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How Things Work - Doha Academy of Tertiary Studies

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170<br />

chaPteR 10<br />

Storytelling<br />

Illustrating <strong>How</strong> <strong>Things</strong> <strong>Work</strong><br />

You want to say how something works. You want to say it in words<br />

people understand, but also in words to be respected by other researchers.<br />

Researchers have the freedom to talk in many ways, including quoting<br />

other people, from sages to practitioners to children. Many people<br />

have ideas as to how the thing is working, and even the apocryphal may<br />

lead to understandings. As a researcher, you do not have the privilege<br />

to invent stories, but your perception <strong>of</strong> how something has been working<br />

can be told in story form, including the stories other people tell you.<br />

Storytelling is part <strong>of</strong> the craft <strong>of</strong> the qualitative researcher.<br />

Some qualitative study is fundamentally the capture <strong>of</strong> a story. Not<br />

only the story <strong>of</strong> a person or group, but also the story <strong>of</strong> an organization<br />

or social movement. The recording and publication <strong>of</strong> oral history is<br />

such a venture. The story or history is seen to exist, and the researcher’s<br />

job is to dig it out, interpret it, and make it available to others. Musicology,<br />

particularly ethnomusicology, sometimes uses a story form for<br />

presentation <strong>of</strong> its findings. In her dissertation on urban music, Brazilian<br />

Walênia Silva (2007) wrote:<br />

Dave’s guitar learning at the Institute lasted about 8 months. After that,<br />

he practiced on his own and played pr<strong>of</strong>essionally in a local group. Four

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