xxvi pärnu international documentary and anthropology film festival ...
xxvi pärnu international documentary and anthropology film festival ...
xxvi pärnu international documentary and anthropology film festival ...
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20<br />
As the best <strong>film</strong> on indigenous peoples Kui parim <strong>film</strong> põlisrahvast<br />
Directed <strong>and</strong> photographed by Giovanni Giommi<br />
Edited by Fabio Capalbo<br />
Produced by Heino Deckert for Ma.Ja.De Filmproduktion<br />
World sales/contact: Deckert Distribution GmbH,<br />
Marienplatz 1, 04103 Leipzig, Germany<br />
Phone +49 3412156638<br />
info@deckert-distribution.com<br />
Directed by Katja Esson<br />
Photographed by Martina Radwan<br />
Sound by Nani Schumann<br />
Edited by Anke Wiesenthal, Felix Drawe<br />
Produced by ma.ja.de <strong>film</strong>produktion<br />
World sales/contact: ma.ja.de. <strong>film</strong>produktions GmbH,<br />
Pohlstraße 44, 10785 Berlin, Germany<br />
Phone +49 3084306166<br />
berlin@majade.de<br />
http://www.skydancer-<strong>documentary</strong>.com/<br />
Directed by Jérôme le Maire<br />
Photographed by Jérôme Colin, Jérôme le Maire<br />
Sound by Jean-Luc Fichefet, Jérôme le Maire<br />
Edited by Matyas Veress<br />
Produced by Iota Production<br />
World sales/contact: Iota Production,<br />
Clos des Pommiers, 7 1310 La Hulpe, Belgium<br />
Phone + 32 3446531<br />
s<strong>and</strong>rine@iotaproduction.com<br />
BAD WEATHER<br />
82 min. 2011, Germany/UK (<strong>film</strong>ed in Bangladesh)<br />
Banishanta Isl<strong>and</strong> is made up of a community of sex workers. Living on a tiny sliver of l<strong>and</strong> 100<br />
meters long <strong>and</strong> only ten meters wide in the Bay of Bengal, south Bangladesh, this community<br />
survives at the frontline of climate change. The rising river, soil erosion <strong>and</strong> frequent cyclones<br />
are slowly destroying what is left of the isl<strong>and</strong>. Razia, Khadija <strong>and</strong> Shefali, three of the last 65<br />
women left living there, are in a battle for their homes, the future of their families, <strong>and</strong> even<br />
their quest for true love. As they strive to hold onto their livelihood, time is running out. Soon<br />
the whole of Banishanta will be totally submerged under water, making it one of the first real<br />
casualties of the shifting global environment.<br />
HALB ILM<br />
Režissöör Giovanni Giommi (Saksa/Inglise, <strong>film</strong>itud Bangladeshis)<br />
Ühel maailma väikseimal saarel, mis on vaid 100 meetrit pikk ning 10 meetrit lai, elab<br />
seksitöötajate kogukond. Siin, Bengaali lahes, on 65 prostituudi elu juuksekarva otsas. Kliima<br />
soojenemisega sagenevad tormid, mis võib lõbumajade saare Banishanta sootumaks minema<br />
uhtuda. Seepärast võtavad mööduvate kaubalaevade mehed siit viimast. Naise müüvad oma<br />
keha, aga mitte armastust. Razija, Khadija ning Shefali hoiavad armastust oma meestele, kes<br />
töötavad siin sutenööridena. Veetaseme tõus ilmameres ennustab peatset lõppu sellele väikesele<br />
kogukonnale.<br />
SKYDANCER<br />
72 min. 2011, USA/Germany<br />
The Brooklyn Bridge, the Empire State Building, the World Trade Center: for more than 120<br />
years, Mohawk ironworkers have raised America’s modern cityscapes. They are called ‘sky walkers’<br />
because they walk fearlessly atop steel beams just a foot wide, high above the city. Who are these<br />
Mohawk sky walkers? What is their secret for overcoming fear? Has ‘sky walking’ replaced an<br />
ancient rite of passage? Or is it the pure need to adapt in order to survive? And what is their life<br />
really like, when every Friday at quitting time, they jump in their cars <strong>and</strong> make the eight-hour<br />
drive up north to their families on the reservation?<br />
SKYDANCER is a feature length <strong>documentary</strong> that takes a provocative look at Indian life<br />
in the 21st century: from the fragile hierarchy on top of the breath-taking steel structures in<br />
New York City to life ‘on the Rez’ where problems like unemployment <strong>and</strong> crime make it hard<br />
to see the pristine beauty of the surrounding l<strong>and</strong>s. The <strong>film</strong> allows exceptional access to the<br />
lives of these ironworkers <strong>and</strong> in the process offers an intriguingly different perspective on<br />
contemporary Native Americans.<br />
TAEVATANTSIJA<br />
Režissöör Katja Esson (USA/Saksamaa)<br />
Brooklyni sild, Empire State Building, Maailma Kaub<strong>and</strong>uskeskus ning paljud teised New<br />
Yorgi kuulsad kõrgehitised on kerkinud Mohawk´i indiaanlaste kätetööna. Neid on hüütud<br />
taevaskõndijateks, sest eriline tasakaalutunne ning kõrgusekartmatus lubab mohawkidel vabalt<br />
kõndida ülikõrgetel teraskonstruktsioonidel ilma julgestusvahenditega. Ahhetamapanevad<br />
võtted pilvelõhkujate ehitamiselt vahelduvad indiaanlaste koduse elu ja esivanemate folkloori<br />
ning uskumuste jätkamisega. Film sellest, kuidas põlisrahvas on suutnud kohaneda moodsa<br />
tsivilisatsiooniga ning samas hoida elus oma keelt ning kultuuri.<br />
TEA OR ELECTRICITY<br />
93min. 2012, Belgium (<strong>film</strong>ed in Morocco)<br />
The <strong>documentary</strong> tells an epic story of the implementation of electricity in a tiny isolated<br />
village amidst of the Moroccan High Atlas. Over more than three years, the <strong>film</strong> maker patiently<br />
followed the decision making process as well as discussions for <strong>and</strong> against the project which<br />
will end the isolated life of the traditional community of the Ifri people. Finally, electricity<br />
arrives <strong>and</strong> changes traditional lifestyle of the next community of indigenous people. Are the<br />
men happy, now?<br />
TEE VÕI ELEKTER<br />
Režissöör Jérôme le Maire (Belgia, <strong>film</strong>itud Marokos)<br />
Eepiline lugu elektriliini ehitamisest väikesesse Maroko külla kesk Atlase kõrgmägesid.<br />
Filmilooja jälgis ja jäädvustas keerulist otsustusprotsessi, sest mitte kõik külaelanikud polnud<br />
nõus aastatuh<strong>and</strong>eid kestnud elustiili muutma. Filmi lõpuks jõuab elekter kohale ning veel üks<br />
põlisrahvas, seekord ifrid, hakkab elama uut moodi. On nad nüüd õnnelikud?
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