Runway S/S20

TRENDS
Ports 1961
Givenchy
EASY RIDER
THE AGE OF IDENTIKIT models stomping down the runway
like genetically blessed clones is officially over. After a few years
of championing the individual backstage it no longer appears to
be a trend so much as the norm. “We’re celebrating individuality
at Burberry this season,” confirmed Redken’s Guido Palau.
“The overall feeling is one of richness, a controlled naturalness;
it’s a modern, new texture.” This texture happened to be the
starting point at many other shows which each added in their
own nuances. At Ports 1961, French girls were the inspiration
for the tousled, cool-girl texture which Guido side-parted and
tucked behind the ears. The French also stormed the hair
stations at Givenchy, where Guido gave some a chop for a
“tomboyish, easy vibe”. At Joshua Kane, the theme of Mythical
Creatures lent every model their own character, and Darren
Fowler from Fowler35 used lashings of L’Oréal Professionnel
TECNI.ART to create myriad techniques and textures.
Over at Molly Goddard, Luke Hersheson for L’Oréal
Professionnel took effortless to the extreme with his
straight-from-the-shower half pony. “She’s carefree and fun
and wants her hair off her face but didn’t bother to pull the
ponytail through completely,” he explained.
Molly Goddard
Burberry
HAIR Luke Hersheson for
L’Oréal Professionnel
THE LOOK The ultimate model
off-duty #iwokeuplikethis look
HOW Hair was misted with L’Oréal
Professionnel TECNI.ART Pli to
prep then dried with a diffuser.
TECNI.ART Full Volume Extra
Ports 1961
Ports 1961
GET THE LOOK – MOLLY GODDARD
Mousse was used for separation, then
hair was pulled back and secured in a
pony halfway between the crown and
the nape. On the final tie-through,
hair was pulled halfway through to
leave ends free, an undone feel
exaggerated by breaking hair apart
and pulling out random pieces.
Sacai
Joshua Kane
20 SPRING/SUMMER 2020
RUNWAY