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Take, for example, your<br />

eyebrows – as Bryson<br />

points out, they have no<br />

real known evolutionary<br />

purpose; theorists<br />

suggest they help to keep<br />

sweat out of our eyes, or<br />

perhaps they developed<br />

to help us communicate<br />

without words.<br />

A single arch of your<br />

eyebrows can show<br />

disbelief, caution, or<br />

suggest attraction.<br />

According to Bryson,<br />

the Mona Lisa looks so<br />

enigmatic because she<br />

lacks eyebrows (please<br />

say I’m not the only one<br />

who didn’t notice that?).<br />

The importance of<br />

language<br />

One area I feel is<br />

important to highlight,<br />

is the potentially<br />

triggering language<br />

used around suicide.<br />

Several times Bryson<br />

speaks about the act of<br />

‘committing’ suicide.<br />

While this is still an<br />

(unfortunately) common<br />

turn of phrase, there are<br />

numerous guidelines on<br />

the best ways to write<br />

about suicide.<br />

While it doesn’t feel<br />

like the author intends<br />

to offend, it stands out as<br />

a missed opportunity to<br />

focus on the importance<br />

of language sensitivity.<br />

Speaking about suicide<br />

can be a challenge; by<br />

using the term ‘commit’,<br />

journalists, authors,<br />

and other professionals,<br />

risk stigmatising those<br />

who have attempted or<br />

completed suicide.<br />

As Natasha Devon<br />

explains in The Mental<br />

Health Media Charter,<br />

the terms ‘commit’<br />

or ‘successful’ suicide<br />

“suggests criminality<br />

and blame. We now<br />

understand that suicide<br />

happens when pain<br />

exceeds resources for<br />

coping with pain. It is<br />

not a criminal act in<br />

the UK, and has not<br />

been since 1961. The<br />

best alternative is ‘died<br />

by suicide’, ‘attempted/<br />

completed suicide’ or<br />

‘took/ended their own<br />

life.’”<br />

Should I read it?<br />

Setting aside any issues<br />

around language<br />

sensitivities, I would<br />

thoroughly recommend<br />

The Body. A heavy<br />

subject to be sure, and<br />

while the narrative lacks<br />

some of the author’s<br />

famous wit, Bryson still<br />

offers a sense of charm<br />

and wonder that is<br />

bound to spark curiosity<br />

in many readers.<br />

Balancing details with<br />

interesting anecdotes,<br />

we’re given just<br />

enough information<br />

to intrigue without<br />

becoming bogged<br />

down. Whether you’ve<br />

already got a solid basis<br />

of knowledge, or are<br />

looking to dip your<br />

toe into the world of<br />

more scientific reading,<br />

The Body: A Guide for<br />

Occupants is sure to<br />

teach you something<br />

new.<br />

If you liked this, you’ll love...<br />

A Short History<br />

of Nearly<br />

Everything<br />

by Bill Bryson<br />

Join Bryson on his quest to<br />

understand everything from<br />

the Big Bang to the rise of<br />

civilization. Journey through<br />

geology, chemistry, and particle<br />

physics, in a refreshingly<br />

comprehensive way.<br />

The Remarkable<br />

Life of the Skin<br />

by Monty Lyman<br />

How does our diet affect<br />

our skin? What makes our<br />

skin age? Why can’t we<br />

tickle ourselves? We live in<br />

it every day, yet how much<br />

do we really know about<br />

our skin?<br />

Must<br />

Reads<br />

Talking to<br />

Strangers<br />

by Malcolm<br />

Gladwell<br />

Why do we so often get other<br />

people wrong? Why is it so<br />

hard to detect lies, read faces,<br />

and judge motives? This book<br />

explores encounters from<br />

history, psychology, and<br />

infamous legal cases.<br />

The Body: A Guide<br />

for Occupants by Bill<br />

Bryson<br />

GREAT FOR...<br />

• Readers looking for<br />

accessible scientific<br />

reading<br />

• Fans of Bill Bryson<br />

• Non-fiction<br />

aficionados

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