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THE ART WORLD AND THE WORLD WIDE WE
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the Art World and the World Wide We
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CONTENTS 7 Introduction 11 The Art
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Our text on Mobile Responsive Desig
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The Art World and the World Wide We
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the gallery’s website. Design and
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as easy as possible. Some galleries
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4Start Prepare images 1 hour ‘ Ad
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who is designing art gallery websit
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2008 2010 2011 2014 Death of Flash
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www.davidrisleygallery.com
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obust website on a leaner budget, v
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Top Tools for Gallery Websites Webs
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top trends Continuous scrolling all
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showing art. The back space is the
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Surprisingly, these social-network
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36
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get answers at a speed I could only
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www.lauriesimmons.net
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Do you think of your site as a work
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the ones they’re working with in
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Google for Galleries Search Engine
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Searching by Artist Name Where does
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Use Paid Advertising: Target your a
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yes, we want our website to be hone
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years ago. And art fairs are so int
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It really depends on the work. With
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www.twopalms.us on the iPad
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www.faggionato.com on the iPhone
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MULTI-DEVICE WORLD A website needs
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touch interface and the ability to
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design has the ability to adjust ac
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In essence, a phone app, which invo
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Howard Shaw As Hammer Galleries’
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This is an interesting question tha
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77
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websites had a certain look, often
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we developed, prior to working with
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www.hammergalleries.com on the iPho
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that are back in the gallery, we ca
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that sometimes a client will insist
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Hammer Galleries rose to prominence
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of our favorite options for video u
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In an incredibly short amount of ti
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from scripting and shooting to post
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me understand what I really wanted
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Above: Two sample spreads from Reme
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Did you start to think of photograp
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that’s high-res enough to give yo
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Fair Art A Story by A.M. Homes Cind
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“Who is that bald man in the whee
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“When I go to someone’s house
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“Speaking of animal behavior—ar
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Web-Based Gallery Management While
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accessed entirely through a Web bro
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When done right, Web-based gallery
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that was easier to use, something t
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it a step further in terms of ease
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New galleryManager iPad app
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Knowing how the galleryManager soft
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ight in from your iPad or computer
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have to stay in sync with how the g
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four Case Studies 137
- Page 141 and 142: Our design for the recently launche
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- Page 145 and 146: as you are scrolling through the si
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- Page 149 and 150: Included on the page as you scroll
- Page 151 and 152: top trends With the flood of web fo
- Page 153 and 154: the website reflects that. Rich in
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- Page 157 and 158: website page. The artist is free to
- Page 159 and 160: Like all exhibit-E websites, the si
- Page 161 and 162: They wanted a state-of-the-art webs
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- Page 165 and 166: Matthew Marks; there are links here
- Page 167 and 168: Artworks are organized by period. T
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- Page 171: This ability to drill down to anoth
- Page 174 and 175: www.jamescohan.com
- Page 176 and 177: www.mnuchingallery.com
- Page 178 and 179: www.faggionato.com
- Page 180 and 181: www.andrearosengallery.com
- Page 182 and 183: www.paulkasmingallery.com
- Page 184 and 185: www.twopalms.us
- Page 186 and 187: www.bronxmuseum.org
- Page 188 and 189: www.miandn.com
- Page 190 and 191: www.101exhibit.com
- Page 194 and 195: www.mapplethorpe.org
- Page 196 and 197: www.taymourgrahne.com
- Page 198 and 199: www.danzigergallery.com
- Page 200 and 201: www.rayjohnsonestate.com
- Page 202 and 203: www.moellerfineart.com
- Page 204 and 205: www.skny.com
- Page 206 and 207: Glossary Adaptive Design Adapts con
- Page 208 and 209: DNS (Domain Name Service or Domain
- Page 210 and 211: Keywords Words that are used to sum
- Page 212 and 213: Screen Resolution The width and hei
- Page 214: Michael Gwertzman is a freelance wr