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The Cosmic Game ( PDFDrive.com )

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<strong>Cosmic</strong> <strong>Game</strong> © Douglass A. White, 2012 v151207 20<br />

multi-layered messages to express information in a highly <strong>com</strong>pact form. <strong>The</strong>n they<br />

embedded the messages in popular games and customs so that the <strong>com</strong>mon people would<br />

support the survival of the information even if they were not aware of its deeper<br />

significance.<br />

<strong>The</strong> Senet Oracle <strong>Game</strong> Board was just such an ingenious invention. <strong>The</strong> variety of<br />

interesting ways of playing with a Senet Board ensured its widespread popularity. By<br />

devising the board as a miniature pantheon it became a <strong>com</strong>pact and portable spiritual<br />

tool for Egyptians. <strong>The</strong> adaptation of the board as an oracle added yet another level of<br />

interest. <strong>The</strong> Senet Board could be used to resolve practical problems in a person's life.<br />

However, the Senet Board was also designed as a precise scientific tool and was<br />

dedicated to the highest spiritual level of existence that Egyptians called "Amen", the<br />

Invisible Foundation. To the Egyptians the highest form of God is invisible because His<br />

Essence lies beyond the senses and at the same time embraces in His Essence all the<br />

diversity of creation. Thus they called the game of life "Senet" because a player passes<br />

through all forms of creation when engaging with it and transcends beyond them all as a<br />

primary goal. <strong>The</strong> Oracle <strong>Game</strong> Board is a precise mathematical grid carved on the<br />

foundation stone of Reality. <strong>The</strong> Egyptians used grids to scale their designs accurately<br />

from the drawing board to finished artifacts of any size from miniature to gigantic. <strong>The</strong><br />

Egyptians used Cartesian grids as mathematical tools thousands of years before Descartes<br />

was born.<br />

Given the close connection of the Senet Board to the principle of AMEN, it would seem<br />

to make sense that the Egyptians would find a way to encode the essential concept of the<br />

Senet Board into the Great Temple of Amen in Karnak, one of the most important and<br />

largest sacred sites ever constructed by mankind. <strong>The</strong> Temple of Amen erected on this<br />

site at Karnak was the focus of major celebrations for centuries during the New Kingdom<br />

and remains today as a truly awesome remnant of ancient Egyptian civilization.<br />

<strong>The</strong> name "Senet" means to pass through or pass beyond. So the first place to look for<br />

evidence of Senet would be the grand entryway to the temple. We begin our search with<br />

a drawing made by Lucie Lamy of a portion of an illustration that is found on the wall of<br />

the colonnade of Amen at Luxor illustrating a procession of priests bearing the Boat of<br />

Amen as they depart from the gateway at the pylon entrance to the Temple of Amen in<br />

Karnak on their way to the Temple of Amen in Luxor during the annual grand Opet<br />

Festival. "Amen" stands for the invisible Higher Self. <strong>The</strong> boat (waa) symbolizes the<br />

technique of meditation used by Egyptians for crossing the "river" or "ocean" of<br />

awareness. For Egyptians the Nile River represented the dynamic and continuous flow<br />

of attention that we call consciousness. <strong>The</strong> Mediterranean Sea represented a vast<br />

existential domain of awareness that we can call psychic reality.<br />

<strong>The</strong> word for portal in Egyptian is "seba". <strong>The</strong> word "seba" also means teaching and<br />

star. <strong>The</strong> Egyptian five-pointed star symbolized the immortal light body of a person.<br />

<strong>The</strong> Egyptians knew that everything is made of light, and that light changes shape, but<br />

never dies. Thus their meditation practice was a tool to assist a person to shift awareness<br />

away from identification with light forms as solid material bodies subject to destruction

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