist is free to
Page 159 and 160:
Like all exhibit-E websites, the si
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They wanted a state-of-the-art webs
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161
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Matthew Marks; there are links here
Page 167 and 168:
Artworks are organized by period. T
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167
Page 171:
This ability to drill down to anoth
Page 174 and 175:
www.jamescohan.com
Page 176 and 177:
www.mnuchingallery.com
Page 178 and 179:
www.faggionato.com
Page 180 and 181:
www.andrearosengallery.com
Page 182 and 183:
www.paulkasmingallery.com
Page 184 and 185:
www.twopalms.us
Page 186 and 187:
www.bronxmuseum.org
Page 188 and 189:
www.miandn.com
Page 190 and 191:
www.101exhibit.com
Page 192 and 193:
www.kerlin.ie
Page 194 and 195:
www.mapplethorpe.org
Page 196 and 197:
www.taymourgrahne.com
Page 198 and 199:
www.danzigergallery.com
Page 200 and 201:
www.rayjohnsonestate.com
Page 202 and 203:
www.moellerfineart.com
Page 204 and 205:
www.skny.com
Page 206 and 207:
Glossary Adaptive Design Adapts con
Page 208 and 209:
DNS (Domain Name Service or Domain
Page 210 and 211:
Keywords Words that are used to sum
Page 212 and 213:
Screen Resolution The width and hei
Page 214:
Michael Gwertzman is a freelance wr
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The Art World and the World Wide Web

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