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Historic Louisiana

An illustrated history of Louisiana, paired with the histories of companies, families and organizations that make the state great.

An illustrated history of Louisiana, paired with the histories of companies, families and organizations that make the state great.

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Right: Micaela Antonio Almonester,<br />

baroness de Pontalba, owed her title to her<br />

husband and her money to her father,<br />

Andres Almonester y Roxas, but she owed<br />

her brains and her courage to no one. A<br />

Creole, she spent most of her life in Paris.<br />

She was a notable architect/builder,<br />

constructing the Creole townhouses on<br />

Jackson Square and her own home in Paris,<br />

which is the residence of the American<br />

ambassador to France. Her father-in-law’s<br />

attempt on her life is a bizarre example of<br />

the lengths Creoles would go to seize control<br />

of perceived family property. Such lifetime<br />

quarrels continue to rock Creole families to<br />

this day.<br />

COURTESY OF SPECIAL COLLECTIONS, TULANE UNIVERSITY.<br />

Below: The Ursulines Convent, completed<br />

around 1755, is the oldest documented<br />

structure in the Mississippi Valley. The<br />

Ursuline Nuns arrived in New Orleans in<br />

1728 to staff the hospital and educate the<br />

daughters of such Frenchmen as could<br />

afford to send their daughters to school. The<br />

Ursulines also maintained a large staff of<br />

black slaves, many of whom received some<br />

education, while others operated several<br />

plantations bequeathed to the order.<br />

COURTESY OF THE LOUISIANA OFFICE OF TOURISM.<br />

necessary condition. Of gambling and thievery<br />

Pitot wrote, “The government is aware of and<br />

permits all of that; and woe unto the minor<br />

official who would want to stop it. The governor<br />

general reserves to himself alone the right to<br />

decide when gambling causes abuses….”<br />

The most popular social activity throughout<br />

<strong>Louisiana</strong> was dancing, and balls were<br />

anticipated, planned, and participated in<br />

everywhere during nine months of the year. To<br />

make a brilliant appearance at the balls was the<br />

principal goal of every Creole. Balls were set for<br />

every age, from adolescence to old age. There<br />

were even balls for young children “where the<br />

parent’s infatuation brings them each week into<br />

a show of luxury and affectation” as future<br />

Mayor James Pitot wrote in 1802.<br />

A fight over a small museum in the French<br />

community exemplifies the community’s<br />

concerns. In 1819 an unnamed planter<br />

commented on the new Museum Coffee House.<br />

He decried it because the items in the Museum<br />

were not being well-preserved. A newspaper<br />

printed his letter, defending the coffee house.<br />

Its operator, one Dorfeuille, had been collecting<br />

items for a long time. The city was better for<br />

having the museum, and others had failed. In<br />

French, the editorialist continued, “We are of<br />

the opinion that a little bit of encouragement by<br />

the public will prevent a similar future for an<br />

institution so precious and necessary for a<br />

civilized population.”<br />

Creole Nicholas Noel Destrehan has left<br />

two letters that also reveal a man<br />

knowledgeable about grammar and rhetoric,<br />

and au courant on French literature and other<br />

subjects. These letters reveal a man of<br />

sensitivity and taste, concerned with<br />

inculcating these values in his children. On<br />

April 12, 1843, Destrehan wrote to two of his<br />

daughters who were studying at the Sisters of<br />

the Sacred Heart in St. Genevieve, Missouri.<br />

Family accounts indicate that Nicholas sent<br />

them to school there in 1835 following the<br />

death of their mother. The Destrehan family<br />

had long been close to the Chouteau family of<br />

St. Louis.<br />

by Mr. de Wailly, the both of them containing<br />

everything you could want to know about the<br />

principles of the French language; that of<br />

Wailly contains otherwise the syntax, a<br />

treatise on the tropes (or figurative manner of<br />

speaking) and a short piece on versification. I<br />

recommend to you especially not to lose or<br />

endanger the two works, I am especially fond<br />

Mr. Chouteau will bring you a barrel of<br />

oranges, a little chest containing two French<br />

grammars, one by C. C. Lettelier and the other<br />

HISTORIC LOUISIANA<br />

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